Donna Haraway | |
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Born | Donna Jeanne Haraway September 6, 1944 |
Spouses |
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Awards | J. D. Bernal Award, Ludwik Fleck Prize, Robert K. Merton Award, Wilbur Cross Medal |
Academic background | |
Alma mater | Yale University, Colorado College |
Influences | Nancy Hartsock, Sandra Harding, G. Evelyn Hutchinson, Robert Young, Gregory Bateson |
Academic work | |
Discipline | Zoology,Biology,Science and Politics,Technology,Feminist Theory,Medicine Studies,Animal Studies,Animal-Human Relationships |
Main interests | Feminist studies,ecofeminism,posthumanism |
Notable works | A Cyborg Manifesto ,Primate Visions:Gender,Race,and Nature in the World of Modern Science,Staying with the Trouble,"Situated Knowledges:The Science Question in Feminism and the Privilege of Partial Perspective" |
Notable ideas | cyborg,cyborg feminism,cyborg imagery,primatology,cross species sociality |
Part of a series on |
Anthropology of nature, science, and technology |
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Social and cultural anthropology |
Donna J. Haraway is an American professor emerita in the history of consciousness and feminist studies departments at the University of California, Santa Cruz, and a prominent scholar in the field of science and technology studies. She has also contributed to the intersection of information technology and feminist theory, and is a leading scholar in contemporary ecofeminism. Her work criticizes anthropocentrism, emphasizes the self-organizing powers of nonhuman processes, and explores dissonant relations between those processes and cultural practices, rethinking sources of ethics. [2]
Haraway has taught women's studies and the history of science at the University of Hawaii (1971-1974) and Johns Hopkins University (1974-1980). [3] She began working as a professor at the University of California, Santa Cruz in 1980 where she became the first tenured professor in feminist theory in the United States. [4] Haraway's works have contributed to the study of both human–machine and human–animal relations. Her work has sparked debate in primatology, philosophy, and developmental biology. [5] Haraway participated in a collaborative exchange with the feminist theorist Lynn Randolph from 1990 to 1996. Their engagement with specific ideas relating to feminism, technoscience, political consciousness, and other social issues, formed the images and narrative of Haraway's book Modest_Witness for which she received the Society for Social Studies of Science's (4S) Ludwik Fleck Prize in 1999. [6] [7] She was also awarded the American Sociological Association's Section on Science, Knowledge and Technology's Robert K. Merton award in 1992 for her work Primate Visions: Gender, Race, and Nature in the World of Modern Science. [8] In 2017, Haraway was awarded the Wilbur Cross Medal, one of the highest honors for alumni of Yale University. [9] In 2021, Haraway received the Nuevo León Alfonso Reyes Prize for imagining new horizons for the fusion of science, humanities, biology, and philosophy. [10]
Donna Jeanne Haraway was born on September 6, 1944, in Denver, Colorado. Her father, Frank O. Haraway, was a sportswriter for The Denver Post and her mother, Dorothy Mcguire Haraway, who came from an Irish Catholic background, died from a heart attack when Haraway was 16 years old. [11] Haraway attended high school at St. Mary's Academy in Cherry Hills Village, Colorado. [12] Although she is no longer religious, Catholicism had a strong influence on her as she was taught by nuns in her early life. The impression of the eucharist influenced her linkage of the figurative and the material. [13]
Haraway majored in zoology, with minors in philosophy and English at the Colorado College, on the full-tuition Boettcher Scholarship. [14] After college, Haraway moved to Paris and studied evolutionary philosophy and theology at the Fondation Teilhard de Chardin on a Fulbright scholarship. [15] She completed her Ph.D. in biology at Yale in 1972 writing a dissertation about the use of metaphor in shaping experiments in experimental biology titled The Search for Organizing Relations: An Organismic Paradigm in Twentieth-Century Developmental Biology. [16] Her dissertation was later edited into a book and published under the title Crystals, Fabrics, and Fields: Metaphors of Organicism in Twentieth-Century Developmental Biology. [17]
Haraway was the recipient of several scholarships. In 1999, Haraway received the Society for Social Studies of Science's (4S) Ludwik Fleck Prize. In September 2000, Haraway was awarded the Society for Social Studies of Science's highest honor, the J. D. Bernal Award, for her "distinguished contributions" to the field. [18] Haraway's most famous essay was published in 1985: "A Manifesto for Cyborgs: Science, Technology, and Socialist-Feminism in the 1980s" [19] and was characterized as "an effort to build an ironic political myth faithful to feminism, socialism, and materialism".
In Haraway's thesis, "Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective" (1988), she means to expose the myth of scientific objectivity. Haraway defined the term "situated knowledges" as a means of understanding that all knowledge comes from positional perspectives. [20] Our positionality inherently determines what it is possible to know about an object of interest. [20] Comprehending situated knowledge "allows us to become answerable for what we learn how to see". [21] Without this accountability, the implicit biases and societal stigmas of the researcher's community are twisted into ground truth from which to build assumptions and hypothesis. [20] Haraway's ideas in "Situated Knowledges" were heavily influenced by conversations with Nancy Hartsock and other feminist philosophers and activists. [22]
Her book Primate Visions: Gender, Race, and Nature in the World of Modern Science (1989) critically focuses on primate research through a feminist lens in order to understand how heterosexual ideology is reflected in primatology.
Currently,[ as of? ] Haraway is an American professor emerita in the history of consciousness and feminist studies departments at the University of California, Santa Cruz, United States. [23] She lives North of San Francisco with her partner Rusten Hogness. [24] Haraway has stated that she tries to incorporate collective thinking and all perspectives into her work: "I notice if I have cited nothing but white people, if I have erased indigenous people, if I forget non-human beings, etc. ... You know, I run through some old-fashioned, klutzy categories. Race, sex, class, region, sexuality, gender, species ... I know how fraught all those categories are, but I think those categories still do important work." [25]
In 1985, Haraway published the essay "Manifesto for Cyborgs: Science, Technology, and Socialist-Feminism in the 1980s" in Socialist Review . Although most of Haraway's earlier work was focused on emphasizing the masculine bias in scientific culture, she has also contributed greatly to the feminist narratives of the twentieth century. For Haraway, the Manifesto offered a response to the rising conservatism during the 1980s in the United States at a critical juncture at which feminists, to have any real-world significance, had to acknowledge their situatedness within what she terms the "informatics of domination." [26] [27] Women were no longer on the outside along a hierarchy of privileged binaries but rather deeply imbued, exploited by and complicit within networked hegemony, and had to form their politics as such.
In her updated essay "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century", in her book Simians, Cyborgs and Women: The Reinvention of Nature (1991), Haraway uses the cyborg metaphor to explain how fundamental contradictions in feminist theory and identity should be conjoined, rather than resolved, similar to the fusion of machine and organism in cyborgs. [26] [28] [29] The manifesto is also an important feminist critique of capitalism by revealing how men have exploited women's reproduction labor, providing a barrier for women to reach full equality in the labor market. [30] She later discussed her thoughts on A Cyborg Manifesto, gender and 'post-gender' in 2006, critiquing distinct and imposed categories; "people are made to live several non-isomorphic categories simultaneously, all of which torque them". [31]
Haraway also writes about the history of science and biology. In Primate Visions: Gender, Race, and Nature in the World of Modern Science (1990), she focused on the metaphors and narratives that direct the science of primatology. She asserted that there is a tendency to masculinize the stories about "reproductive competition and sex between aggressive males and receptive females [that] facilitate some and preclude other types of conclusions". [32] She contended that female primatologists focus on different observations that require more communication and basic survival activities, offering very different perspectives of the origins of nature and culture than the currently accepted ones. Drawing on examples of Western narratives and ideologies of gender, race and class, Haraway questioned the most fundamental constructions of scientific human nature stories based on primates. In Primate Visions, she wrote:
My hope has been that the always oblique and sometimes perverse focusing would facilitate revisions of fundamental, persistent western narratives about difference, especially racial and sexual difference; about reproduction, especially in terms of the multiplicities of generators and offspring; and about survival, especially about survival imagined in the boundary conditions of both the origins and ends of history, as told within western traditions of that complex genre. [33]
Haraway's aim for science is "to reveal the limits and impossibility of its 'objectivity' and to consider some recent revisions offered by feminist primatologists". [34] Haraway presents an alternative perspective to the accepted ideologies that continue to shape the way scientific human nature stories are created. [35] Haraway urges feminists to be more involved in the world of technoscience and to be credited for that involvement. In a 1997 publication, she remarked:
I want feminists to be enrolled more tightly in the meaning-making processes of technoscientific world-building. I also want feminist—activists, cultural producers, scientists, engineers, and scholars (all overlapping categories) — to be recognized for the articulations and enrollment we have been making all along within technoscience, in spite of the ignorance of most "mainstream" scholars in their characterization (or lack of characterizations) of feminism in relation to both technoscientific practice and technoscience studies. [36]
Haraway created a panel called "Make Kin not Babies" in 2015 with five other feminist thinkers. The panel's emphasis was on moving human numbers down while paying attention to factors, such as the environment, race, and class. A key phrase of Haraway's is "Making babies is different than giving babies a good childhood." [25] She and another panelist, Adele Clarke, later published the corresponding book Making Kin not Population: Reconceiving Generations. [37]
Speculative fabulation is a concept that is included in many of Haraway's works. It includes all of the wild facts that will not hold still, and it indicates a mode of creativity and the story of the Anthropocene. Haraway stresses how this does not mean it is not a fact. In Staying with the Trouble, she defines speculative fabulation as "a mode of attention, theory of history, and a practice of worlding," and she finds it an integral part of scholarly writing and everyday life. [38] In Haraway's work she addresses a feminist speculative fabulation and its focusing on making kin instead of babies to ensure the good childhood of all children while controlling the population. [25] Making Kin not Population: Reconceiving Generations highlights practices and proposals to implement this theory in society. [37]
The companion Species Manifesto is to be read as a “personal document”. This work was written to tell the story of cohabitation, coevolution and embodied cross-species sociality. [39] Haraway argues that humans ‘companion’ relationship with dogs can show us the importance of recognizing differences and ‘how to engage with significant otherness'. [40] The link between humans and animals like dogs can show people how to interact with other humans and nonhumans. Haraway believes that we should be using the term "companion species" instead of "companion animals" because of the relationships we can learn through them. [41]
Haraway's work has been criticized for being "methodologically vague" [42] and using noticeably opaque language that is "sometimes concealing in an apparently deliberate way". [43] Several reviewers have argued that her understanding of the scientific method is questionable, and that her explorations of epistemology at times leave her texts virtually meaning-free. [43] [44]
A 1991 review of Haraway's Primate Visions, published in the International Journal of Primatology , provides some of the most common criticisms of her view of science, [44] and a 1990 review in the American Journal of Primatology , offers a similarly dismissive commentary. [43] In reviewing the book for the Journal of the History of Biology , sexologist Anne Fausto-Sterling, who has written extensively on the social construction of gender, sexual identity, gender identity, gender roles, and intersexuality, wrote that the book is "important," though she wished it "were easier to read." [45]
In 2017, ArtReview named Haraway the third most influential person in the contemporary art world, stating that her work "has become part of the art world’s DNA". [46]
I see Primate Visions as a challenge.
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Primatology is the scientific study of non-human primates. It is a diverse discipline at the boundary between mammalogy and anthropology, and researchers can be found in academic departments of anatomy, anthropology, biology, medicine, psychology, veterinary sciences and zoology, as well as in animal sanctuaries, biomedical research facilities, museums and zoos. Primatologists study both living and extinct primates in their natural habitats and in laboratories by conducting field studies and experiments in order to understand aspects of their evolution and behavior.
"A Cyborg Manifesto" is an essay written by Donna Haraway and published in 1985 in the Socialist Review (US). In it, the concept of the cyborg represents a rejection of rigid boundaries, notably those separating "human" from "animal" and "human" from "machine." Haraway writes: "The cyborg does not dream of community on the model of the organic family, this time without the oedipal project. The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust."
Socialist feminism rose in the 1960s and 1970s as an offshoot of the feminist movement and New Left that focuses upon the interconnectivity of the patriarchy and capitalism. However, the ways in which women's private, domestic, and public roles in society has been conceptualized, or thought about, can be traced back to Mary Wollstonecraft's A Vindication of the Rights of Woman (1792) and William Thompson's utopian socialist work in the 1800s. Ideas about overcoming the patriarchy by coming together in female groups to talk about personal problems stem from Carol Hanisch. This was done in an essay in 1969 which later coined the term 'the personal is political.' This was also the time that second wave feminism started to surface which is really when socialist feminism kicked off. Socialist feminists argue that liberation can only be achieved by working to end both the economic and cultural sources of women's oppression.
Postmodern feminism is a mix of postmodernism and French feminism that rejects a universal female subject. The goal of postmodern feminism is to destabilize the patriarchal norms entrenched in society that have led to gender inequality. Postmodern feminists seek to accomplish this goal through opposing essentialism, philosophy, and universal truths in favor of embracing the differences that exist amongst women in order to demonstrate that not all women are the same. These ideologies are rejected by postmodern feminists because they believe if a universal truth is applied to all women of society, it minimizes individual experience, hence they warn women to be aware of ideas displayed as the norm in society since it may stem from masculine notions of how women should be portrayed.
Cyberfeminism is a feminist approach which foregrounds the relationship between cyberspace, the Internet, and technology. It can be used to refer to a philosophy, art practices, methodologies or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general.
Postgenderism is a social, political and cultural movement which arose from the eroding of the cultural, psychological, and social role of gender, and an argument for why the erosion of binary gender will be liberatory.
Allucquére Rosanne "Sandy" Stone is an American academic theorist, media theorist, author, and performance artist. She is an Associate Professor Emerita at the University of Texas at Austin where she was the Founding Director of the Advanced Communication Technologies Laboratory (ACTLab) and the New Media Initiative in the department of Radio-TV-Film. Stone has worked in and written about film, music, experimental neurology, writing, engineering, and computer programming. Stone is transgender and is considered a founder of the academic discipline of transgender studies.
Karen Michelle Barad is an American feminist theorist and physicist, known particularly for their theory of agential realism.
Feminist epistemology is an examination of epistemology from a feminist standpoint.
Posthuman or post-human is a concept originating in the fields of science fiction, futurology, contemporary art, and philosophy that means a person or entity that exists in a state beyond being human. The concept aims at addressing a variety of questions, including ethics and justice, language and trans-species communication, social systems, and the intellectual aspirations of interdisciplinarity.
Thyrza Nichols Goodeve is a writer, interviewer, artist, and teacher active in the field of contemporary art and culture.
A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought.
Cyborg anthropology is a discipline that studies the interaction between humanity and technology from an anthropological perspective. The discipline offers novel insights on new technological advances and their effect on culture and society.
Feminist technoscience is a transdisciplinary branch of science studies which emerged from decades of feminist critique on the way gender and other identity markers are entangled in the combined fields of science and technology. The term technoscience, especially in regard to the field of feminist technoscience studies, seeks to remove the distinction between scientific research and development with applied applications of technology while assuming science is entwined with the common interests of society. As a result, science is suggested to be held to the same level of political and ethical accountability as the technologies which develop from it. Feminist technoscience studies continue to develop new theories on how politics of gender and other identity markers are interconnected to resulting processes of technical change, and power relations of the globalized, material world.
Chela Sandoval, associate professor of Chicana Studies at University of California, Santa Barbara, is a noted theorist of postcolonial feminism and third world feminism. Beginning with her 1991 pioneering essay 'U.S. Third World Feminism: The Theory and Method of Oppositional Consciousness in the Postmodern World', Sandoval emerged as a significant voice for women of color and decolonial feminism.
Feminist biology is an approach to biology that is concerned with the influence of gender values, the removal of gender bias, and the understanding of the overall role of social values in biological research and practices. Feminist biology was founded by, among others, Ruth Bleier of the University of Wisconsin-Madison. It aims to enhance biology by incorporating feminist critique in matters varying from the mechanisms of cell biology and sex selection to the assessment of the meaning of words such as "gender" and "sex". Overall, the field is broadly defined and pertains itself to philosophies behind both biological and feminist practice. These considerations make feminist biology debatable and conflictive with itself, particularly when concerning matters of biological determinism, whereby descriptive sex terms of male and female are intrinsically confining, or extreme postmodernism, whereby the body is viewed more as a social construct. Despite opinions ranging from determinist to postmodernist, however, biologists, feminists, and feminist biologists of varying labels alike have made claims to the utility of applying feminist ideology to biological practice and procedure.
Michelle Murphy is a Canadian academic. She is a professor of history and women and gender studies at the University of Toronto and director of the Technoscience Research Unit.
"The Empire Strikes Back: A Posttranssexual Manifesto" is a 1987 essay written by Sandy Stone. Stone's essay is considered to be the founding text of transgender studies in academia, with other critical transgender works emerging after it. The essay examines how transgender women have historically been viewed, studied, and treated by the western medical establishment.
Feminist science and technology studies is a theoretical subfield of science and technology studies (STS), which explores how gender interacts with science and technology. The field emerged in the early 1980s alongside other relativist theories of STS which rejected the dominance of technological determinism, proposing that reality is multiple rather than fixed and prioritizing situated knowledges over scientific objectivity. Feminist STS's material-semiotic theory evolved to display a complex understanding of gender and technology relationships by the 2000s, notable scholars producing feminist critiques of scientific knowledge and the design and use of technologies. The co-constructive relationship between gender and technology contributed to feminist STS's rejection of binary gender roles by the twenty-first century, the field's framework expanding to incorporate principles of feminist technoscience and queer theory amidst widespread adoption of the internet.