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Ekasarana Dharma [4] (lit. 'Shelter-in-One religion') is a neo-Vaishnavite religion propagated by Srimanta Sankardeva in the 15th-16th century in the Indian state of Assam. It reduced focus on Vedic ritualism and focuses on devotion ( bhakti ) to Krishna in the form of congregational listening (shravan) and singing his name and deeds ( kirtan ).
The simple and accessible religion attracted both Hindu and non-Hindu populations into its egalitarian fold. The neophytes continue to be inducted into the faith via an initiation ceremony called xoron-lowa (literally: take-shelter), usually conducted by Sattradhikars, heads of monastic institutions called Sattras, who generally draw apostolic lineage from Sankardev. Some Sattradhikars, especially those from the Brahma-sanghati, reject apostolic lineage from Sankardev due to an early schism with the order. Some modern reformation institutions conduct xoron-lowa outside the sattra institution. Institutions propagating Eka Sarana like sattra (monasteries) and village Namghar (prayer houses), had profound influence in the evolution of the social makeup of Assam. The artistic creations emanating from this movement led to engendering of new forms of literature, music ( Borgeets or songs celestial), theatre ( Ankia Naat ) and dance (Sattriya dance).
The central religious text of this sect is Bhagavat of Sankardeva, which was rendered from the Sanskrit Bhagavata Purana by Srimanta Sankardeva and other early members of the Eka Sarana school. This book is supplemented by the two books of songs for congregational singing: Kirtan Ghoxa by Sankardeva and Naam Ghoxa by Madhabdev. These books are written in the Assamese language.
The sect is also called Mahapuruxiya because it is based on the worship of the Mahapurux or Mahapurush (Sanskrit: Maha: great and purusha: being), an epithet of the supreme spiritual personality in the Bhagavata and its adherents are often called Mahapuruxia, Sankari etc. In course of time, the epithet 'Mahapurux' came also to be secondarily applied to Sankardeva and Madhabdev, the principal preceptors. Non-adherence to the Hindu varna system and rejection of Vedic karma marked its character. Though often seen as a part of the wider, pan-Indian Bhakti movement, it does not worship Radha with Krishna, which is common in many other Vaishnava schools. It is characterised by the dasya form of worship. Historically, it has been against caste system, and especially against animal sacrifices common in other sects of Hinduism, especially Shaktism. Noted for its egalitarianism, it posed a serious challenge to Brahminical Hinduism, and converted into its fold people of all castes, ethnicity and religion (including Islam).[ citation needed ]
The preceptors as well as later leaders of the Ekasarana religion focused mainly on the religious practice of bhakti and kept away from systematically expounding philosophical positions. [5] Nevertheless, references found scattered in the voluminous works of Sankardeva and Madhavdeva indicate that their theosophical positions are rooted in the Bhagavata Purana [6] with a strong Advaita influence via its commentary Bhavartha-dipika by Sridhar Swami. [7] Nevertheless, Sankardeva's interpretation of these texts were seen at once to be "original and new". [8] Scholars hold that these texts are not followed in-toto and deviations are often seen in the writings especially when the original philosophical contents came into conflict with the primary focus of bhakti as enunciated in the Ekasarana-dharma. [9]
Though Ekasarana acknowledges the impersonal (nirguna) god, it identifies the personal (saguna) one as worshipful [10] which it identifies in the Bhagavad-Puranic Narayana. [11] The sole aspect that distinguishes the personal from the impersonal one is the act of creation, [12] by which Narayana created everything. Unlike in Gaudiya Vaishnavism it claims no distinction between Brahman, Paramatman and Bhagavat, which are considered in Ekasarana as just different appellations applied to the same supreme reality. [13]
Even though Narayana is sometimes used synonymously with Vishnu, the gods Vishnu, Brahma and Shiva are considered of lower divinity. [14]
Narayana as the personal and worshipful god is considered to be a loving and lovable god, who possesses auspicious attributes that attract devotees. He is non-dual, omnipotent and omniscient; creator, sustainer, and destroyer of all. He also possesses moral qualities like karunamaya (compassionate), dinabandhu (friend of the lowly), bhakta-vatsala (beloved of devotees) and patit-pavana (redeemer of sinners) that make him attractive to devotees. Though it does not deny the existence of other gods, it asserts that Narayana alone is worshipful and the others are strictly excluded.
Following the Bhagavata Purana, the object of devotion in Ekasarana is Krishna, who is the supreme entity himself. [15] [16] All other deities are subservient to Him. [17] Brahman, Vishnu and Krishna are fundamentally one. [18] Krishna is alone the supreme worshipful in the system. Sankaradeva's Krishna is Nārāyana, the Supreme Reality or Parama Brahma and not merely an avatara of Visnu. Krishna is God Himself. [19] It considers Narayana (Krishna) as both the cause as well as the effect of this creation, [20] and asserts Narayana alone is the sole reality. [21] From the philosophical angle, He is the Supreme Spirit (Param-Brahma). As the controller of the senses, the Yogis call him Paramatma. When connected with this world, He assumes the name of Bhagavanta. [22] Moreover, some of the characteristics usually reserved for the impersonal God in other philosophies are attributed to Narayana with reinterpretations. [23]
The embodied self, called jiva or jivatma is identical to Narayana. [24] It is shrouded by maya and thus suffers from misery, [25] When the ego (ahamkara) is destroyed, the jiva can perceive himself as Brahma. [26] The jiva attains mukti (liberation) when the jiva is restored to its natural state (maya is removed). Though other Vaishnavites (Ramanuja, Nimbarka, Vallabha, Caitanya) recognise only videhamukti (mukti after death), the Ekasarana preceptors have recognised, in addition, jivanmukti (mukti during lifetime). [27] Among the five different kinds of videhamukti, [28] the Ekasarana rejects the Sayujya form of mukti, where the complete absorption in God deprives jiva of the sweetness and bliss associated with bhakti. Bhakti is thus not a means to mukti but an end to itself, and this is strongly emphasised in Ekasarana writings—Madhavdeva begins his Namaghosha with an obeisance to devotees who do not prefer mukti. [29]
Narayana often manifests through avatars, and Krishna is considered as the most perfect one who is not a partial manifestation but Narayana himself. [30] It is in the form of Krishna that Narayana is usually worshiped. The description of Krishna is based on the one in Bhagavat Puran, as one who resides in Vaikuntha along with his devotees. Thus the worshipful form is different from other forms of Krishna-based religions (Radha-Krishna of Caitanya, Gopi-Krishna of Vallabhacharya, Rukmini-Krishna of Namadeva and Sita-Rama of Ramananda). [31] The form of devotion is infused with the dasya and balya bhava in the works of Sankardev and Madhabdev. Madhura bhava, so prevalent in the other religions, is singularly absent here. [32]
The cari vastu or the Four Principles defined this religious system are:
Sankardev defined the first, second and fourth of these, whereas Madhavdev introduced the third while at Belaguri when he accepted Sankardev as the guru for himself and for all others who accepted his faith. [36] The four principles are revealed and their meaning explained at the time of initiation (xonron-lowa).
The single most important religious text is the Bhagavata, especially the Book X (Daxama). This work was transcreated from the original Sanskrit Bhagavata Purana to Assamese in the 15th and 16th centuries by ten different individuals, but chiefly by Srimanta Sankardev who rendered as many as ten Cantos (complete and partial) of this holy text.
Three other works find a special place in this religion: Kirtan Ghoxa , composed by Sankardev; and Naam Ghoxa and Ratnavali, composed by Madhavdev.
The religion fissured into four sanghati (samhatis or sub-sects) soon after the death of Srimanta Sankardeva. Sankardev handed down the leadership to Madhabdev, but the followers of Damodardev and Harideva did not accept Madhabdev as their leader and formed their own group (Brahma sanghati). Madhabdeva at the time of his death did not name a successor. After his death three leaders formed their own denominations: Bhabanipuria Gopal Ata (Kaal sanghati), Purushuttom Thakur Ata, a grandson of Sankardev (Purusa sanghati) and Mathuradas Burhagopal Ata (Nika Sanghati). They differ mostly in the emphasis of the cari vastus (four fundamental principles)
The Brahma sanghati developed as a result of Damodardev and Haridev moving away from Sankardev's successor Madhabdev's leadership. Over time this sanghati brought back some elements of Brahminical orthodoxy. The vedic rituals which are generally prohibited in the other sanghatis are allowed in this sanghati. Brahmins too found this sanghati attractive and most of the Sattras of this sanghati have traditionally had Brahmin sattradhikars. Among the cari vastus, Deva is emphasised, worship of the images of the deva (Vishnu and the chief incarnations, Krishna and Rama) are allowed. Among the gurus Damodardev is paramount. Later on they came to call themselves Damodariya after Damodardev.
The Purush sanghati was initiated by the grandsons of Sankardeva—Purushottam Thakur and Chaturbhuj Thakur—after the death of Madhavdev. The emphasis is on Naam. Sankardeva has a special position among the hierarchy of Gurus. Some Brahminical rites as well as the worship of images is tolerated to some extent.
This sanghati was initiated by Badala Padma Ata, Mathuradas and Kesava Ata. The emphasis is on sat-sanga. This sanghati is called Nika (clean) because it developed strict codes for purity and cleanliness in religious matters as well as in general living, as laid down by Madhabdeva. Idol worship is strictly prohibited and it gives special importance to Madhavdev.
The Kala sanghati, initiated by Gopal Ata (Gopalldev of Bhavanipur) and named after the place of his headquarters Kaljar, placed its emphasis on Guru. The sattariya of this sanghati came to be considered as the physical embodiment of Deva, and the disciples of this sect are not allowed to pay obeisance to anyone else. This sect was successful in initiating many tribal and socially backward groups into the Mahapuruxia fold, and it had the largest following among the different sanghatis. The Dihing sattra, one of the large sattra's received royal patronage; but the largest sattra, Moamara, forged an independent path and the followers of this sect were responsible for the Moamoria rebellion against the Ahom royalty. [37]
Ahom [aho]
Census Data Finder/C Series/Population by Religious Communities
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Krishna was the all-supreme God of adoration for him
Sattriya, or Sattriya Nritya, is a major Indian classical dance. It was initially created as part of Bhaona which are performances of Ankiya Nat, one-act plays, originally created by Sankardev, a 15th-16th century polymath from Assam. These dances are part of the living traditions today of Sattra, which are communities of live-in devotees belonging to the Ekasarana Dharma, a Hindu sect established by Sankardev.
Srimanta Sankardev was a 15th–16th century Assamese polymath; a saint-scholar, poet, playwright, dancer, actor, musician, artist social-religious reformer and a figure of importance in the cultural and religious history of the Bhakti movement in Assam. He is credited with building on past cultural relics and devising new forms of music (Borgeet), theatrical performance, dance (Sattriya), literary language (Brajavali). Besides, he has left a literary oeuvre of trans-created scriptures, poetry and theological works written in Sanskrit, Assamese and Brajavali. The Bhagavatic religious movement he started, Ekasarana Dharma and also called Neo-Vaishnavite movement, influenced two medieval kingdoms – Koch and the Ahom kingdom – and the assembly of devotees he initiated evolved over time into monastic centers called Sattras, which continue to be important socio-religious institutions in Assam and to a lesser extent in North Bengal.
The Bhagavata Purana, also known as the Srimad Bhagavatam, Srimad Bhagavata Mahapurana or simply Bhagavata (Bhāgavata), is one of Hinduism's eighteen great Puranas (Mahapuranas). Composed in Sanskrit and traditionally attributed to Veda Vyasa, it promotes bhakti (devotion) towards Krishna, an avatar of Vishnu, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages.
Gaudiya Vaishnavism, also known as Chaitanya Vaishnavism, is a Vaishnava Hindu religious movement inspired by Chaitanya Mahaprabhu (1486–1534) in India. "Gaudiya" refers to the Gaura or Gauḍa region of Bengal, with Vaishnavism meaning "the worship of Vishnu". Specifically, it is part of Krishnaism—Krishna-centric Vaishnavite traditions.
The Bhagavata tradition, also called Bhagavatism, refers to an ancient religious sect that traced its origin to the region of Mathura. After its syncretism with the Brahmanical tradition of Vishnu, Bhagavatism became a pan-Indian tradition by the second century BCE, according to R.C. Majumdar.
The Bhagavat of Sankardev is the Assamese adaptation of the Bhagavata Purana made by Srimanta Sankardev in 15th-16th century in the regions that form present-day Assam and Cooch Behar. Though the major portions of the work was transcreated by Sankardev, a few other writers from that period contributed to the remaining sections.
Assamese literature is the entire corpus of poetry, novels, short stories, plays, documents and other writings in the Assamese language. It also includes the literary works in the older forms of the language during its evolution to the contemporary form and its cultural heritage and tradition. The literary heritage of the Assamese language can be traced back to the c. 9–10th century in the Charyapada, where the earliest elements of the language can be discerned.
Vaishnavism is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. It is also called Vishnuism since it considers Vishnu as the sole supreme being leading all other Hindu deities, that is, Mahavishnu. Its followers are called Vaishnavites or Vaishnavas, and it includes sub-sects like Krishnaism and Ramaism, which consider Krishna and Rama as the supreme beings respectively. According to a 2010 estimate by Johnson and Grim, Vaishnavism is the largest Hindu sect, constituting about 641 million or 67.6% of Hindus.
Krishnaism is a term used in scholarly circles to describe large group of independent Hindu traditions—sampradayas related to Vaishnavism—that center on the devotion to Krishna as Svayam Bhagavan, Ishvara, Para Brahman, who is the source of all reality, not simply an avatar of Vishnu. This is its difference from such Vaishnavite groupings as Sri Vaishnavism, Sadh Vaishnavism, Ramaism, Radhaism, Sitaism etc. There is also a personal Krishnaism, that is devotion to Krishna outside of any tradition and community, as in the case of the saint-poet Meera Bai. Leading scholars do not define Krishnaism as a suborder or offshoot of Vaishnavism, considering it at least a parallel and no less ancient current of Hinduism.
Satra are institutional centers associated with the Ekasarana tradition of Vaishnavism, largely found in the Indian state of Assam and neighboring regions. Numbering in the hundreds, these centers are generally independent of each other and under the control of individual adhikara, though they can be grouped into four different Sanghati (orders).
Madhavdev (1489–1596) is an important preceptor of the Ekasarana Dharma known for his loyalty to his guru, Srimanta Sankardev as well as his artistic brilliance. Initially a sakta worshipper, he was converted to Ekasarana Dharma by Sankardev and became his most prominent disciple. He became the religious as well as artistic successor of Sankardeva after the latter's death in 1568. He is known particularly for his book of hymns, the Naam Ghosa, as well as a large selection of songs called Borgeets.
Namghar is a place for congregational worship associated with the entire Assamese community and the Ekasarana sect of Hinduism, in particular, that is native to Assam. Besides forming the primary structure used for worship, they also function as meeting houses for congregations, as well as theaters for dramatic performances (bhaona). The Namghar, also called the kirtanghar, is also the central structure in the Sattras where the other buildings are positioned around it. Namghars are widespread in Assam, and very often more than one namghar exists in a single village, signifying many congregational communities.
Narayanpur is a developmental block (place) located in the Lakhimpur district of the northeastern Indian state of Assam, within the North Lakhimpur subdivision. It falls under the Bihpuria constituency of the Assam Legislative Assembly and is served by the Narayanpur Police Station. The town of Narayanpur, situated at the center of the block, serves as the headquarters of the Deori Autonomous Council, the governing body of the Deori ethnic group. Narayanpur is also notable as the birthplace of several famous Vaishnavite saints, including Mahapurush Madhavdev.
The Kirtan Ghosha is a collection of poetical works, primarily composed by the medieval saint Srimanta Sankardev in the Brajavali language. It was meant for community singing in the Ekasarana religion. Its importance in the religion is second only to the primary text, the Bhagavat of Sankardeva.
Borgeets are a collection of lyrical songs that are set to specific ragas but not necessarily to any tala. These songs, composed by Srimanta Sankardeva and Madhavdeva in the 15th-16th centuries, are used to begin prayer services in monasteries, e.g. Satra and Namghar associated with the Ekasarana Dharma; and they also belong to the repertoire of Music of Meghalaya outside the religious context. They are a lyrical strain that express the religious sentiments of the poets reacting to different situations, and differ from other lyrics associated with the Ekasarana Dharma. Similar songs composed by others are not generally considered borgeets.
Damodardev (1488–1598) was sixteenth century Ekasarana preceptor from Nalaca, Nagaon. Damodardev was a follower of Sankardeva's Ekasarana dharma order. He started his own order after the death of Sankardeva that came to be called the Brahmasamhati, which admitted Brahmanical rituals and greater adherence to the caste system alongside the namadharma of Sankardev. He was succeeded by Bhattadeva.
Gunamala is a scripture written by Sankardev within one night at the request of Koch king Nara Narayan in 1552. It is an abridged version (handbook) of Bhagavata Purana capturing in racy, rhyming and sonorous verses. The poet recounts many incidents from Lord Krishna's life making them easy to remember in this book.
Madhupur Satra is a religious institutional center associated with the Ekasarana tradition of Vaishnavism, situated in Cooch Behar, the Indian state of West Bengal. It was established by Assamese Vaishnavite monasteries for religious practices in the mid 16th-century during Koch kingdom (1515–1949). The great Bhakti Saint Mahapurusha Srimanta Sankardeva (1449–1568) and his disciple Mahapurusha Madhavadeva died here. Madhupur satra is also called as Dahmukutor than; 'dahmukut' means 'bhiti' or living houses of ten disciples (bhaktas) of Srimanta Sankardeva. The name satra originates in the Bhagavata Purana in Sanskrit (sattra), and is used in the sense of an assembly of devotees.
Madhabdev University is a public state university located in Narayanpur, Assam. The university is established by The Assam Act No. XXXV of 2017 which was passed by the Government of Assam on 7 September 2017. It was created by upgrading Madhavdev College of Narayanpur, North Lakhimpur.
Sri Sri Auniati Satra is a satra or monastery located in the Majuli river island in Assam, India, that adheres to the Brahma Sanghati of the Ekasarana Dharma, a socio-religious and cultural movement initiated by Srimanta Sankaradeva, who was born in 1449 CE. It is one of the four "raj satras" or royal satras associated with the Ahom dynasty. It is the first satra patronised by the kingdom. It is usually believed that this satra was established in the year 1653 CE, with the initiative of Ahom king Jayadhwaj Singha, the first head monk or satradhikar being Sri Sri Niranjana Deva Goswami, even though different opinions exist.
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