Linda Williams (film scholar)

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ISBN 0-520-07896-9
  • Hard Core: Power, Pleasure and the Frenzy of the Visible (University of California Press, 1989). Expanded Paperback Edition: University of California Press, 1999, ISBN   0-520-21943-0
  • Playing the Race Card: Melodramas of Black & White from Uncle Tom to O.J.Simpson, Princeton University Press, Paperback edition, 2002, ISBN   0-691-10283-X
  • Screening Sex, Duke University Press, 2008, ISBN   978-0-8223-4285-4
  • On The Wire, Duke University Press, 2014, ISBN   978-0822357179
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    <span class="mw-page-title-main">Hardcore pornography</span> Explicit graphic depictions of sexual acts

    Hardcore pornography or hardcore porn is pornography that features detailed depictions of sexual organs or sexual acts such as vaginal, anal, oral or manual intercourse, ejaculation, and fetish play. The term is in contrast with less-explicit softcore pornography. Hardcore pornography usually takes the form of photographs, films, and cartoons. Since the mid-1990s, hardcore pornography has become widely available on the internet, making it more accessible than ever before.

    <i>Behind the Green Door</i> 1972 film by Mitchell brothers

    Behind the Green Door is a 1972 American pornographic film, widely considered one of the genre's "classic" pictures and one of the films that ushered in the Golden Age of Porn (1969–1984). Featuring Marilyn Chambers, who became a mainstream celebrity, it was one of the first hardcore films widely released in the United States and the feature-length directorial debut of the Mitchell brothers.

    <span class="mw-page-title-main">Cum shot</span> Depiction of human ejaculation

    A cum shot is the depiction of human ejaculation, especially onto another person. The term is usually applied to depictions occurring in pornographic films, photographs, and magazines. Unlike ejaculation in non-pornographic sex, cum shots typically involve ejaculation outside the receiver's body, allowing the viewer to see the ejaculation in progress. Facial cum shots are regularly portrayed in pornographic films and videos, often as a way to close a scene. Cum shots may also depict ejaculation onto another performer's body, such as on the genitals, buttocks, chest or tongue.

    <span class="mw-page-title-main">Facial (sexual act)</span> Sexual activity involving ejaculating on the face of another

    A facial is a sexual activity in which a man ejaculates semen onto the face of one or more sexual partners. A facial is a form of non-penetrative sex, though it is generally performed after some other means of sexual stimulation, such as vaginal sex, anal sex, oral sex, manual sex or masturbation. Facials are regularly portrayed in pornographic films and videos, often as a way to close a scene.

    A money shot is a moving or stationary visual element of a film, video, television broadcast, or print publication that is disproportionately expensive to produce or is perceived as essential to the overall importance or revenue-generating potential of the work.

    <span class="mw-page-title-main">Stag film</span> Silent pornographic film genre

    A stag film is the euphemistic term for a type of pornographic film of underground productions beginning in the late 1900s until the late 1960s of the 20th century when major Hollywood productions of adult films became mainstream. Typically, stag films had certain traits. They were brief in duration, were silent, depicted softcore or hardcore pornography and were produced clandestinely due to censorship laws. Stag films were screened for all-male audiences in fraternities or similar locations; observers offered a raucous collective response to the film, exchanging sexual banter and achieving sexual arousal. Stag films were often screened in brothels.

    <span class="mw-page-title-main">Ethnic pornography</span> Genre of pornography that depicts a specific ethnic group of performers

    Ethnic pornography is a genre of pornography featuring performers of specific ethnic groups, or depictions of interracial sexual activity.

    Glen Warren Bowersock is a historian of ancient Greece, Rome and the Near East, and former chairman of Harvard’s classics department.

    Frederic Evans Wakeman Jr. was an American scholar of East Asian history and Professor of History at University of California, Berkeley. He served as president of the American Historical Association and of the Social Science Research Council. Jonathan D. Spence said of Wakeman that he was an evocative writer who chose, "like the novelist he really wanted to be, stories that split into different currents and swept the reader along", adding that he was "quite simply the best modern Chinese historian of the last 30 years".

    Carol Jeanne Clover is an American professor of Medieval Studies and American Film at the University of California, Berkeley.

    <span class="mw-page-title-main">Wendy Brown</span> American political theorist (born 1955)

    Wendy L. Brown is an American political theorist. She is the UPS Foundation Professor in the School of Social Science at the Institute for Advanced Study in Princeton, NJ. Previously, she was Class of 1936 First Professor of Political Science and a core faculty member in The Program for Critical Theory at the University of California, Berkeley.

    <span class="mw-page-title-main">Golden Age of Porn</span> Era of mainstream success for sexually explicit films (1969–1984)

    The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona the Virgin Nymph produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger, the "crown jewel" of the Golden Age, according to award-winning author Toni Bentley. According to Andy Warhol, his Blue Movie film was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released in 1972, three years after Blue Movie was shown in theaters.

    <i>The Surprise of a Knight</i> 1929 film

    The Surprise of a Knight is a gay pornographic hardcore film from the United States. Most likely released in 1929, it is notable for being the earliest known American pornographic film to depict exclusively homosexual intercourse.

    Queer pornography depicts performers with various gender identities and sexual orientations interacting and exploring genres of desire and pleasure in unique ways. These conveyed interactions distinctively seek to challenge the conventional modes of portraying and experiencing sexually explicit content. Scholar Ingrid Ryberg additionally includes two main objectives of queer pornography in her definition as "interrogating and troubling gender and sexual categories and aiming at sexual arousal."

    <i>Am Abend</i> 1910 film

    Am Abend is an early 20th century German stag film which was made in 1910. Along with the Argentinian film El Satario and the American film A Free Ride or A Grass Sandwich, it is one of the earliest hardcore pornographic films, produced between the years 1907 and 1915, that have been collected at the Kinsey Institute for Research in Sex, Gender, and Reproduction.

    <i>The Private Afternoons of Pamela Mann</i> 1974 American hardcore adult film by Radley Metzger

    The Private Afternoons of Pamela Mann is a 1974 American hardcore adult film starring Barbara Bourbon and directed by Radley Metzger that is considered one of the classics of the Golden Age of Porn (1969–1984). It was a step forward in the development of the genre, as it had a plot and good acting. The movie can be seen as a meditation on voyeurism, due to the trope of Mann being spied on by a private detective hired by her husband, and the production of pornography itself, as the detective films her sexual encounters.

    Karen Elizabeth Boyle, is Professor of Feminist Media Studies at the University of Strathclyde, previously she was professor of Feminist Studies at the University of Stirling, and before that was a lecturer in film and television studies at the University of Glasgow. She has published a number of articles on feminism, violence and pornography.

    <i>Naked Came the Stranger</i> (film) 1975 film by Radley Metzger

    Naked Came the Stranger is an American adult erotic film released in 1975. The film was directed by Radley Metzger and filmed in several elaborate locations in New York City.

    <i>The Tale of Tiffany Lust</i> 1981 film by Radley Metzger

    The Tale of Tiffany Lust, also known as Body Lust, is a 1979 American pornographic film. It was directed by Radley Metzger but credited for convenience to French director and occasional Metzger collaborator Gérard Kikoïne, who may have served as an advisor. The film was shot in several locations in New York City. It opened in France on 27 June 1979 under the title Dolly l'initiatrice, but was not released in the U.S. until 1981.

    <i>The Sins of Ilsa</i> American film

    The Sins of Ilsa is a 1985 American adult erotic film, based on a novel by Iris Murdoch, filmed in New York City and, for exteriors, in Paris. The film is notable as the last film directed by Radley Metzger and, as of November 2019, has not yet been released publicly.

    References

    1. 1 2 3 "fm.berkeley.edu". Archived from the original on 2014-02-04. Retrieved 2012-06-25.
    2. Keith, Barry. Film Genre: From Iconography to Ideology. Wallflower Press: 2007
    3. Williams, Linda (1989). Hard Core: Power, Please, and the "Frenzy of the Visible" . Berkeley and Los Angeles: University of California Press. p.  78. ISBN   978-0-520-06652-6.
    4. Linda Williams, Curriculum Vita
    5. 1 2 "UCB Rhetoric - UCB Rhetoric Department - Faculty, Emeritus Faculty, Visiting Scholars, Post Doctorate". rhetoric.berkeley.edu. Archived from the original on 2013-01-13.
    6. "Linda Williams wins SCMS Katherine Singer Kovács Essay Award | Film & Media Studies | UC Berkeley". Archived from the original on 2013-05-14. Retrieved 2013-04-26.
    7. "Distinguished Career Achievement Award -- Speeches - Society for Cinema and Media Studies".
    8. "Professors Recognized for Outstanding Mentorship".
    9. Williams, Linda (July 1991). "Film Bodies: Gender, Genre, and Excess". Film Quarterly. 44 (4): 2–13. doi:10.2307/1212758. JSTOR   1212758.
    Linda Williams
    180225 Taller Repensar los generos del cuerpo 46m59s (cropped).jpg
    Williams at the University of Buenos Aires in 2018
    Born (1946-12-18) December 18, 1946 (age 78)
    Academic background
    Alma mater University of Colorado Boulder
    Thesis Figures of desire: an analysis of surrealist film  (1977)