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The Ramayana, also known as Valmiki Ramayana, as traditionally attributed to Valmiki, is a smriti text from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who is a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya along with Sita to be crowned king amidst jubilation and celebration.
Srimanta Sankardev was a 15th–16th century Assamese polymath; a saint-scholar, poet, playwright, dancer, actor, musician, artist social-religious reformer and a figure of importance in the cultural and religious history of the Bhakti movement in Assam. He is credited with building on past cultural relics and devising new forms of music (Borgeet), theatrical performance, dance (Sattriya), literary language (Brajavali). Besides, he has left a literary oeuvre of trans-created scriptures, poetry and theological works written in Sanskrit, Assamese and Brajavali. The Bhagavatic religious movement he started, Ekasarana Dharma and also called Neo-Vaishnavite movement, influenced two medieval kingdoms – Koch and the Ahom kingdom – and the assembly of devotees he initiated evolved over time into monastic centers called Sattras, which continue to be important socio-religious institutions in Assam and to a lesser extent in North Bengal.
Kaviraja Madhava Kandali was an Indian poet from the state of Assam. He is one of the renowned poets pertaining to the Pre-Shankara era. His Saptakanda Ramayana is considered the earliest translation of the Ramayana into an Indo-Aryan language, Assamese. This work was carried out by the poet as early as the 14th Century. Another significant work of his is the narrative poem Devajit, which is about superiority of Krishna over the other avatars of Vishnu. Kandali's patron was the Barāha King Mahamanikya whose kingdom was located in the Kapili valley. Kabiraja Madhava Kandali was said to be inhabitant of Lanka of Undivided Nagaon.
Sita, also known as Siya, Janaki and Maithili, is a Hindu goddess and the female protagonist of the Hindu epic Ramayana. Sita is the consort of Rama, the avatar of god Vishnu, and is regarded as an avatar of goddess Lakshmi. She is the chief goddess of the Ramanandi Sampradaya and is the goddess of beauty and devotion. Sita's birthday is celebrated every year on the occasion of Sita Navami.
Sundara Kanda is the fifth book in the Hindu epic Ramayana. The original Sundara Kanda is in Sanskrit, and was composed in popular tradition by Valmiki, who was the first to scripturally record the Ramayana. Sundara Kanda is the only chapter of the Ramayana in which the principal protagonist is not Rama, but Hanuman. The work depicts the adventures of Hanuman and his selflessness, strength, and devotion to Rama are emphasised in the text. Hanuman is believed to have been fondly called “Sundara” by his mother Anjani, and Sage Valmiki is stated to have chosen this name over others as the Sundara Kanda is about Hanuman's journey to Lanka.
Adhyatma Ramayana is a 13th- to 15th-century Sanskrit text that allegorically interprets the story of Hindu epic Ramayana in the Advaita Vedanta framework. It is embedded in the latter portion of Brahmānda Purana, and the author is considered to be Vyasa. The Hindu tradition also attributes the text to the Bhakti movement saint Ramananda.
The dotara is a two-stringed, plucked musical instrument from Bengal, South Asia, with most contemporary models having four playing strings. It is the national instrument of Bangladesh. The dotara is played in combination with other instruments in bhawaiya, murshidi, marfati, jari gan and kavigan. Comparatively, the sarod is a slightly larger and more elaborate instrument, being built with an additional set of resonant sympathetic strings. However, the dotara is still quite resonant and projective of its own sound, due to its rounded shape and overall construction. It is commonly played in Bangladesh and the Indian states of Assam, West Bengal and Bihar. It was mentioned in a 14th-century Saptakanda Ramayana. Later, it was adopted by the ascetic cults of Bauls and Fakirs. Today, it is also used to play Hindustani Classical Ragas.
The Bhagavat of Sankardev is the Assamese adaptation of the Bhagavata Purana made by Srimanta Sankardev in 15th-16th century in the regions that form present-day Assam and Cooch Behar. Though the major portions of the work was transcreated by Sankardev, a few other writers from that period contributed to the remaining sections.
Kāvya refers to the Sanskrit literary style used by Indian court poets flourishing between c.200 BCE and 1200 CE.
Ekasarana Dharma is a neo-Vaishnavite Hindu monolithic Hindu vaishnav sect propagated by Srimanta Sankardeva in the 15th-16th century in the Indian state of Assam. It reduced focus on Vedic ritualism and focuses on devotion (bhakti) to Krishna in the form of congregational listening (shravan) and singing his name and deeds (kirtan).
Assamese literature is the entire corpus of poetry, novels, short stories, plays, documents and other writings in the Assamese language. It also includes the literary works in the older forms of the language during its evolution to the contemporary form and its cultural heritage and tradition. The literary heritage of the Assamese language can be traced back to the c. 9–10th century in the Charyapada, where the earliest elements of the language can be discerned.
In Hinduism, Kabandha is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics Ramayana and Mahabharata, as well as in later Ramayana adaptations.
Depending on the methods of counting, as many as three hundred versions of the Indian Hindu epic poem, the Ramayana, are known to exist. The oldest version is generally recognized to be the Sanskrit version attributed to the sage Narada, the Mula Ramayana. Narada passed on the knowledge to Valmiki, who authored Valmiki Ramayana, the present oldest available version of Ramayana.
Ramayana is one of the two major Sanskrit epics of ancient India.
Borgeets are a collection of lyrical songs that are set to specific ragas but not necessarily to any tala. These songs, composed by Srimanta Sankardeva and Madhavdeva in the 15th-16th centuries, are used to begin prayer services in monasteries, e.g. Satra and Namghar associated with the Ekasarana Dharma; and they also belong to the repertoire of Music of Meghalaya outside the religious context. They are a lyrical strain that express the religious sentiments of the poets reacting to different situations, and differ from other lyrics associated with the Ekasarana Dharma. Similar songs composed by others are not generally considered borgeets.
Kamrupi dialects are a group of regional dialects of Assamese, spoken in the Kamrup region. It formerly enjoyed prestige status. It is one of two western dialect groups of the Assamese language, the other being Goalpariya. Kamrupi is heterogeneous with three subdialects— Barpetia dialect, Nalbariya dialect and Palasbaria dialect.
Mahamanikya was a Kachari king of Barāha who ruled parts of Assam in the 14th-15th century. At the time, his kingdom centered on present-day Nagaon, Morigoan and Hojai districts. At his behest and patronage Madhava Kandali translated the Sanskrit epic Ramayana to Assamese verse called Saptakanda Ramayana. Some historians suggest that he was also involved—along with Indranarayana of Kamata kingdom and Baro-Bhuyans—in resisting Sikandar Shah's invasion into the Brahmaputra valley around 1362.
The Jagamohana Ramayana also known as the Dandi Ramayana popularly across Odisha is an epic poem composed by the 15th-century poet Balarama Dasa. This work is a retelling of the Ramayana, though not a direct translation.
Early Assamese or Proto-Eastern Kamarupa is an ancestor of the modern Assamese language. It is found in the literature from the 14th century to the end of 16th century in Kamata kingdom and rest the Brahmaputra valley of Assam.
References
- Kandali, Madhava. সপ্চকাণ্ড ৰামায়ন[Saptakanda Ramayana] (in Assamese). Banalata.
- Goswami, Indira (1996). Ramayana from Ganga to Brahmaputra. B.R. Pub. Corp. ISBN 81-7018-858-X.
- Sarma, Satyendra Nath (1976), Assamese Literature, Wiesbaden: Harrassowitz
