Sara Ahmed | |
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Born | Salford, England | 30 August 1969
Nationality | British and Australian |
Alma mater | |
Occupation(s) | Writer, professor, independent feminist scholar |
Known for | Feminist theory, lesbian feminism, queer theory, critical race theory, postcolonialism, affect theory |
Website | www |
Sara Ahmed (born 30 August 1969) [1] is a British-Australian writer and scholar whose area of study includes the intersection of feminist theory, lesbian feminism, queer theory, affect theory, critical race theory and postcolonialism. Her foundational work, The Cultural Politics of Emotion , in which she explores the social dimension and circulation of emotions, is recognized as a foundational text in the nascent field of affect theory. [2] [3] [4]
Ahmed was born in Salford, England on 30 August 1969. She is the daughter of a Pakistani father and an English mother, and she emigrated from England to Adelaide, Australia with her family in the early 1970s. [5] Key themes in her work, such as migration, orientation, difference, strangerness, and mixed identities, relate directly to some of these early experiences. She completed her first degree at the University of Adelaide and doctoral research at the Centre for Critical and Cultural Theory, Cardiff University. [6] She now lives in the outskirts of Cambridge with her partner, Sarah Franklin, who is an academic at the University of Cambridge. [7]
Ahmed was based at the Institute for Women's Studies at Lancaster University from 1994 to 2004, and is one of its former directors. [8] She was appointed to the Department of Media and Communications at Goldsmiths College, University of London in 2004, and was the inaugural director of its Centre for Feminist Research, which was set up 'to consolidate Goldsmiths' feminist histories and to help shape feminist futures at Goldsmiths.' [9] In spring 2009 Ahmed was the Laurie New Jersey Chair in Women's Studies at Rutgers University [10] and in Lent 2013 she was the Diane Middlebrook and Carl Djerassi Professor in Gender Studies at Cambridge University, where she conducted research on "Willful Women: Feminism and a History of Will". [11] In 2015 she was the keynote speaker at the National Women's Studies Association annual conference. [12] In 2016 Ahmed resigned from her post at Goldsmiths in protest over the alleged sexual harassment of students by staff there. [13] [14] She has indicated that she will continue her work as an independent scholar. [15] She blogs at feministkilljoys, a project she continues to update. [16] The blog is a companion to her book Living a Feminist Life (2017) that enables her to reach people; posts become chapters and the book becomes blogging material. The term "feminist killjoy" "became a communication device, a way of reaching people who recognized in her something of their own experience." [17]
Intersectionality is essential to Ahmed's feminism. She states that "intersectionality is a starting point, the point from which we must proceed if we are to offer an account of how power works." [18] She agrees with bell hooks, stating that if we aim to end sexism etc., we must also look at the other things attached, like racism and colonial power which molded our current society. [18] To Ahmed, intersectionality is how we "make a point of how we come into existence." [19] "How we can experience intersections," though, can be "frustrating, exhausting, painful." [20]
Intersectionality is important to Ahmed, as it defines her own feminism and sense of self: “I am not a lesbian one moment and a person of color the next and a feminist at another. I am all of these at every moment. And lesbian feminism of color brings this all into existence, with insistence, with persistence.” [19]
Diversity work is one of Ahmed's common topics. Included in many of her works, including Living a Feminist Life and On Being Included, it is a concept that makes tangible what it means to live a feminist life day to day in institutions. To Ahmed, diversity work is "[learning] about the techniques of power in the effort to transform institutional norms or in an effort to be in a world that does not accommodate our being." Diversity work is not any one thing. It is the act of trying to change an institution, and also simply the act of existing in one when it was not meant for you. She draws upon her experiences as a woman of color in academia and the works of others, including Chandra Talpade Mohanty, M. Jacqui Alexander, and Heidi Mirza. [21]
To Ahmed, lesbian feminism of color is "the struggle to put ourselves back together because within lesbian shelters too our being was not always accommodated." [19] She draws upon the work of other lesbian feminists of color, like Cherie Moraga, Gloria Anzaldua, and Audre Lorde. These women have taken part in the effort to write "[themselves] into existence." Ahmed sees the texts of these women and many others like them to be a "lifeline". [19]
To Ahmed, practicing feminism is integral to the embodiment of living a feminist life. Ahmed's Killjoy Manifesto [19] feministkilljoy blog [15] elucidate the tenets of living and practicing life through a feminist philosophy, while also creating space for sharing how these embodiments create tension in life experiences under systems of patriarchy and oppression.[ citation needed ]
Ahmed's work is deeply interested in both lived experience analysis and the analysis of affect or emotion. She often analyzes structures of emotion as social phenomena that dictate the way we lead our lives. For example, in "The Promise of Happiness," she explores the way that happiness acts as "social pressure" to push individuals towards or away from certain experiences, objects, and behaviours. This intersects with her study of queerness in "Happy Objects", where she describes the experience of being a young queer person at a family dinner table being overlooked by ancestral photos of heterosexual nuclear families.[ citation needed ]
2017, Ahmed received the Kessler Award for contributions to the field of LGBTQ studies from CLAGS, CUNY. [22] Ahmed gave a talk, "Queer Use," when accepting this award. [23]
2019, Ahmed was awarded an honorary doctorate from Malmö University, Sweden. [24] She gave a lecture, "Feminists at Work: Diversity, Complaint, Institutions" as honorary doctor. [25]
Ahmed has been described as a prolific writer: reviewing Ahmed's work, gender studies scholar Margrit Shildrick commented, "Few academic writers working in the UK context today can match Sara Ahmed in her prolific output, and fewer still can maintain the consistently high level of her theoretical explorations." [26] Ahmed has written ten single-authored books.
Published in 1998 by Cambridge University Press. [27] Ahmed's main focus in this book revolves around the question "is or should feminism be modern or postmodern?" She reflects on what she feels postmodernism is doing to the world in different contexts. [28]
Published in 2004 (with a second edition in 2014) by Edinburgh University Press. [30] Ahmed discusses a contact zone, where objects and bodies that could create different affects are joined. Ahmed further argues that our emotions are formed through our contact with images and objects. [31] .
Published in 2006 by Duke University Press. [32] Ahmed often focuses on the subject of orientation and being orientated in space, especially in relationship to sexual orientation. In her book Queer Phenomenology: Orientation, Objects, Others, Ahmed states that orientation refers to the objects and others that we turn to face as well as the space that we inhabit, and how it is that we inhabit that space. Ahmed brings together queer phenomenology as a way of conveying that orientation is situated in the lived experience. [33]
Published in 2010 by Duke University Press. [34] This work was awarded the FWSA book prize in 2011 for "ingenuity and scholarship in the fields of feminism, gender or women’s studies". [35] In this book, Ahmed focuses on what it means to be worthy of happiness and how specific acts of deviation work with particular identities to cause unhappiness. She also focuses on how happiness is narrated and the idea of utilitarianism. [36]
Published in 2012 by Duke University Press. [37] In On Being Included, Ahmed "offers an account of the diversity world". She explores institutional racism and whiteness, and the difficulties diversity workers face in trying to overcome them in their institutions. [38]
Published by Duke University Press in 2014. [39] Ahmed focuses on the idea of willfulness as resistance. She adds that willfulness involves persistence in having been brought down. Ahmed's goal throughout this book was to "spill the container" as willfulness provides a container for perversion. [40]
Published in 2017 by Duke University Press. [41] Ahmed's blog, "feministkilljoys", was written at the same time as "Living a Feminist Life" (2017). [42] As the title suggests, Ahmed explores feminist theory, and what it means on our everyday lives. One way this manifests is in diversity work, something to which she dedicated a third of the book. She also spends much of the book exploring the feminist killjoy, the feminist in action who takes up the call in their everyday life. [43] In 2020, Duke University Press confirmed that Living a Feminist Life was their best-selling book of the previous decade. [44]
Published in 2019 by Duke University Press. [45] Ahmed gives the historical idea on the association of use with life and strength in the 19th century and how utilitarianism helped shape individuals through useful ends. She also explores how use comes with restricted spaces. Ahmed then explores the ideas for queer use. [46]
Published in 2021 by Duke University Press. [47] According to the publisher: "examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens." [48]
Published in 2023 by Seal Press. [49] Building on the figure of the feminist killjoy, Sara Ahmed presents an analysis of literature, film, and distinguished feminist works while weaving alongside it her lived experience as a queer feminist scholar-activist of colour. She highlights how killing joy is a world-making project, chronicling moves from asking questions to the power of the eye roll. Feminist scholar Judith Butler has reviewed Ahmed’s book in her article titled The Snap for the monthly magazine The Nation in 2024. [50]
Judith Pamela Butler is an American feminist philosopher and gender studies scholar whose work has influenced political philosophy, ethics, and the fields of third-wave feminism, queer theory, and literary theory.
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Feminist geography is a sub-discipline of human geography that applies the theories, methods, and critiques of feminism to the study of the human environment, society, and geographical space. Feminist geography emerged in the 1970s, when members of the women's movement called on academia to include women as both producers and subjects of academic work. Feminist geographers aim to incorporate positions of race, class, ability, and sexuality into the study of geography. The discipline was a target for the hoaxes of the grievance studies affair.
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Jane Anne Gallop is an American professor who since 1992 has served as Distinguished Professor of English and Comparative Literature at the University of Wisconsin–Milwaukee, where she has taught since 1990.
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Signs: Journal of Women in Culture and Society is a peer-reviewed feminist academic journal. It was established in 1975 by Jean W. Sacks, Head of the Journals Division, with Catharine R. Stimpson as its first editor-in-Chief, and is published quarterly by the University of Chicago Press. Signs publishes essays examining the lives of women, men, and non-binary people around the globe from both historical and contemporary perspectives, as well as theoretical and critical articles addressing processes of gendering, sexualization, and racialization.
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The Cultural Politics of Emotion, published in 2004 by Edinburgh University Press and Routledge, is a book by Sara Ahmed focusing on the relationship between emotions, language, and bodies. Ahmed concentrates on the influence of emotions on the body and the ways in which bodies relate with communities, producing social relationships that determine the rhetoric of the nation. The book contributes to the growing conversation about emotion in rhetoric and cultural studies and employs a variety of theories including rhetorical theory, queer theory, feminist theory, Marxist theory, and poststructuralist theory of language.
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Ann Luja Cvetkovich is a Professor and former Director of the Feminist Institute of Social Transformation at Carleton University in Ottawa. Until 2019, she was the Ellen Clayton Garwood Centennial Professor of English and Professor of Women's and Gender Studies at the University of Texas at Austin, where she had been the founding director of the LGBTQ Studies Program, launched in 2017. She has published three books: Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (1992); An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (2003); and Depression: A Public Feeling (2012). She has also co-edited Articulating the Global and Local: Globalization and Cultural Studies (1996) with Douglas Kellner, as well as Political Emotions: New Agendas in Communication (2010) with Janet Staiger and Ann Reynolds. Furthermore, Cvetkovich has co-edited a special issue of Scholar and Feminist Online, entitled "Public Sentiments" with Ann Pellegrini. She is also a former co-editor of GLQ: A Journal of Lesbian and Gay Studies with Annamarie Jagose.
Michelle Murphy is a Canadian academic. She is a professor of history and women and gender studies at the University of Toronto and director of the Technoscience Research Unit.
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Elizabeth A. Wilson is a Samuel Candler Dobbs professor of women’s, gender, and sexuality studies at Emory University. She is a scholar of feminist science studies, and her work brings together psychoanalytic theory, affect theory, feminist and queer theory, and neurobiology. She is the author of Neural Geographies: Feminism and the Microstructure of Cognition (1998), Psychosomatic: Feminism and the Neurological Body (2004), Affect and Artificial Intelligence (2010), and Gut Feminism (2015).
Scholarship on nationalism and gender explores the processes by which gender affects and is impacted by the development of nationalism. Sometimes referred to as "gendered nationalism," gender and nationalism describes the phenomena whereby conceptions of the state or nation, including notions of citizenship, sovereignty, or national identity contribute to or arise in relation to gender roles.
data sheet (Ahmed, Sara; b. 08-30-69)
In such a spirit of questioning, Sara Ahmed has developed a groundbreaking theory of the cultural politics of emotion, one that interweaves emotions, language and bodies while attending to the intersections of gender, race, class, sexuality and nation.
Ahmed's volume has become a foundational text in an emerging field in cultural studies known as affect— with a sound similar to that in the word acting—which seeks to investigate the way emotions impact individuals, institutions, and society at large.
Some of the most important publications include Lauren Berlant, Cruel Optimism (2011); Eve Kosofsky Sedgwick, Touching Feeling: Affect, Performativity, Pedagogy (2003); Paul Gilroy, After Empire: Melancholia or Convivial Culture? (2004); Sara Ahmed, The Cultural Politics of Emotion (2004);