Film International

Last updated

History

Film International was established in 1973 in Swedish. [1] In 2003, it became an English-language journal. [2]

Description

Film International is an academic journal with a companion site, FilmInt, that covers film studies. [3]

It is published by Intellect Ltd. [2] and presents critical, historical, and theoretical essays on film, television, and moving image studies, [4] including book reviews, interviews, and coverage of film festivals around the world. It regularly features film reviews, interviews with directors, actors, and cinematographers, as well as covering national cinemas on a country-by-country basis. The content ranges throughout topics of the moving image, from art cinema, foreign films, genre works. and music videos, like Beyonce's Lemonade. [5]

People

As of 2022 editor-in-chief is Matthew Sorrento. [6] The image editor is Jonathan Monovich, and contributing editors have included Jessica Baxter, Jacob Mertens, Liza Palmer, Yun-hua Chen, Christopher Sharrett, [7] Jeremy Carr, Robert K. Lightning, George Toles, [8] [9] and Alexandra Heller-Nicholas. [10]

Recognition and assessment

Andre Gregory has described the journal as "of enormous interest to anyone who is passionate about film," while Robert Pulcini has commented that FilmInt offers "a level of writing about film that is unfortunately all too rare these days." [11]

Works from the journal have been adapted in longer studies by top scholars and authors, including Toles, [12] Carl Freedman, [13] Carol Vernallis, [14] and Murray Pomerance. [15] [16] [17]

David Hudson of The Criterion Collection regards the journal as a standout in book reviewing. [18] Critic Robin Wood was a longtime contributor. [19] [20] [21]

Abstracting and indexing

The journal is abstracted and indexed in:

Related Research Articles

A nerd is a person seen as overly intellectual, obsessive, introverted, or lacking social skills. Such a person may spend inordinate amounts of time on unpopular, little known, or non-mainstream activities, which are generally either highly technical, abstract, or relating to niche topics such as science fiction or fantasy, to the exclusion of more mainstream activities. Additionally, many so-called nerds are described as being shy, quirky, pedantic, and unattractive.

<i>The Texas Chain Saw Massacre</i> 1974 film by Tobe Hooper

The Texas Chain Saw Massacre is a 1974 American independent horror film produced, co-composed, and directed by Tobe Hooper, who co-wrote it with Kim Henkel. The film stars Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow, and Gunnar Hansen. The plot follows a group of friends who fall victim to a family of cannibals while on their way to visit an old homestead. The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate. Although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.

<i>Night of the Living Dead</i> 1968 American horror film

Night of the Living Dead is a 1968 American independent horror film directed, photographed, and edited by George A. Romero, written by Romero and John Russo, produced by Russell Streiner and Karl Hardman, and starring Duane Jones and Judith O'Dea. The story follows seven people trapped in a farmhouse in rural Pennsylvania, under assault by reanimated corpses. Although the flesh-eating monsters that appear in the film are referred to as "ghouls", they are credited with popularizing the modern portrayal of zombies in popular culture.

<span class="mw-page-title-main">Michelangelo Antonioni</span> Italian film director and screenwriter (1912–2007)

Michelangelo Antonioni was an Italian director and filmmaker. He is best known for his "trilogy on modernity and its discontents"—L'Avventura (1960), La Notte (1961), and L'Eclisse (1962)—and the English-language film Blowup (1966). His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent art cinema. Antonioni received numerous awards and nominations throughout his career, being the only director to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard.

<span class="mw-page-title-main">Richard Lester</span> American film director (born 1932)

Richard Lester Liebman is a retired American film director based in the United Kingdom, famous for his comedic and campy style of shooting movies and for his work in both US and UK cinema.

<i>Irréversible</i> 2002 French film

Irréversible is a 2002 French art thriller film written and directed by Gaspar Noé. Starring Monica Bellucci, Vincent Cassel, Albert Dupontel, the plot depicts the events of a tragic night in Paris as two men attempt to avenge the brutal rape and beating of the woman they love. The film is made up of a title sequence followed by 13 segments made to look like long takes. Each of these segments is either a continuous shot or a series of shots digitally composited to resemble a continuous shot. The story is told in reverse order, with each scene taking place chronologically before the one that precedes it.

<span class="mw-page-title-main">Film studies</span> Academic discipline focused on cinema

Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies.

<span class="mw-page-title-main">Buddy film</span> Film genre in which two people of the same sex are non-romantically paired

The buddy film is a subgenre of romantic comedy, a combination of the romance, adventure and comedy film in which two people, bonded through some kind of affection or love for each other, go on an adventure, mission, or road trip. The two typically are males with contrasting personalities. The contrast is sometimes accentuated by an ethnic difference between the two. The buddy film is commonplace in Western cinema; unlike some other film genres, it endured through the 20th century with different pairings and different themes.

<span class="mw-page-title-main">Cinema of South Africa</span>

The cinema of South Africa refers to the films and film industry of South Africa. Films have been made in English and Afrikaans. Many foreign films have been produced about South Africa, including many involving race relations.

<span class="mw-page-title-main">Gulshan Grover</span> Indian actor and film producer

Gulshan Grover is an Indian actor and film producer who has appeared in over 100 films. He is popularly known as the "Bad Man" of Hindi cinema because of his ability to create an impact with his negative roles in films.

<span class="mw-page-title-main">PVR INOX</span> Indian multiplex cinema chain

PVR INOX Ltd, formerly known as PVR Cinemas, is an Indian multiplex chain based in Delhi. It was formed as a result of the merger between PVR Cinemas and INOX Leisure Multiplex. PVR pioneered the multiplex revolution in India by establishing the first multiplex cinema in 1997 at Vasant Vihar, New Delhi. In 2022, PVR Cinemas achieved the milestone of completing 25 years in the business. As of December 2023, PVR Inox has 1747 screens across 359 properties in 114 cities.

Robert Paul "Robin" Wood was an English film critic and educator who lived in Canada for much of his life. He wrote books on the works of Alfred Hitchcock, Howard Hawks, Satyajit Ray, Ingmar Bergman, Michelangelo Antonioni, and Arthur Penn. Wood was a longtime member—and co-founder, along with other colleagues at Toronto's York University—of the editorial collective which publishes CineACTION!, a film theory magazine. Wood was also York professor emeritus of film.

<span class="mw-page-title-main">David di Donatello</span> Annual Italian film award ceremony

The David di Donatello Awards, named after Donatello's David, a symbolic statue of the Italian Renaissance, are film awards given out each year by the Accademia del Cinema Italiano. There are 26 award categories, as of 2023. The industry-voted awards are considered the Italian equivalent of the American Academy Awards.

<i>Not Angels But Angels</i> 1994 film by Wiktor Grodecki

Not Angels But Angels is a 1994 documentary film about teenage boys and young men in Prague working as prostitutes, primarily there and also in other European cities in the region. The creator of the documentary, Wiktor Grodecki interviews the hustlers, who give ages ranging from 14 to 20 years, to find out more about their lives and how they came to make a living by selling sex. The film explores their hopes and fears, what they hope to be doing in the future, and coping with the possibility of being infected with HIV. The film also presents comments by a man who arranges liaisons between tourists and young male hustlers in the Prague central train station. The conversations are in a mix of Czech with English subtitles, and English.

Senses of Cinema is a quarterly online film magazine founded in 1999 by filmmaker Bill Mousoulis. Based in Melbourne, Australia, Senses of Cinema publishes work by film critics from all over the world, including critical essays, career overviews of the works of key directors, and coverage of many international festivals.

<span class="mw-page-title-main">Murray Pomerance</span>

Murray Pomerance is an independent Canadian film scholar and author living in Toronto, Ontario, Canada, and adjunct professor in the School of Media and Communication at RMIT University, Melbourne.

<span class="mw-page-title-main">Anjali Menon</span> Indian film director and screenwriter

Anjali Menon is an Indian film director and screenwriter who predominantly works in Malayalam cinema. Anjali has won international, national and state awards for her work and is best known for her feature films Manjadikuru,Kerala Cafe(Happy Journey),Ustad Hotel, Bangalore Days, Koode and Wonder Women. She is counted among the change agents in Indian cinema whose work gets attention from the audience and the critics.

John George Conomos was an Australian artist, critic and writer, and Associate Professor and Principal Fellow at Victorian College of the Arts, Faculty of Fine Arts and Music, the University of Melbourne.

Barry Keith Grant is a Canadian-American critic, educator, author and editor who best known for his work on science fiction film and literature, horror films, musicals and popular music and other genres of popular cinema.

References

  1. "Resources". Cineaste Magazine. Archived from the original on 8 October 2021. Retrieved 3 August 2022.
  2. 1 2 "Film International - Journal of World Cinema". Intellect Books. Archived from the original on 13 May 2022. Retrieved 3 August 2022.
  3. "FilmInt.nu - Thinking Film Since 1973". FilmInt.nu. Archived from the original on 3 August 2022. Retrieved 7 August 2022.
  4. University of California Irvine Libraries (1 June 2022). "Film and Media Studies". guides.lib.uci.edu/film/journals. Archived from the original on 3 August 2022. Retrieved 1 June 2022.
  5. Baade, Christina; McGee, Kristin A. (18 May 2021). Beyoncé in the World: Making Meaning with Queen Bey in Troubled Times. Wesleyan University Press. ISBN   978-0-8195-7993-5. Archived from the original on 8 August 2022. Retrieved 8 August 2022.
  6. "People – Department of English and Communication". english.camden.rutgers.edu. Archived from the original on 15 July 2022. Retrieved 14 July 2022.
  7. University, Seton Hall (25 September 2015). "Profile Christopher Sharrett". Seton Hall University. Archived from the original on 5 August 2022. Retrieved 5 August 2022.
  8. "Contact". FilmInt.nu. 20 January 2021. Archived from the original on 10 July 2022. Retrieved 14 July 2022.
  9. "Tony Williams | English | SIU". cola.siu.edu. Archived from the original on 7 February 2019. Retrieved 3 August 2022.
  10. "Alexandra Heller-Nicholas". www.thebluelenses.com. Archived from the original on 28 July 2020. Retrieved 15 July 2022.
  11. "Film International - Journal of World Cinema". Intellect Books. Archived from the original on 13 May 2022. Retrieved 14 July 2022.
  12. Toles, George (1 July 2021). Curtains of Light: Theatrical Space in Film. SUNY Press. ISBN   978-1-4384-8423-5. Archived from the original on 8 August 2022. Retrieved 8 August 2022.
  13. Freedman, Carl Howard (2013). Versions of Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others. Intellect. ISBN   978-1-84150-724-8. Archived from the original on 8 August 2022. Retrieved 8 August 2022.
  14. Vernallis, Carol. "The Media Swirl: Politics, Audiovisuality, and Aesthetics". Archived from the original on 8 August 2022. Retrieved 7 August 2022.
  15. Armstrong, Stephen B. (2013). John Frankenheimer: Interviews, Essays, and Profiles. Rowman & Littlefield. ISBN   978-0-8108-9056-5. Archived from the original on 7 August 2022. Retrieved 8 August 2022.
  16. Bradley, Peri (26 January 2016). Food, Media and Contemporary Culture: The Edible Image. Springer. ISBN   978-1-137-46323-4. Archived from the original on 7 August 2022. Retrieved 8 August 2022.
  17. Pomerance, Murray (27 December 2018). A Dream of Hitchcock. SUNY Press. ISBN   978-1-4384-7207-2. Archived from the original on 8 August 2022. Retrieved 8 August 2022.
  18. Hudson, David. "January Books". The Criterion Collection. Archived from the original on 14 July 2022. Retrieved 14 July 2022.
  19. Grant, Catherine (19 December 2009). "Film Studies For Free: Crossing the Wild River: R.I.P. Robin Wood (1931-2009)". Film Studies For Free. Archived from the original on 14 July 2022. Retrieved 14 July 2022.
  20. "In Memoriam: Robin Wood". FilmInt.nu. 28 January 2011. Archived from the original on 14 July 2022. Retrieved 14 July 2022.
  21. Svadjian, Armen (10 August 2011). ""A Life in Film Criticism: Robin Wood at 75", Your Flesh Magazine, 2006, reprinted in Friends of Robin Wood,10 August 2011". Friends of Robin Wood. Archived from the original on 7 April 2022. Retrieved 15 July 2022.