Sant Dnyaneshwar, also referred to as Jnaneshwar, Jnanadeva, Dnyandev or Mauli or Dnyaneshwar Vitthal Kulkarni (1275–1296), was a 13th-century Indian Marathi saint, poet, philosopher and yogi of the Nath and Varkari tradition. In his short life of 21 years, he authored Dnyaneshwari and Amrutanubhav. These are the oldest surviving literary works in the Marathi language, and considered to be milestones in Marathi literature. Sant Dnyaneshwar's ideas reflect the non-dualistic Advaita Vedanta philosophy and an emphasis on Yoga and bhakti towards Vithoba, an incarnation of Lord Vishnu. His legacy inspired saint-poets such as Eknath and Tukaram, and he is one of the founders of the Varkari (Vithoba-Krishna) Bhakti movement tradition of Hinduism in Maharashtra. Dnyaneshwar undertook samadhi at Alandi in 1296 by entombing himself in an underground chamber.
Kirtana, also rendered as Kirtan or Keertan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas, native to the Indian subcontinent.
Sant Tukaram Maharaj was a 17th-century Marathi Saint, Hindu sant (saint), popularly known as Tuka, Tukobaraya, Tukoba in Maharashtra. He was a Sant of Varkari sampradaya - that venerates the God Vitthal - in Maharashtra, India. He was part of the egalitarian, personalized Varkari devotionalism tradition. Sant Tukaram Maharaj is best known for his devotional poetry called Abhanga and community-oriented worship with spiritual songs known as kirtan.
Namdev, also transliterated as Nam Dayv, Namdeo, Namadeva, was a Marathi Vaishnav saint from Narsi, Hingoli, Maharashtra, India within the Varkari tradition of Hinduism. He lived as a devotee of Lord Vitthal of Pandharpur. He is widely regarded as the founder of Varkari tradition.
Warkari is a sampradaya within the bhakti spiritual tradition of Hinduism, geographically associated with the Indian state of Maharashtra. Warkaris worship Vitthal, the presiding deity of Pandharpur, regarded as a form of Vishnu. Saints and gurus of the bhakti movement associated with the Warkaris include Dnyaneshwar, Namdev, Chokhamela, Eknath, and Tukaram all of whom are accorded the title of Sant. Recent research has suggested that the Varkaris were historically the followers of VITHHAL & RAKHUMAI(विठ्ठल आणि रखुमाई).
Vithoba, also known as Vithala, and Panduranga, is a Hindu god predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the god Vishnu, or his avatar Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.
Pundalik or Pundarik is a central figure in the legends of the Hindu God Vithoba, generally considered a Vaishnava deity identified with the deities Vishnu and Krishna. He is credited to have brought Vithoba to Pandharpur, where Vithoba's central shrine stands today. Pundalik is also perceived to be the historical founder of the Varkari sect, which is centered on the worship of Lord Vithoba.
Chokhamela was a Hindu saint in Maharashtra, India in the 14th century. He belonged to the Mahar caste,, which was considered that time one of the low castes in India. He was born at Mehuna Raja, a village in Deulgaon Raja Taluka of Buldhana district. He lived at Mangalvedha in Maharashtra. He wrote many Abhangas. One of his famous Abhangas is 'Abir Gulal Udhlit Rang". Social activist Arvind Prabhakar Kayande Started Celebrating "Chokhamela Festival" in Deulgaon Raja. He was one of the first low-cast poets in India.
Sant Janābāi was a Marāthi religious poet in the Hindu tradition in India, who was born likely in the seventh or the eighth decade of the 13th century. She died in 1350.
Sena Nhavi, also known as Saint Sena, and Sena, is a Hindu saint-poet (sant-kavi) of the Varkari sect dedicated to the god Vithoba.
The Vithoba Temple, officially known as Shri Vitthal-Rukmini Mandir, is a Hindu temple in Pandharpur, in the Indian state of Maharashtra. It is the main centre of worship for Vithoba, a form of the god Vishnu or Krishna, and his consort Rakhumai. It is Classified one among the 108 Abhimana Kshethram of Vaishnavate tradition. The temple was built by King Vishnuvardhana of Hoysala Empire between 1108–1152 CE upon being convinced by the historical figure Pundalik. Also, there is an inscription in the temple, of a Hoysala King Vira Someshwara dating back to 1237 CE, which grants the temple a village for its upkeep. It is the most visited temple in Maharashtra. The Warkaris start marching from their homes to the temple of Pandharpur in groups called Dindi (procession) to reach on Aashadhi Ekadashi and Kartiki Ekadashi. A dip in the holy river Chandrabhaga, on whose banks Pandharpur resides, is believed to have power to wash all sins. All the devotees are allowed to touch the feet of the idol of Vithoba. In May 2014, the temple became the first in India to invite women and people from backward classes as priests.
Visoba Khechara, spelled also as Visoba Khechar or Visoba Khecar, was the yogi-guru of the Varkari poet-saint Namdev (c.1270-1350) of Maharashtra, India. Visoba was a disciple of the Varkari poet-saint Jñāneśvar. He had linkages with the Varkari tradition as well as the Nath tradition of Maharashtra. Though a staunch Shaiva, Visoba has composed verses in praise of the god Vithoba, the patron deity of the Varkari faith. He has also composed a metaphysical treatise called the Shatsthala.
Bahinabai or Bahina or Bahini is a Varkari female-saint from Maharashtra, India. She is considered as a disciple of another Varkari poet-saint Tukaram. Having been born in a Brahmin family, Bahinabai was married to a widower at a young age and spent most of her childhood wandering around Maharashtra along with her family. She describes, in her autobiography Atmamanivedana, her spiritual experiences with a calf and visions of the Varkari's patron deity Vithoba and Tukaram. She reports being subjected to verbal and physical abuse by her husband, who despised her spiritual inclination but who finally accepted her chosen path of devotion (bhakti). Unlike most female-saints who never married or renounced their married life for God, Bahinabai remained married her entire life.
Kanhopatra was a 15th-century Marathi saint-poet, venerated by the Varkari sect of Hinduism.
Muktabai or Mukta was a saint in the Varkari Movement. She was born in a Deshastha Brahmin family and was the younger sister of Dnyaneshwar, the first Varkari saint. She wrote forty-one abhangs throughout her life.
Ranjani and Gayatri are two sisters who perform as a Carnatic vocal and violin duo. They have also appeared as soloists, accompanists, composers, and educators of Indian Classical Music. Their work includes studio recordings; television, radio, and festival appearances; live concerts; and lecture demonstrations.
Maha Bhakta vijaya is a Marathi text by Mahipati around 1762 that extols the deeds of the saint-poets of the Varkari sect of Hinduism. It has been translated into various languages in India and is widely read. It forms an important part of the prayer for devotees of Vithoba at Pandharpur. An English translation was published under the provisions of the will of Justin E. Abbott in 1933.
Narahari Sonar or Narharidas was a 13th-century Hindu poet-saint of the Varkari sect and goldsmith (sonar) from Maharashtra, India. His hagiography speaks about his transition from a staunch Shaiva to a Vithoba-worshipping Varkari after a miracle that makes him realize that Vithoba and Shiva are one and the same.
Bhalchandra Pandharinath Bahirat was a philosopher and educationist who studied the Marathi literature of Jñāneśvar and other sants of Maharashtra. He was awarded an honorary Doctor of Letters from Pune University in 1991.
Ovee, also spelled owi or owee, is a poetic metre used in Marathi poems for "rhythmic prose", generally used in narrative poems. A poem using this metre is also called an ovee. Ovee is one of the "oldest Marathi song genres still performed today". It has been in use since the 13th century in written poetry; however, oral traditions of women's ovee pre-date the literary ovee. While literary ovee is used by the Varkari saints in bhakti (devotional) literature, women's ovee is passed via the oral tradition through generations of women, who sing them while working or for pleasure.
