Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism.
Psychogeography is the exploration of urban environments that emphasizes interpersonal connections to places and arbitrary routes. It was developed by members of the Letterist International and Situationist International, which were revolutionary groups influenced by Marxist and anarchist theory as well as the attitudes and methods of Dadaists and Surrealists.
Shulamith Bath Shmuel Ben Ari Firestone was a Canadian-American radical feminist writer and activist. Firestone was a central figure in the early development of radical feminism and second-wave feminism and a founding member of three radical-feminist groups: New York Radical Women, Redstockings, and New York Radical Feminists. Within these radical movements, Firestone became known as "the firebrand" and "the fireball" for the fervor and passion she expressed towards the cause. Firestone participated in activism such as speaking out at The National Conference for New Politics in Chicago. Also while a member of various feminist groups she participated in actions including protesting a Miss America Contest, organizing a mock funeral for womanhood known as "The Burial of Traditional Womanhood", protesting sexual harassment at Madison Square Garden, organizing abortion speakouts, and disrupting abortion legislation meetings.
Cyberfeminism is a feminist approach which foregrounds the relationship between cyberspace, the Internet, and technology. It can be used to refer to a philosophy, art practices, methodologies or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general.
Merlyna Lim is a scholar studying ICT, particularly on the socio-political shaping of new media in non-Western contexts. She has been appointed a Canada Research Chair in Digital Media and Global Network Society in the School of Journalism and Communication Carleton University. Formerly she was a visiting research scholar at Princeton University's Center for Information Technology Policy and a distinguished scholar of technology and public engagement of the School of Social Transformation Justice and Social Inquiry Program and the Consortium for Science, Policy and Outcomes at Arizona State University. She previously held a networked public research associate position at the Annenberg Center for Communication at the University of Southern California, Los Angeles. She received her PhD, with distinction, from University of Twente in Enschede, Netherlands, with a dissertation entitled @rchipelago Online: The Internet and Political Activism in Indonesia.
VNS Matrix was an artist collective founded in Adelaide, Australia, in 1991, by Josephine Starrs, Julianne Pierce, Francesca da Rimini and Virginia Barratt. Their work included installations, events, and posters distributed through the Internet, magazines, and billboards. Taking their point of departure in a sexualised and socially provocative relationship between women and technology the works subversively questioned discourses of domination and control in the expanding cyber space. They are credited as being amongst the first artists to use the term cyberfeminism to describe their practice; according to artist Anna Couey they outright coined the term along with Sadie Plant .Their first use of the term cyberfeminist was in 1991.
Cornelia Sollfrank is a German digital artist, she was an early pioneer of Net Art and Cyberfeminism in the 1990s.
Cyber-Physical Systems (CPS) are control systems that integrate computation and physical processes, with embedded computers and networks monitoring and controlling physical systems in real-time. In cyber-physical systems, physical and software components are deeply intertwined, able to operate on different spatial and temporal scales, exhibit multiple and distinct behavioral modalities, and interact with each other in ways that change with context. CPS involves transdisciplinary approaches, merging theory of cybernetics, mechatronics, design and process science. The process control is often referred to as embedded systems. In embedded systems, the emphasis tends to be more on the computational elements, and less on an intense link between the computational and physical elements. CPS is also similar to the Internet of Things (IoT), sharing the same basic architecture; nevertheless, CPS presents a higher combination and coordination between physical and computational elements.
Nick Land is an English philosopher, who has been described as "the Godfather of accelerationism". His work has been tied to the development of speculative realism. He was a leader of the 1990s "theory-fiction" collective Cybernetic Culture Research Unit after its original founder cyberfeminist theorist Sadie Plant left it. His work departs from the formal conventions of academic writing and embraces a wide range of influences, as well as exploring unorthodox and "dark" philosophical interests.
The IEEE Systems, Man, and Cybernetics Society is a professional society of the IEEE. It aims "to serve the interests of its members and the community at large by promoting the theory, practice, and interdisciplinary aspects of systems science and engineering, human-machine systems, and cybernetics".
Genevieve Bell is the Vice-Chancellor of the Australian National University and an Australian cultural anthropologist. She is best known for her work at the intersection of cultural practice research and technological development, and for being an industry pioneer of the user experience field. Bell was the inaugural director of the Autonomy, Agency and Assurance Innovation Institute (3Ai), which was co-founded by the Australian National University (ANU) and CSIRO’s Data61, and a Distinguished Professor of the ANU College of Engineering, Computing and Cybernetics. From 2021 to December 2023, she was the inaugural Director of the new ANU School of Cybernetics. She also holds the university's Florence Violet McKenzie Chair, and is the first SRI International Engelbart Distinguished Fellow. Bell is also a Senior Fellow and Vice President at Intel. She is widely published, and holds 13 patents.
subRosa is a cyberfeminist organization led by artists Faith Wilding and Hyla Willis.
Susanna Paasonen is a Finnish feminist scholar. She is a Professor of Media Studies at the University of Turku, and was a visiting scholar at MIT in 2016. She gained her PhD from the University of Turku in 2002; her dissertation was on gender and the popularization of the internet, which was later published through Peter Lang. After holding positions at the universities of Tampere, Jyväskylä and Helsinki, Paasonen was appointed Professor of Media Studies at the University of Turku on 1 August 2011, and publishes on internet research, media theory, sexuality, pornography and affect.
Julianne Pierce is an Australian new media artist, curator, art critic, writer, and arts administrator. She was a member of the groundbreaking group VNS Matrix. She went on to become a founding member of the Old Boys Network, another important cyberfeminist organisation. She has served as executive director of the Australian Dance Theatre and is Chair of the Emerging and Experimental Arts Strategy Panel for the Australia Council. Pierce was executive director of the Australian Network for Art and Technology (ANAT) from 2000 to 2005, based in Adelaide, and was Executive Producer of Blast Theory from 2007 to 2012, based in Brighton in the UK.
Deep Lab is a women's collective group composed of artists, researchers, writers, engineers, and cultural producers. These women are involved in critical assessments of contemporary digital culture and, together, work to exploit the potential for creative inquiry lying dormant in the deep web. Outside of Deep Lab, the members engage in activities that range from magazine editing, journalism, various forms of activism, and teaching. The collective's research spans a variety of topics including privacy, code, surveillance, art, social hacking, capitalism, race, anonymity, 21st century infrastructures, and practical skills for real-world applications. Deep Lab draws influence from Experiments in Art and Technology (E.A.T.), Cypherpunks, Guerrilla Girls, Free Art and Technology Lab (F.A.T.), Chaos Computer Club, and Radical Software.
The Cybernetic Culture Research Unit (CCRU) was an experimental cultural theorist collective formed in late 1995 at Warwick University, England and gradually separated from academia until it dissolved in 2003. It garnered reputation for its idiosyncratic and surreal "theory-fiction" which incorporated cyberpunk and Gothic horror, and its work has since had an online cult following related to the rise in popularity of accelerationism. The CCRU are strongly associated with their former leading members, Sadie Plant, Mark Fisher and Nick Land.
Radhika Gajjala is a communications and a cultural studies professor, who has been named a Fulbright scholar twice.
Nancy Evelyn Paterson (1957–2018) was a Canadian artist and writer known for her work in new media. She was an associate professor at the Ontario College of Art and Design University from 1990 to 2018, and was Facilities Coordinator at Charles Street Video, a non-profit, artist-run centre providing production and post-production facilities for digital video and audio.
Mindy Seu is an American designer and researcher whose work focuses on public engagement with digital archives. She is best known for her Cyberfeminism Index project and publications, and is currently on the faculty at Rutgers Mason Gross School of the Arts and also teaches at the Yale School of Art.
