Discipline | Film studies |
---|---|
Language | English |
Edited by | Matthew Sorrento, Tom Ue |
Publication details | |
History | 1973–present |
Publisher | |
Frequency | Quarterly |
Standard abbreviations | |
ISO 4 | Film Int. |
Indexing | |
ISSN | 1651-6826 (print) 2040-3801 (web) |
OCLC no. | 803316091 |
Links | |
Film International is a quarterly academic journal (with a companion site, FilmInt, [1] containing exclusive content) covering film studies. Established in 1973 (in Swedish), [2] Film International became an English-language journal in 2003. It is published by Intellect Ltd. [3] and presents critical, historical, and theoretical essays on film, television, and moving image studies, [4] including book reviews, interviews, and coverage of film festivals around the world. It regularly features film reviews, interviews with directors, actors, and cinematographers, as well as covering national cinemas on a country-by-country basis. The content ranges throughout topics of the moving image, from art cinema, foreign films, genre works. and music videos, like Beyonce's Lemonade. [5]
The editor-in-chief is Matthew Sorrento and the co-editor is Tom Ue. [6] The image editor is Jonathan Monovich. The contributing editors are Jessica Baxter, Jacob Mertens, Liza Palmer, Yun-hua Chen, Christopher Sharrett, [7] Jeremy Carr, Robert K. Lightning, George Toles, Tony Williams, [8] [9] and Alexandra Heller-Nicholas. [10]
Andre Gregory has described the journal as "of enormous interest to anyone who is passionate about film," while Robert Pulcini has commented that FilmInt offers "a level of writing about film that is unfortunately all too rare these days." [11] Works from the journal have been adapted in longer studies by top scholars and authors, including Toles, [12] Carl Freedman, [13] Carol Vernallis, [14] and Murray Pomerance. [15] [16] [17] David Hudson of The Criterion Collection regards the journal as a standout in book reviewing. [18] Groundbreaking critic Robin Wood was a longtime contributor. [19] [20] [21]
The journal is abstracted and indexed in:
The Texas Chain Saw Massacre is a 1974 American horror film produced, co-composed, and directed by Tobe Hooper, who co-wrote it with Kim Henkel. The film stars Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow, and Gunnar Hansen. The plot follows a group of friends who fall victim to a family of cannibals while on their way to visit an old homestead. The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate. Although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.
Irréversible is a 2002 French art thriller film written and directed by Gaspar Noé. Starring Monica Bellucci, Vincent Cassel, and Albert Dupontel, the plot depicts the events of a tragic night in Paris as two men attempt to avenge the brutal rape and beating of the woman they love. The film is made up of a title sequence followed by 13 segments made to look like long takes. Each of these segments is either a continuous shot or a series of shots digitally composited to resemble a continuous shot. The story is told in reverse order, with each scene taking place chronologically before the one that precedes it.
A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket. By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.
Prajñā or paññā, is a Buddhist term often translated as "wisdom", "intelligence", or "understanding". It is described in Buddhist texts as the understanding of the true nature of phenomena. In the context of Buddhist meditation, it is the ability to understand the three characteristics of all things: anicca ("impermanence"), dukkha, and anattā ("non-self"). Mahāyāna texts describe it as the understanding of śūnyatā ("emptiness"). It is part of the Threefold Training in Buddhism, and is one of the ten pāramīs of Theravāda Buddhism and one of the six Mahāyāna pāramitās.
Fantasia International Film Festival is a genre film festival that has been based mainly in Montreal since its founding in 1996. It focuses on niche, B-rated and low budget movies in various genres, from horror to sci-fi. Regularly held in July/August, by 2016 its annual audience had already surpassed 100,000 viewers and outgrown even the Montreal World Film Festival.
The Tribes of Arabia or Arab tribes denote ethnic Arab tribes originating in the Arabian Peninsula. These tribes trace their ancestry to one of the two Arab forefathers, Adnan or Qahtan.
Hood film is a 1990s film genre originating in the United States, which features aspects of urban African American or Hispanic American culture. John Singleton, Mario Van Peebles, F. Gary Gray, Hughes Brothers, and Spike Lee are all directors who have created work typically classified as part of this genre. The genre has been identified as a sub-genre of the gangster film genre.
Not Angels But Angels is a 1994 documentary film about teenage boys and young men in Prague working as prostitutes, primarily there and also in other European cities in the region. The creator of the documentary, Wiktor Grodecki interviews the hustlers, who give ages ranging from 14 to 20 years, to find out more about their lives and how they came to make a living by selling sex. The film explores their hopes and fears, what they hope to be doing in the future, and coping with the possibility of being infected with HIV. The film also presents comments by a man who arranges liaisons between tourists and young male hustlers in the Prague central train station. The conversations are in a mix of Czech with English subtitles, and English.
Senses of Cinema is a quarterly online film magazine founded in 1999 by filmmaker Bill Mousoulis. Based in Melbourne, Australia, Senses of Cinema publishes work by film critics from all over the world, including critical essays, career overviews of the works of key directors, and coverage of many international festivals.
Murray Pomerance is an independent Canadian film scholar and author living in Toronto, Ontario, Canada, and adjunct professor in the School of Media and Communication at RMIT University, Melbourne.
Negar Mottahedeh is a cultural critic and film theorist specializing in interdisciplinary and feminist contributions to the fields of Middle Eastern Studies and Film Studies.
Film censorship in the United Kingdom began with early cinema exhibition becoming subject to the Disorderly Houses Act 1751. The Cinematograph Act 1909 was primarily concerned with introducing annual licensing of premises where films were shown, particularly because of the fire risk of nitrate film. After the Act began to be used by local authorities to control what was shown, the film industry responded by establishing a British Board of Film Censors (BBFC) in 1912, funded by an Incorporated Association of Kinematograph Manufacturers levy.
Ernest Mathijs is a professor at the University of British Columbia, where he teaches film. He has published several books on cult films.
Gary Don Rhodes is an American writer, filmmaker, and film historian. His work encompasses research on early 20th century films and key figures including filmmakers and actors involved in the process. Rhodes is notably recognized for his contribution to classic horror films and his biographical works on Bela Lugosi. In addition to his academic pursuits, he has contributed to the filmmaking domain through the creation of documentaries and mockumentaries. Rhodes holds a tenured faculty position in film studies at Queen's University Belfast.
Library Genesis (LibGen) is a file-sharing based shadow library website for scholarly journal articles, academic and general-interest books, images, comics, audiobooks, and magazines. The site enables free access to content that is otherwise paywalled or not digitized elsewhere. LibGen describes itself as a "links aggregator", providing a searchable database of items "collected from publicly available public Internet resources" as well as files uploaded "from users".
Barry Keith Grant is a Canadian-American critic, educator, author and editor who best known for his work on science fiction films, horror films and popular music.
The Media History Digital Library (MHDL) is a non-profit, open access digital archive founded by David Pierce and directed by Eric Hoyt that compiles books, magazines, and other print materials related to the histories of film, broadcasting, and recorded sound and makes these materials accessible online for free. The MHDL both digitizes physical materials and acquires digital copies from outside libraries, archives, collectors, and other collaborators. Most of the material in its more than 2.5 million pages is in the public domain and therefore free for all to use with no restrictions.
The Addis International Film Festival (AIFF) is an Ethiopian annual film festival organized by Initiative Africa and held in Addis Ababa. Established in 2007, the festival showcases experienced or amateur filmmakers candidate from Ethiopia and Africa, and is one of the largest independent documentary cinema festivals in Africa.