Film studies

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Film-screening room at Georgetown University, Washington, D.C. Filmstudiesphoto1.jpg
Film-screening room at Georgetown University, Washington, D.C.

Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies. [1]

Contents

Film studies is less concerned with advancing proficiency in film production than it is with exploring the narrative, artistic, cultural, economic, and political implications of the cinema. [1] In searching for these social-ideological values, film studies takes a series of critical approaches for the analysis of production, theoretical framework, context, and creation. [2] Also, in studying film, possible careers include critic or production. Overall the study of film continues to grow, as does the industry on which it focuses.

Academic journals publishing film studies work include Sight & Sound , Film Comment , Film International , CineAction , Screen , Journal of Cinema and Media Studies , Film Quarterly , Projections: The Journal for Movies and Mind, and Journal of Film and Video .

History

Film studies as an academic discipline emerged in the 20th century, decades after the invention of motion pictures. Rather than focusing on the technical aspects of film production, film studies are concentrated on film theory, which approaches film critically as an art, and the writing of film historiography. Because film became an invention and industry only in the late 19th century, a generation of film producers and directors existed significantly before the academic analysis that followed in later generations.

Early film schools focused on the production and subjective critique of film rather than on the critical approaches, history and theory used to study academically. The concept of film studies arose as a means of analyzing the formal aspects of film as the films were created. Established in 1919, the Moscow Film School was the first school in the world to focus on film. In the United States, the USC School of Cinematic Arts, established in 1929, was the first cinematic-based school, which was created in agreement with the Academy of Motion Picture Arts and Sciences. It was also the first to offer an academic major in film in 1932, but the program lacked many of the distinctions associated with contemporary film study. Universities began to implement cinema-related curricula without separation of the abstract and practical approaches.

The German Deutsche Filmakademie Babelsberg was founded during the era of the Third Reich in 1938. Its lecturers included Willi Forst and Heinrich George. Students were required to create films in order to complete their studies at the academy.

A movement away from Hollywood productions in the 1950s turned cinema into a more artistic independent endeavor. It was the creation of the auteur theory, which examines film as the director's vision and art, that broadened the scope of academic film studies to a worldwide presence in the 1960s. In 1965, film critic Robin Wood, in his writings on Alfred Hitchcock, declared that Hitchcock's films contained the same complexities of Shakespeare's plays. [3] Similarly, French director Jean Luc Godard, a contributor to the influential magazine Cahiers du Cinéma , wrote: "Jerry Lewis [...] is the only one in Hollywood doing something different, the only one who isn't falling in with the established categories, the norms, the principles. [...] Lewis is the only one today who's making courageous films." [4]

A catalyst in the success and stature of academic film studies has been large donations to universities by successful commercial filmmakers. For example, director George Lucas donated $175 million to the USC School of Cinematic Arts in 2006. [5]

Approaches to film studies

Modern film studies

Today, film studies are taught worldwide and has grown to encompass numerous methods for teaching history, culture and society. Many liberal arts colleges and universities, as well as American high schools, contain courses specifically focused on the analysis of film. [6] Modern-day film studies increasingly reflect popular culture and art, and a wide variety of curricula have emerged for analysis of critical approaches used in film. [7] Students are typically expected to form the ability to detect conceptual shifts in film, a vocabulary for the analysis of film form and style, a sense of ideological dimensions of film and an awareness of extra textual domains and possible direction of film in the future. [8] Universities often allow students to participate in film research and attend seminars of specialized topics to enhance their critical abilities. [9]

Common curriculum

The curriculum of tertiary-level film studies programs often include but are not limited to: [10] [11] [12]

  1. Attention to time period
  2. Attention to regional creation
  3. Attention to genre
  4. Attention to creators

American film studies

A total of 144 tertiary institutions in the United States offer a major program in film studies. [6] This number continues to grow each year with new interest in film studies. Institutions offering film degrees as part of their arts or communications curricula differ from institutions with dedicated film programs.

The success of the American film industry has contributed to the popularity of academic film studies in the U.S., and film-related degrees often enable graduates to pursue careers in the production of film, especially directing and producing films. [13] Courses often combine alternate media, such as television or new media, in combination with film studies. [14]

Worldwide film studies

Film-studies programs at all levels [15] are offered worldwide, primarily in the countries in the Global North. In many cases, film studies can be found in departments of media studies or communication studies. [16] Film archives and museums such as the Eye Filmmuseum in Amsterdam [17] also conduct scholarly projects alongside educational and outreach programs.

Film festivals play an important role in the study of film and may include discourses on topics such as film style, aesthetics, representation, production, distribution, social impact, history, archival and curation. Major festivals such as the Cannes Film Festival [18] offer extensive programs with talks and panel discussions. They also inform film historiography, [19] most actively through retrospectives and historical sections such as Cannes Classics.

Film festival FESPACO serves as a major hub for discourse on cinema on the African continent. [20]

Prominent scholars

Academic journals

See also

Related Research Articles

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David Jay Bordwell was an American film theorist and film historian. After receiving his PhD from the University of Iowa in 1973, he wrote more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film Style (1997).

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Richard Barsam, author and film historian, is Professor Emeritus of Film Studies at Hunter College of The City University of New York (CUNY).

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Manouchka Kelly Labouba, is a Gabonese director, screenwriter, and producer of short films including the critically acclaimed Marty et la tendre dame, Le guichet automatique and Le divorce. With the release of Le divorce in 2008 she became the youngest director in the history Gabon, and the first Gabonese woman to direct a fiction film in the country. She is also an academic, cinematographer, editor and camera operator.

<span class="mw-page-title-main">William Rothman</span> American film theorist and critic

William Rothman is an American film theorist and critic. Since receiving his Ph.D. in philosophy from Harvard University in 1974, he has authored numerous books, including Hitchcock: The Murderous Gaze (1982), The “I” of the Camera: Essays in Film Criticism, History and Aesthetic (1988), and Tuitions and Intuitions: Essays at the Intersection of Film Criticism and Philosophy (2019). He was "part of a modern wave of thinkers to apply questions of philosophy to the medium of movies" during the 1980s, and his work contributed to the emergence of the sub-discipline that has come to be known as “film-philosophy.” Rothman has also written on aspects of film theory and on the writings of Stanley Cavell, an American philosopher who made film a major focus of his work. He is currently Professor of Cinematic Arts in the School of Communication at the University of Miami.

References

  1. 1 2 Gibson, Pamela Church; Dyer, Richard; Kaplan, E. Ann; Willemen, Paul, eds. (2000). "Introduction". Film Studies: Critical Approaches. Oxford: Oxford University Press. pp. 1–8. ISBN   0-19-874280-0. OCLC   42835361.
  2. ↑ Sikov, Ed. 2010. "Introduction." Pp. 1–4 in Film Studies: An Introduction. New York: Columbia UP. Print. Google Books
  3. ↑ Grant, Barry Keith. Film Study in the Undergraduate Curriculum. New York: Modern Language Association of America, 1983.15. Print.
  4. ↑ Jim Hillier, ed. (1987). Cahiers du Cinema 1960–1968 New Wave, New Cinema, Re-evalutating Hollywood (Godard in interview with Jacques Bontemps, Jean-Louis Comolli, Michel Delahaye, and Jean Narboni). Harvard University Press. p. 295. ISBN   9780674090651.
  5. ↑ Abramowitz, Rachel (2010). "LA's Screen Gems". Los Angeles Times . Archived from the original on 24 January 2010. Retrieved 18 October 2010.
  6. 1 2 "Major:Film Studies". Collegeboard.com. 2010. Archived from the original on 19 March 2012. Retrieved 18 October 2010.
  7. ↑ Grieveson, Lee. "Cinema Studies." Inventing Film Studies. Durham: Duke UP, 2008. 67. Print.
  8. ↑ Dix, Andrew. Beginning Film Studies. Manchester UP. 2-14. Print.Google Books
  9. ↑ Amsterdam, Universiteit van (2 July 2019). "Film Studies (Media Studies) - GSH - University of Amsterdam". gsh.uva.nl. Retrieved 7 February 2019.
  10. ↑ "Film Studies Program". Yale University. 2010. Retrieved 25 October 2010.
  11. ↑ "Film and Media Studies". Georgetown University. 2010. Retrieved 25 October 2010.
  12. ↑ "USC School of Cinematic Arts". University of Southern California. 2010. Archived from the original on 18 June 2010. Retrieved 25 October 2010.
  13. ↑ Polan, Dana, and Haidee Wasson. "Young Art, Old Colleges." Inventing Film Studies. Durham: Duke UP, 2008. Print.
  14. ↑ "History of Film Studies in the United States and at Berkeley." Film Studies. Web. 11 Nov. 2010. < "Film Studies". Archived from the original on 24 August 2010. Retrieved 11 November 2010.>.
  15. ↑ Studyportals. "PhD Programmes in Film Studies in Europe". PhD Portal.
  16. ↑ "Communication & Media Studies". Top Universities. Retrieved 19 December 2023.
  17. ↑ "Academic". Eye Filmmuseum. Retrieved 19 December 2023.
  18. ↑ Dargis, Manohla. "Cannes International Film Festival". The New York Times.
  19. ↑ Vallejo, Aida (3 May 2020). "Rethinking the canon: the role of film festivals in shaping film history". Studies in European Cinema. 17 (2): 155–169. doi:10.1080/17411548.2020.1765631. ISSN   1741-1548.
  20. ↑ Aveh, M. Africanus (2020). "FESPACO—Promoting African Film Development and Scholarship". Black Camera. 12 (1): 117–128. ISSN   1947-4237.

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