Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.
A facial is a sexual activity in which a man ejaculates semen onto the face of one or more sexual partners. A facial is a form of non-penetrative sex, though it is generally performed after some other means of sexual stimulation, such as vaginal sex, anal sex, oral sex, manual sex or masturbation. Facials are regularly portrayed in pornographic films and videos, often as a way to close a scene.
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis, political theory, home economics, literature, education, and philosophy.
Nancy C. M. Hartsock (1943–2015) was a professor of Political Science and Women Studies at the University of Washington from 1984 to 2009.
Claire Johnston (1940–1987) was a feminist film theoretician. She wrote seminal essays on the construction of ideology in mainstream cinema.
Gayle S. Rubin is an American cultural anthropologist, theorist and activist, best known for her pioneering work in feminist theory and queer studies.
Michelle Citron is a film, video and multimedia artist, scholar and author.
Linda Nochlin was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article "Why Have There Been No Great Women Artists?" published by ARTnews.
Mary, Lady Chudleigh was an English poet who belonged to an intellectual circle that included Mary Astell, Elizabeth Thomas, Judith Drake, Elizabeth Elstob, Lady Mary Wortley Montagu, and John Norris. In her later years she published a volume of poetry and two volumes of essays, all dealing with feminist themes. Two of her books were published in four editions during the last ten years of her life. Her poetry on the subject of human relationships and reactions has appeared in several anthologies. Her feminist essays are still in print.
Pam Cook is Professor Emerita in Film at the University of Southampton. She was educated at Sir William Perkins's School, Chertsey, Surrey and Birmingham University, where she was taught by Stuart Hall, Richard Hoggart, Malcolm Bradbury, and David Lodge. Along with Laura Mulvey and Claire Johnston, she was a pioneer of 1970s Anglo-American feminist film theory. Her collaboration with Claire Johnston on the work of Hollywood film director Dorothy Arzner provoked debate among feminist film scholars over the following decades.
Toby Miller is a British/Australian-American cultural studies and media studies scholar. He is the author of several books and articles. He was chair of the Department of Media & Cultural Studies at the University of California, Riverside (UCR) and is most recently a professor at Loughborough University. Prior to his academic career, Miller worked in broadcasting, banking, and civil service.
Michael Atkinson is an American writer, poet and film critic. His debut novel is Hemingway Deadlights, and he has written widely on film and culture, in Sight & Sound, The Village Voice, The Guardian, Film Comment, The Believer, In These Times, The Criterion Collection, Rolling Stone, The Progressive, Spin, Maxim, The Boston Phoenix, Details, Moving Image Source, IFC.com, TCM.com, Movieline, The Poetry Foundation, Chicago Reader, LA Weekly, The Stranger, The American Prospect, Baltimore City Paper, Modern Painters, and other publications.
Diane Rosemary Elson is a British economist, sociologist and gender and development social scientist. She is Professor Emerita of sociology at the University of Essex and a former professor of development studies at the University of Manchester.
Ginette Vincendeau is a French-born British-based academic who is a professor of film studies at King's College London.
Annette Frieda Kuhn, FBA is a British author, cultural historian, educator, researcher, editor and feminist. She is known for her work in screen studies, visual culture, film history and cultural memory. She is Professor and Research Fellow in Film Studies at Queen Mary University of London.
Rosalyn Baxandall was an American historian of women's activism and feminist activist.
Linda Claire Steiner is a professor at Philip Merrill College of Journalism, University of Maryland. She is also the editor-in-chief of the journal Journalism & Communication Monographs, and sits on the editorial board of Critical Studies in Media Communication.
Karen Elizabeth Boyle, is Professor of Feminist Media Studies at the University of Strathclyde, previously she was professor of Feminist Studies at the University of Stirling, and before that was a lecturer in film and television studies at the University of Glasgow. She has published a number of articles on feminism, violence and pornography.
Carolyn Marie West is associate professor of psychology, at the University of Washington Tacoma, and was the first holder of the Bartley Dobb Professorship for the Study and Prevention of Violence (2005-2008).
Helen (charles) is a Black British lesbian feminist writer and activist, who has written on womanism and the concept of whiteness. (charles) writes the shape of her name to recall the history of imposition of "family" names on black slaves.
