Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths.
Écriture féminine, or "women's writing", is a term coined by French feminist and literary theorist Hélène Cixous in her 1975 essay "The Laugh of the Medusa". Cixous aimed to establish a genre of literary writing that deviates from traditional masculine styles of writing, one which examines the relationship between the cultural and psychological inscription of the female body and female difference in language and text. This strand of feminist literary theory originated in France in the early 1970s through the works of Cixous and other theorists including Luce Irigaray, Chantal Chawaf, Catherine Clément and Julia Kristeva, and has subsequently been expanded upon by writers such as psychoanalytic theorist Bracha Ettinger. who emerged in this field in the early 1990s,
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis, political theory, home economics, literature, education, and philosophy.
Gynocriticism or gynocritics is the term coined in the seventies by Elaine Showalter to describe a new literary project intended to construct "a female framework for the analysis of women's literature".
Female hysteria was once a common medical diagnosis for women. It was described as exhibiting a wide array of symptoms, including anxiety, shortness of breath, fainting, nervousness, sexual desire, insomnia, fluid retention, heaviness in the abdomen, irritability, loss of appetite for food or sex, even sexually forward behavior, and a "tendency to cause trouble for others". It is no longer recognized by medical authorities as a medical disorder. Its diagnosis and treatment were routine for hundreds of years in Western Europe.
Susan Bordo is an American philosopher known for her contributions in the field of contemporary cultural studies, particularly in the area of feminist theory. Bordo specializes in contemporary culture and its relation to the body, focusing on eating disorders which primarily affect females, such as anorexia and bulimia; cosmetic surgery; beauty; and evolutionary theory. She also explores racism and the body, masculinity, and sexual harassment.
Sandra M. Gilbert is an American literary critic and poet who has published in the fields of feminist literary criticism, feminist theory, and psychoanalytic criticism. She is best known for her collaborative critical work with Susan Gubar, with whom she co-authored, among other works, The Madwoman in the Attic (1979). Madwoman in the Attic is widely recognized as a text central to second-wave feminism. She is Professor Emerita of English at the University of California, Davis.
Toril Moi is James B. Duke Professor of Literature and Romance Studies and Professor of English, Philosophy and Theatre Studies at Duke University. Moi is also the Director of the Center for Philosophy, Arts, and Literature at Duke. As an undergraduate, she attended University of Bergen, where she studied in the Literature Department. Previously she held positions as a lecturer in French at the University of Oxford and as Director of the Center for Feminist Research at the University of Bergen, Norway. She lived in Oxford, United Kingdom from 1979 to 1989. Moi lives in North Carolina. She works on feminist theory and women's writing; on the intersections of literature, philosophy and aesthetics; and is fundamentally concerned with "finding ways of reading literature with philosophy and philosophy with literature without reducing the one to the other."
Barbara T. Christian was an American author and professor of African-American Studies at the University of California, Berkeley. Among several books, and over 100 published articles, Christian was most well known for the 1980 study Black Women Novelists: The Development of a Tradition.
Barbara Godard was a Canadian critic, translator, editor, and academic. She held the Avie Bennett Historica Chair of Canadian Literature and was Professor of English, French, Social and Political Thought and Women's Studies at York University. She published widely on Canadian and Quebec cultures, on feminist and literary theory, and on translation studies]. Barbara Godard died peacefully in Toronto on May 16, 2010. Across Canada and throughout the world, poets, scholars, feminists, and friends mourned her death.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men." It is not a question of the subject matter or political stance of a particular author, but of her sex, i.e. her position as a woman within the literary world.
Feminist literature is fiction, nonfiction, drama, or poetry, which supports the feminist goals of defining, establishing, and defending equal civil, political, economic, and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regarding status, privilege, and power – and generally portrays the consequences to women, men, families, communities, and societies as undesirable.
Feminist theory in composition studies examines how gender, language, and cultural studies affect the teaching and practice of writing. It challenges the traditional assumptions and methods of composition studies and proposes alternative approaches that are informed by feminist perspectives. Feminist theory in composition studies covers a range of topics, such as the history and development of women’s writing, the role of gender in rhetorical situations, the representation and identity of writers, and the pedagogical implications of feminist theory for writing instruction. Feminist theory in composition studies also explores how writing can be used as a tool for empowerment, resistance, and social change. Feminist theory in composition studies emerged in the late 1960s and early 1970s as a response to the male-dominated field of composition and rhetoric. It has been influenced by various feminist movements and disciplines, such as second-wave feminism, poststructuralism, psychoanalysis, critical race theory, and queer theory. Feminist theory in composition studies has contributed to the revision of traditional rhetorical concepts, the recognition of diverse voices and genres, the promotion of collaborative and ethical communication, and the integration of personal and political issues in writing.
Rosalind Coward is a journalist and writer. She is an Emeritus Professor of journalism at Roehampton University, and a former member of the board of Greenpeace UK (2005–12).
Poststructural feminism is a branch of feminism that engages with insights from post-structuralist thought. Poststructural feminism emphasizes "the contingent and discursive nature of all identities", and in particular the social construction of gendered subjectivities. A contribution of this branch was to argue that there is no universal single category of "woman" or "man."
Feminist revisionist mythology is feminist literature informed by feminist literary criticism, or by the politics of feminism more broadly and that engages with mythology, fairy tales, religion, or other areas.
In the nineteenth and early twentieth century, hysteria was a common psychiatric diagnosis made primarily in women. The existence and nature of a purported male hysteria was a debated topic around the turn of the century. It was originally believed that men could not suffer from hysteria because of their lack of uterus. This belief was discarded in the 17th century when discourse identified the brain or mind, and not reproductive organs, as the root cause of hysteria. During World War I, hysterical men were diagnosed with shell shock or war neurosis, which later went on to shape modern theories on PTSD. The notion of male hysteria was initially connected to the post-traumatic disorder known as railway spine; later, it became associated with war neurosis.
Feminist children's literature is the writing of children's literature through a feminist lens. Children's literature and women's literature have many similarities. Both often deal with being seen as weak and placed towards the bottom of a hierarchy. In this way feminist ideas are regularly found in the structure of children's literature. Feminist criticism of children's literature is therefore expected, since it is a type of feminist literature. Feminist children's literature has played a critical role for the feminist movement, especially in the past half century. In her book Feminism Is for Everybody: Passionate Politics, bell hooks states her belief that all types of media, including writing and children's books, need to promote feminist ideals. She argues "Children's literature is one of the most crucial sites for feminist education for critical consciousness precisely because beliefs and identities are still being formed". The cover of hooks' book, drawn by Laura DeSantis, depicts children alongside adults, showing the importance of the youth. The presence of feminism in children's literature has evolved over the years, but the overall message and goals have remained consistent.
Ellen Moers (1928–1979) was an American academic and literary scholar. She is best known for her pioneering contribution to gynocriticism, Literary Women (1976).
Josephine Donovan is an American scholar of comparative literature who is a professor emerita of English in the Department of English at the University of Maine, Orono. Her research and expertise has covered feminist theory, feminist criticism, animal ethics, and both early modern and American literature with a special focus on American writer Sarah Orne Jewett and the local colorists. She recently extended her study of local color literature to the European tradition. Along with Marti Kheel, Carol J. Adams, and others, Donovan introduced ecofeminist care theory, rooted in cultural feminism, to the field of animal ethics. Her published corpus includes ten books, five edited books, over fifty articles, and seven short stories.
