In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
The Moche civilization flourished in northern Peru with its capital near present-day Moche, Trujillo, Peru from about 100 to 800 AD during the Regional Development Epoch. While this issue is the subject of some debate, many scholars contend that the Moche were not politically organized as a monolithic empire or state. Rather, they were likely a group of autonomous polities that shared a common culture, as seen in the rich iconography and monumental architecture that survives today.
Lambayeque is a department and region in northwestern Peru known for its rich Moche and Chimú historical past. The region's name originates from the ancient pre-Inca civilization of the Lambayeque. It is the second-smallest department in Peru after Tumbes, but it is also its most densely populated department and its eighth most populous department.
Chimor was the political grouping of the Chimú culture. The culture arose about 900 CE, succeeding the Moche culture, and was later conquered by the Inca emperor Topa Inca Yupanqui around 1470, fifty years before the arrival of the Spanish in the region. Chimor was the largest kingdom in the Late Intermediate Period, encompassing 1,000 kilometres (620 mi) of coastline.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Many types of perishable artifacts that were once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
The Paracas culture was an Andean society existing between approximately 800 BCE and 100 BCE, with an extensive knowledge of irrigation and water management and that made significant contributions in the textile arts. It was located in what today is the Ica Region of Peru. Most information about the lives of the Paracas people comes from excavations at the large seaside Paracas site on the Paracas Peninsula, first formally investigated in the 1920s by Peruvian archaeologist Julio Tello.
The Chincha culture was the culture of a Native Peruvian people living near the Pacific Ocean in south west Peru. The Chincha Kingdom and their culture flourished in the Late Intermediate Period, also known as the regional states period of pre-Columbian Peru. They became part of the Inca Empire around 1480. They were prominent as sea-going traders and lived in a large and fertile oasis valley. La Centinela is an archaeological ruin associated with the Chincha. It is located near the present-day city of Chincha Alta.
Peruvian territory was inhabited 14,000 years ago by hunters and gatherers. Subsequent developments include the appearance of sedentary communities that developed agriculture and irrigation, and the emergence of complex socio-political hierarchies that created sophisticated civilizations, technology and monumental construction.
The year 2006 in archaeology includes the following significant events.
The Sican culture is the name that archaeologist Izumi Shimada gave to the culture that inhabited what is now the north coast of Peru between about 750 and 1375 CE. According to Shimada, Sican means "temple of the Moon". The Sican culture is also referred to as Lambayeque culture, after the name of the region in Peru. It succeeded the Moche culture. There is still controversy among archeologists and anthropologists over whether the two are separate cultures. The Sican culture is divided into three major periods based on cultural changes as evidenced in archeological artifacts.
Túcume is a pre-Hispanic site in Peru, south of the La Leche River on a plain around La Raya Mountain. It covers an area of over 540 acres (220 ha) and encompassing 26 major pyramids and mounds. The area is referred to as Purgatorio (purgatory) by local people.
Located in the Chicama Valley, the El Brujo Archaeological Complex, just north of Trujillo, La Libertad Province, Peru, is an ancient archaeological site that was occupied from preceramic times. Considering the broad cultural sequencing, the Chicama Valley can be considered as an archaeological microcosm. Research at the site benefits from the favourable environmental and topological conditions for material conservation.
The Brüning Museum, also known as Museo Regional Arqueológico Enrique Bruning de Lambayeque was inaugurated in 1966 and it is located in two blocks of the principal park in Lambayeque, Peru. It was based on the collections of Hans Heinrich Brüning, a German researcher.
Rafael Larco Hoyle, raised at Chiclin, his family's estate, was sent to school in Maryland, United States, at the age of twelve. He later entered Cornell University to study agricultural engineering and by 1923 returned to Peru to work on the family's sugar cane plantation. After spending most of his youth abroad, Larco Hoyle arrived to Peru with the eyes of an outsider. With this foreigner's curiosity he explored the country and discovered an ancient cultural patrimony in the north coast. Larco Hoyle recognized the need to house these objects in a safe place. It was at that point, Larco Hoyle dreamt of a museum, one like he had seen in the United States.
The Pre-Columbian Art Museum is an art museum in Cusco, Peru, dedicated to the display of archaeological artifacts and examples of pre-Columbian artworks drawn from all regions of pre-Columbian Peru. The museum is situated on Plazoleta de las Nazarenas in Cusco's San Blas district, and has on permanent display exhibitions of some 450 individual representative artifacts that are drawn from the wider collection of its parent museum, the Larco Museum in the Peruvian capital Lima.
The Andean textile tradition once spanned from the Pre-Columbian to the Colonial era throughout the western coast of South America, but was mainly concentrated in what is now Peru. The arid desert conditions along the coast of Peru have allowed for the preservation of these dyed textiles, which can date to 6000 years old. Many of the surviving textile samples were from funerary bundles, however, these textiles also encompassed a variety of functions. These functions included the use of woven textiles for ceremonial clothing or cloth armor as well as knotted fibers for record-keeping. The textile arts were instrumental in political negotiations, and were used as diplomatic tools that were exchanged between groups. Textiles were also used to communicate wealth, social status, and regional affiliation with others. The cultural emphasis on the textile arts was often based on the believed spiritual and metaphysical qualities of the origins of materials used, as well as cosmological and symbolic messages within the visual appearance of the textiles. Traditionally, the thread used for textiles was spun from indigenous cotton plants, as well as alpaca and llama wool.
Illimo District is one of twelve districts of the province Lambayeque in Peru.
The Andean civilizations were South American complex societies of many indigenous people. They stretched down the spine of the Andes for 4,000 km from southern Colombia, to Ecuador and Peru, including the deserts of coastal Peru, to north Chile and northwest Argentina. Archaeologists believe that Andean civilizations first developed on the narrow coastal plain of the Pacific Ocean. The Caral or Norte Chico civilization of coastal Peru is the oldest known civilization in the Americas, dating back to 3500 BCE. Andean civilizations are one of at least five civilizations in the world deemed by scholars to be "pristine." The concept of a "pristine" civilization refers to a civilization that has developed independently of external influences and is not a derivative of other civilizations.
Mama Quilla, in Inca mythology and religion, was the third power and goddess of the moon. She was the older sister and wife of Inti, daughter of Viracocha and mother of Manco Cápac and Mama Uqllu (Mama Ocllo), mythical founders of the Inca empire and culture. She was the goddess of marriage and the menstrual cycle, and considered a defender of women. She was also important for the Inca calendar.
The Chotuna Chornancap Archaeological Complex is an archaeological site in San Jose district, Lambayeque Region, 12 kilometres (7.5 mi) north-west of Chiclayo, Peru of a set of truncated pyramids and compounds, highlighting two pyramids: Chotuna and Chornancap, the first of them believed to be related to the legend of Naylamp. Chotuna was a ceremonial center of the Sican culture, one of the cultures of Pre-Columbian Peru, which developed between the years 700 to 1300 AD. Later the Chimu and then the Inca occupation followed. In 2011 the tomb of the so-called priestess of Chornancap was discovered.
