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Feminist history refers to the re-reading of history from a woman's perspective. It is not the same as the history of feminism, which outlines the origins and evolution of the feminist movement. It also differs from women's history, which focuses on the role of women in historical events. The goal of feminist history is to explore and illuminate the female viewpoint of history through rediscovery of female writers, artists, philosophers, etc., in order to recover and demonstrate the significance of women's voices and choices in the past. [1] [2] [3] Feminist History seeks to change the nature of history to include gender into all aspects of historical analysis, while also looking through a critical feminist lens. Jill Matthews states "the purpose of that change is political: to challenge the practices of the historical discipline that have belittled and oppressed women, and to create practices that allow women an autonomy and space for self-definition" [4]
Two particular problems which feminist history attempts to address are the exclusion of women from the historical and philosophical tradition, and the negative characterization of women or the feminine therein; however, feminist history is not solely concerned with issues of gender per se, but rather with the reinterpretation of history in a more holistic and balanced manner.
"If we take feminism to be that cast of mind that insists that the differences and inequalities between the sexes are the result of historical processes and are not blindly "natural," we can understand why feminist history has always had a dual mission—on the one hand to recover the lives, experiences, and mentalities of women from the condescension and obscurity in which they have been so unnaturally placed, and on the other to reexamine and rewrite the entire historical narrative to reveal the construction and workings of gender." —Susan Pedersen [5]
The "disappearing woman" has been a focus of attention of academic feminist scholarship. Research into women's history and literature reveals a rich heritage of neglected culture. [6] [7]
Feminist history combines the search for past female scholars with a modern feminist perspective on how history is affected by them. While many mistake it as women's history, feminist history does not solely focus on the retelling of history from a woman's perspective. Rather, it is interpreting history with a feminist frame of mind. It is also not to be confused with the history of feminism, which recounts the history of the feminist movements. Feminist historians, instead, include "cultural and social investigations" in the job description. [8] Feminist history came into being as women began writing accounts of their own and other women's lives. A few of these, such as Susan B. Anthony and Audre Lorde, documented histories of their feminist movements.
Feminist historians collect to analyze and analyze to connect. Rather than just recording women's history, they allow a connection to be made with "public history." [9] However, problems remain in integrating this improved history into a curriculum appropriate for students. Finally, feminist historians must now be able to understand the digital humanities involved in creating an online database of their primary sources as well as published works done by notable feminist historians. Feminist digital humanists work with feminist historians to reveal an online integration of the two histories. Harvard's Women's Studies Database contain sources, like the Gerritsen Collection, that allow scholarly papers by feminists to be written and publicly convey the fact that there is more than one history and the progress made in combining them.
Feminist historians use women's history to explore the different voices of past women. This gathering of information requires the help of experts who have dedicated their lives to this pursuit. It provides historians with primary sources that are vital to the integration of histories. Firsthand accounts, like Fiedler's And the Walls Come Tumbling Down? (A Feminist View from East Berlin) recounts the daily lives of past women. It documents how their lives were affected by the laws of their government. Women's historians go on to interpret how the laws changed these women's lives, but feminist historians rely on this information to observe the 'disappearing woman'. Fieldler even mentioned that "[t]hese feminists were disappointed when they meant ordinary eastern women who were good housewives too, while enjoying outside work." [10] Because these feminists only knew the public history of the German Democratic Republic, they projected themselves into the imaginary.
Upon investigation of eastern women's lives, they found that though the GDR's socialist policies encouraged women in the labor force, there had been no women creating these policies. Once again, the patriarch had created a public history in which women were cut out. The discovery of neglected cultural accounts, similar to Fiedler's, has allowed women's historians to create large databases, available to feminist historians, out of them. These sources are analyzed by the historians to compare them to scholarly works published during the same time period. Finding works that are within the same time period is not too difficult, but the challenge is in knowing how to combine what they learned from the source with what they know from the works.
Feminist historians see mainly two specific histories. The first is the public, singular history. It is composed of political events and newspapers. The second is made up of women's history and analyzed primary sources. The integration of these two histories helps historians to look at the past with a more feminist lens, the way feminist historians do. Professor Peter G. Filene of the University of North Carolina recounted in his paper Integrating Women's History and Regular History that "[his] purpose is to help students understand the values and behavior of people who are unlike themselves. Through history we enter other lives, analyze the forces that shaped those lives, and ultimately understand patterns of culture." [9] In fact, when Filene was asked to teach a course on the history of American women, the revelations of past women allowed him to recognize that he was not learning heroine history, or herstory, but a compensatory history. However, this thought limited his studies. He found himself thinking of women's contributions to what men had already written down. Rather than having the histories of the 'public' and the 'domestic' sphere, one should know that this line between the two is imaginary.
Though not all women are politicians or war generals, boys are raised in the domestic sphere. Not only that, but men come back to it every day in their private homes. Even President Theodore Roosevelt can be quoted to say "[n]o man can be a good citizen who is not a good husband and a good father." [9] Similar to how history needs domestic history incorporated into it, men's history cannot be understood without their private experiences known. Women's history thus needs their private experiences to be combined with their public. To successfully integrate these histories, the world must not have male and female spheres that are synonyms for the private and public. The connections found in public and private men's and women's history need to be systematically synthesized to successfully integrate them. So the idea of just two histories creates the challenge that most feminist historians have.
Feminist historiography is another notable facet of feminist history. One important feminist historiography writer and researcher is Judith M. Bennett . In her book, History Matters: Patriarchy and the Challenge of Feminism, Bennett writes on the importance of studying a "patriarchal equilibrium". [11] Cheryl Glenn also writes on the importance of feminist historiography "Writing women (or any other traditionally disenfranchised group) into the history of rhetoric, then, can be an ethically and intellectually responsible gesture that disrupts those frozen memories in order to address silences, challenge absences, and assert women's contributions to public life" [12] This facet of feminist history inspect historical writings that are typically assumed to be canon, and reinvents them under a feminist lens.
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that societies prioritize the male point of view and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.
Herstory is a term for history written from a feminist perspective and emphasizing the role of women, or told from a woman's point of view. It originated as an alteration of the word "history", as part of a feminist critique of conventional historiography, which in their opinion is traditionally written as "his story", i.e., from the male point of view. The term is a neologism since the word "history"—from the Ancient Greek word ἱστορία, or more directly from its Latin derivate historia, meaning "knowledge obtained by inquiry"— is etymologically unrelated to the possessive pronoun his. In fact, Roman languages originally attribute the word to the feminine grammatical form, for instance la storia in Italian - the Romance language most resembling Latin.
Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths.
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis, political theory, home economics, literature, education, and philosophy.
Marxist feminism is a philosophical variant of feminism that incorporates and extends Marxist theory. Marxist feminism analyzes the ways in which women are exploited through capitalism and the individual ownership of private property. According to Marxist feminists, women's liberation can only be achieved by dismantling the capitalist systems in which they contend much of women's labor is uncompensated. Marxist feminists extend traditional Marxist analysis by applying it to unpaid domestic labor and sex relations.
Socialist feminism rose in the 1960s and 1970s as an offshoot of the feminist movement and New Left that focuses upon the interconnectivity of the patriarchy and capitalism. However, the ways in which women's private, domestic, and public roles in society has been conceptualized, or thought about, can be traced back to Mary Wollstonecraft's A Vindication of the Rights of Woman (1792) and William Thompson's utopian socialist work in the 1800s. Ideas about overcoming the patriarchy by coming together in female groups to talk about personal problems stem from Carol Hanisch. This was done in an essay in 1969 which later coined the term 'the personal is political.' This was also the time that second wave feminism started to surface which is really when socialist feminism kicked off. Socialist feminists argue that liberation can only be achieved by working to end both the economic and cultural sources of women's oppression.
Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement is a 1970 anthology of feminist writings edited by Robin Morgan, a feminist poet and founding member of New York Radical Women. It is one of the first widely available anthologies of second-wave feminism. It is both a consciousness-raising analysis and a call-to-action. Sisterhood Is Global: The International Women's Movement Anthology (1984) is the follow-up to Sisterhood Is Powerful. After Sisterhood Is Global came its follow-up, Sisterhood Is Forever: The Women's Anthology for a New Millennium (2003).
Cultural feminism, the view that there is a "female nature" or "female essence", attempts to revalue and redefine attributes ascribed to femaleness. It is also used to describe theories that commend innate differences between women and men. Cultural feminism diverged from radical feminism, when some radical feminists rejected the previous feminist and patriarchal notion that feminine traits are undesirable and returned to an essentialist view of gender differences in which they regard female traits as superior.
Black feminism, also known as Afro-feminism chiefly outside the United States, is a branch of feminism that focuses on the African-American woman's experiences and recognizes the intersectionality of racism and sexism. Black feminism also acknowledges the additional marginalization faced by black women due to their social identity.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Gender history is a sub-field of history and gender studies, which looks at the past from the perspective of gender. It is in many ways, an outgrowth of women's history. The discipline considers in what ways historical events and periodization impact women differently from men. For instance, in an influential article in 1977, "Did Women have a Renaissance?", Joan Kelly questioned whether the notion of a Renaissance was relevant to women. Gender historians are also interested in how gender difference has been perceived and configured at different times and places, usually with the assumption that such differences are socially constructed. These social constructions of gender throughout time are also represented as changes in the expected norms of behavior for those labeled male or female. Those who study gender history note these changes in norms and those performing them over time and interpret what those changes say about the larger social/cultural/political climate.
Feminist theory in composition studies examines how gender, language, and cultural studies affect the teaching and practice of writing. It challenges the traditional assumptions and methods of composition studies and proposes alternative approaches that are informed by feminist perspectives. Feminist theory in composition studies covers a range of topics, such as the history and development of women’s writing, the role of gender in rhetorical situations, the representation and identity of writers, and the pedagogical implications of feminist theory for writing instruction. Feminist theory in composition studies also explores how writing can be used as a tool for empowerment, resistance, and social change. Feminist theory in composition studies emerged in the late 1960s and early 1970s as a response to the male-dominated field of composition and rhetoric. It has been influenced by various feminist movements and disciplines, such as second-wave feminism, poststructuralism, psychoanalysis, critical race theory, and queer theory. Feminist theory in composition studies has contributed to the revision of traditional rhetorical concepts, the recognition of diverse voices and genres, the promotion of collaborative and ethical communication, and the integration of personal and political issues in writing.
The Thing Around Your Neck is a short-story collection by Nigerian author Chimamanda Ngozi Adichie, first published in April 2009 by Fourth Estate in the UK and by Knopf in the US. It received many positive reviews, including: "She makes storytelling seem as easy as birdsong" ; "Stunning. Like all fine storytellers, she leaves us wanting more".
Gender essentialism is a theory which attributes distinct, intrinsic qualities to women and men. Based in essentialism, it holds that there are certain universal, innate, biologically based features of gender that are at the root of many of the group differences observed in the behavior of men and women. In Western civilization, it is suggested in writings going back to ancient Greece. With the advent of Christianity, the earlier Greek model was expressed in theological discussions as the doctrine that there are two distinct sexes, male and female, created by God, and that individuals are immutably one or the other. This view remained largely unchanged until the middle of the 19th century. This changed the locus of the origin of the essential differences from religion to biology, in Sandra Bem's words, "from God's grand creation [to] its scientific equivalent: evolution's grand creation," but the belief in an immutable origin had not changed.
Feminism is one theory of the political, economic, and social equality of the sexes, even though many feminist movements and ideologies differ on exactly which claims and strategies are vital and justifiable to achieve equality.
Women's history is the study of the role that women have played in history and the methods required to do so. It includes the study of the history of the growth of woman's rights throughout recorded history, personal achievements over a period of time, the examination of individual and groups of women of historical significance, and the effect that historical events have had on women. Inherent in the study of women's history is the belief that more traditional recordings of history have minimized or ignored the contributions of women to different fields and the effect that historical events had on women as a whole; in this respect, women's history is often a form of historical revisionism, seeking to challenge or expand the traditional historical consensus.
The personal is political, also termed The private is political, is a political argument used as a rallying slogan of student movement and second-wave feminism from the late 1960s. In the context of the feminist movement of the 1960s and 1970s, it was a challenge to the nuclear family and family values. The phrase was popularized by the publication of a 1969 essay by feminist Carol Hanisch under the title "The Personal Is Political" in 1970, and has been repeatedly described as a defining characterization of second-wave feminism, radical feminism, women's studies, or feminism in general. It has also been used by some women artists as the underlying philosophy for their art practice.
Feminist aesthetics first emerged in the 1970s and refers not to a particular aesthetic or style but to perspectives that question assumptions in art and aesthetics concerning gender-role stereotypes, or gender. Feminist aesthetics has a relationship to philosophy. The historical philosophical views of what beauty, the arts, and sensory experiences are, relate to the idea of aesthetics. Aesthetics looks at styles of production. In particular, feminists argue that despite seeming neutral or inclusive, the way people think about art and aesthetics is influenced by gender roles. Feminist aesthetics is a tool for analyzing how art is understood using gendered issues. A person's gender identity affects the ways in which they perceive art and aesthetics because of their subject position and that perception is influenced by power. The ways in which people see art is also influenced by social values such as class and race. One's subject position in life changes the way art is perceived because of people's different knowledge's about life and experiences. In the way that feminist history unsettles traditional history, feminist aesthetics challenge philosophies of beauty, the arts and sensory experience.
White feminism is a term which is used to describe expressions of feminism which are perceived as focusing on white women but are perceived as failing to address the existence of distinct forms of oppression faced by ethnic minority women and women lacking other privileges. The term has been used to label and criticize theories that are perceived as focusing solely on gender-based inequality. Primarily used as a derogatory label, "white feminism" is typically used to reproach a perceived failure to acknowledge and integrate the intersection of other identity attributes into a broader movement which struggles for equality on more than one front. In white feminism, the oppression of women is analyzed through a single-axis framework, consequently erasing the identity and experiences of ethnic minority women the space. The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. This criticism has predominantly been leveled against the first waves of feminism which were seen as centered around the empowerment of white middle-class women in Western societies.
Feminist philosophy of science is a branch of feminist philosophy that seeks to understand how the acquirement of knowledge through scientific means has been influenced by notions of gender identity and gender roles in society. Feminist philosophers of science question how scientific research and scientific knowledge itself may be influenced and possibly compromised by the social and professional framework within which that research and knowledge is established and exists. The intersection of gender and science allows feminist philosophers to reexamine fundamental questions and truths in the field of science to reveal how gender biases may influence scientific outcomes. The feminist philosophy of science has been described as being located "at the intersections of the philosophy of science and feminist science scholarship" and has attracted considerable attention since the 1980s.