Overview
CineAction began publishing in spring of 1985 (as CineAction! A Magazine of Radical Film Criticism and Theory with an exclamation mark), and reached its 70th issue mark in early 2007. In a lead editorial in its first issue, the collective wrote that the aim of the publication was to "provide, within the field of film criticism, alternatives to what is generally available. We want to steer a course between, on the one hand, the practice of journalistic reviewing (the expression of personal opinions, within an entertainment format) and, on the other, academic "criticism" of a certain type (detached from contemporary social realities and frequently inaccessible to the uninitiated)". [3] The first issue then went on to offer articles on films such as A Matter of Time , Tell Me a Riddle , Death Watch , and The Night the Lights Went Out in Georgia . Among the first issue's contributors were Robin Wood, Richard Lippe, Bryan Bruce 2 (a.k.a. film director Bruce LaBruce), Florence Jacobowitz, Maureen Judge, and Lori Spring.
In subsequent issues, CineAction! (the logo dropped the exclamation point with the 23rd issue) went on to publish the work of Douglas Pye, V. F. Perkins, Scott Forsyth, Tony French, Tony Williams, Edward Gallafent, Brad Stevens (film critic/novelist), Deborah Thomas, Andrew Britton, and scores more. CineAction generally poses a theme for each issue, and such themes have included comedy, sexuality in cinema, the films of Martin Scorsese, Canadian film, Imperialism, teen films, Vietnam, interpretation, documentary, rethinking authorship, and questions of value.
In issue No. 70, Wood announced that he was stepping down from the collective board, but would continue to contribute to the magazine. Issue No. 71 (Sexuality in the Cinema) was delayed for several months due to financial problems. However, it finally appeared on store-shelves in late May 2007. The final print issue of the magazine was Issue 98 (2016).
Cahiers du Cinéma is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs—Objectif 49 and Ciné-Club du Quartier Latin.
Fifth Estate (FE) is a U.S. periodical, based in Detroit, Michigan, begun in 1965, and presently with staff members across North America who connect via the Internet. Its editorial collective sometimes has divergent views on the topics the magazine addresses but generally shares an anarchist, anti-authoritarian outlook and a non-dogmatic, action-oriented approach to change. The title implies that the periodical is an alternative to the fourth estate.
Tertangala is the student magazine of the University of Wollongong.
Fangoria is an internationally distributed American horror film fan magazine, in publication since 1979. It is published four times a year by Fangoria Publishing, LLC and is edited by Phil Nobile Jr.
The Body Politic was a Canadian monthly magazine, which was published from 1971 to 1987. It was one of Canada's first significant gay publications, and played a prominent role in the development of the LGBT community in Canada.
Sunila Abeysekera was a Sri Lankan human rights campaigner. She worked on women's rights in Sri Lanka and in the South Asia region for decades as an activist and scholar. Quitting a career as a singer, Abeysekera briefly joined the Janatha Vimukthi Peramuna and then founded the Women and Media Collective in 1984. As head of the INFORM Human Rights Documentation Centre, she monitored human rights violations by all parties in the civil war. She received the United Nations Human Rights Award in 1999 and the Didi Nirmala Deshpande South Asian Peace and Justice Award in 2013.
David Jay Bordwell is an American film theorist and film historian. Since receiving his PhD from the University of Iowa in 1974, he has written more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film Style (1997).
Film Quarterly, a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. Film Quarterly brings timely critical and intersectional approaches to criticism and analyses of visual culture.
Robert Paul Wood – known as Robin Wood – was an English film critic and educator who lived in Canada for much of his life. He wrote books on the works of Alfred Hitchcock, Howard Hawks, Satyajit Ray, Ingmar Bergman, Michelangelo Antonioni, and Arthur Penn. Wood was a longtime member - and co-founder, along with other colleagues at Toronto's York University - of the editorial collective which publishes CineACTION!, a film theory magazine. Wood was also York professor emeritus of film.
Film Comment is an arts and culture magazine now published by the Film at Lincoln Center, of which it is the official publication. Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world. Founded in 1962 and originally released as a quarterly, Film Comment began publishing on a bi-monthly basis with the Nov/Dec issue of 1972. The magazine's editorial team also hosts the annual Film Comment Selects at the Film at Lincoln Center. Due to the COVID-19 pandemic, publication of the magazine was suspended in May 2020, and its website was updated on March 10, 2021, with news of the relaunch of the Film Comment podcast and a weekly letter.
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: journalistic criticism which appears regularly in newspapers, magazines and other popular mass-media outlets; and academic criticism by film scholars who are informed by film theory and are published in academic journals. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place within the history of its genre, or the whole of film history.
Film Ireland is a cultural cinema magazine published from 1987–2013 by Filmbase Centre for Film and Video in Dublin, Ireland. It is Ireland's longest-running film publication. Film Ireland magazine ceased publication in 2013, but maintains an online presence.
Muse (瞄) is a bilingual Hong Kong-based multimedia publisher specialising in content related to the art and culture scene of Hong Kong and greater China. Muse now concentrates on digital media, books, and specialised publishing projects, and is a developer for both Amazon.com's Kindle Store and Apple's iBookstore, Muse also maintains its own online bookstore.
Amazones d'Hier, Lesbiennes d'Aujourd'hui is the name of a quarterly French language magazine published starting 1982 by a lesbian collective in Montreal made of Louise Turcotte, Danielle Charest, Genette Bergeron and Ariane Brunet.
Cinema Canada (1972–1989) is a defunct Canadian film magazine, which served as the trade journal of record for the Canadian film and television sector. The magazine had its origins in the Canadian Society of Cinematographers (CSC), which began publishing a bi-monthly newsletter under the name Canadian Cinematography in 1962. In 1967, the publication's name was changed to Cinema Canada. In 1972, the CSC approached George Csaba Koller and Phillip McPhedran of Toronto to produce a glossier format. However, this association lasted only four issues, after which McPhedran resigned for personal reasons.
The Cinematheque, founded in 1972, is a Canadian charity and non-profit film institute, media education centre, and film exhibitor based in Vancouver, British Columbia.
HERESIES: A Feminist Publication on Art and Politics was a feminist journal that was produced from 1977 to 1993 by the New York-based Heresies Collective.
Vulgar auteurism is a movement that emerged in early 2010s cinephilia and film criticism associated with championing or reappraising filmmakers, mostly those working in the horror and action genres and whose work has otherwise received little attention or negative reception in the critical mainstream. Initially associated with the social network and streaming service Mubi and its online film magazine, The Notebook, vulgar auteurism became a controversial topic in the cinephile community following the publication of an article in the Village Voice in 2013. It has been described as "a critical movement committed to assessing the 'unserious' artistry of popcorn cinema with absolute seriousness."
Barry Keith Grant is a Canadian-American critic, educator, author and editor who best known for his work on science fiction films, horror films and popular music.
Maria San Filippo is an American author and educator. Her first book, The B Word, won the Lambda Literary Award for Bisexual Nonfiction. She is also an associate professor at Emerson College.
