The Raslila (Sanskrit : रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri Raas Leela, Kuchipudi, and Kathak. [3]
The Indian classical dance of Kathak and Manipuri Raas leela are evolved from the rasalila of Braj. Kathak, also known as Natwari Nritya, was revived in the 1960s by the Kathak dancer, Uma Sharma. [4]
The term raslila is derived from the Sanskrit words ras which means "nectar", "emotion" or "sweet taste" and lila meaning "act," "play" or "dance." Thus, it is more broadly defined as the "Dance of Divine Love" or "Sweet act of Krishna." [5]
Part of a series on |
Vaishnavism |
---|
The Raslila takes place one night when the gopis of Vrindavana, upon hearing the sound of Krishna's flute, sneak away from their households and families to the forest to dance with Krishna throughout the night, which Krishna supernaturally stretches to the length of one kalpa, a Hindu unit of time lasting approximately 4.32 billion years. In the Krishna Bhakti traditions, the rasa-lila is considered to be one most beautiful depiction of soulful love. In these traditions, romantic love between human beings in the material world is seen as a reflection of the soul's original, ecstatic spiritual love of Krishna, in his spiritual world, Goloka.[ citation needed ]
In the Bhagavata Purana it is stated that whoever faithfully hears or describes the rasalila attains Krishna's pure loving devotion (Suddha-bhakti). [6] The rasalila is considered to be the "ultimate message" of the Bhagavata Purana. [5] : 1 The story starts in Vraja, where Krishna is inspired to play music on his flute. Hearing the music, the gopis leave their homes and families and make it to Krishna. When they came closer, Krishna playfully disappears and reappears. Krishna talks about love and performs rasalila with each of the gopis, assuming numerous forms. The story ends with the gopis reluctantly going back to their homes after refreshing in a nearby river. [5] : 2
Graham Schweig observes that a closer reading of the story leads one to see the story as a symbol of "intense devotion to God" and not a "display of worldly lust". Verse 10.33.40 of the Bhagavata states that, "the person who has heard this story will attain high devotion to the Lord, and then, sobered, he will quickly throw off lust, the disease of the heart." [7]
Schweig argues for an appreciation of the "unique vision" presented in the text in which God is "an adorable, eternally youthful cowherd boy who plays the flute and delights in amorous dalliance with his dearest devotees". [5] : 3 Schweig compares the rasalila to the "Song of Songs". He argues that just as the Song of Solomon has been ascribed the highest status in relation to other books of the Bible by mystics of the Jewish and Christian traditions, the rasalila has been considered by Vaishnava traditions to be the "crown-jewel of all acts of God". [5] : 8
Just as a child plays at its own will with its reflection in a mirror, with the help of his Yogamaya, Krishna sported with the gopis, who are regarded to have been shadows of his own form. [8]
Rasalila has been a popular theme in Kathak, Bharatanatyam, [9] Odissi, Manipuri, and Kuchipudi dance forms. Rasalila is a popular form of folk theatre in the regions of Mathura, Vrindavana in Uttar Pradesh, Nathdwara amongst various followers of Pushtimarg or the Vallabh sect and other sects in the regions of India. It is also seen in Gaudiya Vaishnavism in Nadia a district of West Bengal which is also known for Raas Utsava. Vanga Raas of Santipur is the main festival of this town, Nabadwip also has Shakta Raas.[ citation needed ]
The raslila is also observed as one of the State Festivals of Assam which usually is celebrated during late November or early December. During Raas Mahotsava, several thousand devotees visit the holy temples and satras of Assam every year. The Raas Mahotsav of Majuli, Nalbari and of Howly are noteworthy.[ citation needed ]
In the tradition of Vaishnavism of Manipur Raas Leela is depicted within Manipuri classical Indian dance and revolves around the story of love between Krishna and Radha, his divine beloved. This form of dance was started by Bhagya Chandra in 1779 and in some parts of India is still performed every year on Krishna Janmashtami (the festival to celebrate Krishna's birthday). According to different traditions, the rasa-lila is performed either by boys and girls, or by girls only. The dance is performed holding dandi (sticks) and is often accompanied with folk songs and devotional music.[ citation needed ]
The traditional rasalila performances in Vrindavan are famous throughout the Vaishnava world as an experience of the spiritual world. Rasalila performance was started by Swami Sri Uddhavaghamanda Devacharya in the early 15th Century CE at Vamshivata in Vrindavan, Mathura. He was a prominent saint of the Nimbarka Sampradaya, and disciple of the Swami Sri Harivyasa Devacharya. The Vani literature of Vraja is the transcription of the songs that were heard by Swami Harivyasa Devacarya and his Guru, Swami Shri Shribhatta as they meditated on the Nitya Lila of Radha Krishna. These songs describe the eternal spiritual abode of Radha Krishna, the Sakhis and Nitya Vrindavana Dham - or Nikunja Dham.
It became more prominent utsava in 16th and 17th century, when Mahaprabhu Shri Vallabhacharya and Vitthalanatha gusaiji made it more popular.[ citation needed ]
Krishna is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God in his own right. He is the god of protection, compassion, tenderness, and love; and is widely revered among Hindu divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar.
Radha, also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is the goddess of love, tenderness, compassion, and devotion. In scriptures, Radha is mentioned as the avatar of Lakshmi and also as the Mūlaprakriti, the Supreme goddess, who is the feminine counterpart and internal potency of Krishna. Radha accompanies Krishna in all his incarnations. Radha's birthday is celebrated every year on the occasion of Radhashtami.
Gopi or Gopika in Hinduism are commonly referred to the group of milkmaids of Braj. They are regarded as the consorts and devotees of Krishna and are venerated for their unconditional love and devotion (Bhakti) to him as described in Bhagavata Purana and other Puranic literature. Gopis are often considered as the expansion of Radha, the chief consort of Krishna. The Raslila of gopis with Krishna has inspired various traditional performance art forms and literatures.
Krishna Janmashtami, also known simply as Krishnashtami, Janmashtami, or Gokulashtami, is an annual Hindu festival that celebrates the birth of Krishna, the eighth avatar of Vishnu. In certain Hindu texts, such as the Gita Govinda, Krishna has been identified as supreme God and the source of all avatars. Krishna's birth is celebrated and observed on the eighth day (Ashtami) of the dark fortnight in Shravana Masa. According to the purnimanta tradition), Krishna's birth is celebrated on the eighth day (Ashtami) of the dark fortnight in Bhadrapada Masa.
Graham M. Schweig is an American scholar of comparative theology of religion, philosophy, and the history of Yoga and Bhakti. He was born in Manhattan, New York and raised in Washington, DC. He joined the faculty at Christopher Newport University in Virginia, in August, 2000, and is currently Professor of Religion and Director of Studies in Religion there. He is also Distinguished Teaching and Research Faculty at The Center for Dharma Studies at the Graduate Theological Union in Berkeley, California, beginning June, 2017.
Manipuri dance, also referred to as the Manipuri Raas Leela, is a jagoi and is one of the major Indian classical dance forms, originating from the state of Manipur. It is one of the greatest cultural achievements of the traditional Vaishnavism adhering Meitei people of Manipur. Owing to the Meitei civilization, the classical dance form, first formally developed by Meitei Hindu king Ching Thang Khomba of the Kingdom of Manipur, is considered to be the highest spiritual expression of the worship of Hindu deity Krishna. Owing to its huge influences on the diverse cultural heritages across the Indian subcontinent, it is recognised by the Sangeet Natak Akademi of the Ministry of Culture of the Government of India as one of the few primary classical dance forms of the Republic of India, and is honoured with the Sangeet Natak Akademi Award for Manipuri annually. It is referred to as the "national dance" during the Armenia-India joint issue of postage stamps, as a part of the Armenia-India international relations.
Rupa Goswami was a devotional teacher (guru), poet, and philosopher of the Gaudiya Vaishnava tradition. With his brother Sanatana Goswami, he is considered the most senior of the Six Goswamis of Vrindavan associated with Caitanya Mahaprabhu, a hidden avatar (incarnation) of Krishna in Kali Yuga.
Jiva Goswami was an Indian philosopher and saint from the Gaudiya Vaishnava school of Vedanta tradition, producing a great number of philosophical works on the theology and practice of Bhakti yoga, Vaishnava Vedanta and associated disciplines. He is known as one of the Six Goswamis of Vrindavan and was the nephew of the two leading figures, Rupa Goswami and Sanatana Goswami.
Radha-Krishna is the combined form of the Hindu god Krishna with his chief consort and shakti Radha. They are regarded as the feminine as well as the masculine realities of God, in several Krishnaite traditions of Vaishnavism.
Uddhava is a character from the Puranic texts of Hinduism, described to be the friend and counsellor of Krishna. He plays a significant role in the Bhagavata Purana, being taught the processes of yoga and bhakti directly by Krishna. The principle of these discussions is often referred to as the Uddhava Gita, similarly to the Bhagavad Gita wherein Krishna instructs Arjuna.
Goloka or Goloka Vrindavan is the celestial abode of the Hindu god Krishna and his chief consort Radha. In the Bhagavata Purana and Garga Samhita, Krishna is portrayed as the highest person who resides in Goloka along with his three wives - Radha, Virija and Bhudevi.
Krishnaism is a term used in scholarly circles to describe large group of independent Hindu traditions—sampradayas related to Vaishnavism—that center on the devotion to Krishna as Svayam Bhagavan, Ishvara, Para Brahman, who is the source of all reality, not simply an avatar of Vishnu. This is its difference from such Vaishnavite groupings as Sri Vaishnavism, Sadh Vaishnavism, Ramaism, Radhaism, Sitaism etc. There is also a personal Krishnaism, that is devotion to Krishna outside of any tradition and community, as in the case of the saint-poet Meera Bai. Leading scholars do not define Krishnaism as a suborder or offshoot of Vaishnavism, considering it at least a parallel and no less ancient current of Hinduism.
Lalita, also commonly called Lalita Sakhi, is the Hindu goddess and one of the most prominent associates of the divine couple Radha Krishna. In many Vaishnaite traditions and literatures, she is revered as the gopi (milkmaid) of the Braj region and is mentioned as the chief of Ashtasakhi, the eight closest eternal companion of Radha and Krishna.
Manipuri Vaishnavism, also known as Meitei Vaishnavism is a regional variant of Gaudiya Vaishnavism with a culture-forming role in the north-eastern Indian state of Manipur.
Rasa refers to the creation and reception of a distinct 'flavor' or quality of something. As a Sanskrit theological concept, rasa was popularized Krishna-centered bhakti traditions, such as Gaudiya Vaishnavism from the fifteenth century. The theological use of the word can be found early, about two thousand years before the Nimbarka or Chaitanya schools of bhakti, in 2.7.1 of the Taittiriya Upanishad: "Truly, the Lord is rasa" This statement expresses the view that God is the one who enjoys the ultimate rasa, or spiritual rapture and emotions.
Gopala Krishna refers to a form of the Hindu deity Krishna, as featured in the Harivamsha and the Puranas. The narratives of Gopala Krishna are set in the cowherd settlement of the Vraja region called Gokulam, where he is raised by his foster-parents, Nanda and Yashoda.
Jai Shri Krishna is an Indian television drama series produced by Sagar Pictures, which aired on Colors TV from 21 July 2008 to 15 September 2009. It is the remake of Ramanand Sagar's successful show Sri Krishna and was handled by his son Moti Sagar of Sagar Pictures. It is based on Mahabharata, Harivamsa, Bhagavata Purana, and the Vishnu Purana.
Sat Sandarbhas is a 16th-century Vaishnava Sanskrit text, authored by Gaudiya Vaishnava theologian Jiva Goswami. The six treatise are Tattva-, Bhagavat-, Paramatma-, Krishna-, Bhakti-, and Priti-sandarbha. Jiva's Krama-sandarbha commentary on the Bhagavata Purana is often described as the "seventh" of the six sandarbhas.
Tamal Krishna Goswami, born Thomas G. Herzig in New York City, New York, United States, served on the International Society for Krishna Consciousness's Governing Body Commission from its inception in 1970. He completed a bachelor's degree in religious studies at Southern Methodist University.
The dance performed during the Raas mela festival is known as Raas Dance. The Raas Purnima festival is the most significant religious and cultural heritage celebration for the Manipuri indigenous community in Bangladesh. This festival is held annually on the full moon of Kartik (October-November). In celebration of the Raas festival, the Raas Dance is performed. This dance is an exquisite classical creation of Manipuri cultural heritage, portraying the visible form of invisible emotions.