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The Karay-a are a Visayan ethnic group native to the islands of Panay and Palawan in the Philippines. They speak the Karay-a language (Kinaray-a : Kinaray-a).
The ethnonym Karay-a was derived from the word iraya, which means "upstream". The term Hamtikanon, literally "of Antique", is incorrectly used as a synonym of Karay-a; however, it properly refers to registered residents of the province of Antique irrespective of ethnicity.
The Karay-a number 363,000 in 2010 . [1] They were first believed to be the descendants of immigrants from Borneo, through the epic-myth of the "Ten Bornean Datus". Recent findings, however, revealed that the ancestors of the Karay-a are the Austronesian-speaking immigrants who came from South China during the Iron Age. They primarily speak Karay-a. Meanwhile, Hiligaynon, Tagalog, and English are used as second languages. Most are Christians. About 80% are Roman Catholics, and the rest are Protestants. Some people belonging to the Suludnon tribe, are animists. As of 2015, there are about 1,300,000 Karay-a speakers all over the country. About 45% from Antique province, 38% from Iloilo and 7% in Palawan.
Most Karay-a engage in agriculture, as well as in cottage industries. Several towns in Antique have the distinction of producing quality ware ranging from salakot and sawali from Belison, bamboo-craft from San Jose, ceramics from Sibalom, pottery from Bandoja, Tibiao; mats from Pandan and Libertad; and loom-woven patadyong (barrel skirt) from Bagtason, Bugasong, the only one of its kind in the Visayas and well known throughout Panay. Music, such as courtship songs, wedding hymns, and funeral recitals, is well-developed, as it is with dance.
Panay is the sixth-largest and fourth-most populous island in the Philippines, with a total land area of 12,011 km2 (4,637 sq mi) and a total population of 4,542,926, as of 2020 census. Panay comprises 4.4 percent of the entire population of the country. The City of Iloilo is its largest settlement with a total population of 457,626 inhabitants, as of 2020 census.
Iloilo, also called Iloilo Province, officially the Province of Iloilo, is a province in the Philippines located in the Western Visayas region. Its capital and largest city is Iloilo City, the regional center of Western Visayas and politically independent from the province. Iloilo occupies the southeast portion of the Visayan island of Panay and is bordered by the province of Antique to the west, Capiz to the north, the Jintotolo Channel to the northeast, the Guimaras Strait to the east, and the Iloilo Strait and Panay Gulf to the southwest.
A demigod is a part-human and part-divine offspring of a deity and a human, or a human or non-human creature that is accorded divine status after death, or someone who has attained the "divine spark". An immortal demigod often has tutelary status and a religious cult following, while a mortal demigod is one who has fallen or died, but is popular as a legendary hero in various polytheistic religions. Figuratively, it is used to describe a person whose talents or abilities are so superlative that they appear to approach being divine.
Philippine epic poetry is the body of epic poetry in Philippine literature. Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes. These epics are transmitted through oral tradition using a select group of singers and chanters.
Dingle, officially the Municipality of Dingle, is a 3rd class municipality in the province of Iloilo, Philippines. According to the 2020 census, it has a population of 45,965 people.
Laon, is a pre-colonial female supreme creator deity in the animist anito beliefs of the Visayan peoples in the Philippines. She is associated with creation, agriculture, the sky, and divine justice. Her domain is usually identified with the volcano Kanlaon of the island of Negros, the highest peak in the Visayas Islands. She is present in the pre-colonial beliefs of the Aklanon, Capiznon, Cebuano, Hiligaynon, Karay-a, Suludnon, and Waray people, among others. Her name is variously rendered as Lahon, Lalaon, Malaon, Raom, and Laonsina among the different Visayan groups.
The lesbian, gay, bisexual, transgender and queer (LGBTQ) people in the Philippines are generally accepted in Filipino society, and it has been ranked among the most gay-friendly countries in Asia. It has the second highest social acceptance rate in the Asia-Pacific next to Australia, according to a Pew Research Center survey in 2013. Despite this, some discrimination still persist and LGBT people have limited LGBT-specific rights, leading some activists to characterize LGBT culture in the Philippines as "tolerated, but not accepted." Homosexuals in the Philippines are known as "bakla", though there are other terms to describe them. According to the 2002 Young Adult Fertility and Sexuality Survey, 11 percent of sexually active Filipinos between the ages of 15 and 24 have had sex with someone of the same sex. According to Filipino poet and critic Lilia Quindoza Santiago, Filipino culture may have a more flexible concept of gender. Kasarian is defined in less binary terms than the English word; kasarian means "kind, species, or genus".
Hinilawod is an epic poem orally transmitted from early inhabitants of a place called Sulod in central Panay, Philippines. The term "Hinilawod" generally translates to "Tales From The Mouth of The Halawod River". The epic must have been commonly known to the Visayans of Panay before the conquest, since its main protagonists, like Labaw Donggon, were noted in the accounts of the Islanders' beliefs and recorded by early Spanish colonizers. One of these Westerners' accounts says that the adventures of this ancient hero of Panay were recalled during weddings and in songs. It was noted that there were still native Mundos of Dingle, Iloilo who worshipped Labaw Donggon even until the last years of the Spanish rule in the Philippines. These worshippers would stealthily enter a certain cave in Dingle in the evening of a certain day of the year, in order to render homage and to offer poultry, doves, rice, bananas, and pigs to the ancient Visayan god.
The Maragtas is a work by Pedro Alcantara Monteclaro titled History of Panay from the first inhabitants and the Bornean immigrants, from which they descended, to the arrival of the Spaniards. The work is in mixed Hiligaynon and Kinaray-a languages in Iloilo in 1907. It is an original work based on written and oral sources available to the author.
Felipe Landa Jocano was a Filipino anthropologist, educator, and author known for his significant body of work within the field of Philippine Anthropology, and in particular for documenting and translating the Hinilawod, a Western Visayan folk epic. His eminence within the field of Philippine anthropology was widely recognized during his lifetime, with National Artist F. Sionil Jose dubbing him "the country's first and foremost cultural anthropologist"
The Kalaság or Kalasak is a large rectangular wooden shield used by precolonial Filipinos. The shield is made of hardwood and is decorated with intricate carvings and an elaborate rattan binding on the front. The wood comes from native trees such as the dapdap, polay and sablang. The shield usually measured about 1.5 m (4.9 ft) in length and 0.5 m (1.6 ft) in width. Its base is composed of rattan wood which is strengthened by the application of resin coating that turned rock-hard upon drying.
In early Philippine history, the rank of lakan denoted a "paramount ruler" of one of the large coastal barangays on the central and southern regions of the island of Luzon.
Sulod, also known as Ligbok, is a Central Philippine language of the Suludnon indigenous people who reside in the mountain area of central Panay in the Philippines. It is closely related to the Karay-a language.
Alicia P. Magos is an anthropologist and a professor emerita of University of the Philippines Visayas. She had extensive and published works on the culture of Western Visayas especially on the Panay Bukidnon. She was a UNESCO International Literary Research Awardee and 1999 Metrobank Ten Outstanding Teacher.
Binukot, also spelled Binokot, is a pre-colonial Visayan tradition from the Philippines that secludes a young woman with the expectation that seclusion will result in a higher value placed on the girl by marital suitors in the future. It originally applied to young noblewomen. The name literally means "wrapped up" or "veiled" in Visayan languages, in the sense of seclusion.
The Indian influences in early Philippine polities, particularly the influence of the Srivijaya and Majapahit thalassocracies on cultural development, is a significant area of research for scholars of Philippine, Indonesian, and Southeast Asian history, and is believed to be the source of Hindu and Buddhist elements in early Philippine culture, religion, and language. Because the Indonesian thalassocracies of Srivijaya and Majapahit acquired many of these Hindu and Buddhist elements through Indianization, the introduction of such elements to early Philippine cultures has sometimes been referred to as indianization. In more recent scholarship, it is termed localization, as in, e.g., localization of Hindu and Buddhist beliefs. Some scholars also place the Philippine archipelago within the outermost reaches of the Indosphere, along with Northern Vietnam, where the Hindu and Buddhist elements were not directly introduced by Indian travellers.
Federico Caballero was a Filipino chanter of Philippine epic poetry. Caballero was a recipient of the National Living Treasures Award.