Dudley Andrew

Last updated

James Dudley Andrew (born July 28, 1945) [1] [2] is an American film theorist. He is R. Selden Rose Professor Emeritus of Film and Comparative Literature at Yale University, where he has taught since the year 2000. Before moving to Yale, he taught for thirty years at the University of Iowa. Andrew has been called, on the occasion of one of his invited lecture series, "one of the most influential scholars in the areas of theory, history and criticism". [3] He particularly specializes in world cinema, film theory and aesthetics, and French cinema. He has also written on Japanese cinema, especially the work of Kenji Mizoguchi. He has been awarded a Guggenheim Fellowship [4] and was named a Commandeur in the Ordre des Arts et des Lettres by the French Ministry of Culture, its highest distinction. In 2006, he was elected a Fellow of the American Academy of Arts and Sciences. [1] In 2011, he received the Society for Cinema and Media Studies Distinguished Career Achievement Award. [5] Dudley Andrew studied English and Philosophy, then learned filmmaking before getting in on the ground floor just as Film Studies was taking off in the USA. After more than 50 years as a teacher and scholar, he has directed the dissertations of many of today’s leaders in Film studies, and his books have been widely translated, including into French, Spanish, Portuguese, Chinese, Korean, Arabic, Farsi, Turkish, Serbo-Croatian, and Polish. [6]

Contents

Selected publications

Education

B.A. University of Notre Dame, 1967 MFA Columbia University, 1969 Ph.D. University of Iowa, 1972

Related Research Articles

<i>Cahiers du Cinéma</i> French film journal

Cahiers du Cinéma is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs—Objectif 49 and Ciné-Club du Quartier Latin.

Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate.

<span class="mw-page-title-main">André Bazin</span> French film critic (1918–1958)

André Bazin was a renowned and influential French film critic and film theorist. He started to write about film in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951, with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca.

<span class="mw-page-title-main">Siegfried Kracauer</span> German writer (1889–1966)

Siegfried Kracauer was a German writer, journalist, sociologist, cultural critic, and film theorist. He has sometimes been associated with the Frankfurt School of critical theory. He is notable for arguing that realism is the most important function of cinema.

<span class="mw-page-title-main">Kinuyo Tanaka</span> Japanese actress and film director (1909–1977)

Kinuyo Tanaka was a Japanese actress and film director. She had a career lasting over 50 years with more than 250 acting credits, but was best known for her 15 films with director Kenji Mizoguchi, such as The Life of Oharu (1952) and Ugetsu (1953). With her 1953 directorial debut, Love Letter, Tanaka became the second Japanese woman to direct a film, after Tazuko Sakane.

<span class="mw-page-title-main">Kenji Mizoguchi</span> Japanese filmmaker (1898–1956)

Kenji Mizoguchi was a Japanese filmmaker who directed roughly one hundred films during his career between 1923 and 1956. His most acclaimed works include The Story of the Last Chrysanthemums (1939), The Life of Oharu (1952), Ugetsu (1953), and Sansho the Bailiff (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema.

<span class="mw-page-title-main">Film studies</span> Academic discipline focused on cinema

Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies.

<i>Ugetsu</i> 1953 film

Ugetsu is a 1953 Japanese period fantasy film directed by Kenji Mizoguchi starring Masayuki Mori and Machiko Kyō. It is based on the stories "The House in the Thicket" and "The Lust of the White Serpent" from Ueda Akinari's 1776 book Ugetsu Monogatari, combining elements of the jidaigeki genre with a ghost story.

<span class="mw-page-title-main">David Bordwell</span> American film scholar (1947–2024)

David Jay Bordwell was an American film theorist and film historian. After receiving his PhD from the University of Iowa in 1973, he wrote more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film Style (1997).

<i>Sansho the Bailiff</i> 1954 film

Sansho the Bailiff is a 1954 Japanese period film directed by Kenji Mizoguchi based on a 1915 short story of the same name by Mori Ōgai, which in turn was based on a sekkyō-bushi appearing in written form in the 17th century. It follows two aristocratic children who are sold into slavery.

Robert Buford Pippin is an American philosopher. He is the Evelyn Stefansson Nef Distinguished Service Professor in the John U. Nef Committee on Social Thought, the Department of Philosophy, and the college at the University of Chicago.

<span class="mw-page-title-main">David M. Halperin</span> American academic

David M. Halperin is an American theorist in the fields of gender studies, queer theory, critical theory, material culture and visual culture. He is the cofounder of GLQ: A Journal of Lesbian and Gay Studies, and author of several books including Before Pastoral (1983) and One Hundred Years of Homosexuality (1990).

Robert Stam is an American film theorist working on film semiotics. He is a professor at New York University, where he teaches about the French New Wave filmmakers. Stam has published widely on French literature, comparative literature, and on film topics such as film history and film theory. Together with Ella Shohat, he co-authored Unthinking Eurocentrism: Multiculturalism and the Media.

<span class="mw-page-title-main">Noël Carroll</span> American philosopher (born 1947)

Noël Carroll is an American philosopher considered to be one of the leading figures in contemporary philosophy of art. Although Carroll is best known for his work in the philosophy of film, he has also published journalism, works on philosophy of art generally, theory of media, and also philosophy of history. As of 2012, he is a distinguished professor of philosophy at the CUNY Graduate Center.

An auteur is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded and personal that the director is likened to the "author" of the film, thus manifesting the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it policy of the authors, and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations.

The films of Japanese director Akira Kurosawa have had a far-reaching impact on cinema and how it is produced, both within Japan and internationally. As a result of his influence, Kurosawa's work, as well as his personal character, have been subject to a number of negative criticisms. These criticisms are points of heated debate among those who study Kurosawa's work, and scores of pieces have been written both advocating for these criticisms and defending against them.

Annabel M. Patterson is the Sterling Professor Emeritus of English at Yale University.

Murray Smith is a film theorist and philosopher of art based at the University of Kent, where he is Professor of Philosophy, Art, and Film and co-director of the Aesthetics Research Centre. He is the author of three books and numerous articles on film and aesthetics, and the co-editor of three collections of essays. He was President of the Society for Cognitive Studies of the Moving Image from 2014 to 2017, and has served on the editorial boards of Screen, Cinema Journal, the British Journal of Aesthetics, Projections and Series. He has held a Leverhulme Research Fellowship (2005–6), and a Laurance S Rockefeller Fellowship at Princeton University’s Centre for Human Values (2017–18). He delivered a Kracauer Lecture in 2014 at the Goethe University Frankfurt, the inaugural Beacon Institute lecture in 2015, and the Beardsley Lecture in 2018, sponsored by Temple University at the Barnes Foundation.

Angela Dalle Vacche is a professor emerita at the Georgia Institute of Technology within its School of Literature, Media, and Communication. She is a scholar of film studies, with a specialization in world cinema and Italian cinema, and has authored multiple books. One of her notable works, "Diva: Defiance and Passion in Early Italian Cinema," delves into the concept of the Italian diva and its significance in promoting "emancipation and self-discovery" for female viewers in Italian cinema.

Robert Phillip Kolker is an American film historian, theorist, and critic. He has authored and edited a number of influential books on cinema and media studies. He is a Professor Emeritus at the University of Maryland, College Park.

References

  1. 1 2 "Book of Members, 1780–2010: Chapter A" (PDF). American Academy of Arts and Sciences. Retrieved April 18, 2011.
  2. "Andrew, Dudley, 1945-". Library of Congress Authorities. Retrieved April 15, 2012.
  3. "Summer Institute in Film launches with lectures by film theorist Dudley Andrew". Y-File. May 25, 2009. Retrieved December 21, 2009.
  4. "Dudley Andrew". John Simon Guggenheim Memorial Foundation. Archived from the original on June 22, 2011. Retrieved January 25, 2010.
  5. "Distinguished Career Achievement Award". Society for Cinema and Media Studies.{{cite web}}: Missing or empty |url= (help)
  6. Dudley Andrew Yale Film Studies Faculty