Bihu dance

Last updated
Bihu dance
Bihu dance.jpg
Youths perform Bihu dance in Assam
Genre Folk dance
OriginAssam, India

The Bihu dance is an indigenous folk dance from the Indian state of Assam related to the Bihu festival and an important part of Assamese culture. Performed in a group, the Bihu dancers are usually young men and women, and the dancing style is characterized by brisk steps and rapid hand movements. The traditional costume of dancers is centered around the red color theme, signifying joy and vigour.

Contents

History

The origins of the dance form are unknown; however, the folk dance tradition has always been very significant in the culture of Assam's diverse ethnic groups, such as Kaivarttas, Deoris, Sonowal Kacharis, Chutias, Boros, Misings, Rabhas, Moran and Borahis, among others. [1] According to scholars, the Bihu dance has its origins in ancient fertility cults that were associated with increasing the fertility of the population as well as the land. [2] Traditionally, local farming communities performed the dance outdoors, in fields, groves, forests or on the banks of rivers, especially under the fig tree. [3] [4]

The earliest depiction of Bihu dance is found in the 9th-century sculptures found in the Tezpur and Darrang districts of Assam. Bihu is mentioned in the inscriptions of the 14th-century Chutia King Lakshminaryan as well.

Description

Bihu dance, Assam Bihu dance Assam. jpg.jpg
Bihu dance, Assam

The dance begins with the performers, young men and women, slowly walking into the performance space. [5] The men then start playing musical instruments, like drums (particularly the double-headed dhol), horn-pipes and flutes, while the women place their hands above their hips with their palms facing outwards, forming an inverted triangular shape. [6] The women then start to slowly move in tune with the music by swaying, while bending slightly forward from the waist. Gradually, they open up their shoulders and place their legs slightly apart, adopting the main posture used in the Bihu dance. Meanwhile, the music played by the men picks up in temp, leading women to thrust forward their breasts and pelvis, alternatively, to the tune. [3] [7]

Some variations include men and women forming lines that face one other by holding each other's neck or waist, with more advanced sequences of the dance including men and women pairing up at the center of the performance area and dancing in a manner that imitates copulation. [8]

Culture and social

The Bihu dance takes its name from the Bohag Bihu festival (also called Rangali Bihu), the national festival of Assam, which celebrates the Assamese New Year. The festival takes place in mid-April, and the Bihu dance is meant to celebrate and emulate the seasonal spirit, celebrating fertility and passion. [9] [10]

Assamese girl in traditional bihu costume. Assamese girl in traditional bihu costume.jpg
Assamese girl in traditional bihu costume.

Bihu is performed by groups of young men and women, and in earlier times, it served principally as a courtship dance. The Bihu dance's association with fertility refers to both human fertility, through the erotic nature of the dance, as well as the fertility of nature, meaning the celebration of spring and the welcoming of the life-giving spring rain. The use of instruments such as drums and hornpipes is believed to replicate the sound of rain and thunder as a way of invoking actual precipitation. [3]

Historically, there is evidence that the Bihu dance was looked down upon in Assamese society, especially during colonial times, because of the sexually charged nature of the performance, which clashed with the Victorian views that were dominant at the time among British colonists. [3] Presently, the Bihu dance is a cultural emblem in modern-day Assamese society, becoming a symbol of the Assamese cultural identity. The first time that the Bihu dance was performed on a stage was in 1962, as part of a cultural event that took place in Guwahati. [3]

Mega Bihu Event

Assam state has made a Guinness world record for performing the largest Bihu dance in one single venue on April 14, 2023. The event took place at Indira Gandhi Athletic Stadium, Guwahati Assam. A group of 11,000 Bihu dancers and drummers participated. [11]

See also

Related Research Articles

<span class="mw-page-title-main">Assam</span> State in northeastern India

Assam is a state in northeastern India, south of the eastern Himalayas along the Brahmaputra and Barak River valleys. Assam covers an area of 78,438 km2 (30,285 sq mi). It is the second largest state in northeastern India by area and the largest in terms of population. The state is bordered by Bhutan and Arunachal Pradesh to the north; Nagaland and Manipur to the east; Meghalaya, Tripura, Mizoram and Bangladesh to the south; and West Bengal to the west via the Siliguri Corridor, a 22-kilometre-wide (14 mi) strip of land that connects the state to the rest of India. Assamese and Boro are the official languages of Assam. Meitei (Manipuri) is the official language of Hojai district and the entirety of the Barak Valley districts, while Bengali is an official language in the three districts of Barak Valley.

<span class="mw-page-title-main">Bihu</span> Cultural festival of Assam

Bihu is of three types and it is an important cultural festival unique to the Indian state of Assam – 'Rongali' or 'Bohag Bihu' observed in April, 'Kongali' or 'Kati Bihu' observed in October or November, and 'Bhogali' or 'Magh Bihu' observed in January. The festivals present an admixture of Tibeto-Barman, Austroasiatic and Indo-Aryan traditions entwined so intricately that it is impossible to separate them—festivals which are uniquely Assamese to which all communities of Assam had contributed elements. The Rongali Bihu is the most important of the three, celebrating spring festival. The Bhogali Bihu or the Magh Bihu is a harvest festival, with community feasts. The Kongali Bihu or the Kati Bihu is the sombre, thrifty one reflecting a season of short supplies and is an animistic festival.

<span class="mw-page-title-main">Dhol</span> Double-headed Indian drum

Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.

<span class="mw-page-title-main">Culture of Assam</span> Overview of the culture of Assam, India

The culture of Assam is traditionally a hybrid one, developed due to cultural assimilation of different ethno-cultural groups under various political-economic systems in different periods of its history.

<span class="mw-page-title-main">Khagen Mahanta</span> Indian singer

Khagen Mahanta was a singer and composer of folk and traditional music of Assam. Khagen Mahanta was a notable person in Assamese folk music and known as the "King of Bihu". His Bihu songs, Borgeet and other folk songs remain popular in Assam. The artist, along with his wife Archana Mahanta and son Angaraag Mahanta who is known as Papon, represent one of the most influential families in Assamese music. He died on 12 June 2014.

<span class="mw-page-title-main">Bohag Bihu</span> Festival celebrated in Assam

Bohag Bihu or Rongali Bihu also called Xaat Bihu is a traditional ethnic festival celebrated in the Northeastern Indian state of Assam and other parts of Northeastern India by the indigenous ethnic groups of Assam, and marks the beginning of the Assamese New Year. The festival is of mostly aboriginal origin comprising Tibeto-Burman and Tai elements. It usually falls in the 2nd week of April, historically signifying the time of harvest. Every year it falls on the 14th day of April. The holiday unites the different native communities of Assam regardless of their backgrounds and promotes the celebration of ethnic diversity.

<span class="mw-page-title-main">Magh Bihu</span> Harvest festival in Assam, India

Magh Bihu (also called Bhogali Bihu or Maghar Domahi is a harvest festival celebrated in Assam, North-East India, which marks the end of harvesting season in the month of Magh. A bonfire is lit for the ceremonial conclusion and prayer to the God of Fire. The festival is a regional variance of Makar Sankranti.

Jonai is a subdivision of Dhemaji District in India's Assam State.

<span class="mw-page-title-main">Indira Gandhi Athletic Stadium</span> Stadium in Assam, India

Indira Gandhi Athletic Stadium, also known as Sarusajai Stadium, is a multi-purpose stadium in Lokhra locality, Guwahati, Assam, India. Seating 21,600 people, it is the home ground of NorthEast United FC and is used for athletic events. The stadium was a host venue for the 2007 National Games of India, the 2016 South Asian Games, and the 2017 FIFA U-17 World Cup.

Kulajan Tiniali is a town in Dhemaji district in the Indian state of Assam. The town is situated on the northern bank of the Brahmaputra River, and is located approximately 493 kilometres from the city of Guwahati and just 13 km from Arunachal Pradesh. National Highway 15B starts at Kulajan and connects it to Dibrugarh.

<span class="mw-page-title-main">Tiwa people (India)</span> Ethnic group of north-eastern India

The Tiwa people, are a Tibeto-Burmese ethnic group primarily inhabiting the Northeast Indian states of Assam, Meghalaya, Arunachal Pradesh, Manipur and Nagaland, and some parts of neighbouring Bangladesh and Myanmar.

<span class="mw-page-title-main">Joi Barua</span> Indian singer and music composer

Joi Barua is an Indian singer and music composer. Born in Digboi, Assam, he started his career by singing advertising jingles and later did playback singing for Hindi, Assamese and Telugu films. He is also the lead vocalist of the band Joi. Barua has a mixed musical style incorporating elements of rock, soul, jazz, folk and world music.

<span class="mw-page-title-main">Xutuli</span>

Xutuli is a musical instrument used during the Rongali Bihu festival in Assam, India. It can either be made from clay or the lower end of a bamboo tree which is left after the main part falls or is cut off.

<span class="mw-page-title-main">Folk dances of Assam</span>

Folk dances of Assam include the Bihu and the Bagurumba, the Bhortal, the Ojapali dance. Assam is home to many groups: Muslim, Indo-Aryan, Rabha, Bodo, Dimasa, Karbi, Mising, Sonowal Kacharis, Mishmi and Tiwa (Lalung) etc. These cultures come together to create an Assamese culture. Residents of the state of Assam are known as "Axomiya" (Assamese). Most tribes have their own language, although Assamese is the primary language of the state.

<span class="mw-page-title-main">Mising people</span> Indigenous community in north-east India

The Mising people are a Sino-Tibetan ethnic group inhabiting mostly in the Northeast Indian states of Assam and Arunachal Pradesh. They are part of the greater Tani group of people of India and Tibet Autonomous Region of China.

Kalabari is a locality in the tehsil/ mandal of Pub-Chaiduar in the Biswanath district of the Indian state of Assam.

<span class="mw-page-title-main">Chutia people</span> Ethnic group from Assam, northeast India

The Chutia people are an ethnic group that are native to Assam and historically associated with the Chutia kingdom. However, after the kingdom was absorbed into the Ahom kingdom in 1523–24, the Chutia population was widely displaced and dispersed in other parts of Upper Assam as well as Central Assam. They constitute one of the core groups that form the Assamese people.

The Kamrupi people are a linguistic group that speak the Kamrupi dialects of Assamese and are found in the colonial Kamrup district region of Assam, India.

Assam – 16th largest, 15th most populous and 26th most literate state of the 28 states of the democratic Republic of India. Assam is at 14th position in life expectancy and 8th in female-to-male sex ratio. Assam is the 21st most media exposed states in India. The Economy of Assam is largely agriculture based with 69% of the population engaged in it. Growth rate of Assam's income has not kept pace with that of India's during the Post-British Era; differences increased rapidly since the 1970s. While the Indian economy grew at 6 percent per annum over the period of 1981 to 2000, the same of Assam's grew only by 3.3 percent.

All Assamese Students' Association or AASA is a students' organisation for the students of Assam studying in Delhi. They have been organising various events and activities to hold and safeguard the culture and tradition of Assam in the Capital of India and adjacent regions.

References

  1. "[T]he tradition of Bihu is not solely restricted to the Assamese community, but is prevalent among various tribes living in Assam. The Mising community in Assam celebrates a festival called Ali-ai-lrigang, a parallel form of the Bohag Bihu." ( Barua 2009 :214)
  2. " The Bihu dances and other ritualised activities are regarded as important by the people in order to increase the fertility of the land." ( Barua 2009 :218–219)
  3. 1 2 3 4 5 Sharma, Aparna (2013). "From Springtime Erotics to Micro-nationalism: Altering Landscapes and Sentiments of the Assamese Bihu Dance in North-East India". In Blandford, Steve (ed.). Theatre & Performance in Small Nations. Briston, England and Chicago, IL: Intellect Books. pp. 185–197. ISBN   9781841507859.
  4. "In earlier times the Bihu dance, a major symbol of Assamese identity, was performed under fig trees (Ficus) [4] and occasionally under other trees, notably the mango (Mangifera indica) and jãmu (Eugenia jambolana). The seed of the fig fruit is very small, but in that seed lies the enormous tree of the future. mall, but in that seed lies the enormous tree of the future. Hence, the choice of site for the Bihu dance was linked to the fertility rites associated with it." ( Barua 2009 :220)
  5. Chatterjee, Arpita (2013). "The Therapeutic Value of Indian Classical, Folk and Innovative Dance Forms" (PDF). Rupkatha Journal on Interdisciplinary Studies in Humanities. V (1): 80.
  6. Barthakur, Dilip Ranjan (2003). The Music and Musical Instruments of North Eastern India. New Delhi: Mittal Publications. p. 93. ISBN   9788170998815.
  7. Bhandari, Laveesh; Kale, Sumita (2009). Indian States At A Glance 2008-09: Performance, Facts And Figures - Assam. Delhi, Chennai, Chandigarh: Pearson Education India. p. 27. ISBN   9788131723326.
  8. Desai, Chetana (2019). Sociology of Dance: a Case Study of Kathak Dance in Pune City. Solapur, India: Laxmi Book Publication. p. 55. ISBN   9780359859672.
  9. Sinha, Ajay Kumar; Chakraborty, Gorky; Bhattacharya, Chandana; Datta, P. S. (2004). "Assam". In Agnihotri, V. K.; Ashokvardhan, Chandragupta (eds.). Socio-economic Profile of Rural India. Vol. II: North-East India (Assam, Manipur, Tripura, Nagaland). New Delhi: Concept Publishing Company. p. 16. ISBN   9788180691454.
  10. Begum, Samim Sofika; Gogoi, Rajib (July 2007). "Herbal recipe prepared during Bohag or Rongali Bihu in Assam". Indian Journal of Traditional Knowledge. 6 (3): 417–422. ISSN   0972-5938.
  11. Time, Pratidin (13 April 2023). "Assam Enters Guinness Book Of World Records With Largest Bihu Performance". Pratidin Time. Retrieved 2023-04-14.

Bibliography