Folk dances of Assam

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Folk dances of Assam include the Bihu and the Bagurumba (both danced during festivals held in the spring), the Bhortal, the Ojapali dance. Assam is home to many groups: Muslim, Indo-Aryan, Rabha, Bodo, Dimasa, Karbi, Mising, Sonowal Kacharis, Mishmi and Tiwa (Lalung) etc. These cultures come together to create an Assamese culture. Residents of the state of Assam are known as "Axomiya" (Assamese). Most tribes have their own language, although Assamese is the primary language of the state. [4] [5]

Contents

Many fairs and festivals are held in Assam. Nearly all tribal festivals are held in spring and celebrate cultivation or harvest. Among festivals in Assam, the Bihu is most noteworthy; it brings together all Assamese people, regardless of background.

Bihu dances

Although the origins of Bihu dance (Assamese : বিহু নৃত্য) are unknown, the first official record of it is said to be when the Ahom king Rudra Singha invited Bihu dancers to perform at the Rang Ghar fields in about 1694 [4] for the Rongali Bihu . [6]

Description

The Bihu is a group dance in which males and females dance together, but maintain separate gender roles. In general, females follow stricter line or circle formations. The male dancers and musicians enter the dancing area first, maintain their lines and follow synchronized patterns. When the female dancers enter, the male dancers break up their lines to mingle with the female dancers (who maintain their stricter formation and the order of the dance). It is usually characterized by specific postures: movements of the hips, arms and wrists; twirls, squats and bends. Male and female dance movements are very similar, with only subtle differences.

Bihu dance. Bihu dance of Assam.jpg
Bihu dance.

Performance

The dance is performed to traditional Bihu music. The most important musicians are the drummers (dhulia), who play a twin-faced drum (the dhol, which is hung from the neck) with one stick and a palm. There are usually more than one dhulia in a performance; each plays different rhythms at different sections of the performance. These rhythmic compositions, called seus, are traditionally formal. Before entering the dancing area, the drummers play a short and brisk rhythm. The seu is changed, and the drummers usually enter the dance area in line. The mohor xingor pepa is played (usually at the beginning) by a single player, who lays out an initial plaintive motif which sets the mood for the dance. The male dancers then enter the area in formation and perform (accompanied by singing, in which all participate). Other instruments which accompany this dance are the taal, a type of cymbal; the gogona, a reed-and-bamboo instrument; the toka, a bamboo clapper and the xutuli, a clay whistle. Bamboo flutes are also often used. The songs (bihu geet) accompanying the dance have been handed down for generations. Subjects of the lyrics include welcoming the Assamese new year, describing the life of a farmer, history and satire. Although males and females perform Bihu dance, the female Bihu dance has more variations (including freehand, twisting, with a rhythmic pepa, with a kahi (traditional metal plate) and with a jaapi (Assamese conical woven hat). The performance may be long, but is enlivened by rapid changes in rhythm, mood, movements, pace and improvisation. Dancers and musicians are given opportunities to showcase their talents.

Types

The dance takes several forms in the different northeastern Indian groups (e.g. the Deori Bihu dance, Mising Bihu dance or Rati Bihu celebrated by Morans). [7] However, the underlying goal of the dance remains the same: to express the desire to feel both pain and happiness.

Sattriya dance

A dance form of Assam performed in Tols or Namghar by both men and women separately. Sattriya dance is one of eight dance styles of India recognized as classical dance by the Sangeet-Natak Academy. The word Sattriya comes from the word Satra. On 15 nov,2000, The Sangeet-Natak Academy recognized Sattriya dance as one of the classical dances of India.

Jhumura

Jhumura is a class of Sattriya dance. Jhumura is also a type of play written by Madhavdeva. He plays " Chordhara", "Pimpora Gusuwa", "Bhoomi Leta" and "Bhojan Bihar" are called Jhumura. The dance in Madhava's Jhumura is called Jhumura Dance. The dance is performed in The Satras of Kamalabari, Jarabari, Belguri etc. in Assam. There are many types of Jhumura dances like "Ramadani", "Geetar Nach", "Mela Nach".

Bagurumba Dance

Bagurumba, a dance performed by Bodo girls. Bodo dance.jpg
Bagurumba , a dance performed by Bodo girls.

Bagurumba is a folk dance in Assam which is performed by the Bodos. It is the usually practiced during Bwisagu, a Bodo festival in the Vishuva Sankranti (mid-April). Bwisagu begins with cow worship; then, young people reverentially bow down to their parents and elders.

After that, Bathow is worshiped by offering the deity chicken and zou (rice beer). Bodo women wearing colourful dokhna and aronai perform the Bagurumba dance (also known as the Bardwisikhla dance). It is accompanied by instruments such as the serja (a bowed instrument), sifung (flute), tharkha (split bamboo), kham or madal (long drum, made of wood and goatskin). The festival ends with a community prayer at Garjasali. This dance is performed in the Bodo-inhabited areas of Udalguri, Kokrajhar, Baksa, Chirang, Bongaigaon, Nalbari, Darrang and Sonitpur Districts.

Bhortal dance

Bhortal dance. Bhortal Dance.jpeg
Bhortal dance.

Bhortal Nritya is known to have developed by Narahari Burha Bhakat. He was a well-known Satriya artist. This Bhortal Nritya of Barpeta district is said to have derived from the classical dance form of the state. This is one of the most popular dances in the state of Assam.

Performance— this dance is performed in a group. Six or seven dancers generally present the Bhortal dance of Assam together. This dance can be performed in larger groups as well. It is performed to a very fast beat. This beat is known as ‘Zhiya Nom’. The dancers are equipped with cymbals while performing this dance. The use of the cymbals makes the dance presentation appear very colorful. The dance movements are designed as such that they can produce some very colorful patters. This is the uniqueness of this dance from Assam.

Jhumur dance

Jhumur dance. Tea Tribe Dance of Assam.jpg
Jhumur dance.

Jhumur is a traditional dance form of "Adivasi" or Tea tribes community of Assam. The dance is performed by young girls and boys together. The male members wear long traditional dresses and keep the rhythm with few traditional musical instruments, generally a Dhol or Mandar, hung on shoulders, a flute and a pair of "Taal" (two metallic discs). The girls mostly perform the dancing part, holding each other's waist and moving hands and legs forward and backward synchronously. The dance has a huge following in the "Tea tribe" dominated districts of Assam, like Udalguri, Sonitpur, Golaghat, Jorhat, Sivasagar, Dibrugarh and Tinsukia .

Deodhani Dance

Deodhani is an ancient dance of Assam. It was the medium of worship of the ancient Shakti religion. In this dance, a dancer dances continuously to appease the goddess by eating the raw blood and flesh of animals offered to the goddess. This Deodhani dance plays an important role in the worship of Tamreswari or Kechaikhati, Manashadevi etc.

Chaat Puja

Ojapali Nritya

Oja-Pali is a classic dance form of Assam. Oja-Pali are actually the groups of chorus singers and dancers, with Oja as the leader and Palis as his assistants. A total of three or four Palis may be required for the dance and the principal one among them is called the Daina Pali. Apart from dancing, they also sing and play small cymbals, relating stories from the epics and Puranas. There is a typical pattern of dressing for the Ojas as well. He has to wear a pag-jama or a ghuri, along with bangles,unti,ring and nupur and also has to tie a tangali. The Oja-Pali dance is again subdivided into three types-

  1. Vyasageet Oja
  2. Suknarayani Oja
  3. Ramayani Oja

Devadasi Dance

An endangered dance performed by goddesses in some temples of Assam. In some ancient temples there was a class of dancers employed to appease the gods. They were known as Devadasi, that is, the servants of the Gods. The Hoygriva Madhav Temple in Hajo, The Parihareshwar Temple in Dubi near Bajali, The Shiva Temple in Negheriting, The Biswanath Temple in Sala, The Muktinath Shiv Daul in Rangpur and The Baidyanath Daul in Jaysagar are the most prominent.

Thiyo Naam

Thiyo Naam is an ancient dance form of Assam. According to folklore, in the Dvapa era, King Bali gave the giants the name of Harinam Through physical labour. it is known that Mahapurusha Srimanta Sankardeva introduced the Thiyo naam on the basis of the same tradition. It is known as Thiyo Naam because it is performed standing. About 25 to 30 people are required to performed Thiyo Naam. According to the Shankari tradition, the Thiyo Naam originated at the Barpeta Satra. The Bhortal dance, derived from the Thiyo Naam, is also popular outside India. There is a tradition of singing this naam on the second day of Magh in Barpeta.

Baidima

Gumrag Dance

Gumrag is a notable dance of the Mishing people. This dance is usually performed in conjunction with the Ali-Ai-Ligang festival. After the daytime ceremony of Ali-Ai-Ligang, the Mishing youths dance the Gumrag in the evening. The colorful Customes woven by the participants are another spectacular accessory of the dance.

Related Research Articles

<span class="mw-page-title-main">Assam</span> State in northeastern India

Assam is a state in northeastern India, south of the eastern Himalayas along the Brahmaputra and Barak River valleys. Assam covers an area of 78,438 km2 (30,285 sq mi). It is the second largest state in northeastern India by area and the largest in terms of population, with more than 31 million inhabitants. The state is bordered by Bhutan and Arunachal Pradesh to the north; Nagaland and Manipur to the east; Meghalaya, Tripura, Mizoram and Bangladesh to the south; and West Bengal to the west via the Siliguri Corridor, a 22-kilometre-wide (14 mi) strip of land that connects the state to the rest of India. Assamese and Bodo are two of the official languages for the entire state and Meitei (Manipuri) is recognised as an additional official language in three districts of Barak Valley and Hojai district. in Hojai district and for the Barak valley region, alongside Bengali, which is also an official language in the Barak Valley.

<span class="mw-page-title-main">Bihu</span> Cultural festival of Assam

Bihu is of three types and it is an important cultural festival unique to the Indian state of Assam – 'Rongali' or 'Bohag Bihu' observed in April, 'Kongali' or 'Kati Bihu' observed in October or November, and 'Bhogali' or 'Magh Bihu' observed in January. The festivals present an admixture of Tibeto-Barman, Austroasiatic and Indo-Aryan traditions entwined so intricately that it is impossible to separate them—festivals which are uniquely Assamese to which all communities of Assam had contributed elements. The Rongali Bihu is the most important of the three, celebrating spring festival. The Bhogali Bihu or the Magh Bihu is a harvest festival, with community feasts. The Kongali Bihu or the Kati Bihu is the sombre, thrifty one reflecting a season of short supplies and is an animistic festival.

<span class="mw-page-title-main">Dhol</span> Double-headed Indian drum

Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.

<span class="mw-page-title-main">Bihu dance</span> Indigenous folk dance from Assam, India

The Bihu dance is an indigenous folk dance from the Indian state of Assam related to the Bihu festival and an important part of Assamese culture. Performed in a group, the Bihu dancers are usually young men and women, and the dancing style is characterized by brisk steps and rapid hand movements. The traditional costume of dancers is centered around the red color theme, signifying joy and vigour.

<i>Sattriya</i> One of the classical dances of India

Sattriya, or Sattriya Nritya, is a major Indian classical dance. It was initially created as part of Bhaona which are performances of Ankiya Nat, one-act plays, originally created by Sankardev, a 15th-16th century polymath from Assam. These dances are part of the living traditions today of Sattra, which are communities of live-in devotees belonging to the Ekasarana Dharma, a Hindu sect established by Sankardev.

<span class="mw-page-title-main">Indian folk music</span> Music genre

Indian folk music is diverse because of India's enormous cultural and traditional diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration.

<span class="mw-page-title-main">Barpeta</span> City in Assam, India

Barpeta is a major city in Barpeta district of the state of Assam in India and is district headquarters. The city is located 90 kilometres (56 mi) north west of Guwahati and is one of the major cities in Western Assam. It is also called Satra Nagari of Assam due to the presence of various Vaishnavite Satras in the vicinity.

<span class="mw-page-title-main">Bagurumba</span> Main traditional dance of Bodo people

The Bagurumba is a traditional dance of the indigenous Boro people living in the State of Assam and North East India. It is also called '''butterfly dance''' because it's personification of movements of butterflies and birds. In this occasion, only the Bodo women perform the dance, wearing their colourful traditional attire dokhna, jwmgra (fasra) and aronai. The dance is accompanied by handmade percussion instruments such as 'kham', sifung, jota, serja, and gongwna, tharkha.

<span class="mw-page-title-main">Culture of Assam</span> Overview of the culture of Assam, India

The culture of Assam is traditionally a hybrid one, developed due to cultural assimilation of different ethno-cultural groups under various political-economic systems in different periods of its history.

<i>Satra (Ekasarana Dharma)</i> Institutional centers associated with the Ekasarana tradition of Vaishnavism

Satra are institutional centers associated with the Ekasarana tradition of Vaishnavism, largely found in the Indian state of Assam and neighboring regions. Numbering in the hundreds, these centers are generally independent of each other and under the control of individual adhikara, though they can be grouped into four different Sanghati (orders).

<span class="mw-page-title-main">Bohag Bihu</span> Harvest festival celebrated in Assam

Bohag Bihu or Rongali Bihu also called Xaat Bihu is a traditional ethnic festival celebrated in the Northeastern Indian state of Assam and other parts of Northeastern India by the indigenous ethnic groups of Assam, and marks the beginning of the Assamese New Year. The festival is of mostly aboriginal origin comprising Tibeto-Burman and Tai elements. It usually falls in the 2nd week of April, historically signifying the time of harvest. Every year it falls on the 14th day of April. The holiday unites the different native communities of Assam regardless of their backgrounds and promotes the celebration of ethnic diversity.

<span class="mw-page-title-main">Toka (instrument)</span>

Toka is a popular and easily available musical instrument used in Assamese folk Music. Toka is made of Bamboo, and bamboo being the most common produce of the forests of Assam, it is used abundantly by Assamese folk musicians. The primary beat of Bihu music was kept by clapping hands, which finally led to development of instruments like toka. Toka is one of the eight musical instruments used in Bihu. The toka used by Bodo tribe of Assam is known as "Thorka".

<i>Taal</i> (instrument) Cymbal originated from the Indian subcontinent

The taal or manjira, jalra, karatala, kartal or gini is a pair of clash cymbals, originating in the Indian subcontinent, which make high-pitched percussion sounds. In its simplest form, it consists of a pair of small hand cymbals. The word taal comes from the Sanskrit word Tālà, which literally means a clap. It is a part of Indian music and culture, used in various traditional customs e.g. Bihu music, Harinaam etc. It is a type of Ghana vadya.

<span class="mw-page-title-main">Ojapali</span> Type of dance

Ojapali is a traditional shamanistic type of indigenous folk dance from Assam in the northeastern region of India. Ojapali is believed to have evolved from Kathakata tradition and is performed in a group; it is believed to be one of the oldest art forms of Assam. Originally evolved in the Kamata state the western and northern part of river Brahmaputra later limited to Darrang area under the patronisation of Darrangi King Dharmanarayana. The repertoire of this performance consists of songs, dialogues, gesture, improvised acting and dramatisation etc. The group consists of an Oja, who leads the performance and four or five palies, who supplement the performance with continuously playing cymbal. Among the Palies Daina pali who stand on the right-hand side of the Oja is the active one and he and Oja take the performance forward. Many believe that Shankardev took inspiration from Ojapali to create his Ankiya Bhaona. Moreover, he also created his own Sattriya Ojapali. Generally Darrangi Suknanni Ojapali sings the lyrics written by Sukabi Narayanadeva in Padmapurana. Padma Purana covers the story of serpent goddess Maroi(manasa devi). Ojapali is associated with Shakti Puja, including the deities manasa, kali, durga, kesikhaiti, kakogoshani etc.

The Barman Kacharis are an indigenous community of Northeast India and are a subsection of the Dimasa people in Barak Valley but claim to a separate group in Brahmaputra Valley. They are mainly found in the districts of Lower Assam and in Barak Valley like Cachar, Hailakandi and Karimganj and some parts of Arunachal Pradesh. Barman Kachari is Dimasa convert group of North-East India. Since the 2002 Amendment act, many Barman Kacharis in Assam are referred to as 'Barman'. They are sparsely found in Brahmaputra valley.

The Kamrupi people are a linguistic group that speak the Kamrupi dialects of Assamese and are found in the colonial Kamrup district region of Assam, India.

Assam – 16th largest, 15th most populous and 26th most literate state of the 28 states of the democratic Republic of India. Assam is at 14th position in life expectancy and 8th in female-to-male sex ratio. Assam is the 21st most media exposed states in India. The Economy of Assam is largely agriculture based with 69% of the population engaged in it. Growth rate of Assam's income has not kept pace with that of India's during the Post-British Era; differences increased rapidly since the 1970s. While the Indian economy grew at 6 percent per annum over the period of 1981 to 2000, the same of Assam's grew only by 3.3 percent.

<span class="mw-page-title-main">Prabhat Sarma</span> Indian flutist (1935–2021)

Prabhat Sarma was a folk exponent and flutist from Assam, India.

<span class="mw-page-title-main">Auniati Satra</span> Hindu temple in Assam, India

Sri Sri Auniati Satra is a satra or monastery located in the Majuli river island in Assam, India, that adheres to the Brahma Sanghati of the Ekasarana Dharma, a socio-religious and cultural movement initiated by Srimanta Sankaradeva, who was born in 1449 CE. It is one of the four "raj satras" or royal satras associated with the Ahom dynasty. It is the first satra patronised by the kingdom. It is usually believed that this satra was established in the year 1653 CE, with the initiative of Ahom king Jayadhwaj Singha, the first head monk or satradhikar being Sri Sri Niranjana Deva Goswami, even though different opinions exist.

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