Related Research Articles
Serge Daney was a French movie critic. He was a major figure of Cahiers du cinéma which he co-edited in the late 1970s. He also wrote extensively about films, television, and society in the newspaper Libération and founded the quarterly review Trafic shortly before his death. Highly regarded in French and European film criticism circles, his work, remained little known to English-speaking audiences until recent translations. A first book-long interview, Postcards from the Cinema, was published in 2007 and a collection of his writings prior to 1982, The Cinema House and the World, was published in 2022.
Jules Régis Debray is a French philosopher, journalist, former government official and academic. He is known for his theorization of mediology, a critical theory of the long-term transmission of cultural meaning in human society, and for associating with Marxist revolutionary Che Guevara in Bolivia in 1967 and advancing Salvador Allende's presidency in Chile in the early 1970s. He returned to France in 1973 and later held various official posts in the French government.
Christian Settipani is a French genealogist, historian and IT professional, currently working as the Technical Director of a company in Paris.
The Sorbonne-Nouvelle University is a public university in Paris, France. It is one of the inheritors of the historic University of Paris, which was completely overhauled and restructured in 1970. Paris III offers courses in a wide range of Arts and Humanities subjects, areas in which – according to the 2018 QS World University Rankings – the university is the 71st best worldwide.
Les Parents terribles is a 1948 film adaptation directed by Jean Cocteau from his own stage play Les Parents terribles. Cocteau used the same cast who had appeared in a successful stage revival of the play in Paris in 1946. The film has sometimes been known by the English title The Storm Within.
The École supérieure de réalisation audiovisuelle is a French private film school which specialises in the training of cinema, television, photography, sound engineering and digital art through the DESRA diploma, the DESTS and the DESFA.
Philippe Grandrieux is a French film director and screenwriter.
Andy Gillet is a French fashion model and actor primarily known for his work in European Auteur cinema in such films as Éric Rohmer's Romance of Astree and Celadon (2007) or Andrzej Żuławski's Cosmos (2015). As a model Gillet represented numerous brands for their ad campaigns including Hermès, Valentino or Burberry; the last two having been shot by Mario Testino and he was the face of the fragrance 'Kenzo Power' by Kenzo Takada.
Raphaël Millet is a French writer, critic, producer and director of cinema and television, as well as an organiser and programmer of photographic and cultural events.
Jean-Claude Passeron is a French sociologist and leader of social science studies. As part of a mixed interdisciplinary team involving sociologists, historians, and anthropologists, he led the magazine Enquêtes.
Claude Rolley was a French archaeologist, emeritus at the University of Burgundy, writer on art, archaeology of Greece and Gaule.
Dominique de Courcelles is a French historian of ideas.
Trafic: Revue de cinéma is a French arts and letters journal focusing on cinema. The journal enjoys a significant position in debates about cinema and the moving image in France, and to a lesser degree internationally, due to the varied and extensive list of authors who have contributed to it over the past three decades. These have included philosophers such as Giorgio Agemben and Jacques Rancière, film scholars such as Jacques Aumont, filmmakers such as João César Monteiro, and critics such as Kent Jones and Jonathan Rosenbaum.
The Perfume of the Lady in Black is a 2005 French comedy mystery film directed by Bruno Podalydès and starring Denis Podalydès, Sabine Azéma and Zabou Breitman. It is inspired by the 1908 novel of the same title by Gaston Leroux featuring the detective Joseph Rouletabille. It is a sequel to the 2003 film The Mystery of the Yellow Room.
André Gaudreault is a Canadian film historian and theorist who holds the Canada Research Chair in Film and Media Studies.
Olivier Barlet is a French journalist, translator, film critic and researcher on African cinema and its diasporas.
Jean-Claude Casanova is a French economist, educator and public intellectual with a lifetime involvement in French civic life. He was the chairman of the Fondation Nationale des Sciences Politiques between 2007 and 2016. A centrist in politics, he cofounded the journal Commentaire with Raymond Aron in 1978, and since then has been its editor and publisher (directeur).
La Recherche photographique: histoire-esthétique was a specialised peer-reviewed bi-annual French journal, published from September 1986 to spring 1997, and edited by Paris Audiovisuel and the University of Paris 8.
Jean Poirier was a French researcher, ethnologist, sociologist, and lawyer. He was a Doctor of Letters and Doctor of Law, member of the Society of Oceanists within the Musée de l'Homme, member of the Academy of Overseas Sciences, Director of the Department of Human Sciences of the University of Madagascar from 1961 to 1969 and professor at the Faculty of Letters of Nice from 1969 to his death.
David Norman Rodowick is an American philosopher, artist, and curator. He is best known for his contributions to cinema and media studies, visual cultural studies, critical theory, and aesthetics and the philosophy of art. He became a French citizen in 2002 though retains dual citizenship with the United States.
References
- ↑ Warren Buckland, 'From System to Structure : The Film Semiology of Raymond Bellour', Essays in Poetics, 18, 2 (1993): 42-68
- ↑ Bellour, Raymond; Radner, Hilary; Novero, Cecilia; Salazkina, Masha; Fox, Alistair (Spring 2014). "From Hypnosis to Animals". Cinema Journal. University of Texas Press. 53 (3): 1–8. doi:10.1353/cj.2014.0030 – via Project Muse.
- ↑ Hilary, Radner; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. pp. 176–184. ISBN 9781474422895.
- ↑ Radner, Hilary; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. p. 180. ISBN 9781474422895.
- ↑ Radner, Hilary; Fox, Alistair (2018). "Biography and Publications of Raymond Bellour by Alistair Fox". Raymond Bellour: Cinema and the Moving Image. Edinburgh: Edinburgh University Press. pp. 181, 182. ISBN 9781474422895.
- ↑ Raymond Bellour (France, 1939- )
- ↑ Michael Goddard, Raymond Bellour, in Colman, ed., Film, Theory and Philosophy
- ↑ ""From Matter"". Trafic. 79:1. Autumn 2011.
- ↑ Morain, Jean-Baptiste (December 12, 2016). "La revue "Trafic" publie son centième numéro". lesinrocks.com. Retrieved May 29, 2018.
