Sant Dnyaneshwar, also referred to as Dnyaneshwar, Dnyanadeva, Dnyandev or Mauli or Dnyaneshwar Vitthal Kulkarni (1275–1296), was a 13th-century Indian Marathi saint, poet, philosopher and yogi of the Nath and Varkari tradition. In his short life of 21 years, he authored Dnyaneshwari and Amrutanubhav. These are the oldest surviving literary works in the Marathi language, and considered to be milestones in Marathi literature. Sant Dnyaneshwar's ideas reflect the non-dualistic Advaita Vedanta philosophy and an emphasis on Yoga and bhakti towards Vithoba, an incarnation of Vishnu. His legacy inspired saint-poets such as Eknath and Tukaram, and he is one of the founders of the Varkari (Vithoba-Krishna) Bhakti movement tradition of Hinduism in Maharashtra. Dnyaneshwar undertook samadhi at Alandi in 1296 by entombing himself in an underground chamber.
The Dnyaneshwari, also referred to as Jnanesvari, Jnaneshwari or Bhavartha Deepika, is a commentary on the Bhagavad Gita written by the Marathi saint and poet Sant Dnyaneshwar in 1290 CE. Dnyaneshwar lived a short life of 22 years, and this commentary is notable to have been composed in his teens. The text is the oldest surviving literary work in the Marathi language, one that inspired major Bhakti movement saint-poets such as Eknath and Tukaram of the Varkari (Vithoba) tradition. The Dnyaneshwari interprets the Bhagavad Gita in the Advaita Vedanta tradition of Hinduism. The philosophical depth of the text has been praised for its aesthetic as well as scholarly value.
Sant Tukaram Maharaj, also known as Tuka, Tukobaraya, Tukoba, was a Hindu, Marathi Saint of Varkari sampradaya" in Dehu village, Maharashtra in the 17th century. He was a bhakt of the god Vithoba of Pandharpur. He is best known for his devotional poetry called Abhanga, which are popular in Maharashtra, many of his poems deal with social reform.
Namdev, also transliterated as Nam Dayv, Namdeo, Namadeva, was a Marathi Vaishnava saint from Narsi, Hingoli, Maharashtra, Medieval India within the Varkari tradition of Hinduism. He was as a devotee of the deity Vithoba of Pandharpur.
Warkari is a sampradaya within the bhakti spiritual tradition of Hinduism, geographically associated with the Indian state of Maharashtra. Warkaris worship Vitthal, the presiding deity of Pandharpur, regarded as a form of Vishnu. Saints and gurus of the bhakti movement associated with the Warkaris include Dnyaneshwar, Namdev, Chokhamela, Eknath, and Tukaram all of whom are accorded the title of Sant. Recent research has suggested that the Varkaris were historically the followers of Krishna. Vittala is also another name for Krishna. Krishna is referenced as Vittala in most Bhakthi songs of Purandara Dasa and other Bhakti Saints.
Vithoba, also known as Vitthala, and Panduranga, is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.
Pundalik or Pundarika is an Indian saint and a devotee of the Hindu deity Vithoba. Vithoba is a Vaishnava deity and a recincarnation of Vishnu and Krishna. Pundalik is thought to have brought Vithoba to Pandharpur, where Vithoba's main shrine stands today. Pundalik is also the historical founder of the Varkari sect, which is centered on the worship of Vithoba.
Chokhamela was a Hindu saint in Maharashtra, India in the 14th century. He belonged to the Mahar caste,, which was considered that time one of the low castes in India. He was born at Mehuna Raja, a village in Deulgaon Raja Taluka of Buldhana district. He lived at Mangalvedha in Maharashtra. He wrote many Abhangas. One of his known Abhangas is 'Abir Gulal Udhlit Rang". Social activist Arvind Prabhakar Kayande Started Celebrating "Chokhamela Festival" in Deulgaon Raja. He was one of the first low-cast poets in India.
Sant Janābāi was a Marāthi religious poet in the Hindu tradition in India, who was born likely in the seventh or the eighth decade of the 13th century. She died in 1350.
Sena Nhavi, also known as Saint Sena, and Sena, is a Hindu saint-poet (sant-kavi) of the Varkari sect dedicated to the god Vithoba.
The Vithoba Temple, officially known as Shri Vitthal-Rukmini Mandir, is a Hindu temple in Pandharpur, in the Indian state of Maharashtra. It is the main centre of worship for Vithoba, a form of the god Vishnu or Krishna, and his consort Rakhumai. It is Classified one among the 108 Abhimana Kshethram of Vaishnavate tradition. The temple was built by King Vishnuvardhana of Hoysala Empire between 1108 and 1152 CE upon being convinced by the historical figure Pundalik. Also, there is an inscription in the temple, of a Hoysala King Vira Someshwara dating back to 1237 CE, which grants the temple a village for its upkeep. It is the most visited temple in Maharashtra. The Warkaris start marching from their homes to the temple of Pandharpur in groups called Dindi (procession) to reach on Aashadhi Ekadashi and Kartiki Ekadashi. A dip in the holy river Chandrabhaga, on whose banks Pandharpur resides, is believed to have power to wash all sins. All the devotees are allowed to touch the feet of the idol of Vithoba. In May 2014, the temple became the first in India to invite women and people from backward classes as priests.
Visoba Khechara, spelled also as Visoba Khechar or Visoba Khecar, was the yogi-guru of the Varkari poet-saint Namdev (c.1270-1350) of Maharashtra, India. Visoba was a disciple of the Varkari poet-saint Jñāneśvar. He had linkages with the Varkari tradition as well as the Nath tradition of Maharashtra. Though a staunch Shaiva, Visoba has composed verses in praise of the god Vithoba, the patron deity of the Varkari faith. He has also composed a metaphysical treatise called the Shatsthala.
Bahinabai or Bahina or Bahini is a Varkari female-saint from Maharashtra, India. She is considered as a disciple of another Varkari poet-saint Tukaram. Having been born in a Brahmin family, Bahinabai was married to a widower at a young age and spent most of her childhood wandering around Maharashtra along with her family. She describes, in her autobiography Atmamanivedana, her spiritual experiences with a calf and visions of the Varkari's patron deity Vithoba and Tukaram. She reports being subjected to verbal and physical abuse by her husband, who despised her spiritual inclination but who finally accepted her chosen path of devotion (bhakti). Unlike most female-saints who never married or renounced their married life for God, Bahinabai remained married her entire life.
Kanhopatra was a 15th-century Marathi saint-poet, venerated by the Varkari sect of Hinduism.
Muktabai or Mukta was a saint in the Varkari Movement. She was born in a Deshastha Brahmin family and was the younger sister of Dnyaneshwar, the first Varkari saint. She wrote forty-one abhangs throughout her life.
Maha Bhakta vijaya is a Marathi text by Mahipati around 1762 that extols the deeds of the saint-poets of the Varkari sect of Hinduism. It has been translated into various languages in India and is widely read. It forms an important part of the prayer for devotees of Vithoba at Pandharpur. An English translation was published under the provisions of the will of Justin E. Abbott in 1933.
Narahari Sonar or Narharidas was a 13th-century Hindu poet-saint of the Varkari sect and goldsmith (sonar) from Maharashtra, India. His hagiography speaks about his transition from a staunch Shaiva to a Vithoba-worshipping Varkari after a miracle that makes him realize that Vithoba and Shiva are one and the same.
Bhalchandra Pandharinath Bahirat was a philosopher and educationist who studied the Marathi literature of Jñāneśvar and other sants of Maharashtra. He was awarded an honorary Doctor of Letters from Pune University in 1991.
Ovee, also spelled owi or owee, is a poetic metre used in Marathi poems for "rhythmic prose", generally used in narrative poems. A poem using this metre is also called an ovee. Ovee is one of the "oldest Marathi song genres still performed today". It has been in use since the 13th century in written poetry; however, oral traditions of women's ovee pre-date the literary ovee. While literary ovee is used by the Varkari saints in bhakti (devotional) literature, women's ovee is passed via the oral tradition through generations of women, who sing them while working or for pleasure.
Pandharpur Wari or Wari is a yatra to Pandharpur, Maharashtra, to honor Vithoba. It involves carrying the paduka of a saint in a palkhi, most notably of Dnyaneshwar and Tukaram, from their respective shrines to Pandharpur. Many pilgrims join this procession on foot. Warkari is a Marathi term which means "one who performs the wari". The tradition is more than 700 to 800 years old.
