Sara Ahmed | |
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Born | |
Nationality | British and Australian |
Alma mater | |
Occupation(s) | Writer, professor, independent feminist scholar |
Known for | Feminist theory, lesbian feminism, queer theory, critical race theory, postcolonialism, affect theory |
Website | www |
Sara Ahmed (30 August 1969) [1] is a British-Australian writer and scholar whose area of study includes the intersection of feminist theory, lesbian feminism, queer theory, affect theory, critical race theory and postcolonialism. Her seminal work, The Cultural Politics of Emotion , in which she explores the social dimension and circulation of emotions, is recognized as a foundational text in the nascent field of affect theory. [2] [3] [4]
Ahmed was born in Salford, England on 30 August 1969. She is the daughter of a Pakistani father and an English mother, and she emigrated from England to Adelaide, Australia with her family in the early 1970s. [5] Key themes in her work, such as migration, orientation, difference, strangerness, and mixed identities, relate directly to some of these early experiences. She completed her first degree at Adelaide University and doctoral research at the Centre for Critical and Cultural Theory, Cardiff University. [6] She now lives in the outskirts of Cambridge with her partner, Sarah Franklin, who is an academic at the University of Cambridge. [7]
Ahmed was based at the Institute for Women's Studies at Lancaster University from 1994 to 2004, and is one of its former directors. [8] She was appointed to the Department of Media and Communications at Goldsmiths College, University of London in 2004, and was the inaugural director of its Centre for Feminist Research, which was set up 'to consolidate Goldsmiths' feminist histories and to help shape feminist futures at Goldsmiths.' [9] In spring 2009 Ahmed was the Laurie New Jersey Chair in Women's Studies at Rutgers University [10] and in Lent 2013 she was the Diane Middlebrook and Carl Djerassi Professor in Gender Studies at Cambridge University, where she conducted research on "Willful Women: Feminism and a History of Will". [11] In 2015 she was the keynote speaker at the National Women's Studies Association annual conference. [12] In 2016 Ahmed resigned from her post at Goldsmiths in protest over the alleged sexual harassment of students by staff there. [13] She has indicated that she will continue her work as an independent scholar. [14] She blogs at feministkilljoys, a project she continues to update. [15] The blog is a companion to her book Living a Feminist Life (2017) that enables her to reach people; posts become chapters and the book becomes blogging material. The term "feminist killjoy" "became a communication device, a way of reaching people who recognized in her something of their own experience." [16]
Intersectionality is essential to Ahmed's feminism. She states that "intersectionality is a starting point, the point from which we must proceed if we are to offer an account of how power works." [17] She agrees with bell hooks, stating that if we aim to end sexism etc., we must also look at the other things attached, like racism and colonial power which molded our current society. [17] To Ahmed, intersectionality is how we "make a point of how we come into existence." [18] "How we can experience intersections," though, can be "frustrating, exhausting, painful." [19]
Intersectionality is important to Ahmed, as it defines her own feminism and sense of self: “I am not a lesbian one moment and a person of color the next and a feminist at another. I am all of these at every moment. And lesbian feminism of color brings this all into existence, with insistence, with persistence.” [18]
Diversity work is one of Ahmed's common topics. Included in many of her works, including Living a Feminist Life and On Being Included, it is a concept that makes tangible what it means to live a feminist life day to day in institutions. To Ahmed, diversity work is "[learning] about the techniques of power in the effort to transform institutional norms or in an effort to be in a world that does not accommodate our being." Diversity work is not any one thing. It is the act of trying to change an institution, and also simply the act of existing in one when it was not meant for you. She draws upon her experiences as a woman of color in academia and the works of others, including Chandra Talpade Mohanty, M. Jacqui Alexander, and Heidi Mirza. [20]
To Ahmed, lesbian feminism of color is "the struggle to put ourselves back together because within lesbian shelters too our being was not always accommodated." [18] She draws upon the work of other lesbian feminists of color, like Cherie Moraga, Gloria Anzaldua, and Audre Lorde. These women have taken part in the effort to write "[themselves] into existence." Ahmed sees the texts of these women and many others like them to be a "lifeline". [18]
To Ahmed, practicing feminism is integral to the embodiment of living a feminist life. Ahmed's Killjoy Manifesto [18] feministkilljoy blog [14] elucidate the tenets of living and practicing life through a feminist philosophy, while also creating space for sharing how these embodiments create tension in life experiences under systems of patriarchy and oppression.[ citation needed ]
Ahmed's work is deeply interested in both lived experience analysis and the analysis of affect or emotion. She often analyzes structures of emotion as social phenomena that dictate the way we lead our lives. For example, in "The Promise of Happiness," she explores the way that happiness acts as "social pressure" to push individuals towards or away from certain experiences, objects, and behaviours. This intersects with her study of queerness in "Happy Objects", where she describes the experience of being a young queer person at a family dinner table being overlooked by ancestral photos of heterosexual nuclear families.[ citation needed ]
2017, Ahmed received the Kessler Award for contributions to the field of LGBTQ studies from CLAGS, CUNY. [21] Ahmed gave a talk, "Queer Use," when accepting this award. [22]
2019, Ahmed was awarded an honorary doctorate from Malmö University, Sweden. [23] She gave a lecture, "Feminists at Work: Diversity, Complaint, Institutions" as honorary doctor. [24]
Ahmed has been described as a prolific writer: reviewing Ahmed's work, gender studies scholar Margrit Shildrick commented, "Few academic writers working in the UK context today can match Sara Ahmed in her prolific output, and fewer still can maintain the consistently high level of her theoretical explorations." [25] Ahmed has written ten single-authored books.
Published in 1998 by Cambridge University Press. [26] Ahmed's main focus in this book revolves around the question "is or should feminism be modern or postmodern?" She reflects on what she feels postmodernism is doing to the world in different contexts. [27]
Published in 2004 (with a second edition in 2014) by Edinburgh University Press. [29] Ahmed discusses a contact zone, where objects and bodies that could create different affects are joined. Ahmed further argues that our emotions are formed through our contact with images and objects. [30] .
Published in 2006 by Duke University Press. [31] Ahmed often focuses on the subject of orientation and being orientated in space, especially in relationship to sexual orientation. In her book Queer Phenomenology: Orientation, Objects, Others, Ahmed states that orientation refers to the objects and others that we turn to face as well as the space that we inhabit, and how it is that we inhabit that space. Ahmed brings together queer phenomenology as a way of conveying that orientation is situated in the lived experience. [32]
Published in 2010 by Duke University Press. [33] This work was awarded the FWSA book prize in 2011 for "ingenuity and scholarship in the fields of feminism, gender or women’s studies". [34] In this book, Ahmed focuses on what it means to be worthy of happiness and how specific acts of deviation work with particular identities to cause unhappiness. She also focuses on how happiness is narrated and the idea of utilitarianism. [35]
Published in 2012 by Duke University Press. [36] In On Being Included, Ahmed "offers an account of the diversity world". She explores institutional racism and whiteness, and the difficulties diversity workers face in trying to overcome them in their institutions. [37]
Published by Duke University Press in 2014. [38] Ahmed focuses on the idea of willfulness as resistance. She adds that willfulness involves persistence in having been brought down. Ahmed's goal throughout this book was to "spill the container" as willfulness provides a container for perversion. [39]
Published in 2017 by Duke University Press. [40] Ahmed's blog, "feministkilljoys", was written at the same time as "Living a Feminist Life" (2017). [41] As the title suggests, Ahmed explores feminist theory, and what it means on our everyday lives. One way this manifests is in diversity work, something to which she dedicated a third of the book. She also spends much of the book exploring the feminist killjoy, the feminist in action who takes up the call in their everyday life. [42] In 2020, Duke University Press confirmed that Living a Feminist Life was their best-selling book of the previous decade. [43]
Published in 2019 by Duke University Press. [44] Ahmed gives the historical idea on the association of use with life and strength in the 19th century and how utilitarianism helped shape individuals through useful ends. She also explores how use comes with restricted spaces. Ahmed then explores the ideas for queer use. [45]
Published in 2021 by Duke University Press. [46] According to the publisher: "examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens." [47]
Judith Pamela Butler is an American philosopher and gender studies scholar whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory.
Queer theory is a field of post-structuralist critical theory that emerged in the early 1990s out of queer studies and women's studies. The term "queer theory" can have various meanings depending upon its usage, but has been broadly associated with the study and theorization of gender and sexual practices that exist outside of heterosexuality, and which challenge the notion that heterosexual desire is "normal". Following social constructivist developments in sociology, queer theorists are often critical of what they consider essentialist views of sexuality and gender. Instead, they study those concepts as social and cultural phenomena, often through an analysis of the categories, binaries, and language in which they are said to be portrayed.
Queer studies, sexual diversity studies, or LGBT studies is the study of topics relating to sexual orientation and gender identity usually focusing on lesbian, gay, bisexual, transgender, gender dysphoric, asexual, queer, questioning, and intersex people and cultures.
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Transfeminism, or trans feminism, is a branch of feminism focused on transgender women and informed by transgender studies. Transfeminism focuses on the effects of transmisogyny and patriarchy on trans women. It is related to the broader field of queer theory. The term was popularized by Emi Koyama in The Transfeminist Manifesto.
Disability studies is an academic discipline that examines the meaning, nature, and consequences of disability. Initially, the field focused on the division between "impairment" and "disability", where impairment was an impairment of an individual's mind or body, while disability was considered a social construct. This premise gave rise to two distinct models of disability: the social and medical models of disability. In 1999 the social model was universally accepted as the model preferred by the field. However, in recent years, the division between the social and medical models has been challenged. Additionally, there has been an increased focus on interdisciplinary research. For example, recent investigations suggest using "cross-sectional markers of stratification" may help provide new insights on the non-random distribution of risk factors capable of exacerbating disablement processes. Such risk factors can be acute or chronic stressors, which can increase cumulative risk factors The decline of immune function with age and decrease of inter-personal relationships which can impact cognitive function with age.
Feminist sociology is an interdisciplinary exploration of gender and power throughout society. Here, it uses conflict theory and theoretical perspectives to observe gender in its relation to power, both at the level of face-to-face interaction and reflexivity within social structures at large. Focuses include sexual orientation, race, economic status, and nationality.
Intersectionality is a sociological analytical framework for understanding how groups' and individuals' social and political identities result in unique combinations of discrimination and privilege. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, height, age, weight and physical appearance. These intersecting and overlapping social identities may be both empowering and oppressing. However, little good-quality quantitative research has been done to support or undermine the practical uses of intersectionality.
Patricia Hill Collins is an American academic specializing in race, class, and gender. She is a distinguished university professor of sociology emerita at the University of Maryland, College Park. She is also the former head of the Department of African-American Studies at the University of Cincinnati. Collins was elected president of the American Sociological Association (ASA), and served in 2009 as the 100th president of the association – the first African-American woman to hold this position.
Signs: Journal of Women in Culture and Society is a peer-reviewed feminist academic journal. It was established in 1975 by Jean W. Sacks, Head of the Journals Division, with Catharine R. Stimpson as its first editor in Chief, and is published quarterly by the University of Chicago Press. Signs publishes essays examining the lives of women, men, and non-binary people around the globe from both historical and contemporary perspectives, as well as theoretical and critical articles addressing processes of gendering, sexualization, and racialization.
Greta Gaard is an ecofeminist writer, scholar, activist, and documentary filmmaker. Gaard's academic work in the realms of ecocriticism and ecocomposition is widely cited by scholars in the disciplines of composition and literary criticism. Her theoretical work extending ecofeminist thought into queer theory, queer ecology, vegetarianism, and animal liberation has been influential within women's studies. A cofounder of the Minnesota Green Party, Gaard documented the transition of the U.S. Green movement into the Green Party of the United States in her book, Ecological Politics. She is currently a professor of English at University of Wisconsin-River Falls and a community faculty member in Women's Studies at Metropolitan State University, Twin Cities.
María Cristina Lugones was an Argentine feminist philosopher, activist, and Professor of Comparative Literature and of women's studies at Carleton College in Northfield, Minnesota and at Binghamton University in New York State. She identified as a U.S-based woman of color and theorized this category as a political identity forged through feminist coalitional work.
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The Cultural Politics of Emotion, published in 2004 by Edinburgh University Press and Routledge, is a book by Sara Ahmed focusing on the relationship between emotions, language, and bodies. Ahmed concentrates on the influence of emotions on the body and the ways in which bodies relate with communities, producing social relationships that determine the rhetoric of the nation. The book contributes to the growing conversation about emotion in rhetoric and cultural studies and employs a variety of theories including rhetorical theory, queer theory, feminist theory, Marxist theory, and poststructuralist theory of language.
Transgender studies, also called trans studies or trans* studies, is an interdisciplinary field of academic research dedicated to the study of gender identity, gender expression, and gender embodiment, as well as to the study of various issues of relevance to transgender and gender variant populations. Interdisciplinary subfields of transgender studies include applied transgender studies, transgender history, transgender literature, transgender media studies, transgender anthropology and archaeology, transgender psychology, and transgender health. The research theories within transgender studies focus on cultural presentations, political movements, social organizations and the lived experience of various forms of gender nonconformity. The discipline emerged in the early 1990s in close connection to queer theory. Non-transgender-identified peoples are often also included under the "trans" umbrella for transgender studies, such as intersex people, crossdressers, drag artists, third gender individuals, and genderqueer people.
Ann Luja Cvetkovich is a Professor and former Director of the Feminist Institute of Social Transformation at Carleton University in Ottawa. Until 2019, she was the Ellen Clayton Garwood Centennial Professor of English and Professor of Women's and Gender Studies at the University of Texas at Austin, where she had been the founding director of the LGBTQ Studies Program, launched in 2017. She has published three books: Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (1992); An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (2003); and Depression: A Public Feeling (2012). She has also co-edited Articulating the Global and Local: Globalization and Cultural Studies (1996) with Douglas Kellner, as well as Political Emotions: New Agendas in Communication (2010) with Janet Staiger and Ann Reynolds. Furthermore, Cvetkovich has co-edited a special issue of Scholar and Feminist Online, entitled "Public Sentiments" with Ann Pellegrini. She is also a former co-editor of GLQ: A Journal of Lesbian and Gay Studies with Annamarie Jagose.
Michelle Murphy is a Canadian academic. She is a professor of history and women and gender studies at the University of Toronto and director of the Technoscience Research Unit.
Queer of color critique is an intersectional framework, grounded in Black feminism, that challenges the single-issue approach to queer theory by analyzing how power dynamics associated race, class, gender expression, sexuality, ability, culture and nationality influence the lived experiences of individuals and groups that hold one or more of these identities. Incorporating the scholarship and writings of Audre Lorde, Gloria Anzaldúa, Kimberlé Crenshaw, Barbara Smith, Cathy Cohen, Brittney Cooper and Charlene A. Carruthers, the queer of color critique asks: what is queer about queer theory if we are analyzing sexuality as if it is removed from other identities? The queer of color critique expands queer politics and challenges queer activists to move out of a "single oppression framework" and incorporate the work and perspectives of differently marginalized identities into their politics, practices and organizations. The Combahee River Collective Statement clearly articulates the intersecting forces of power: "The most general statement of our politics at the present time would be that we are actively committed to struggling against racial, sexual, heterosexual, and class oppression, and see as our particular task the development of integrated analysis and practice based upon the fact that major systems of oppression are interlocking. The synthesis of these oppressions creates the conditions of our lives." Queer of color critique demands that an intersectional lens be applied queer politics and illustrates the limitations and contradictions of queer theory without it. Exercised by activists, organizers, intellectuals, care workers and community members alike, the queer of color critique imagines and builds a world in which all people can thrive as their most authentic selves- without sacrificing any part of their identity.
Feminist rhetoric emphasizes the narratives of all demographics, including women and other marginalized groups, into the consideration or practice of rhetoric. Feminist rhetoric does not focus exclusively on the rhetoric of women or feminists, but instead prioritizes the feminist principles of inclusivity, community, and equality over the classic, patriarchal model of persuasion that ultimately separates people from their own experience. Seen as the act of producing or the study of feminist discourses, feminist rhetoric emphasizes and supports the lived experiences and histories of all human beings in all manner of experiences. It also redefines traditional delivery sites to include non-traditional locations such as demonstrations, letter writing, and digital processes, and alternative practices such as rhetorical listening and productive silence. According to author and rhetorical feminist Cheryl Glenn in her book Rhetorical Feminism and This Thing Called Hope (2018), "rhetorical feminism is a set of tactics that multiplies rhetorical opportunities in terms of who counts as a rhetor, who can inhabit an audience, and what those audiences can do." Rhetorical feminism is a strategy that counters traditional forms of rhetoric, favoring dialogue over monologue and seeking to redefine the way audiences view rhetorical appeals.
Scholarship on nationalism and gender explores the processes by which gender affects and is impacted by the development of nationalism. Sometimes referred to as "gendered nationalism," gender and nationalism describes the phenomena whereby conceptions of the state or nation, including notions of citizenship, sovereignty, or national identity contribute to or arise in relation to gender roles.
data sheet (Ahmed, Sara; b. 08-30-69)
In such a spirit of questioning, Sara Ahmed has developed a groundbreaking theory of the cultural politics of emotion, one that interweaves emotions, language and bodies while attending to the intersections of gender, race, class, sexuality and nation.
Ahmed's volume has become a foundational text in an emerging field in cultural studies known as affect— with a sound similar to that in the word acting—which seeks to investigate the way emotions impact individuals, institutions, and society at large.
Some of the most important publications include Lauren Berlant, Cruel Optimism (2011); Eve Kosofsky Sedgwick, Touching Feeling: Affect, Performativity, Pedagogy (2003); Paul Gilroy, After Empire: Melancholia or Convivial Culture? (2004); Sara Ahmed, The Cultural Politics of Emotion (2004);