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Warkari ( /wɑːrkəri/ WAR-kə-ree; Marathi: वारकरी; Pronunciation: Marathi pronunciation: [ʋaːɾkəɾiː] ; Meaning: 'The one who performs the Wari') is a sampradaya (religious movement) within the bhakti spiritual tradition of Hinduism, geographically associated with the Indian state of Maharashtra. Warkaris worship Vitthal (also known as Vithoba), the presiding deity of Pandharpur, regarded as a form of Vishnu. Saints and gurus of the bhakti movement associated with the Warkaris include Dnyaneshwar, Namdev, Chokhamela, Eknath, and Tukaram all of whom are accorded the title of Sant. [1] Recent research has suggested that the Varkaris were historically the followers of Krishna.[ citation needed ] Vittala is also another name for Krishna. Krishna is referenced as Vittala in most Bhakthi songs of Purandara Dasa and other Bhakti Saints.
The Warkari tradition has been part of Hindu culture in Maharashtra since the thirteenth-century CE, when it formed as a panth (community of people with shared spiritual beliefs and practices) during the Bhakti movement. Warkaris recognise around fifty poet-saints ( sants ) whose works over a period of 500 years were documented in an eighteenth-century hagiography by Mahipati. The Warkari tradition regards these sants to have a common spiritual line of descent. [2]
The Warkari movement includes the worship of Vithoba and a duty-based approach towards life emphasising moral behavior and strict avoidance of alcohol and tobacco, the adoption of sattvic diet, a modified lacto-vegetarian diet that excludes onion and garlic and fasting on Ekadashi day (twice a month), self-restraint ( celibacy ) during student life, equality and humanity for all rejecting discrimination based on the caste system or wealth, the reading of Hindu texts, the recitation of the Haripath every day and the regular practice of bhajan and kirtan . [3] [4] The Warkaris wear tulashi-mala, a rosary made from the wood of the sacred Tulsi (Ocimum sanctum L.) plant. The Warkari men may be known by their three upright brow lines, a black between two white gopichandan or white clay and sandal-paste lines which is also popular with other Vaishnavaite devotees. [5] Varkaris look upon God as the Ultimate Truth and ascertained grades of values in social life but accept ultimate equality among men. Varkaris bow in front of each other because "everybody is Brahma" and stressed individual sacrifice, forgiveness, simplicity, peaceful co-existence, compassion, non-violence, love and humility in social life. [6] The Warkari poet-saints are known for their devotional lyrics, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature includes the Kannada hymns of the Haridasa, and Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. Notable saints and gurus of the Warkaris include Jñāneśvar, Namdev, Chokhamela, Eknath, and Tukaram, all of whom are accorded the title of Sant.
Warkari people undertake an annual pilgrimage called wari, to Pandharpur, gathering there on Ekadashi (the 11th day) of the Hindu lunar calendar month of Ashadha, corresponding to a date falling sometime between late June to July in the Gregorian calendar. Pilgrims carry Palkhi of the saints from their places of Samadhi (Enlightenment or "spiritual birth"). The tradition of carrying the paduka (sandals) of the sants in a Palkhi was started by the youngest son of Tukaram, Narayan Maharaj, in 1685. Further changes were brought to the pilgrimage by descendants of Tukaram in the 1820s and by Haibatravbaba, a courtier of the Scindias and devotee of Dnyaneshwar. [7] [8]
Devotees of Vitthal were holding pilgrimages prior to the 14th century. In the present day, about 40 palkhis and their devotees from all over Maharashtra do so. [9] Another pilgrimage is celebrated on the Ekadashi of the month of Kartika, which falls in November of the Gregorian Calendar.
Events such as Ringan and Dhava are held during the pilgrimage. During the Ringan, an unmounted sacred horse called Maulincha Ashva, who is believed to be the soul of the saint whose idol is being carried in the litter, runs through the rows of pilgrims, who try catching the dust particles kicked off and smear their head with the same. Dhava is another kind of race where everyone wins and it is held to commemorate the manner in which Tukaram first saw the temple at Pandharpur and started running in sheer exhilaration. [10]
Sant Dnyaneshwar, also referred to as Dnyaneshwar, Dnyanadeva, Dnyandev or Mauli or Dnyaneshwar Vitthal Kulkarni (1275–1296), was a 13th-century Indian Marathi saint, poet, philosopher and yogi of the Nath and Varkari tradition. In his short life of 21 years, he authored Dnyaneshwari and Amrutanubhav. These are the oldest surviving literary works in the Marathi language, and considered to be milestones in Marathi literature. Sant Dnyaneshwar's ideas reflect the non-dualistic Advaita Vedanta philosophy and an emphasis on Yoga and bhakti towards Vithoba, an incarnation of Vishnu. His legacy inspired saint-poets such as Eknath and Tukaram, and he is one of the founders of the Varkari (Vithoba-Krishna) Bhakti movement tradition of Hinduism in Maharashtra. Dnyaneshwar undertook samadhi at Alandi in 1296 by entombing himself in an underground chamber.
The Dnyaneshwari, also referred to as Jnanesvari, Jnaneshwari or Bhavartha Deepika, is a commentary on the Bhagavad Gita written by the Marathi saint and poet Sant Dnyaneshwar in 1290 CE. Dnyaneshwar lived a short life of 22 years, and this commentary is notable to have been composed in his teens. The text is the oldest surviving literary work in the Marathi language, one that inspired major Bhakti movement saint-poets such as Eknath and Tukaram of the Varkari (Vithoba) tradition. The Dnyaneshwari interprets the Bhagavad Gita in the Advaita Vedanta tradition of Hinduism. The philosophical depth of the text has been praised for its aesthetic as well as scholarly value.
Sant Tukaram Maharaj, also known as Tuka, Tukobaraya, Tukoba, was a Hindu, Marathi Saint of Varkari sampradaya" in Dehu village, Maharashtra in the 17th century. He was a bhakt of the god Vithoba of Pandharpur. He is best known for his devotional poetry called Abhanga, which are popular in Maharashtra, many of his poems deal with social reform.
Alandi is a town and a municipal council in the Pune district in the state of Maharashtra, India. The town is popular as a place of pilgrimage and for being the resting place of the 13th century Marathi saint Sant Dnyaneshwar.
Pandharpur is a popular pilgrimage town, on the banks of Chandrabhagā River, near Solapur city in Solapur District, Maharashtra, India. Its administrative area is one of eleven tehsils in the District, and it is an electoral constituency of the state legislative assembly. The Vithoba temple attracts about a million Hindu pilgrims during the major yātrā (pilgrimage) in Ashadha (June–July).
Namdev, also transliterated as Nam Dayv, Namdeo, Namadeva, was a Marathi Vaishnava saint from Narsi, Hingoli, Maharashtra, Medieval India within the Varkari tradition of Hinduism. He was as a devotee of the deity Vithoba of Pandharpur.
Mahipati was an 18th century Marathi language hagiographer who wrote biographies of prominent Hindu Vaishnava sants who had lived between the 13th and the 17th centuries in Maharashtra and other regions of India.
Vithoba, also known as Vitthala, and Panduranga, is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.
Chokhamela was a saint from Maharashtra, India in the 13th–14th century. He belonged to the Mahar caste, which was considered that time one of the low castes in India. He was born at Mehuna Raja, a village in Deulgaon Raja Taluka of Buldhana district. He lived at Mangalvedha in Maharashtra. He wrote many Abhangas. One of his known Abhangas is 'Abir Gulal Udhlit Rang". Social activist Arvind Prabhakar Kayande Started Celebrating "Chokhamela Festival" in Deulgaon Raja. He was one of the first low-caste poets in India.
Abhanga is a form of devotional poetry sung in praise of the Hindu god Vitthal, also known as Vithoba. The word "abhang" comes from a for "non-" and bhanga for "ending" or "interrupting", in other words, a flawless, continuous process, in this case referring to a poem. By contrast, the devotional songs known as Bhajans focus on the inward journey. Abhangs are more exuberant expressions of the communitarian experience. Abhanga is considered a form of the ovi. Abhangs are sung during pilgrimage to the temples of Pandharpur, by the devotees.
Sant Janābāi was a Marāthi religious Sant and poet in the Hindu tradition in India, who was born likely in the seventh or the eighth decade of the 13th century. She died in 1350.
Shayani Ekadashi, also known by various other names, is the eleventh lunar day (Ekadashi) of the bright fortnight of the Hindu month of Ashadha. This occasion is holy to Vaishnavas, the followers of the Hindu preserver deity, Vishnu, as it is regarded to be the day the deity's sleep commences.
The Vithoba Temple, officially known as Shri Vitthal-Rukmini Mandir, is a Hindu temple in Pandharpur, in the Indian state of Maharashtra. It is the main centre of worship for Vithoba, a form of the god Vishnu or Krishna, and his consort Rakhumai. It is one of the 108 Abhimana Kshethram of Vaishnavate tradition. The temple was built by King Vishnuvardhana of Hoysala Empire between 1108 and 1152 CE upon being convinced by the historical figure Pundalik. Also, there is an inscription in the temple, of a Hoysala King Vira Someshwara dating back to 1237 CE, which grants the temple a village for its upkeep. It is the most visited temple in Maharashtra. The Warkaris start marching from their homes to the temple of Pandharpur in groups called Dindi (procession) to reach on Aashadhi Ekadashi and Kartiki Ekadashi. A dip in the holy river Chandrabhaga, on whose banks Pandharpur resides, is believed to have power to wash all sins. All the devotees are allowed to touch the feet of the idol of Vithoba. In May 2014, the temple became the first in India to invite women and people from backward classes as priests.
Visoba Khechara, spelled also as Visoba Khechar or Visoba Khecar, was the yogi-guru of the Varkari poet-saint Namdev (c.1270-1350) of Maharashtra, India. Visoba was a disciple of the Varkari poet-saint Jñāneśvar. He had linkages with the Varkari tradition as well as the Nath tradition of Maharashtra. Though a staunch Shaiva, Visoba has composed verses in praise of the god Vithoba, the patron deity of the Varkari faith. He has also composed a metaphysical treatise called the Shatsthala.
Kanhopatra was a 15th-century Marathi saint-poet, venerated by the Varkari sect of Hinduism.
Muktabai or Mukta was a saint in the Varkari Movement. She was born in a Deshastha Brahmin family and was the younger sister of Dnyaneshwar, the first Varkari saint. She wrote forty-one abhangs throughout her life.
Sheikh Muhammad (1560–1650), also known as Shekh Mahammad (Mohammad), Sayyad Shaikh Mahammad Qadiri, Shaikh Muhammad Shrigondekar (lit. Sheikh Muhammad of Shrigonde), and Sheikh (Shekh) Mahammad-baba, was a Muslim saint-poet who is venerated by Hindus. He is considered the most well-known Marathi Muslim poet. He is the author of the Yoga-samgrama (Yoga-sangrama).
Ovee, also spelled owi or owee, is a poetic metre used in Marathi poems for "rhythmic prose", generally used in narrative poems. A poem using this metre is also called an ovee. Ovee is one of the "oldest Marathi song genres still performed today". It has been in use since the 13th century in written poetry; however, oral traditions of women's ovee pre-date the literary ovee. While literary ovee is used by the Varkari saints in bhakti (devotional) literature, women's ovee is passed via the oral tradition through generations of women, who sing them while working or for pleasure.
Pandharpur Wari or Wari is a yatra to Pandharpur, Maharashtra, to honor Vithoba. It involves carrying the paduka of a saint in a palkhi, most notably of Dnyaneshwar and Tukaram, from their respective shrines to Pandharpur. Many pilgrims join this procession on foot. Warkari is a Marathi term which means "one who performs the wari". The tradition is more than 700 to 800 years old.
The Vaishnavism developed in Maharashtra as a special form which goes under the name of the Varkari sampradaya.
The Vaishnav Varkaris may be known by their three upright brow lines, a black between two white gopichandan or white clay and sandal-paste lines.