Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.
Pornographic films (pornos), erotic films, sex films, 18+ films, or also known as blue movie or blue film, are films that present sexually explicit subject matter in order to arouse, fascinate, or satisfy the viewer. Pornographic films present sexual fantasies and usually include erotically stimulating material such as nudity (softcore) and sexual intercourse (hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective.
Hardcore pornography or hardcore porn is pornography that features detailed depictions of sexual organs or sexual acts such as vaginal, anal, oral or manual intercourse, ejaculation, and fetish play. The term is in contrast with less-explicit softcore pornography. Hardcore pornography usually takes the form of photographs, films, and cartoons. Since the mid-1990s, hardcore pornography has become widely available on the internet, making it more accessible than ever before.
Pornography has existed since the origins of the United States, and has become more readily accessible in the 21st century. Advanced by technological development, it has gone from a hard-to-find "back alley" item, beginning in 1969 with Blue Movie by Andy Warhol, the Golden Age of Porn (1969–1984) and home video, to being more available in the country and later, starting in the 1990s, readily accessible to nearly anyone with a computer or other device connected to the Internet. The U.S. has no current plans to block explicit content from children and adolescents, as many other countries have planned or proceeded to do.
A cum shot is the depiction of human ejaculation, especially onto another person. The term is usually applied to depictions occurring in pornographic films, photographs, and magazines. Unlike ejaculation in non-pornographic sex, cum shots typically involve ejaculation outside the receiver's body, allowing the viewer to see the ejaculation in progress. Facial cum shots are regularly portrayed in pornographic films and videos, often as a way to close a scene. Cum shots may also depict ejaculation onto another performer's body, such as on the genitals, buttocks, chest or tongue.
A facial is a sexual activity in which a man ejaculates semen onto the face of one or more sexual partners. A facial is a form of non-penetrative sex, though it is generally performed after some other means of sexual stimulation, such as vaginal sex, anal sex, oral sex, manual sex or masturbation. Facials are regularly portrayed in pornographic films and videos, often as a way to close a scene.
The casting couch is a euphemism for the practice of soliciting sexual favors from a job applicant in exchange for employment in the entertainment industry, primarily acting roles. The practice is illegal in the United States. Predominantly male casting directors and film producers use the casting couch to extract sex from aspiring actors in Hollywood, Bollywood, Broadway, and other segments of the industry. The term casting couch originally referred to physical couches in the casting office, but is now a metonym for the phenomenon as a whole. Depictions of casting couch sexual encounters have also become a genre of pornography.
Ethnic pornography is a genre of pornography featuring performers of specific ethnic groups, or depictions of interracial sexual activity.
Smart Alec, aka Smart Aleck, is a 1951 pornographic film. The silent short, which is no more than 20 minutes in length and was filmed in black-and-white, was one of the most famous and widely circulated of the early underground pornographic era. It has been called "iconographic", "the best known of all American stag films", and the "apogee of the American stag tradition". The leading actress, then known as Juanita Slusher, a buxom young woman of age 16 who appeared substantially older, later went on to fame as the stripper Candy Barr. Barr was working as a prostitute at the time, and was forced to feature in the film by one of her clients. At the time there was a rumour that the man was Gary Crosby, son of Bing Crosby. It was shot in a Dallas hotel, which was the setting for several other pornographic shorts of the period. Other sources, such as the Internet Movie Database, report that the stag film was shot in San Antonio and the young Juanita was inveigled into appearing in it by a patron of a Dallas strip club where she worked as a cigarette girl and had sex with generous tippers.
Gonzo pornography is a style of pornographic film that attempts to place the viewer directly into the scene. Jamie Gillis is considered to have started the gonzo pornography genre with his On the Prowl series of films.
El Satario, also known as El Sartorio or ”The Devil”, is the name of one of the earliest surviving pornographic films. Based on the fashions and technology depicted, it was likely produced in Argentina around 1907, and includes possibly the first use of extreme close-ups of genitalia. One author has suggested that it may instead date to 1930s Cuba. It has also been suggested that the film is intended as a parody of Vaslav Nijinsky's ballet Afternoon of a Faun.
The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which had subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger, the "crown jewel" of the Golden Age, according to award-winning author Toni Bentley. According to Andy Warhol, his Blue Movie film was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was shown in theaters.
Le Ménage moderne du Madame Butterfly is a bisexual, hardcore pornographic film from France. It is notable for being the earliest known adult film to incorporate bisexual and homosexual intercourse.
The Surprise of a Knight is a gay pornographic hardcore film from the United States. Most likely released in 1929, it is notable for being the earliest known American pornographic film to depict exclusively homosexual intercourse.
Gay pornography is the representation of sexual activity between males. Its primary goal is sexual arousal in its audience. Softcore gay pornography also exists; which at one time constituted the genre, and may be produced as beefcake pornography directed toward heterosexual female, homosexual male and bisexual audiences of any gender.
Feminist views on pornography range from total condemnation of the medium as an inherent form of violence against women to an embracing of some forms as a medium of feminist expression. This debate reflects larger concerns surrounding feminist views on sexuality, and is closely related to those on prostitution, BDSM, and other issues. Pornography has been one of the most divisive issues in feminism, particularly in Anglophone (English-speaking) countries. This division was exemplified in the feminist sex wars of the 1980s, which pitted anti-pornography activists against pro-pornography ones.
Am Abend is an early 20th century German stag film which was made in 1910. Along with the Argentinian film El Satario and the American film A Free Ride or A Grass Sandwich, it is one of the earliest hardcore pornographic films, produced between the years 1907 and 1915, that have been collected at the Kinsey Institute for Research in Sex, Gender, and Reproduction.
A Free Ride, also known as A Grass Sandwich, is a stag film of the silent era, considered the earliest extant American hardcore pornographic movie. It depicts a motorist who picks up two women from the roadside and later engages in several sex acts with them. Although most scholars consider A Free Ride a 1915 film, some sources claim that it was produced later. The film's director used a pseudonym and the cast remained anonymous. The filming location is not known, although it may have been produced in New Jersey. Two contradictory theories have emerged regarding the identities of the cast: some sources suggest they were people with low social status, but others assert the opposite. The Kinsey Institute has a print of the film in its collection. A Free Ride was screened at the inauguration of the Museum of Sex. In 2004, Lisa Oppenheim, a New York–based artist, remade the film.
The Virgin with the Hot Pants is a 1924 American stag film. Danuta Zadworna-Fjellestad and film scholar Linda Williams put the production date of this film at 1923–1924. It is the first known pornographic film to use animated cartoons.
The Working Man Trilogy is a landmark American gay pornographic trilogy released in the late 1970s. The films were created and directed by Tim Kincaid under the pseudonym Joe Gage, with Sam Gage serving as producer on all three. The series featured universally masculine, working class male actors engaging in various sexual activities with each other, a notable divergence from the usual masculine/feminine partner roles found in earlier gay porn.
