The Rāmāyaṇa is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned king amidst jubilation and celebration.
Hanuman, also called Maruti, Bajrangabali, and Anjaneya, is a Hindu god and a divine vanara companion of the god Rama. Hanuman is one of the central characters of the Hindu epic Ramayana. He is an ardent devotee of Rama and one of the chiranjivis. Hanuman is regarded to be the spiritual son of the wind-god Vayu, who in several stories played a direct role in Hanuman's birth. Hanuman is considered to be a partial-avatar of Shiva. Hanuman is mentioned in several other texts, such as the epic Mahabharata and the various Puranas.
Wayang, also known as wajang, is a traditional form of puppet theatre play originating from the Indonesian island of Java. Wayang refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as wayang. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata, as well as local adaptations of cultural legends. Traditionally, a wayang is played out in a ritualized midnight-to-dawn show by a dalang, an artist and spiritual leader; people watch the show from both sides of the screen.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
Anjana, also known as Anjani and Anjali, is the mother of Hanuman, one of the protagonists of the Hindu epic, the Ramayana. She is said to have been a resident of Kishkindha in the text.
Kakawin Ramayana is an Old Javanese poem rendering of the Sanskrit Ramayana in kakawin meter.
Bendahara is an administrative position within classical Malay kingdoms comparable to a vizier before the intervention of European powers during the 19th century. A bendahara was appointed by a sultan and was a hereditary post. The bendahara and the sultan shared the same lineage.
Wayang wong, also known as wayang orang, is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the Ramayāna or Mahabharāta. Performances are stylised, reflecting Javanese court culture:
Wayang wong dance drama in the central Javanese Kraton of Yogyakarta represents the epitome of Javanese aesthetic unity. It is total theatre involving dance, drama, music, visual arts, language, and literature. A highly cultured sense of formality permeates every aspect of its presentation.
Khmer shadow theatre are forms of shadow play in which leather shadow puppets are used. The two main genres are Sbek Thom, which features the Reamker, and Sbek Toch, which uses smaller puppets and a wide range of stories. Another genre called Sbek Por uses colored leather puppets. The shadow plays of Cambodia are closely related to and also resemble the shadow plays of Thailand, Indonesia (Wayang and Wayang kulit). In Cambodia, the shadow play is called Nang Sbek Thom, or simply as Sbek Thom, Sbek Touch and Sbek Por.
Depending on the methods of counting, as many as three hundred versions of the Indian Hindu epic poem, the Ramayana, are known to exist. The oldest version is generally recognized to be the Sanskrit version attributed to the sage Narada, the Mula Ramayana. Narada passed on the knowledge to Valmiki, who authored Valmiki Ramayana, the present oldest available version of Ramayana.
Kedahan Malays or commonly known as Orang Utara ('Northerners'), is a sub-group of Malays who are native to northern Malaysia and in southernmost parts of Thailand and Burma. They are among the earliest settlers in the Malay peninsula. Kedahan Malays comprised at least 15% of the total Malaysian Malay population and constitute over 75% of the Kedah state population, thus making them the largest ethnic group in the state of Kedah.
The Tajul muluk is common used name for the system of geomancy, comprising metaphysical and geomantic principles considered when siting or designing buildings to improve and maintain well-being in Maritime Southeast Asia. It was traditionally practiced by shamans and architects from Indonesia and Malaysia. The term actually alludes to a book entitled Tajul muluk which covered a number of other topics including herbal medicine, astrology and dream interpretation along with geomancy. While all these subjects may be categorised under the term ilmu tajul, it usually refers to the otherwise unnamed set of rites and rules for constructing buildings in Acehnese and Malay culture.
Malay folklore refers to a series of knowledge, traditions and taboos that have been passed down through many generations in oral, written and symbolic forms among the indigenous populations of Maritime Southeast Asia (Nusantara). They include among others, themes and subject matter related to the indigenous knowledge of the ethnic Malays and related ethnic groups within the region.
Batara Guru is the name of a supreme god in Indonesian Hinduism. His name is derived from Sanskrit Bhattaraka which means “noble lord". He has been conceptualized in Southeast Asia as a kind spiritual teacher, the first of all Gurus in Indonesian Hindu texts, mirroring the guru Dakshinamurti aspect of Hindu god Shiva in the Indian subcontinent. However, Batara Guru has more aspects than the Indian Shiva, as the Indonesian Hindus blended their spirits and heroes with him. Batara Guru's wife in Southeast Asia is Shiva's consort Durga.
Trijata is a rakshasi (demoness) in the Hindu epic Ramayana who is assigned the duty of guarding Sita who was kidnapped by the king of Lanka Ravana. In latter adaptions of Ramayana, Trijata is described as a daughter of Vibhishana, the brother of Ravana.
Rahimidin Zahari was a Malaysian poet.
The Burung Petala Processions referred to a series of imperial parades to commemorate the circumcision ceremony of the Kelantanese nobility. During the grand cavalcade, the prince and his royal entourage were celebrated around Kota Bharu via a large bird-like processional cart, notably the grand chariot of 1933 known as Burung Petala Indra and tanduBurung Petalawati of 1923. The processions were held three times between 1919 and 1933.
Raden Ahmad Kosasih was an Indonesian comics author.
Malaysian folklore is the folk culture of Malaysia and other indigenous people of the Malay archipelago as expressed in its oral traditions, written manuscripts and local wisdoms. Malaysian folklores were traditionally transmitted orally in the absence of writing systems. Oral tradition thrived among the Malays, but continues to survive among Orang Asli and numerous bornean ethnic groups in Sarawak and Sabah. Nevertheless, Malaysian folklores are closely connected with classical Malay folklore of the region. Even though, Malay folklore tends to have a regional background, with the passing of time, and through the influence of the modern media, large parts of regional Malay folklore have become interwoven with the wider popular Malaysian folklore.
