This article needs additional citations for verification .(January 2025) |
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Discipline | Women's studies, Feminist theory, Queer theory, Gender studies |
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Language | English |
Edited by | Suzanna Danuta Walters |
Publication details | |
History | 1975–present |
Publisher | University of Chicago Press (United States) |
Frequency | Quarterly |
1.9 (2022) | |
Standard abbreviations | |
Bluebook | Signs |
ISO 4 | Signs |
Indexing | |
ISSN | 0097-9740 (print) 1545-6943 (web) |
LCCN | 75649469 |
JSTOR | 00979740 |
OCLC no. | 223703061 |
Links | |
Signs: Journal of Women in Culture and Society is a peer-reviewed feminist academic journal. It was established in 1975 by Jean W. Sacks, Head of the Journals Division, with Catharine R. Stimpson as its first editor-in-Chief, and is published quarterly by the University of Chicago Press. Signs publishes essays examining the lives of women, men, and non-binary people around the globe from both historical and contemporary perspectives, as well as theoretical and critical articles addressing processes of gendering, sexualization, and racialization. [1]
The founding of Signs in 1975 was part of the early development of the field of women's studies, born of the women's liberation movement of the late 1960s and 1970s. The journal had two founding purposes, as stated in the inaugural editorial: (1) "to publish the new scholarship about women" in the U.S. and around the globe, and (2) "to be interdisciplinary." [2] The goal was for readers of the journal to "grasp a sense of the totality of women's lives and the realities of which they have been a part." [2] The meaning behind the name Signs is that signs "represent" and "point": the original editors wanted the journal to "represent the originality and rigor" of women's studies and to "point" to new directions for feminist scholarship. [2]
Former editor-in-chief Ruth-Ellen Boetcher Joeres said in an article in the Yale Journal of Criticism that Signs, from its inception, was meant to be "something different, even insurgent... an agent for change," because it emerged from the "grassroots" feminist movement. [3] Joeres explored the "paradox" of how a journal can be both an "agent for change" and regarded as "respectable in the academy," and concluded with the hope that Signs could retain its activist roots and transform the academy. [3]
In the effort to avoid the tendency of the academy to "codify" and limit scholarship, Signs rotates institutional homes roughly every five years. [3] It is currently based at Northeastern University, with Suzanna Danuta Walters, Director of Women's, Gender, and Sexuality Studies and Professor of Sociology, serving as editor-in-chief. In her inaugural editorial, Walters laid out five "core concerns" for Signs: (1) for the field of women's studies to "substantively reckon" with gender and sexuality studies and queer studies; (2) to focus on "racial and ethnic difference"; (3) to re-emphasize "inter- or transdisciplinarity"; (4) to not lose sight of "the big questions about gender and sexuality" by getting too narrow in scope; and (5) to expand the journal's "digital presence." [4]
The history of Signs is explored extensively in Kelly Coogan-Gehr's 2011 book The Geopolitics of the Cold War and Narratives of Inclusion: Excavating a Feminist Archive. [5] Coogan-Gehr uses Signs as a case study to complicate what she calls the "stock narrative of feminist field formation". [5] She argues that dominant histories of the development of academic feminism, in focusing solely on the women's movement and other radical movements of the 1960s, fail to take into account the role of "changes the Cold War produced in higher education." [5] In the book, she calls Signs a "premier academic feminist journal". [5]
In 2015, Signs launched the Feminist Public Intellectuals Project, which seeks to engage feminist theorizing with pressing political and social problems via three open-access, online-first initiatives: Short Takes: Provocations on Public Feminism, Currents: Feminist Key Concepts and Controversies, and Ask a Feminist. Given the fragmentation of feminist activism and the persistent negative freighting of the term "feminist", the Feminist Public Intellectuals Project seeks to reimagine what role a journal can play in provoking activism.
Short Takes features commentaries by feminist activists and public intellectuals on recent books that "have shaped popular conversations about feminist issues," [6] alongside a response by the author. Featured books include Roxane Gay's Bad Feminist , Rebecca Traister's All the Single Ladies, and Andi Zeisler's We Were Feminists Once.
Currents publishes essays that put forth "a nuanced and edgy take on a key issue circulating in the feminist definitional landscape." [7] Issues addressed include "identity politics", "trigger warnings", "celebrity feminism", and "affirmative consent". [7]
Ask a Feminist is an interview series that seeks to create "conversation between and among feminist scholars, media activists, and community leaders," to bridge the divide between scholarship and activism. [8] Recent features include "Angela P. Harris on Gender and Gun Violence" and "Cathy J. Cohen on Black Lives Matter, Feminism, and Contemporary Activism". [9]
Signs awards the Catharine R. Stimpson Prize for Outstanding Feminist Scholarship, named for the founding editor-in-chief of Signs, biennially to the best paper from an international competition of "emerging" feminist scholars (meaning "fewer than seven years since receipt of the terminal degree"). The submissions are judged by an international jury of prominent feminist academics. Winners of the award include Czech historian Anna Hájková. [10] Winners receive a $1,000 honorarium and have their papers published in Signs. [11]
The 2017 co-winners of the Stimpson Prize were Cameron Awkward-Rich, for his essay "Trans, Feminism: Or, Reading like a Depressed Transsexual", and Meghan Healy-Clancy, for her essay "The Family Politics of the Federation of South African Women: A History of Public Motherhood in Women's Antiracist Activism".
The journal is abstracted and indexed in:
According to the Journal Citation Reports , the journal had a 2017 impact factor of 1.078, ranking it 16th out of 42 journals in the category "Women's Studies." [12] In 2022, the journal's impact factor rose to 1.9, which placed it 14th among 64 "Women's Studies" journals. As of May 2024, its five-year impact factor was 2.8. [13]
Women's studies is an academic field that draws on feminist and interdisciplinary methods to place women's lives and experiences at the center of study, while examining social and cultural constructs of gender; systems of privilege and oppression; and the relationships between power and gender as they intersect with other identities and social locations such as race, sexual orientation, socio-economic class, and disability.
Feminist legal theory, also known as feminist jurisprudence, is based on the belief that the law has been fundamental in women's historical subordination. Feminist jurisprudence the philosophy of law is based on the political, economic, and social inequality of the sexes and feminist legal theory is the encompassment of law and theory connected. The project of feminist legal theory is twofold. First, feminist jurisprudence seeks to explain ways in which the law played a role in women's subordinate status. Feminist legal theory was directly created to recognize and combat the legal system built primarily by the and for male intentions, often forgetting important components and experiences women and marginalized communities face. The law perpetuates a male valued system at the expense of female values. Through making sure all people have access to participate in legal systems as professionals to combating cases in constitutional and discriminatory law, feminist legal theory is utilized for it all.
Sandra G. Harding is an American philosopher of feminist and postcolonial theory, epistemology, research methodology, and philosophy of science. She directed the UCLA Center for the Study of Women from 1996 to 2000, and co-edited Signs: Journal of Women in Culture and Society from 2000 to 2005. She is currently a Distinguished Professor Emeritus of Education and Gender Studies at UCLA and a Distinguished Affiliate Professor of Philosophy at Michigan State University. In 2013 she was awarded the John Desmond Bernal Prize by the Society for the Social Studies of Science (4S).
Amina Mama is a Nigerian-British writer, activist and academic. Her main areas of focus have been post-colonial, militarist and gender issues. She has lived in Africa, Europe and North America, and worked to bridge the gap between feminists and related movements across the globe.
Gilbert H. Herdt is Emeritus Professor of Human Sexuality Studies and Anthropology and a Founder of the Department of Sexuality Studies and National Sexuality Resource Center at San Francisco State University. He founded the Summer Institute on Sexuality and Society at the University of Amsterdam (1996). He founded the PhD Program in Human Sexuality at the California Institute for Integral Studies, San Francisco (2013). He conducted long term field work among the Sambia people of Papua New Guinea, and has written widely on the nature and variation in human sexual expression in Papua New Guinea, Melanesia, and across culture.
The Combahee River Collective (CRC) was a Black feminist lesbian socialist organization active in Boston, Massachusetts, from 1974 to 1980. The Collective argued that both the white feminist movement and the Civil Rights Movement were not addressing their particular needs as Black women and more specifically as Black lesbians. Racism was present in the mainstream feminist movement, while Delaney and Manditch-Prottas argue that much of the Civil Rights Movement had a sexist and homophobic reputation. The Collective was a group that met to discuss the intersections of oppression based on race, gender, heteronormativity, and class and argued for the liberation of Black women on all fronts.
Greta Gaard is an ecofeminist writer, scholar, activist, and documentary filmmaker. Gaard's academic work in the realms of ecocriticism and ecocomposition is widely cited by scholars in the disciplines of composition and literary criticism. Her theoretical work extending ecofeminist thought into queer theory, queer ecology, vegetarianism, and animal liberation has been influential within women's studies. A cofounder of the Minnesota Green Party, Gaard documented the transition of the U.S. Green movement into the Green Party of the United States in her book, Ecological Politics. She is currently a professor of English at University of Wisconsin-River Falls and a community faculty member in Women's Studies at Metropolitan State University, Twin Cities.
Feminism has affected culture in many ways, and has famously been theorized in relation to culture by Angela McRobbie, Laura Mulvey and others. Timothy Laurie and Jessica Kean have argued that "one of [feminism's] most important innovations has been to seriously examine the ways women receive popular culture, given that so much pop culture is made by and for men." This is reflected in a variety of forms, including literature, music, film and other screen cultures.
Fatima Sadiqi is a senior professor of Linguistics and Gender Studies at Sidi Mohamed Ben Abdellah University, in Fez, Morocco.
Feminist Africa is a peer-reviewed academic journal that addresses feminist topics from an "African continental perspective". It is published by the African Gender Institute. Its founding editor-in-chief is Amina Mama. It was accredited in 2005 by the South African Department of Education. This allows authors publishing in the journal to collect publication subsidy. The journal is primarily online but also distributes a small number of print copies.
Mary Hawkesworth is Distinguished Professor of Political Science and Women's and Gender Studies at Rutgers University in New Jersey. She is a political scientist trained in feminist theory and has conducted extensive research in women and politics, gender, and contemporary feminist activism. Hawkesworth was previously the Editor-in-Chief of Signs: Journal of Women in Culture and Society, an internationally recognized journal in feminist scholarship.
Catharine R. Stimpson is a feminist scholar, University Professor, professor of English, and dean emerita of the Graduate School of Arts and Science at New York University.
Indigenous feminism is an intersectional theory and practice of feminism that focuses on decolonization, Indigenous sovereignty, and human rights for Indigenous women and their families. The focus is to empower Indigenous women in the context of Indigenous cultural values and priorities, rather than mainstream, white, patriarchal ones. In this cultural perspective, it can be compared to womanism in the African-American communities.
Richa Nagar is a scholar, writer, poet, theatre-worker, translator, and editor. Nagar is Professor Emeritus of Gender, Women, and Sexuality Studies at the University of Minnesota, where she had a long career as an anti-disciplinary educator, theorist and writer and held the title of Professor of the College, before joining Smith College as the inaugural Gloria Steinem ’56 Endowed Chair in Women and Gender Studies. Nagar's creative and scholarly work makes multi-lingual and multi-genre contributions to transnational feminism, social geography, critical development studies, and critical ethnography. Her research has encompassed a range of topics including: politics of space, identity and community among communities of South Asian origin in Tanzania; questions of empowerment in relation to grass-roots struggles in the global South, principally with the Sangtin Kisan Mazdoor Sangathan (SKMS) in Sitapur District, India; the politics of language and social fracturing in the context of development and neo-liberal globalization; and creative praxis that uses collaboration, co-authorship, and translation to blur the borders between academic, activist, and artistic labors. She has held residential fellowships at the Center for Advanced Study in the Behavioral Sciences (CASBS) at Stanford in 2005–2006, at the Jawaharlal Nehru Institute of Advanced Study (JNIAS) at New Delhi in 2011–2012, and at the Centre for Humanities Research at the University of the Western Cape in 2013. She was named Honorary Professor at the Unit for Humanities at the Rhodes University (UHURU) at Rhodes University in South Africa in 2017, and her work has been translated into several languages including Turkish, Marathi, Italian, German and Mandarin. Nagar is a founding editor of the online journal, AGITATE! Unsettling Knowledges.
White feminism is a term which is used to describe expressions of feminism which are perceived as focusing on white women while failing to address the existence of distinct forms of oppression faced by ethnic minority women and women lacking other privileges. Whiteness is crucial in structuring the lived experiences of white women across a variety of contexts. The term has been used to label and criticize theories that are perceived as focusing solely on gender-based inequality. Primarily used as a derogatory label, "white feminism" is typically used to reproach a perceived failure to acknowledge and integrate the intersection of other identity attributes into a broader movement which struggles for equality on more than one front. In white feminism, the oppression of women is analyzed through a single-axis framework, consequently erasing the identity and experiences of ethnic minority women in the space. The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. This criticism has predominantly been leveled against the first waves of feminism which were seen as centered around the empowerment of white middle-class women in Western societies.
Feminism in Pakistan refers to the set of movements which aim to define, establish, and defend the rights of women in Pakistan.This may involve the pursuit of equal political, economic, and social rights, alongside equal opportunity. These movements have historically been shaped in response to national and global reconfiguration of power, including colonialism, nationalism, Islamization, dictatorship, democracy, and the War on Terror. The relationship between the women's movement and the Pakistani state has undergone significant shifts from mutual accommodation to confrontation and conflict.
Deboleena Roy is professor and chair of Women's, Gender, and Sexuality Studies and Neuroscience and Behavioral Biology at Emory University, former resident research fellow at the Clayman Institute for Gender Research, Stanford University, and a member of The NeuroGenderings Network. Previously, she was an assistant professor at San Diego State University. Starting in August 2020, she will be serving as the Senior Associate Dean of Faculty for Emory College of Arts and Sciences.
Feminist philosophy of science is a branch of feminist philosophy that seeks to understand how the acquirement of knowledge through scientific means has been influenced by notions of gender identity and gender roles in society. Feminist philosophers of science question how scientific research and scientific knowledge itself may be influenced and possibly compromised by the social and professional framework within which that research and knowledge is established and exists. The intersection of gender and science allows feminist philosophers to reexamine fundamental questions and truths in the field of science to reveal how gender biases may influence scientific outcomes. The feminist philosophy of science has been described as being located "at the intersections of the philosophy of science and feminist science scholarship" and has attracted considerable attention since the 1980s.
Feminist rhetoric emphasizes the narratives of all demographics, including women and other marginalized groups, into the consideration or practice of rhetoric. Feminist rhetoric does not focus exclusively on the rhetoric of women or feminists but instead prioritizes the feminist principles of inclusivity, community, and equality over the classic, patriarchal model of persuasion that ultimately separates people from their own experience. Seen as the act of producing or the study of feminist discourses, feminist rhetoric emphasizes and supports the lived experiences and histories of all human beings in all manner of experiences. It also redefines traditional delivery sites to include non-traditional locations such as demonstrations, letter writing, and digital processes, and alternative practices such as rhetorical listening and productive silence. In her book, Rhetorical Feminism and This Thing Called Hope (2018), Cheryl Glenn describes rhetorical feminism as, "a set of tactics that multiplies rhetorical opportunities in terms of who counts as a rhetor, who can inhabit an audience, and what those audiences can do." Rhetorical feminism is a strategy that counters traditional forms of rhetoric, favoring dialogue over monologue and seeking to redefine the way audiences view rhetorical appeals.
Marysa Navarro Aranguren is a Spanish-American historian specializing in the history of feminism, the history of Latin American women, and the history of Latin America. She occupies a prominent role as a promoter and activist in the areas of women's studies and women's history. Navarro is an expert on the figure of Eva Perón, having published her biography, and having written articles about her. Navarro lives in the United States, and has dual citizenship, Spanish and U.S.