Srimanta Sankardev was a 15th–16th century Assamese polymath; a saint-scholar, poet, playwright, dancer, actor, musician, artist social-religious reformer and a figure of importance in the cultural and religious history of Assam, India. He is widely credited with building on past cultural relics and devising new forms of music (Borgeet), theatrical performance, dance (Sattriya), literary language (Brajavali). Besides, he has left an extensive literary oeuvre of trans-created scriptures, poetry and theological works written in Sanskrit, Assamese and Brajavali. The Bhagavatic religious movement he started, Ekasarana Dharma and also called Neo-Vaishnavite movement, influenced two medieval kingdoms – Koch and the Ahom kingdom – and the assembly of devotees he initiated evolved over time into monastic centers called Sattras, which continue to be important socio-religious institutions in Assam and to a lesser extent in North Bengal. Sankardev inspired the Bhakti movement in Assam just as Guru Nanak, Ramananda, Namdev, Kabir, Basava and Chaitanya Mahaprabhu inspired it elsewhere in the Indian subcontinent.
Mājuli or Majuli is a river island in the Brahmaputra River, Assam and in 2016 it became the first island to be made a district in India. In the 1790s the island covered an area of 1300 sqare kilometers or. It had an area of 1,255 square kilometres (485 sq mi) at the beginning of the 20th century, but having lost significantly to erosion it covers 352 square kilometres (136 sq mi) as at 2014. Majuli has shrunk as the river surrounding it has grown.
The Moamoria rebellion (1769–1805) was an 18th-century uprising in Ahom kingdom of present-day Assam that began as power struggle between the Moamorias (Mataks), the adherents of the Mayamara Sattra, and the Ahom kings. This uprising spread widely to other sections of Ahom kingdom including disgruntled elements of the Ahom aristocracy leading to two periods in which the Ahom king lost control of the capital. Retaking the capital was accompanied by a massacre of subjects, leading to a steep depopulation of large tracts. The Ahom king failed to retake the entire kingdom; a portion in the north-east, Bengmara, became known as Matak Rajya ruled by a newly created office called Borsenapati, became a tribute-paying but virtually independent territory.
Ekasarana Dharma is a neo-Vaishnavite monolithic religion propagated by Srimanta Sankardeva in the 15th-16th century in the Indian state of Assam. It reduced focus on Vedic ritualism and focuses on devotion (bhakti) to Krishna in the form of congregational listening (shravan) and singing his name and deeds (kirtan).
Assamese literature is the entire corpus of poetry, novels, short stories, plays, documents and other writings in the Assamese language. It also includes the literary works in the older forms of the language during its evolution to the contemporary form and its cultural heritage and tradition. The literary heritage of the Assamese language can be traced back to the c. 9-10th century in the Charyapada, where the earliest elements of the language can be discerned.
Satras are institutional centers associated with the Ekasarana tradition of Vaishnavism, largely found in the Indian state of Assam and neighboring regions. Numbering in the hundreds, these centers are generally independent of each other and under the control of individual adhikaras, though they can be grouped into four different Sanghatis (orders).
Madhavdev (1489–1596) is an important preceptor of the Ekasarana Dharma known for his loyalty to his guru, Srimanta Sankardev as well as his artistic brilliance. Initially a sakta worshipper, he was converted to Ekasarana Dharma by Sankardev and became his most prominent disciple. He became the religious as well as artistic successor of Sankardeva after the latter's death in 1568. He is known particularly for his book of hymns, the Naam Ghosa, as well as a large selection of songs called Borgeets.
Narayanpur is a town located in Lakhimpur district of the northeastern Indian state Assam. It falls under Bihpuria constituency of Assam Legislative Assembly and under Narayanpur Police Station. Narayanpur is also the name of the development block. It is located between Dholpur and Bihpuria. Narayanpur is famous as birthplace of Madhavdev.
'Bayanacharya' Shri Ghanakanta Bora Muktiyar is one of the most eminent exponents and gurus of Sattriya dance, a major classical dance tradition of Assam, India. He is also a renowned instrumentalist, choreographer and author. He has won the prestigious Sangeet Natak Akademi Award in 2001.
Dakhinpat Satra, situated in the south-east corner of Majuli. It is one of Assam's most well-renowned and principle monastic Satra, established by Banamali Dev Goswami in 1654 under the patronization of Ahom King Jayadhwaj Singha. This Satra particularly belongs to Brahmasamhati sect, founded by Damodardev.
Sukhaamphaa also known as Khora roja (1552–1603) was a king of the Ahom kingdom of medieval Assam. He ruled for a period of fifty one years, the longest in the Ahom dynasty. Very fond of sports, he fell off an elephant soon after his ascension and the injury gave him a limp, and as a result the Buranjis often called him the Khora roja.
Damodardev (1488–1598) was sixteenth century Ekasarana preceptor from Nalaca, Nagaon. Damodardev was a follower of Sankardeva's Ekasarana dharma order. He started his own order after the death of Sankardeva that came to be called the Brahmasamhati, which admitted Brahmanical rituals and greater adherence to the caste system alongside the namadharma of Sankardev. He was succeeded by Bhattadeva.
Barpeta Satra is a well-known sattra situated at Barpeta in the Indian state of Assam. It was established by vaishnavite saint Madhabdev in 1505 shakabda. The earlier name of the satra was Barpeta Than.
Madhupur Satra is a religious institutional center associated with the Ekasarana tradition of Vaishnavism, situated in Cooch Behar, the Indian state of West Bengal. It was established by Assamese Vaishnavite monasteries for religious practices in the mid 16th-century during Koch kingdom (1515–1949). The great Bhakti Saint Mahapurusha Srimanta Sankardeva (1449–1568) and his disciple Mahapurusha Madhavadeva died here. Madhupur satra is also called as Dahmukutor than; 'dahmukut' means 'bhiti' or living houses of ten disciples (bhaktas) of Srimanta Sankardeva. The name satra originates in the Bhagavata Purana in Sanskrit (sattra), and is used in the sense of an assembly of devotees.
The Moamoria were the adherents of the egalitarian, proselytizing Mayamara Satra of 18th-century Assam, who initiated the Moamoria rebellion against the Ahom kingdom in the 18th century. The rebellion weakened the Ahom kingdom to such an extent that the kingdom became vulnerable to repeated Burmese invasions of Assam and the subsequent colonization by the British. The Moamorias were also called Mataks. Over time, the main groups that had supported the Ahom kingdom came to owe allegiance to the Moamara sattra: Morans, the Sonowal Kacharis (gold-washers), Chutias, professional castes such as Hiras (potters), Tantis (weavers), Kaibartas, and Ahom nobles and officers. The largest group among the Mataks were the Morans, followed by the Chutias.
The Brittial Bania/Bania is an ethnic community in Assam, India. The group traces its roots to a merchant community who reached Assam in ancient times. Some historians claim that after the Austric group migrated to ancient Assam, the next group of people who arrived was the Dravidian group, who are represented by the Bania and Kaibbartas today. Unlike the mainland Baniya community, this community of Assam is recognized as Schedule Caste by the government of India.
Aniruddhadev (1553–1626) was a 16th-century Ekasarana preceptor from Assam. Born to a Bhuyan named Gondagiri, Aniruddhadev was a disciple of Gopal Ata and the founder of the Mayamara satra of the Kalasamhati, the followers of which revolted against Ahom kingdom.
Painting of Assam, the art of manuscript painting in the Assam region developed through the movement of Vaishnavism. Vaishnava saints were primarily responsible for the establishment of manuscript painting tradition in Assam. A large number of manuscript paintings were done and copied during the 16th to 19th centuries. Assam has a very long history of visual art from the pre-historic age up to the end of Ahom rule in 1826 A.D. Among the earliest reference of Assam painting, the account of Chinese traveller Xuanzang records that King Bhaskaravarman of Kamarupa who was a friend of King Harsa of Kanauj presented the king “Carved boxes of panels for painting with brushes and gourds."
