Rebecca Traister | |
---|---|
Born | 1975 (age 48–49) |
Education | Northwestern University (BA) |
Genre | Nonfiction |
Notable works | Good and Mad Big Girls Don't Cry All the Single Ladies |
Spouse | Darius Wadia (m. 2011) |
Children | 2 |
Rebecca Traister (born 1975) is an American author and journalist. Traister is a writer-at-large for New York magazine and its website The Cut, and a contributing editor at Elle magazine. [1] Traister wrote for The New Republic from February 2014 through June 2015. [1] [2] Traister regularly appears on cable TV news, commenting on feminism and politics.
Born in 1975 to a Jewish father and Baptist mother, Traister was raised on a farm. [3] She attended Germantown Friends School in Philadelphia and Northwestern University. After college, she moved to New York City. [3]
Traister has written about women in politics, media, and entertainment from a feminist perspective for The New Republic and Salon and has also contributed to The Nation, The New York Observer, The New York Times and The Washington Post.
Traister's first book, the non-fiction Big Girls Don't Cry: The Election that Changed Everything for American Women (2010), was a New York Times Notable Book of 2010, [4] and the winner of the Ernesta Drinker Ballard Book Prize in 2012. [5] One of the key arguments in the book is that 2008 was the year, "in which what was once called the women's liberation movement found thrilling new life" because of the presidential campaign of Hillary Clinton.
Traister's second non-fiction book, All the Single Ladies: Unmarried Women and the Rise of an Independent Nation (2016), [6] a New York Times best-seller, has been referred to as a followup to the first. Gillian Whitemarch of The New York Times described it as a "well-researched, deeply informative examination of women’s bids for independence, spanning centuries." [7] In 2018, Traister published her third non-fiction book, Good and Mad: The Revolutionary Power of Women's Anger , another New York Times best-seller.
Traister received a "Making Trouble / Making History Award" from the Jewish Women's Archive in 2012 at its annual luncheon. Longtime activist Gloria Steinem was the presenter. [8] [9]
In 2012, Traister received a Mirror Award for Best Commentary in Digital Media for two essays that appeared in Salon ("'30 Rock' Takes on Feminist Hypocrisy–and Its Own," and "Seeing 'Bridesmaids' is a Social Responsibility"), and one that was published in The New York Times ("The Soap Opera Is Dead! Long Live The Soap Opera!"). [10]
In 2011, Traister married Darius Wadia, a public defender in Brooklyn. The couple lives in New York, with their two daughters. [11] [12] [13]
Linda Jean Barry, known professionally as Lynda Barry, is an American cartoonist. Barry is best known for her weekly comic strip Ernie Pook's Comeek. She garnered attention with her 1988 illustrated novel The Good Times are Killing Me, about an interracial friendship between two young girls, which was adapted into a play. Her second illustrated novel, Cruddy, first appeared in 1999. Three years later she published One! Hundred! Demons!, a graphic novel she terms "autobifictionalography". What It Is (2008) is a graphic novel that is part memoir, part collage and part workbook, in which Barry instructs her readers in methods to open up their own creativity; it won the comics industry's 2009 Eisner Award for Best Reality-Based Work.
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Judith Steinberg Dean is an American physician from Burlington, Vermont. She is married to Howard Dean, the former Governor of Vermont and past chairman of the Democratic National Committee. Steinberg Dean was the First Lady of Vermont from 1991 until 2003.
Katie Roiphe is an American author and journalist. She is best known as the author of the non-fiction book The Morning After: Sex, Fear, and Feminism on Campus (1993). She is also the author of Last Night in Paradise: Sex and Morals at the Century's End (1997), and the 2007 study of writers and marriage, Uncommon Arrangements. Her 2001 novel Still She Haunts Me is an imagining of the relationship between Charles Dodgson and Alice Liddell, the real-life model for Dodgson's Alice's Adventures in Wonderland. She is also known for allegedly planning to name the creator of the Shitty Media Men list in an article for Harper's Magazine.
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In legal definitions for interpersonal status, a single person refers to a person who is not in committed relationships, or is not part of a civil union. In common usage, the term single is often used to refer to someone who is not involved in either any type of sexual relationship, romantic relationship, including long-term dating, engagement, marriage, or someone who is "single by choice". Single people may participate in dating and other activities to find a long-term partner or spouse.
Rebecca Augusta Miller, Lady Day-Lewis is an American filmmaker and novelist. She is known for her films Angela (1995), Personal Velocity: Three Portraits (2002), The Ballad of Jack and Rose (2005), The Private Lives of Pippa Lee (2009), and Maggie's Plan (2015), all of which she wrote and directed, as well as her novels The Private Lives of Pippa Lee and Jacob's Folly. Miller received the Sundance Film Festival Grand Jury Prize for Personal Velocity and the Gotham Independent Film Award for Breakthrough Director for Angela.
Walter Seff Isaacson is an American author, journalist, and professor. He has been the president and CEO of the Aspen Institute, a nonpartisan policy studies organization based in Washington, D.C., the chair and CEO of CNN, and the editor of Time.
Eric S. Perlstein is an American historian and journalist who has garnered recognition for his chronicles of the post-1960s American conservative movement. The author of five bestselling books, Perlstein received the 2001 Los Angeles Times Book Prize for his first book, Before the Storm: Barry Goldwater and the Unmaking of the American Consensus. Politico has dubbed him "a chronicler extraordinaire of modern conservatism."
Rebecca Newberger Goldstein is an American philosopher, novelist, and public intellectual. She has written ten books, both fiction and non-fiction. She holds a Ph.D. in philosophy of science from Princeton University, and is sometimes grouped with novelists such as Richard Powers and Alan Lightman, who create fiction that is knowledgeable of, and sympathetic toward, science.
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Janet Mock is an American writer, television producer, and transgender rights activist. Her debut book, the memoir Redefining Realness, became a New York Times bestseller. She is a contributing editor for Marie Claire and a former staff editor of People magazine's website.
Big Girls Don't Cry: The Election that Changed Everything for American Women is a 2010 non-fiction book written by the American journalist Rebecca Traister and published by Free Press. The book focuses on women's contributions to and experiences of the 2008 United States presidential election. Traister places particular focus on four main political figures—Hillary Clinton, Sarah Palin, Michelle Obama, and Elizabeth Edwards—as well as women in the media, including the journalists Katie Couric and Rachel Maddow, and the comedians Tina Fey and Amy Poehler, who portrayed Sarah Palin and Hillary Clinton on Saturday Night Live, respectively. Traister also describes her personal experience of the electoral campaign and her shift from supporting John Edwards to Hillary Clinton.
Wendy "Wednesday" Martin is an American author and cultural critic who writes and comments on parenting, step-parenting, female sexuality, motherhood, and popular culture. She has written several books and for The New York Times, The Atlantic, Psychology Today, The Huffington Post, Harper's Bazaar, and The Daily Telegraph.
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ignored (help)[H]ow do women view their own trajectory, and have society and cultural expectations caught up to what the statistics show is actually happening? Traister is certainly not the first writer to delve into these questions, but she skillfully advances the conversation with this book. A mix of interviews and historical analysis, "All the Single Ladies" is a well-researched, deeply informative examination of women's bids for independence, spanning centuries. The material can threaten to be overwhelming at times, but Traister provides a thoughtful culling of history to help bridge the gap between, on the one hand, glib depictions of single womanhood largely focused on sexual escapades and, on the other, grave warnings that female independence will unravel the very fabric of the country.