Kenjutsu (剣術) is an umbrella term for all (ko-budō) schools of Japanese swordsmanship, in particular those that predate the Meiji Restoration. Some modern styles of kendo and iaido that were established in the 20th century also included modern forms of kenjutsu in their curriculum. Kenjutsu, which originated with the samurai class of feudal Japan, means "methods, techniques, and the art of the Japanese sword". This is opposed to kendo, which means "the way of the sword" and uses a bamboo sword (shinai) and protective armour (bōgu).
Krabi-Krabong is a weapon-based martial art from Thailand. It is closely related to other Southeast Asian fighting styles such as Pencak Silat Indonesia, Burmese banshay and Cambodian kbach kun boran. The royal bodyguard corps of the late King Bhumibol Adulyadej were said to be highly trained in krabi-krabong.
Silambam is an Indian martial art originating in Tamil Nadu, a state in southern India. This style is mentioned in Tamil Sangam literature. The World Silambam Association is the official international body of Silambam.
Bōjutsu is the martial art of stick fighting using a bō, which is the Japanese word for staff. Staffs have been in use for thousands of years in Asian martial arts like Silambam. Some techniques involve slashing, swinging, and stabbing with the staff. Others involve using the staff as a vaulting pole or as a prop for hand-to-hand strikes.
Gatka is a form of martial art associated primarily with the Sikhs of the Punjab and other related ethnic groups, such as Hindkowans. It is a style of stick-fighting, with wooden sticks intended to simulate swords. The Punjabi name, gatka, refers to the wooden stick used and this term might have originated as a diminutive of a Sanskrit word, gada, meaning "mace".
The Pung cholom is a traditional Meitei dance form originated from Manipur, which is the soul of the Manipuri Sankirtana music and the Manipuri classical dance. The Pung cholom is a unique classical dance of Manipur. This dance may be performed by men or women and is usually a prelude to the Ras Lila. In this style, the dancers play the pung while they dance at the same time. Dancers need to be graceful and acrobatic at the same time. They use these acrobatic effects without breaking the rhythm or flow of music. The dance is marked by a gentle rhythm, which gradually builds up to a thunderous climax. Pung cholom borrows elements from the Manipuri martial arts, Thang Ta and Sarit Sarak and also from the traditional Maibi Jagoi.
Banshay is a weapon-based martial art from Myanmar focusing primarily on the sword, staff and spear. Influenced by both Indian and Chinese sources, it is closely related to similar Southeast Asian systems such as Thai krabi krabong, Cambodian kbach kun boran and Malay silat.
Stick-fighting, stickfighting, or stick fighting, is a variety of martial arts which use simple long, slender, blunt, hand-held, generally wooden "sticks" for fighting, such as a gun staff, bō, jō, walking stick, baston, arnis sticks or similar weapons. Some techniques can also be used with a sturdy umbrella or even with a sword or dagger in its scabbard.
Manipuri dance, also referred to as the Manipuri Raas Leela, is a jagoi and is one of the major Indian classical dance forms, originating from the state of Manipur. It is one of the greatest cultural achievements of the traditional Vaishnavism adhering Meitei people of Manipur. Owing to the Meitei civilization, the classical dance form, first formally developed by Meitei Hindu king Ching Thang Khomba of the Kingdom of Manipur, is considered to be the highest spiritual expression of the worship of Hindu deity Krishna. Owing to its huge influences on the diverse cultural heritages across the Indian subcontinent, it is recognised by the Sangeet Natak Akademi of the Ministry of Culture of the Government of India as one of the few primary classical dance forms of the Republic of India, and is honoured with the Sangeet Natak Akademi Award for Manipuri annually. It is referred to as the "national dance" during the Armenia-India joint issue of postage stamps, as a part of the Armenia-India international relations.
Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines, by Classical times they were used generically for all fighting systems.
Jūkendō (銃剣道) is the Japanese martial art of bayonet fighting, and has been likened to kendo.
Ningthou Ching-Thang Khomba (1748–1799) was a Meitei monarch of the 18th century CE. He is known for having invented the Manipuri Raas Leela dance. His daughter Shija Lailoibi played the role of Radha at the first performance and became a popular figure in Manipur. He is also credited with spreading Vaishnavism in Manipur State and thereby creating a unified Manipur. Much of his history is mythologized.
Manipuri Vaishnavism, also known as Meitei Vaishnavism is a regional variant of Gaudiya Vaishnavism with a culture-forming role in the north-eastern Indian state of Manipur.
Varma Kalai is an Indian traditional art of pressure points. It combines massage, alternative medicine, traditional yoga and martial arts in which the body's pressure points (varmam) are manipulated to heal or cause harm. The healing application called Vaidhiya Murai is part of Siddha medicine.
Gurumayum Gourakishor Sharma is a leading exponent and teacher of thang-ta.
Ningthoukhongjam Khelchandra Singh was an Indian writer, lexicographer and historian, known as the author of Manipuri to Manipuri and English, the first modern general dictionary in Meitei language, which was published in 1964. He was a fellow of the Sahitya Akademi and Sangeet Natak Akademi. The Government of India awarded him the fourth highest civilian honour of Padma Shri in 1987.
Imoinu Iratpa or Emoinu Iratpa or Wakching Taranithoini Pānba is a religious festival celebrated by the Meitei people. It is a festival of lights dedicated to the goddess of wealth and prosperity, Imoinu Ahongbi. The festival is celebrated on the twelfth lunar day of Wakching month of Meitei calendar. The festival is celebrated in Manipur, Assam and Tripura states in North Eastern India and observed by some in the neighboring Myanmar. The festival involves sacrifices and prayers to the goddess, followed by various other cultural events.
Arambai, also known as Alapai tenton, is a dart weapon used by the Meitei cavalry soldiers of Kangleipak while mounted on Manipur Ponies. The cavalry armies use arambai as attacking or retreating weapon, and it is usually poisoned.
Puya Meithaba, or Lairik Meithaba, refers to the annual commemoration of a legendary 18th-century scripture burning in post-colonial Manipur by a neo-convert Vaishnavite King, or to the original libricide of Puyas itself. There is no historical evidence that the libricide happened. Nonetheless, the commemoration, organised by the Meitei National Front and others since 1979, has been a critical tool in the spread of Meitei nationalism and has mainstreamed a particular reconstruction of premodern Manipur, which has come to be uncritically reproduced even in academic publications.
The cultural heritages of Meitei civilization has classicism in diverse traditions of cinemas, dances, language, literature, music, theatre, etc.
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