Filipino martial arts

Last updated

"Philippine Weapons of Offense and Defense" - plate 1, Krieger Collection, United States National Museum Philippine weapons krieger collection plate 1.png
"Philippine Weapons of Offense and Defense" - plate 1, Krieger Collection, United States National Museum

Filipino martial arts (FMA) (Filipino : Sining panlaban ng Pilipinas) refer to ancient and newer modified fighting methods devised in the Philippines. It incorporates elements from both Western and Eastern Martial Arts; the most popular forms of which are known as Arnis, Eskrima, and Kali. The intrinsic need for self-preservation was the genesis of these systems. Throughout the ages, invaders and evolving local conflict imposed new dynamics for combat in the islands now making up the Philippines. The Filipino people developed battle skills as a direct result of an appreciation of their ever-changing circumstances. They learned, often, out of necessity on how to prioritize, allocate and use common resources in combative situations. Filipinos have been heavily influenced by a phenomenon of cultural and linguistic mixture. Some of the specific mechanisms responsible for cultural and martial change extended from phenomena such as war, political and social systems, technology, and trade and practicality.

Contents

Filipino martial arts have seen an increase in prominence due to the influence of several Hollywood movies and the teachings of modern masters such as Venancio "Anciong" Bacon, Dan Inosanto, Roland Dantes, Edgar Sulite, Cacoy Canete, Danny Guba, Mike Inay, Remy Presas, Wilson Pangan Sr. (Grand Master), Ernesto Presas Sr., Doug Marcaida, Ernesto Presas Jr., Carlito A. Lanada, Sr., and Carlos Deleon. [1]

There have been numerous scholarly calls on the inclusion of the many martial arts of the Philippines into the UNESCO Intangible Cultural Heritage Lists. As of 2019, a total of nine elements scattered in eight countries, such as Thailand, Georgia, and Korea, have successfully inscribed their martial arts in the UNESCO list. [2]

History

Tagalog man carries a weapon, possibly a Kalis. This is from the Boxer Codex, circa 1590 A.D. Naturales 3.png
Tagalog man carries a weapon, possibly a Kalis. This is from the Boxer Codex, circa 1590 A.D.

In the 12th century, martial arts influence from the Indonesian martial arts culture reached the islands. At this time, the islands also had culture influences from Cambodia and Thailand. [3] A native martial arts called Arnis de Mano started to exist by the 14th century. Arnis is characterized as sabre play that uses a pair of rattan canes or short wooden canes. Ancient Filipinos were considered skilled in dagger and the broad-sword before the Spanish colonization of the Philippines.

Silat is another native martial art of the Philippines. It uses daggers and sabres. Silat was popular among the royal families of the South and Muslim area of the country.

There are also fighting systems such as Sikaran and Kuntaw. Kuntaw is considered on the verge of being extinct. Sikaran is an old style that is popular in the areas around Manila. The competition of Sikaran involved two teams or individuals in the area of a rice paddy in the time of dry season.

Today there are said to be almost as many Filipino fighting styles as there are islands in the Philippines. In 1972, the Philippine government included Filipino martial arts into the national sports arena. The Ministry of Education, Culture and Sports also incorporated them into the physical education curriculum for high school and college students. In recent history, Richardson C. Gialogo and Aniano Lota, Jr. helped the Department of Education (DepEd), former Ministry of Education, Culture and Sports, in the promotion of Arnis in the public schools. The Task Force on School Sports (TFSS) headed by Mr. Feliciano Toledo asked Richard Gialogo and Jon Lota to conduct national, regional and provincial seminar-workshops all over the Philippines under the auspices of the Philippine government. This resulted to the inclusion of Arnis in the Palarong Pambansa (National Games) in 2006. The efforts of the two and Senator Miguel Zubiri resulted in Arnis being declared as the National Martial Art and Sport of the Philippines by virtue of Republic Act 9850 which was signed into law in 2009. Knowledge of the Filipino fighting skills is mandatory in the Philippine military and police.

Filipino martial arts are considered the most advanced practical modern blade system in the world and are now a core component of the U.S. Army's Modern Army Combatives program [4] [5] [6] and used by the Russian Spetsnaz (special forces). [7] [8] [9] The Government of India used Filipino martial arts to train their Para (Indian Special Forces) of Indian Army, National Security Guard, MARCOS of Indian Navy and Commandos of Central Armed Police Forces.

Filipino martial arts weapons Kalis Kampilan 2.JPG
Filipino martial arts weapons

Weapons

Traditional bolos from the Visayas (ginunting on the left, and three talibongs). Visayan swords a ginunting b to c talibong.jpg
Traditional bolos from the Visayas (ginunting on the left, and three talibongs).

Filipino martial artists are noted for their ability to fight with weapons or empty hands interchangeably and their ability to turn ordinary household items into lethal weapons. Weapons-training takes precedence because they give an edge in real fights, gears students to psychologically face armed opponents, and any object that can be picked up can be used as a weapon using FMA techniques. Empty hand training techniques are translated from the use of the Daga (dagger) or Baston (stick).

Another thing to note is that the Philippines is a blade culture. The Southern Philippines with the Moros were never really conquered by the Spaniards or the Americans; nor the Northern mountains of Luzon with their feared headhunter tribes so they kept their weapons and their fighting skills. For the more "Christianized" provinces and the towns where citizens had been "disarmed", bolos (a cutting tool similar to the machete) and other knife variants are still commonly used for general work (farming in the provinces, chopping wood, coconuts, controlling talahib (sword grass), which could grow higher than roofs if not cut, etc.) and the occasional bloody fight. Production of these weapons still survives and there are a few who still make some. In the province of Aklan, Talibongs are still being made in the remote areas. Until the 80s, balisong knives were still commonly used in the streets of Manila as general purpose pocket knives much like Swiss army knives or box cutters until new laws on allowable kinds of knives made it illegal to carry them in public without a permit or proof that it was a vital to one's livelihood (e.g. Martial arts instructor, vendor). They're still openly sold in their birthplace of Batangas, in the streets of Quiapo, souvenir shops and martial arts stores, wielded by practitioners and street gangs. Thus, even when fighting systems were outlawed by the Spaniards, Filipinos still maintained their centuries-old relationships with blades and blade fighting techniques that survive from ancient times and are still much alive as they have been adapted and evolved to stay relevant and practical in colonial and modern times.

2 opponents armed with sticks facing each other, during Eskrima fight. Budots Media 20220326068 FMA7.jpg
2 opponents armed with sticks facing each other, during Eskrima fight.
Kris/Kalis at Bangsamoro and Lumad Cultures Gallery, Museum of the Filipino People, Rizal Park, Manila, Philippines Mindanao Bangsamoro Swords (25065047992).jpg
Kris/Kalis at Bangsamoro and Lumad Cultures Gallery, Museum of the Filipino People, Rizal Park, Manila, Philippines

Traditional weaponry varies in design, size, weight, materials, and the way these weapons are used. But because of similar techniques Filipinos can use any object and turned into a weapon by a Filipino martial artist as a force multiplier.

Unarmed

Impact

The walking stick in the middle of photo just left of the three arrows and right of the Luzon shield, doubles as an improvised weapon coming apart into two pieces, both with fixed blades on a long and short stick. Negritofilipinocollection.jpg
The walking stick in the middle of photo just left of the three arrows and right of the Luzon shield, doubles as an improvised weapon coming apart into two pieces, both with fixed blades on a long and short stick.
Pictured above is a closer look at the carving of a Negrito man on top of the stick. IMG00459-20110318-1217.jpg
Pictured above is a closer look at the carving of a Negrito man on top of the stick.
A braid/weave encompasses the top portion of the walking stick to ensure a good grip. While partially unsheathed, the two blades can be seen hidden inside. Very rare from late 19th to early 20th century, beautiful weapon and great example of ingenuity and master craftsmanship of the people. IMG00460-20110318-1220.jpg
A braid/weave encompasses the top portion of the walking stick to ensure a good grip. While partially unsheathed, the two blades can be seen hidden inside. Very rare from late 19th to early 20th century, beautiful weapon and great example of ingenuity and master craftsmanship of the people.

Edged

Flexible

Projectile

Training

Signs and symbols

Many Filipino martial art training halls incorporate the triangle into their logo. Triangle 4.gif
Many Filipino martial art training halls incorporate the triangle into their logo.

The triangle is one of the strongest geometrical structures and stands for strength. Many training halls incorporate the triangle into their logo. It represents numerous underlying philosophical, theoretical and metaphysical principles in the Filipino martial arts. Applications of the triangle are found in defensive and offensive tactical strategies, including footwork, stances, blocking and disarms.

The triangle also represents a trinity of deities. Majority of ethno-linguistic groups in the country are known to have a trinity of ancient gods and goddesses, embodying the number three as sacred.

During training, non-verbal gesture communication and recognition is used in teaching and identification. This sign language, utilizing hand, body and weapons signals; is used to convey ideas, desires, information, or commands.

Basic tactical ranges

The three combat ranges in the Filipino martial arts are corto (Spanish for close-range), medio (Spanish for medium-range) and largo (Spanish for long-range).

Basic tactical methods

Filipino martial arts contain a wide range of tactical concepts, both armed and unarmed. Each art includes several of the methods listed below. Some of these concepts have been taken in isolation to serve as the foundation for entire fighting systems in themselves.

Unarmed tactical methods

Striking

  • Suntukan , Panantukan, Dirty Boxing - empty-hand striking (usually with closed fist) with elbows, headbutts and low kicks
  • Sikaran, kick backward; to kick backward
  • Pananjakman, Sipa, patid or sikad - low kicks (heel impact point)

Grappling

Dirty

  • Pa-ak - biting
  • Pakug - headbutting
  • Sablig - throwing natural eye irritants such as sand to the unwary opponent
  • Kawras or kamras - scratching attack to sensitive parts such as the eyes

Armed tactical methods

  • Solo baston - single stick
  • Doble Baston - double stick
  • Bati-Bati - butt of stick methods
  • Dulo-Dulo/Dulo y Dulo - palm stick methods
  • Bantay-Kamay, Tapi-Tapi- "guardian hand" or "alive hand", auxiliary weapon used in conjunction with the primary weapon for checking, blocking, monitoring, trapping, locking, disarming, striking, cutting, etc. Examples include the empty hand when using a single stick or the dagger when fighting with sword and dagger
  • Baraw - knife and dagger
  • Mano y Daga - hand and dagger
  • Baston y Daga - stick and dagger
  • Daga y Daga - pair of daggers
  • Espada y Daga - sword and dagger
  • Latigo y Daga - whip and dagger
  • Tapon-Tapon - hand thrown knives and weapons tactics

Drilling tactical methods

  • Numerado - striking and blocking by the numbers, refers to the most basic strikes and angles
  • Cinco Teros - five strikes, refers to the five most basic strikes and counters
  • Doblete - two-weapon blocking and countering method of doubles
  • Sinawali - "weaving"; rhythmic, flowing, striking patterns and tactics, utilizing two impact or edged weapons.
  • Redonda - circular double-stick vertical downward pattern of six strikes
  • Ocho ocho - repeating pattern, strikes and tactics, such as the figure-eight.
  • Palis Palis - meeting force with force
  • Free flow - live interaction and play, flowing practice, rapid, rhythmic, weapons tactics

Technical tactical methods

  • Abaniko - fanning techniques
  • Witik - whipping, snapping back or picking movements
  • Lobtik - follow-through strikes; horizontal, vertical, diagonal methods
  • Crossada - cross blocking methods, hands and weapons
  • Gunting - "scissors"; armed and unarmed scissoring techniques aimed at disabling an opponent's arm or hand
  • Lock and block - dynamic countering, attacks based on the striking and blocking methods of the system
  • Kadena De Mano - chain of hands, close quarters, continuous, empty-handed combat
  • Hubud Lubud - to tie and untie, continuous trapping methods
  • Trankada - joint locking and breaking techniques
  • Panganaw - disarming techniques

Other traditional techniques

  • Balitok - acrobatic flip or back-flip to evade attacks. This can also be used in combination of kicking to hit opponents.
  • Bikil, sapiti or sapid - hitting an opponent's center of gravity to cause imbalance
  • Bunal, bangag or puspos - downward striking with a blunt weapon
  • Bungot sa kanding - a goatee sported by men to supposedly intimidate or distract an opponent.
  • Busdak - throwing an opponent down to the ground
  • Dunggab, duslak or luba - stealthy stabbing stroke
  • Dusmo - to push an opponent's face to the ground
  • Hapak or sumbag - packed punch aimed to take down an opponent
  • Hata - fake movement intended to open up opponent's defensive stance
  • Ku-ot or kumot - stealthy grabbing and grappling of body parts such as hair
  • Kulata - combo punches to disable or overwhelm an opponent
  • Laparo or tamparos - slapping using the lower part of the palm
  • Lihay - evading attacks
  • Lubag - twisting of joints to unnatural position to disable a physically stronger opponent. This includes a lethal twisting and snapping of the neck.
  • Luglog - In the Waray language this is to slit the throat
  • Sagang - blocking of striking attacks
  • Tigbas - slashing and cutting stroke
  • Tu-ok - strangling or locking the neck

Other traditional techniques, kinamutay-based

  • Pa-ak - biting
  • Pakug - headbutting
  • Sablig - throwing natural eye irritants such as sand to the unwary opponent
  • Kawras or kamras - scratching attack to sensitive parts such as the eyes
  • Siko - to hit with the elbow

Esoteric practices

See also

Related Research Articles

<span class="mw-page-title-main">Arnis</span> Filipino martial art

Arnis, also known as kali or eskrima/escrima, is the national martial art of the Philippines. These three terms are, sometimes, interchangeable in referring to traditional martial arts of the Philippines, which emphasize weapon-based fighting with sticks, knives, bladed weapons, and various improvised weapons, as well as "open hand" techniques without weapons.

<span class="mw-page-title-main">Sikaran</span>

Sikaran is a Filipino Martial Art that involves hand and mostly foot fighting. As Sikaran is a general term for kicking which is also used as the name of the kicking aspects of other Filipino Martial arts, this article discusses the distinct art which is specifically practiced in the Rizal province that focuses almost exclusively in kicking.

<span class="mw-page-title-main">Stick-fighting</span> Type of martial arts using wooden sticks

Stick-fighting, stickfighting, or stick fighting, is a variety of martial arts which use simple long, slender, blunt, hand-held, generally wooden "sticks" for fighting, such as a gun staff, bō, jō, walking stick, baston, arnis sticks or similar weapons. Some techniques can also be used with a sturdy umbrella or even with a sword or dagger in its scabbard.

<span class="mw-page-title-main">Modern Arnis</span>

Modern Arnis is the system of Filipino fighting arts founded by Remy Presas as a self-defense system. His goal was to create an injury-free training method as well as an effective self-defense system in order to preserve the older Arnis systems. The term Modern Arnis was used by Remy Presas' younger brother Ernesto Presas to describe his style of Filipino martial arts; since 1999 Ernesto Presas has called his system Kombatan. It is derived principally from the traditional Presas family style of the Bolo (machete) and the stick-dueling art of Balintawak Eskrima, with influences from other Filipino and Japanese martial arts.

Doce Pares is a Filipino martial art and a form of Arnis, Kali and Eskrima, that focuses primarily on stick fighting, knife fighting and hand-to-hand combat but also covers grappling and other weapons as well. In reality, the stick is merely considered an extension of the hand, and is meant to represent almost any weapon, from sticks to swords to knives to anything else you can place in your hand and use as a weapon in the modern context. Doce Pares was founded in 1932.

San Miguel Eskrima is one of the major systems of eskrima, a martial arts from the Philippines. Founded by Filemon "Momoy" Cañete of the Doce Pares Club, SME served as vehicle for his own personal expression of the art and methodology of the club of which he was a co-founder and instructor. The name San Miguel is taken from Michael (archangel), the slayer of Satan, and is one of the major strikes used in Eskrima.

<span class="mw-page-title-main">Kombatan</span> Filipino martial arts system

Kombatan is a Filipino martial arts system. The founder of the system was GGM Ernesto Amador Presas. The current head of the system is Ernesto Presas Jr. The style is known for its double stick techniques, but it features other stick and blade techniques, as well as empty-hand methods.

<span class="mw-page-title-main">Pekiti-Tirsia Kali</span>

Pekiti-Tirsia Kali is a style specific to Filipino martial arts. Pekiti-Tirsia Kali was founded in 1897 and is the system of the Tortal family. The sole heir and guardian of this system is Leo Gaje. Pekiti-Tirsia is strictly a combat-oriented system, as opposed to a sport-focused fighting style. It is a fighting system that focuses on edged, impact, and improvised weapons. PTK has been adopted as one of the preferred combative training programs by several elite military and law enforcement units around the world. It is considered a highly lethal method of self-defense.

<span class="mw-page-title-main">Footwork (martial arts)</span>

Footwork is a martial arts and combat sports term for the general usage of the legs and feet in stand-up fighting. Footwork involves keeping balance, closing or furthering the distance, controlling spatial positioning, and/or creating additional momentum for strikes.

<span class="mw-page-title-main">Lameco Eskrima</span> Filipino martial art

Lameco Eskrima is the system of Filipino martial arts founded by Edgar Sulite based on his training and experience with various Philippine Martial Arts masters, with heavy influence from Jose Caballero and Antonio Ilustrisimo.

<span class="mw-page-title-main">Sibat</span> Pole weapon used by natives of the Philippines

Sibat is the Filipino word for spear, used as a weapon or tool by natives of the Philippines. The term is used in Tagalog and Kinaray-a. It also called bangkaw, sumbling or palupad in the islands of Visayas and Mindanao; and budjak among Muslim Filipinos in western Mindanao and the Sulu Archipelago.

Ciriaco "Cacoy" Cañete was a Filipino martial artist of the Doce Pares Eskrima Club. He was the last surviving member of the club, which was founded in January 1932. He was also a 12th degree black belt. His version of the Doce Pares Eskrima system is known as Cacoy Doce Pares. In 1951 he developed a personal system of his named Eskrido.

A knife fight is a violent physical confrontation between two or more combatants in which one or more participants are armed with a knife. A knife fight is defined by the presence of a knife as a weapon and the violent intent of the combatants to kill or incapacitate each other; the participants may be completely untrained, self-taught, or trained in one or more formal or informal systems of knife fighting. Knife fights may involve the use of any type of knife, though certain knives, termed fighting knives, are purposely designed for such confrontations – the dagger being just one example.

Garimot Arnis is a Filipino martial art developed by Gat Puno (Chieftain) Abon "Garimot" Baet. He is the 5th generation inheritor of his family art. Garimot Arnis is a system composed of three basic parts: arnis de mano (weapons), buno (wrestling), and hilot (healing). The defining characteristic of the system is in keeping yourself safe. This is done by meticulously studying the footwork, angles, and distancing of largo mano to keep yourself out of your opponent's range while keeping him in your range. In corto (close) range, the opponent's ability to attack must be shut down as quickly as possible, through a disarm, lock, or manipulation of the opponent's body, which sets up the finish. Above all, knowledge of hilot allows you to keep yourself healthy by helping to fight illness and injuries, especially injuries caused during arnis and buno training.

<span class="mw-page-title-main">Sonny Umpad</span>

Master Santiago “Sonny” Umpad was a Filipino eskrimador. He was born in Bogo, Cebu, Philippines. As a young man, Umpad was exposed to the traditional Filipino martial arts of Eskrima; in his region the term “estocada” was also used to describe these arts. Umpad gave full credit to the Balintawak Eskrima and Doce Pares systems, which made up much of his early training. When he went to the United States, he continued his training with Master Raymond Tobosa in the art of Villabrille Kali.

Arnis in popular culture reflects the impact that the Filipino martial arts of arnis/eskrima/kali have made outside of the martial arts community. The three terms are roughly interchangeable and for the purpose of convenience, the term arnis will be used throughout the article. These arts emphasize weapon-based fighting with sticks, blades, improvised weapons and hand-to-hand fighting which is formally known as Mano Mano or Pangamut. Because of this training with live weapons, elements of arnis have made an impact in film, video games, television, and comic books. Arnis is often used to train actors and stuntmen how to handle similar weapons for use in movies.

Black Scorpion Arnis is a distinct Filipino martial art first developed in the late 1960s that focuses on self-defense. The hands and feet are used extensively in most of the styles moves.

<span class="mw-page-title-main">Suntukan</span> Filipino martial arts

Suntukan is the fist-related striking component of Filipino martial arts. In the central Philippine island region of Visayas, it is known as Pangamot or Pakamot and Sumbagay. It is also known as Mano-mano and often referred to in Western martial arts circles of Inosanto lineage as Panantukan. Although it is also called Filipino Boxing, this article pertains to the Filipino martial art and should not be confused with the Western sport of boxing as practiced in the Philippines.

<span class="mw-page-title-main">Baston (weapon)</span> Weapon in Arnis and Filipino martial arts

The baston is one of the primary weapons of Arnis and Filipino martial arts. It is also known as yantok, olisi, palo, pamalo, garrote, caña, cane, arnis stick, eskrima stick or simply, stick.

References

  1. https://www.kumulua.com/home-5/ [ bare URL ]
  2. "Browse the Lists of Intangible Cultural Heritage and the Register of good safeguarding practices - intangible heritage - Culture Sector - UNESCO". Ich.unesco.org. Retrieved September 7, 2022.
  3. Querubin, E. (June 1966). It All Began 800 Years Ago. Black Belt, 14-16.
  4. "Modern Army Combatives - History". Archived from the original on June 28, 2010.
  5. Filipino Kali is Alive and Well in Today's Police and Military Training Jim Wagner, April 10, 2014, USA Dojo.com, Archived from the original on March 4, 2016, on the Wayback Machine.
  6. ‘Crafty Dog’ teaches knife, stick fighting Michael Heckman, Fort Hood Sentinel, August 6, 2009. Marc "Crafty Dog" Denny from the Dog Brothers helped Matt Larsen develop fighting methods taught in the Modern Army Combatives Program
  7. Jessica Zafra. "The Greatest Filipino Export is Kicking Ass". Philippine Star. Archived from the original on August 6, 2016.
  8. Ross Harper Alonso (June 12, 2010). "In the Stick of Things". Philippine Daily Inquirer. Archived from the original on June 15, 2010.
  9. Ignacio, Jay (April 15, 2010). "The Bladed Hand: The Global Impact of Filipino Martial Arts trailer". YouTube . Archived from the original on December 11, 2021.