Susan Sellers | |
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Nationality | British |
Citizenship | British |
Alma mater | University of London University of Paris |
Known for |
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Awards | Arts and Humanities Research Council Award Leverhulme Research Fellowship Canongate Prize |
Scientific career | |
Fields | Literature in English; Creative Writing |
Institutions | University of St Andrews |
Susan Sellers is a British author, translator, editor and novelist. She was the first woman to be made a professor in the field of English literature as well as creative writing at the University of St Andrews, [1] and is co-General Editor of the Cambridge University Press edition of the writings of Virginia Woolf. [2]
Sellers' first novel, Vanessa and Virginia, is a fictionalised account of the life of Vanessa Bell and of her complex relationship with her sister Virginia Woolf. [3] Sellers' second novel, Given the Choice, [4] is set in the contemporary art and music worlds. Her most recent novel Firebird is about the Russian dancer Lydia Lopokova, her love affair and marriage to British economist John Maynard Keynes, and her relationship with the Bloomsbury Group.
Sellers gained her PhD from the University of London in 1992, having previously received a Diplôme d'Etudes Approfondies from the University of Paris (Sorbonne). While in Paris, Sellers became involved with leading French feminist writers, and has written on their work, for example, Language and Sexual Difference (Macmillan, 1995). [5] She has worked closely with Hélène Cixous, and has been influential in introducing her work to the English-speaking world, in books such as The Hélène Cixous Reader (Routledge, 1994), [6] Hélène Cixous: Authorship, Autobiography and Love (Polity and Blackwell, 1996), [7] Hélène Cixous: Live Theory (Continuum, 2004), and in translations such as Three Steps on the Ladder of Writing (Columbia University Press, 1993) and Coming to Writing and Other Essays (Harvard University Press, 1991).
Sellers' work has been oriented towards women's writing. Myth and Fairy Tale in Contemporary Women's Fiction (Palgrave, 2001) [8] is an investigation into the ongoing resonance of myth and fairy tale for contemporary women's fiction, drawing on material by Sigmund Freud, Carl Jung, Bruno Bettelheim, Roland Barthes, Jack Zipes and Marina Warner, as well as French feminists Hélène Cixous, Luce Irigaray and Julia Kristeva, to read works by such writers as A. S. Byatt, Angela Carter, Anne Rice, Michèle Roberts, Emma Tennant and Fay Weldon. Sellers has also written on and edited a number of collections concerned with feminist theory and criticism, including A History of Feminist Literary Criticism (with Gill Plain, Cambridge University Press, 2007) [9] and Feminist Criticism: Theory and Practice (Harvester Wheatsheaf, 1991).
Sellers' interest in the writings of Virginia Woolf has led to her involvement in the Cambridge University Press edition of Woolf's writings which received a major Arts and Humanities Research Council Award in 2005 to support post-doctoral researchers. The edition aims for transparency in its mapping of the variants between the first British edition of Woolf's texts and those she subsequently oversaw – in particular the first American publication. It also aims to provide full annotation to Woolf's densely allusive prose. In addition to co-directing the project, Sellers also co-edited Virginia Woolf's The Waves (with Michael Herbert) [10] and co-wrote the 'Introduction' to Jacob's Room with Stuart N. Clarke. With Sue Roe, Sellers co-edited and contributed to The Cambridge Companion to Virginia Woolf (Cambridge University Press, 2000). [11] Sellers edited the second edition of The Cambridge Companion to Virginia Woolf in 2010. [12] Sellers' novel, Vanessa and Virginia, is in part a fictional biography of Virginia Woolf. It has been translated into 16 languages, including Chinese, Japanese and Persian, and was adapted for the stage by Elizabeth Wright and directed by Emma Gersch in 2009. The play premiered in Aix-en-Provence in 2010.
Throughout, Sellers has been particularly interested in the creative process of writing. This is reflected in three collections published by The Women's Press – Delighting the Heart: A Notebook by Women Writers (1988), Taking Reality by Surprise (1991), and Instead of Full Stops (1996) – as well as in the translated selections from The Writing Notebooks of Hélène Cixous ( Continuum, 2004). [13] For this latter project, Sellers was awarded a Leverhulme Research Fellowship in 2001–2002, which she held as a Visiting Fellow of Trinity College, Cambridge.
Sellers now combines academic research with work as a novelist. In 2012 she was elected a senior member of St Catharine's College, Cambridge and in 2020 of Robinson College, Cambridge.
Adeline Virginia Woolf was an English writer. She is considered one of the most important modernist 20th-century authors. She pioneered the use of stream of consciousness as a narrative device.
The Bloomsbury Group or Bloomsbury Set was a group of associated English writers, intellectuals, philosophers and artists in the early 20th century. Among the people involved in the group were Virginia Woolf, John Maynard Keynes, E. M. Forster, Vanessa Bell, and Lytton Strachey. Their works and outlook deeply influenced literature, aesthetics, criticism, and economics, as well as modern attitudes towards feminism, pacifism, and sexuality.
Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths.
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists.
Hélène Cixous is a French writer, playwright and literary critic. During her academic career, she was primarily associated with the Centre universitaire de Vincennes, which she co-founded in 1969 and where she created the first centre of women's studies at a European university. Known for her experimental writing style and great versatility as a writer and thinker, she has written more than seventy books dealing with multiple genres: theatre, literary and feminist theory, art criticism, autobiography and poetic fiction.
Arthur Clive Heward Bell was an English art critic, associated with formalism and the Bloomsbury Group. He developed the art theory known as significant form.
The Waves is a 1931 novel by English novelist Virginia Woolf. It is critically regarded as her most experimental work, consisting of ambiguous and cryptic soliloquies spoken mainly by six characters: Bernard, Susan, Rhoda, Neville, Jinny and Louis. Percival, a seventh character, appears in the soliloquies, though readers never hear him speak in his own voice.
Écriture féminine, or "women's writing", is a term coined by French feminist and literary theorist Hélène Cixous in her 1975 essay "The Laugh of the Medusa". Cixous aimed to establish a genre of literary writing that deviates from traditional masculine styles of writing, one which examines the relationship between the cultural and psychological inscription of the female body and female difference in language and text. This strand of feminist literary theory originated in France in the early 1970s through the works of Cixous and other theorists including Luce Irigaray, Chantal Chawaf, Catherine Clément and Julia Kristeva, and has subsequently been expanded upon by writers such as psychoanalytic theorist Bracha Ettinger. who emerged in this field in the early 1990s,
The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination is a 1979 book by Sandra Gilbert and Susan Gubar, in which they examine Victorian literature from a feminist perspective. Gilbert and Gubar draw their title from Charlotte Brontë's Jane Eyre, in which Rochester's wife is kept secretly locked in an attic apartment by her husband.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men." It is not a question of the subject matter or political stance of a particular author, but of her sex, i.e. her position as a woman within the literary world.
Feminist literature is fiction, nonfiction, drama, or poetry, which supports the feminist goals of defining, establishing, and defending equal civil, political, economic, and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regarding status, privilege, and power – and generally portrays the consequences to women, men, families, communities, and societies as undesirable.
Poststructural feminism is a branch of feminism that engages with insights from post-structuralist thought. Poststructural feminism emphasizes "the contingent and discursive nature of all identities", and in particular the social construction of gendered subjectivities.
A novelist is an author or writer of novels, though often novelists also write in other genres of both fiction and non-fiction. Some novelists are professional novelists, thus make a living writing novels and other fiction, while others aspire to support themselves in this way or write as an avocation. Most novelists struggle to have their debut novel published, but once published they often continue to be published, although very few become literary celebrities, thus gaining prestige or a considerable income from their work.
Kate Zambreno is an American novelist, essayist, critic, and professor. She teaches writing in the graduate nonfiction program at Columbia University and at Sarah Lawrence College. Zambreno is a 2021 Guggenheim Fellow in Nonfiction.
Josephine Donovan is an American scholar of comparative literature who is a professor emerita of English in the Department of English at the University of Maine, Orono. Her research and expertise has covered feminist theory, feminist criticism, animal ethics, and both early modern and American literature with a special focus on American writer Sarah Orne Jewett and the local colorists. She recently extended her study of local color literature to the European tradition. Along with Marti Kheel, Carol J. Adams, and others, Donovan introduced ecofeminist care theory, rooted in cultural feminism, to the field of animal ethics. Her published corpus includes ten books, five edited books, over fifty articles, and seven short stories.
Joanne Schultz Frye is a Professor Emerita of English and Women's Studies at the College of Wooster. Frye is known for her feminist literary criticism and interdisciplinary inquiry into motherhood. She specializes in research on fiction by and about women, such as the work of Virginia Woolf, Tillie Olsen, and Jane Lazarre.
Heather Elizabeth Ingman is a British academic, noted for her work on Irish and British women's writing, the Irish short story, gender studies and modernism. Also a novelist and journalist, Ingman has worked in Ireland and the UK, especially at Trinity College Dublin, where she is an adjunct professor of English and Research Fellow in Gender Studies.
Elizabeth Abel is an American literary scholar, professor of English at the University of California, Berkeley. Abel was an assistant professor at the University of Chicago. In 1981 she was guest editor for a special issue of Critical Inquiry, 'Writing and Sexual Difference'. The essays marked a shift in feminist literary theory from "recovering a lost tradition to discovering the terms of confrontation with the dominant tradition", by means of "specific historical studies of the ways women revise prevailing themes and styles". Abel's Virginia Woolf and the fictions of psychoanalysis related Virginia Woolf's work to 1920s social anthropology and the psychoanalytic theories of Sigmund Freud and Melanie Klein.
Nicole Ward Jouve is a French writer and literary critic, who writes in both French and English. For most of her career Ward Jouve lived and worked in England. She is Emeritus Professor of Literature at the University of York.
Maggie Humm is an English feminist academic, Emeritus Professor of Cultural Studies at the University of East London. She has written on feminism and modernism, particularly the work of Virginia Woolf.