Filipino martial arts (FMA) refer to ancient and newer modified fighting methods devised in the Philippines. It incorporates elements from both Western and Eastern Martial Arts; the most popular forms of which are known as Arnis, Eskrima, and Kali. The intrinsic need for self-preservation was the genesis of these systems. Throughout the ages, invaders and evolving local conflict imposed new dynamics for combat in the islands now making up the Philippines. The Filipino people developed battle skills as a direct result of an appreciation of their ever-changing circumstances. They learned, often, out of necessity on how to prioritize, allocate and use common resources in combative situations. Filipinos have been heavily influenced by a phenomenon of cultural and linguistic mixture. Some of the specific mechanisms responsible for cultural and martial change extended from phenomena such as war, political and social systems, technology, and trade and practicality.
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.
Pencak silat is an umbrella term for a class of related Indonesian martial arts. In neighbouring countries, the term usually refers to professional competitive silat. It is a full-body fighting form incorporating strikes, grappling, and throwing, in addition to weaponry. Every part of the body is used and subject to attack. Pencak silat was practiced not only for physical defense but also for psychological ends. There are hundreds of different pencak silat styles and schools which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.
Seni Gayong is a style of silat from Malaysia. It was the first martial arts association to be registered in the country, and is now the biggest and most internationally known Malaysian silat discipline. Gayong is overseen by the Pertubuhan Silat Seni Gayong Malaysia (PSSGM) or the Malaysian Silat Seni Gayong Organisation. This organisation is currently led by Dato' Ismail Jantan. While it is most popular in Malaysia and Singapore, there are also branches in Vietnam, Australia, France, Kuwait, Tunisia, Britain, and the United States.
Silat is the collective term for a class of indigenous martial arts from the Nusantara and surrounding geocultural areas of Southeast Asia. It is traditionally practised in Brunei, Indonesia, Malaysia, Singapore, Southern Thailand, Southern Philippines and Southern Vietnam. There are hundreds of different styles (aliran) and schools (perguruan) which tend to focus either on strikes, joint manipulation, weaponry, or some combination thereof.
Silat Patani is a style of silat originating in the Pattani kingdom, now a state of Thailand. It is primarily practiced in northern Malaysia and southern Thailand. The art is also known as silat tua because tradition credits it as the oldest form of silat Melayu. It is sometimes called silat tua Yawi, being the Thai-Malay pronunciation of Jawi in this case referring to the Thai Malay community. These two latter names are increasingly popular among Malaysian practitioners, so as not to acknowledge the Pattani origin of the art.
Listed here are the weapons of pencak silat. The most common are the machete, staff, kris, sickle, spear, and kerambit. Because Southeast Asian society was traditionally based around agriculture, many of these weapons were originally farming tools.
Sewar refers to a dagger of Indonesian origin, typically carried in a belt and used mainly in Sumatra, Indonesia. The blade is also referred to as Sewah by the Gayo people, Seiva by the Minangkabau people, Siva by the Alas people, and Siwaih by the Acehnese people.
Indonesian martial arts includes a variety of fighting systems native to or developed in the archipelago of Indonesia, both the age-old traditional arts, and the more recently developed hybrid combatives. In the Indonesian language the term bela-diri is used to mean martial art, and in essence the Indonesian fighting arts are meant as one's defence against perceived threat and assault. Other than physical training, they often include spiritual aspects to cultivate inner strength, inner peace and higher psychological ends.
Rangkiang is a granary or rice barn of the Minangkabau people used to keep rice. The rangkiang is a distinctive feature of Minangkabau architecture. The structure is traditionally found in the courtyard of a rumah gadang, the traditional house of Minangkabau people.
It is quite difficult to define Indonesian art, since the country is immensely diverse. The sprawling archipelago nation consists of 17.000 islands. Around 922 of those permanently inhabited, by over 1,300 ethnic groups, which speak more than 700 living languages.
A balairung is a village hall of the Minangkabau people of West Sumatra, Indonesia. It has a similar architectural form to the rumah gadang, the domestic architecture of the Minangkabau people. Whereas a rumah gadang is a proper building, the balairung is a pavilion-like structure used solely for holding a consensus decision-making process in the Minang society.
Pura Lingsar was built by Anak Agung Ngurah in 1714, located 15 km from Mataram. Lingsar origin from sasak language mean clear revelation from God, the area has a spring, which scared by Sasak people, who belief Wetu Telu.
Mayura Park was built by Anak Agung Gde Ngurah Karangasem in 1866, located 2 km east Mataram.
Bedil tombak or bedil tumbak is a type of early firearm from the Indonesian archipelago. The weapon consists of a gun or small cannon mounted on a wooden pole, forming a type of weapon known as "pole gun".
Minangkabau culture is the culture of the Minangkabau ethnic group in Indonesia, part of the Indonesian culture. This culture is one of the two major cultures in the Indonesian archipelago which is very prominent and influential.
Music of Minang is a traditional and living genre of Indonesian music that grows and develops in the Minangkabau culture area. Music whose origins are related to Malay Music is generally played by musical instruments such as Talempong, Saluang, Minang rebab, Serunai, Tmbourine, Aguang, Gandang, and Violin. Minang music is also played to accompany various dances such as the Pasambahan dance and the Piring dance.
Pencak Silat Harimau also known as Silat Harimau is a Minangkabau style of pencak silat originating from West Sumatra, Indonesia. Silat Harimau has movements that are used to resemble the technique and philosophy of a tiger. Silat harimau has agile techniques and beautiful movements. However, behind these techniques and movements, there are various deadly attacks that are applied to immobilize the enemy very quickly.
The Tangkin is a traditional parang (knife) of the Iban people from Sarawak, Malaysia and West Kalimantan, Indonesia.
