Gun fu

Last updated

Gun fu, a portmanteau of gun and kung fu (also known as gun kata,bullet ballet, gymnastic gunplay and bullet arts), [1] is a style of sophisticated close-quarters gunfight resembling a martial arts battle that combines firearms with hand-to-hand combat and traditional melee weapons in an approximately 50/50 ratio. It can be seen in Hong Kong action cinema, [2] and in American action films influenced by it.

Contents

The focus of gun fu is both artistic style and the usage of firearms in ways that they were not designed to be used. Shooting a gun from each hand (usually paired with jumping to the side at the same time), dual wielding, shots from behind the back, as well as the use of guns as melee weapons (usually knife fights) are all common. Other moves can involve submachine guns, assault rifles, combat shotguns, rocket launchers, and just about anything else that can be worked into a cinematic shot. It is often mixed with grappling maneuvers.

Gun fu has become a staple of modern action films due to its visual spectacle, a result of often impressive choreography and stuntwork, regardless of its unrealistic elements when compared to real-life gun warfare.

Hong Kong origins

As the name suggests, gun fu has roots in martial arts films from Hong Kong action cinema, including wuxia films and kung fu films from the likes of Bruce Lee and Jackie Chan. These films typically involved martial artists fighting large numbers of enemies in stylized choreographed action set-pieces, with a fighting style that lay somewhere between brawling and dancing. Hong Kong filmmaker John Woo, who began his career directing martial arts films, took the martial arts style of action and added guns, combining the elegance and precision of kung fu with the brutality and violence of gangster films. [3]

John Woo originated the style that would later be called gun fu in the 1986 Hong Kong action film A Better Tomorrow . The film launched the "heroic bloodshed" genre in Hong Kong, and gun fu action sequences became a regular feature in many of the subsequent heroic bloodshed films, which combined the elegance and precision of kung fu with the brutality and violence of gangster movies. [3] John Woo continued to make several classic heroic bloodshed films, all featuring gun fu, and all starring leading man Chow Yun-fat.

Anthony Leong wrote of the gunfights in A Better Tomorrow, [4]

Before 1986, Hong Kong cinema was firmly rooted in two genres: the martial arts film and the comedy. Gunplay was not terribly popular because audiences had considered it boring, compared to fancy kung fu moves or graceful swordplay of the wushu epics. What moviegoers needed was a new way to present gunplay—to show it as a skill that could be honed, integrating the acrobatics and grace of the traditional martial arts. And that's exactly what John Woo did. Using all of the visual techniques available to him (tracking shots, dolly-ins, slo-mo), Woo created beautifully surrealistic action sequences that were a 'guilty pleasure' to watch. There is also intimacy found in the gunplay—typically, his protagonists and antagonists will have a profound understanding of one another and will meet face-to-face, in a tense Mexican standoff where they each point their weapons at one another and trade words.

Stephen Hunter, writing in The Washington Post wrote, [5]

Woo saw gunfights in musical terms: His primary conceit was the shootout as dance number, with great attention paid to choreography, the movement of both actors within the frame. He loved to send his shooters flying through the air in surprising ways, far more poetically than in any real-life scenario. He frequently diverted to slow motion and he specialized in shooting not merely to kill, but to riddle—his shooters often blast their opponents five and six times.

Other Hong Kong directors also began using gun fu sequences in films that were not strictly heroic bloodshed films, such as Wong Jing's God of Gamblers (1989) and its sequel God of Gamblers Returns (1994). There were several heroic bloodshed films that did not feature gun fu, but opted for more realistic combat, such as Ringo Lam's City on Fire (1987).

Spread to the United States

The popularity of John Woo films, and the heroic bloodshed genre in general, in the U.S. helped give gun fu greater visibility. Some of the earliest Hollywood productions not directed by Woo that adopted the style were Desperado (1995) and The Replacement Killers (1998), the latter starring Chow Yun-fat.

The success of The Matrix (1999) helped to popularize and develop the style in the U.S. [3] One classic gun fu move consists of reloading two pistols simultaneously by releasing the empty magazines, pointing the guns to the ground, dropping two fresh magazines out of one's jacket sleeves, or strapped to one's legs, into the guns, and then carrying on shooting. The style is also featured, albeit in a small way and with the assistance of gadgets, in Lara Croft: Tomb Raider (2001). In Equilibrium (2002), the law enforcement responsible for handling "Sense Crime" are trained in "gun kata" to gain an advantage in their raids on armed opponents. In the film Bulletproof Monk (2003), The Monk With No Name (portrayed by Yun-fat) empties two pistols, ejects the magazines and spins to kick the empty magazines at his assailants. This was parodied in an episode of Brooklyn Nine-Nine (Season 1, Episode 19 "Tactical Village"). Underworld (2003) brought The Matrix's aesthetic from the cyberpunk subgenre into the dark fantasy realm, including its gunplay. In Wanted (2008), assassins belonging to The Fraternity possess the skill of "bending" bullets around obstacles; in a gunfight early in the film, one assassin knocks another bullet out of the air with his own round. In X-Men Origins: Wolverine (2009), Agent Zero (Daniel Henney) reloads his handguns by throwing them into the air and catching them with the magazines he's holding in his hands.

In the 2010 film Kick-Ass , the character Hit Girl, played by Chloë Grace Moretz, frequently uses gun fu. In the 2012 film Django Unchained , the climactic shootout in Candieland is inspired by John Woo, replicating scenes from his 1989 classic The Killer shot-by-shot. The 2013 G.I. Joe: Retaliation utilized gun fu in the climactic fight between Roadblock and Firefly. The style is also heavily featured in 2014's John Wick , as well as 2015's Kingsman: The Secret Service .

A gun fu sequence involving Chris Redfield and Glenn Arias is showcased in the 2017 CGI film Resident Evil: Vendetta . Although produced in Japan, the Resident Evil franchise takes the majority of its inspiration from American horror and action cinema.

Other media

Video games

Video games, particularly in the shooter and shoot 'em up genres, have implemented gun fu-like gameplay. Below are some examples of video games and video game series which have been specifically compared to or described as gun fu:

Comic books

Gun Fu is also the name of a series of comic books by Howard M. Shum and Joey Mason, about a Hong Kong police officer in the 1930s who employs a combination of gun-play and martial arts. [11]

Pen-and-paper games

It is not certain where or when the actual term "gun fu" was invented. One of the earliest written records exists in the tabletop role-playing game Cyberpunk 2020 which was first published in 1988.

Gun fu is a form of specialized martial arts usable in the game and is described as, [12]

Gun Fu : completely geared around mastery of the handgun, this form makes a firearm truly an extension of the user. Students are only taught the basics of surviving a gunfight  : stay constantly moving, fire till your opponent is dead (preferably from as close a distance as possible), count your shots, when you are out don't hesitate to find another weapon instead of taking the time to reload yours (the dead guy on the floor won't be needing his anymore right). If you are hit don't think about it till you're dead or your enemies are, never panic and above all keep your opponent on the defensive. Once a student has learned the basics the only way for him to advance in his art is through combat, so beginners don't stay beginners long, they are either killed or they become better. A master is a truly magnificent sight in a gun battle.

Conspiracy X , another tabletop RPG first published in 1996, also included the combat style as a usable skill. In this game, gun fu allowed players' characters to use firearms in close combat and skilled martial artists to string together combinations of moves. [13]

In the Buffyverse role-playing games, gun fu is the name for the firearms skill, but this is more likely meant to be humorous rather than to imply characters practice an actual firearm-based martial art. [14] In the Ninjas and Superspies supplement Mystic China, gun fu is the Triad assassin training, and is a martial arts skill that can be available to player characters. It primarily emphasizes the use of paired 9mm pistols. [15]

In "Run and Gun", a expansion of the fifth-edition of the pen-and-paper role-playing game Shadowrun , gun fu is a combat style available.

The GURPS roleplaying system has a Gun-Fu supplement, written by S.A. Fisher, Sean Punch, and Hans-Christian Vortisch.

Television

In the Japanese series Tokusou Sentai Dekaranger , Banban "Ban" Akaza a.k.a. DekaRed is specifically mentioned as a master of gun fu technique, which in the series is called as "Juu Kun Do" ( is the Japanese word for 'gun', and the name of the style is a play on Jeet Kune Do). As a result, the mecha for the series, Dekaranger Robo, is also sometimes shown using gun fu. The American adaptation of the series, Power Rangers S.P.D. , also shows the Red Ranger Jack Landors and the Delta Squad Megazord using the same technique, though that was more because of the source material – Jack is not specifically mentioned as being a master of gun fu.

In the anime Mazinkaizer SKL , Ryou Magami (one of the two pilots of the titular Mazinkaiser) uses gun fu as his primary style of combat as he wields the Breast Triggers, a pair of handguns which store on Mazinkaiser's chest. Magami's fight scenes contain several visual homages to the film Equilibrium , including a scene in the first episode where Mazinkaiser performs the signature pose of the Grammaton Clerics.

See also

Related Research Articles

<span class="mw-page-title-main">John Woo</span> Hong Kong film director, screenwriter and film producer

John Woo Yu-Sen is a Hong Kong filmmaker, known as a highly influential figure in the action film genre. He is a pioneer of heroic bloodshed films and the gun fu genre in Hong Kong action cinema, before working in Hollywood films. He is known for his highly chaotic "bullet ballet" action sequences, stylized imagery, Mexican standoffs, frequent use of slow motion and allusions to wuxia, film noir and Western cinema.

<span class="mw-page-title-main">Martial arts film</span> Film genre

Martial arts films are a subgenre of action films that feature martial arts combat between characters. These combats are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include hand-to-hand combat along with other types of action, such as stuntwork, chases, and gunfights. Sub-genres of martial arts films include kung fu films, wuxia, karate films, and martial arts action comedy films, while related genres include gun fu, jidaigeki and samurai films.

<span class="mw-page-title-main">Action film</span> Film genre

The action film is a film genre which predominantly feature chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Goeff King stated they allow the scenes of spectacle to be attuned to story telling. Action films are often hybrid with other genres, mixing into various forms ranging to comedies, science fiction films, and horror films.

<span class="mw-page-title-main">Cinema of Hong Kong</span> Hong Kong film industry

The cinema of Hong Kong is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world.

Heroic bloodshed is a genre invented by Hong Kong action cinema revolving around stylized action sequences and dramatic themes, such as brotherhood, duty, honour, redemption, and violence that has become a popular genre used by different directors worldwide. The term heroic bloodshed was coined by editor Rick Baker in the magazine Eastern Heroes in the late 1980s, specifically referring to the styles of directors John Woo and Ringo Lam. Baker defined the genre as "a Hong Kong action film that features a lot of gun play and gangsters rather than kung fu. Lots of blood. Lots of action." Heroic bloodshed films often feature gun fu action sequences.

<span class="mw-page-title-main">Chinese martial arts</span> Variety of fighting styles developed in China

Chinese martial arts, often called by the umbrella terms kung fu, kuoshu or wushu, are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal, while others that concentrate on improving muscle and cardiovascular fitness are called external. Geographical association, as in northern and southern, is another popular classification method.

<i>Snake in the Eagles Shadow</i> 1978 Hong Kong film

Snake in the Eagle's Shadow is a 1978 Hong Kong martial arts action comedy film directed by Yuen Woo-ping in his directorial debut. It stars Jackie Chan, Hwang Jang-lee, and Yuen Woo-ping's real life father, Yuen Siu-tien. The film's plot is about Chien Fu, an orphan who is bullied at a kung fu school, meeting an old beggar, Pai Cheng-tien, who becomes his sifu (teacher) and trains him in Snake Kung Fu.

Chopsocky is a colloquial term for martial arts films and kung fu films made primarily by Hong Kong action cinema between the late 1960s and early 1980s. The term was coined by the American motion picture trade magazine Variety following the explosion of films in the genre released in 1973 in the U.S. after the success of Five Fingers of Death. The word is a play on chop suey, combining "chop" and "sock".

<i>Half a Loaf of Kung Fu</i> 1978 film

Half a Loaf of Kung Fu is a 1978 Hong Kong action comedy martial arts film directed by Chen Chi-hwa and written by Jackie Chan, who also starred in the lead role. The film co-stars Dean Shek and James Tien. The film was released in Hong Kong on 1 July 1978. Chan plays a bumbling kung fu student who becomes involved in a series of adventures in one of his first forays into the kung fu acrobatic slapstick comedy style that would become his signature.

<span class="mw-page-title-main">Bolo Yeung</span> Hong Kong actor

Yeung Sze, better known as Bolo Yeung, is a Hong Kong former competitive bodybuilder, martial artist and a martial arts film actor. He is globally known for his performances as Bolo in Enter the Dragon, and the dominant Chong Li in Bloodsport as well as other numerous appearances and long career in Hong Kong martial arts films.

<i>Kung Fu Hustle</i> 2004 film by Stephen Chow

Kung Fu Hustle is a 2004 martial arts action comedy film directed, produced and co-written by Stephen Chow, who also stars in the lead role, alongside Huang Shengyi, Yuen Wah, Yuen Qiu, Danny Chan Kwok-kwan and Leung Siu-lung in prominent roles. The story revolves around a murderous neighbourhood gang, a poor village with unlikely heroes and an aspiring gangster's fierce journey to find his true self. The martial arts choreography is supervised by Yuen Woo-ping.

Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards.

Gunplay may refer to:

<i>Wheels on Meals</i> 1984 Hong Kong film

Wheels on Meals is a 1984 Hong Kong martial arts action comedy film written and directed by Sammo Hung, with action choreographed by Jackie Chan. The film stars Jackie Chan, Sammo Hung, Yuen Biao, Lola Forner, Benny Urquidez and José Sancho. The film was shot in Barcelona, Spain.

Kung fu film is a subgenre of martial arts films and Hong Kong action cinema set in the contemporary period and featuring realistic martial arts. It lacks the fantasy elements seen in wuxia, a related martial arts genre that uses historical settings based on ancient China. Swordplay is also less common in kung-fu films than in wuxia and fighting is done through unarmed combat.

<i>Last Hurrah for Chivalry</i> 1979 Hong Kong film

Last Hurrah for Chivalry is a 1979 Hong Kong martial arts film written and directed by John Woo, who also produces with Raymond Chow. The film stars Damian Lau and Wei Pai. The film is a precursor to Woo's heroic bloodshed films. The film was released on 11 November 1979.

The Brothers is a 1979 Hong Kong action crime-drama film directed by Hua Shan, written by Lam Chin Wai and Yuen Cheung, and produced by Runme Shaw under the Shaw Brothers Studio. The film stars Tony Liu, Danny Lee Sau-Yin, Chau Li Chuan, Ku Feng, and Nam Hung. It is a remake of Indian action crime-drama film Deewaar (1975), written by Salim–Javed. In turn, The Brothers inspired John Woo's A Better Tomorrow and played a key role in the creation of the heroic bloodshed crime genre of 1980s Hong Kong action cinema.

<i>Hong Kong Action Theatre!</i> Tabletop role-playing game

Hong Kong Action Theatre! is a martial arts role-playing game published by Event Horizon Productions in 1996. A revised edition was published by Guardians of Order in 2001.

Takashi Nishiyama, sometimes credited as "Piston" Takashi Nishiyama or T. Nishiyama, is a Japanese video game designer, director and producer who worked for Irem, Capcom and SNK before founding his own company Dimps. He is best known for developing Kung-Fu Master, Street Fighter, and Fatal Fury.

<i>Film Festival 1</i>

Film Festival #1 is an adventure published by Event Horizon Productions in 1997 for the action-adventure role-playing game Hong Kong Action Theatre!

References

  1. Sean Axmaker (December 6, 2002). "Just saying no to drugs in the fascist future". Seattle Post Intelligencer.
  2. Lisa Morton (2001). The Cinema of Tsui Hark. McFarland. p. 203. ISBN   0-7864-0990-8.
  3. 1 2 3 Lincoln, Kevin (12 October 2016). "From John Woo to John Wick, Here's Your Guide to Gun Fu". Vulture. Retrieved 16 May 2022.
  4. Leong, Anthony (1998). "The Films of John Woo and the Art of Heroic Bloodshed". Archived from the original on November 30, 2007. Retrieved February 19, 2009.
  5. Hunter, Stephen (April 20, 2007). "Cinematic Clues To Understand The Slaughter". The Washington Post . Retrieved February 19, 2009.
  6. McNamara, Andy, ed. (May 2009). "'We took all the elements of the traditional Max and expanded it out so the game becomes gun ballet, or 'gun-fu', or whatever you want to call it'..." Game Informer . Sunrise Publications. p. 41. Retrieved 3 January 2020.
  7. Cowan, Andy, ed. (2007). "Drifting out of the sports world, Stranglehold (Midway) is already out now for the PC and Xbox 360, and sees a whole heap of John Woo-styled action and gun-fu going down..." Hip Hop Connection . No. 216–218. Popular Publications. p. 337. Retrieved 3 January 2020.
  8. Zimmerman, Conrad (24 September 2015). "Fallout 4 Eliminates Skills From Character System". Escapist Magazine . Retrieved 3 January 2020.
  9. Sykes, Tom (20 November 2016). "My Friend Pedro is a 2D Max Payne that looks bananas". PC Gamer . Retrieved 3 January 2020.
  10. Resident Evil 4 Mercenaries - Melee Moves , retrieved 2023-01-20
  11. Comic book series
  12. "Martial Arts". cyberpunk.asia. Retrieved 2020-03-24.
  13. "Review of Conspiracy X – RPGnet RPG Game Index". www.rpg.net.
  14. "Review of Buffy the Vampire Slayer Roleplaying Game – RPGnet RPG Game Index". www.rpg.net.
  15. Wujcik, Erick (1995). Mystic China (PDF). USA: Palladium Books. p. 44.