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Total population | |
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2 – 2.5 million [1] | |
Regions with significant populations | |
Predominantly in Upper Assam, Central Assam and in districts of Arunachal Pradesh; urban areas across Assam, India | |
Languages | |
Assamese | |
Religion | |
Hinduism (specifically Ekasarana Dharma) [2] [3] | |
Related ethnic groups | |
Part of a series on the |
Culture of Assam |
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The Chutia people (Pron: /ˈsʊðiːjɑː/ or Sutia) are an ethnic group that are native to Assam and historically associated with the Chutia kingdom. [7] However, after the kingdom was absorbed into the Ahom kingdom in 1523–24, the Chutia population was widely displaced and dispersed in other parts of Upper Assam [8] [9] as well as Central Assam. [10] They constitute one of the core groups that form the Assamese people. [11] [12]
A 2004 genetic study has found that in the "tribal" and "caste" continuum, the Chutia people occupy an ambiguous position in the middle, [13] along with the Ahoms and the Rajbanshis. [14] The historic Chutias originally belonged to the Bodo–Kachari group [15] with some suspected Shan admixtures; [16] nevertheless, it is estimated that their ruling families were originally either matrilineal or not entirely patrilineal. [17] The Chutia people experienced Sanskritisation when the Chutia kingdom was extant, [18] [19] and later from Ekasarana dharma. [20] They have also assimilated with other groups especially the Ahoms. [21]
The Chutia community is recognized as an Other Backward Class by the Government of India. [22] Currently there is a political movement to include the Chutia community in the scheduled tribes list of India. [23] During the colonial period, the Chutia community had the second largest population in Upper Assam (east of Kaliabor). [24] Today, most of them reside in this region of Upper Assam.
The origin of the name Chutia is not known: the Chutia kingdom was called Tiora (literal meaning: Burha Tai/Elder Tai) in the Ahom language Buranjis, whereas the Assamese language ones used Chutia. [7]
The Chutia kingdom emerged in early medieval times in eastern Assam on the northern bank of the river Brahmaputra and was one among other ethnic kingdoms—Ahom, Dimasa, Tripura etc. [25] The inscriptions from the late 14th century suggest that by then the autochthonous kings were Hinduised in the Vaishnava tradition. [26] The kingdom prevailed in the regions around Sadiya, its capital, in northeastern Assam and parts of Arunachal Pradesh. The kingdom primarily encompassed the present districts of Lakhimpur, Dhemaji, Tinsukia, and Dibrugarh in Assam. [27]
It was absorbed into the Ahom kingdom in 1524 under Suhungmung. At the time of absorption, the kingdom was Hinduised with the caste system either marginal or prevalent. [28] [29] At the time of annexation, a section of Chutias were hinduised, [30] [31] those that were not were later initiated into the Ekasarana dharma under the Mayamara Satra in the 17th century. [32] The capital region became a frontier province of the Ahom kingdom under the Sadiya-khowa Gohain, and the nobles were widely dispersed in Upper Assam. [33]
The Chutias worshipped a primordial male deity and a primordial female deity. The male was called Kundimama, Balia-Baba or Pisha-dema, known by the Kacharis as Bathau or Bathau Brai [34] and the female deity was called Kechaikhati or Pisha-si. [35] The worship of the tribal goddess Kesai Khaiti, commonly found among other Bodo-Kachari groups [36] [37] [38] [39] [40] The worship of the goddess Kechaikhaiti was officiated by the priestly section that came to be today identified as the Deori people; and other Bodo-Kachari peoples had their respective priests who too were called Deori. [41]
Another god and goddess were the Bura and Buri or the "Old Ones." which under later Hindu influence became Shiva and Shakti . [42]
The settlement of Brahmins in the kingdom led to the Hinduisation and legitimisation of the Chutia rulers and the rulers claimed their divine descent from the Asuras . [43] [44] The term Asura is used to refers to the Non-Aryans and their otherness in forms of custom, including marriage, and property. [45]
Following the emergence of ekasarana namadharma in the 16th century, and after the fall of the Chutia kingdom, a new Hindu lineage was constructed for the Chutias and in this lineage, the Chutias claim to trace their origin to the legendary king of Bhishmaka of Vidarbha. [46] The association of the legend with the Chutia polity led to a widespread renaming of the region. [47]
A section of Chutias were hinduised at an early period, [30] [31] those that were not were later initiated into the Ekasarana dharma under the Mayamara Satra in the 17th century by Aniruddhadev. [32] [44]
Chutia | |
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Native to | India |
Region | Assam |
Ethnicity | Chutia |
Extinct | (date missing) |
Sino-Tibetan
| |
Language codes | |
ISO 639-3 | None (mis ) |
The Chutia people speak the Assamese language today—the original Tibeto-Burmese [15] [48] language spoken by them has disappeared. [49] In the 19th century, a British colonial officer, W B Brown, erroneously identified the Deori language as the original language of the Chutia people, [50] [51] This confusion, scholars assume, arose since the Deoris served as priests in the Chutia kingdom, but the Deori community today is not related to the Chutia community ethnically or linguistically. [52] Linguists have noted that the Deori language has linguistic features that resulted from contact with other linguistic groups in places where the Chutia were never present. [53]
Chutia people generally live in joint families. The number of members in a joint family at times exceeded one hundred. The father is the head of the family. Household duties are discharged by the family members with mutual understanding and co-operation, on a rotatory basis. [54]
After the fall of the Chutia kingdom, the Chutia people were divided into different groups due to circumstances based on either religious inclinations or associations with other communities. Over time, Chutias divided into five important groups: [55]
The traditional attire of the Chutia men includes the Chutia paguri (headgear), Chutia sula (shirt), Churia (lower garment), Gamusa/Bisuwan (scarf), Cheleng sador (Shawl) and Tongali (waist scarf). The royals and the rich in the past wore clothes made out of Muga and Paat Silk, whereas the ordinary class wore Cotton (summers) and Eri Silk (winter). The royals also used other clothing items like the Panikamoli cloth as well as the Aruwan. [67] [68] In the ancient times, royal men wore jewelry items like Longkeru (Earrings), Mota Moni (necklace) as well as golden footwear (Paduka). The royals also used silk umbrellas with gold embroidery known as Gunakara. [69]
Some components of the male attire include:
There were several types of Chutia headgears or paguris in the past as per the style of tying the knots. The three primary types are Xatphul/Sarpa Paag, Ronuwa/Junga Paag and the Enajori Paag. Out of this, the Xatphul and Enajori paguri are still worn. The Xatphul type is worn by the priests and is snake-shaped; hence the name Sarpa (snake). Today, the Chutias use this type as their traditional Chutia headgear. The Ronuwa type was worn in the battle field and can be seen in the terracota plates of Bhismaknagar as well as the Tamreswari Temple. [70]
The Chutias often wear their Churia (dhoti) short (till the knees). The Churias used by Chutia men are very well depicted in the terracota plates of Bhismaknaagar as well as the Tamreswari temple. [70]
The Gamusa is an important part of the Chutia attire and is used as a scarf. The Bisuwan (Bisu meaning "Bihu" and Wan meaning "textile") [71] is a variant of the Gamusa used during the Bihu/Bisu festival. The difference between the Gamusa and the Bisuwan is mainly the design and use. Although both the scarfs consist of red side borders, the Bisuwan consists of floral patterns as cross border at one end, instead of the regular plain red cross borders of the Gamusa.
The Tangali is a waist wrapper worn by males or used as belt to gird the waist. In the past, a white Tangali was worn by warriors in the battlefield which would turn red with blood on their return. This symbolism later made way for the red Tangali which is worn by young boys when they perform Bihu Huchori. The two ends of Tangali are trimmed with fringes and ornamented with floral motifs of coloured threads. The Tangali can be seen in the terracota plates of Bhismaknagar as well as the Tamreswari temple. [70]
The Cheleng Chador is another important component of the Chutia attire. It is usually wrapped around the shoulders similar to a shawl and is about 9 feet in length. [72]
Among the Chutia people, women of every age group have their own unique clothing style. Girls until puberty wear a Gamusa called Baiga as an upper garment and a Mekhela/Igu as a lower garment (waist to ankle). In the olden times, it was either made of Muga/Paat (affluent class) or cotton (common class). [73] After puberty and until marriage, the girls wear a Riha/Risa (chest wrapper) [74] instead of Baiga as the upper garment. This custom of changing the clothing style after puberty is a tradition of the tribe. [75] During marriages, the brides wear a Paat/Muga Riha along with Mekhela and Chador. The Dukothia, Chador and the Kokal-mora are signs of marriage. [76] The brides also wore Harudai Jaapi as headgear in the past. [69] A married women usually wears a mekhela, kokal-bandha (waist wrapper) as well as Gathigi (headgear) and a Chador to cover their head. The Mekhela of married women is a longer cloth which is worn up to their bosom unlike that of girls worn from the waist and downwards. The Riha of women is worn only on special occasions like Bihu, marriage ceremonies, temple visits, rituals, etc. Chutia traditional ornaments include Madoli (Chutia word), Dugdugi (Chutia word), Junbiri, Thuria, and Gam-kharu. [77]
Some components of the female attire include:
The Mekhela is the most important component of the Chutia female attire. Until marriage, girls wear the mekhela from the waist downwards, which is later tied up to the bosom after marriage. Another cloth called Kokal-bondha (waist wrapper) is also worn above the mekhela by married women. The Chutias consider the red-embroidered Dabua-Bosa Mekhela to be their symbolic attire. Apart from the primary Dabua-bosa design, the Mekhela also consists of Buta-bosa and Phul-bosa at the lower end, which generally uses white and black threads.
Riha refers to the chest wrapper worn by Chutia women. (Risa in Dimasa [78] and Tripuri [79] [80] [81] ) The Riha is a narrow cloth as indicated by its name. It can be divided into two types. One worn by girls and the other by married women. Unmarried girls wear the Riha from the chest to the waist, while married women wear it by wrapping around the shoulder similar to the Chador. But, among married women, it is still being although in a different fashion (like a Chador). [82] The style of wearing a Riha beneath the Chador among married women indicates that the Riha is much older. The Muga Riha/Risa forms a part of the symbolic attire of the Chutia people. Muga silk is an ancient heritage of the Chutia people. As per the Naoboicha Phukan Buranji, Muga was adopted in the Ahom courts at a later period by employing a thousand Muga producers and weavers from the Chutia community. It consists of patterns known as Kesh-bosa in both the ends.
Gathigi is the headgear of Chutia women which consists of a Gamusa tied around the hair. The word Gathigi is derived from Gathi which means "knot" in Assamese language. It is mostly worn to protect the hair from dirt and also acts as a hair-covering while cooking. It is mostly worn to protect the hair from dirt and also acts as a hair-covering while cooking. The Bihu songs well establish the historical link between the traditional red-white Gamusa with Sadiya.
The Chutia Dukothia is a cloth of 2 kathi or 6 feet in length and wrapped around the head and the upper body, while the Chador is about 8–9 feet in length and wrapped from the waist to the upper body and head. Wearing the Dukothia or Chador is compulsory for married women in front of elders or on religious occasions. These are mostly made of cotton or endi silk. The Kokal-mara, on the other hand, is a waist wrapper cloth.
The Hasoti and Dabua Katari are both age-old heritage of the Chutia tribe and form an important component of the Chutia female attire. Hasoti is a small red handkerchief which is tied to the Mekhela. On the other end of the Hasoti, a pocket clasp knife called Dabua Katari is tied. It is used by Chutia women to do daily chores like cutting areca nuts or betel nut leaves. The Dab/Dabua Katari is also found among Boros and Dimasas which they call as Daba knife.
The Jaapi has been an integral part of Chutia heritage. The Chutia brides wore a Sorudoi Jaapi during marriage ceremonies which were continued up until recently. [83] As per historical text, the last Chutia king Nitipal had given two gold and silver embroidered Japis to the Ahom king as gifts in his attempts for a treaty. [84] [85] Besides this, after annexing Sadiya, the Ahom king received much treasure and bounty among which included Jaapis. [86] During the Ahom rule, Jaapi-hajiya Khel (guild for making Jaapis) was monopolised by Chutias, which indicate that they were experts in weaving Japis. [87]
The Chutia people reside mostly in the interior places on the banks of the rivers. A Chutia village usually consists from at least 60 to about 140 families. Earlier each family housed about 100 individuals in joint families, [88]
The rituals of the Chutia community have a tribal-tantric folk religion base with an influence of Hinduism and Vaishnavism which have brought some reforms among a section of Chutias who are now known as Kesa-ponthi. They are named as such because they have been imposed certain restrictions like use of animal meat and alcohol in their rites. Others who have retained the age-old customs in its original form are termed as Poka-ponthis. Some of the rituals include Sabahs like Holita loguwa, Aai, Panitula Borsabah, Dangoria, Borsarakia, Khuti, Jal Devota, Jal kuwari, Apeswari, Kalika; Hewa/Pujas like Deo-kuber, Suvasani, Moh jokh Raati Hewa, Haun puja, and other rituals like Bhekulir Biya, Na-khuwa, Nangol dhua, Bhoral pitha dia, Nangol pitha dia. [70] A few of the rituals are discussed below.
The Deo-kuber ritual is a tribal-tantrik form of ancestral worship. It is also known as Deo-kuber Holita loguwa hokam as earthen lamps are lighted in the name of the god of wealth Kuber as well as Kundi. The other Bodo origin tribes like Boros, Koch and Rabhas also celebrate a similar festival which they call as Kuber Brai. During the rule of the Chutia kings, this ritual was often organised for the welfare of the state. In this ceremony, the religious symbols of Kuber god. During this ceremony, rice beer (Chuje), Handoh guri (ground rice), puffed rice (Akhoi), areca nut, betel leaves, several kinds of Pitha (Khula dia, Tel Diya, etc.), duck meat and posola (a dish made of banana stem) are prepared. A pair of a male and female duck is sacrificed in the name of Gira-Girasi (ancestral deities) and smoked meat is offered along with two servings of Chuje to the deities. After the Deori completes his prayers and rituals, the duck is prepared into a dish and distributed among the people as offerings from God. [70]
The Dangoria is considered to be a village deity among the Chutias. The ritual is generally organised near the tree where the spirit is believed to reside. In modern times, many people organise it in their homes. The Poka-panthi sect offers rice wine (Chuje) along with meat while the Kesa-panthi sect offers rice-powder (pitha-guri), milk-pudding (payakh) and bananas. The Poka-panthis have three types of Dangoria rituals (Kala Sorai, Ronga sorai and Tinitia Sorai) according to the type of bird being sacrificed. In this ritual, first earthen lamps are lit under the tree. Then, an offering of chuje or payakh is made along with four pairs of betel leaf and areca nuts, Banana Khar and vegetable curry. The Poka-panthis also sacrifice the birds and cook the meat along with Korai guri. Later, the priests pray to the spirit of the Dangoria deity and bless the household. [70] The ritual is known as "Rangason" in Deori language.
The Apeshwari Sabha is organised to worship Apeshwari Ai (a form of Kechai-khati goddess).In this ritual, the house is first clean thoroughly and all the used clothes are washed. Then, some girls, as well as old women from the village, are called to the household. They are named as Gopinis and are made to sit in a circle in the courtyard. After that, the family brings in the offerings which include rice-powder (pitha-guri), unpasteurised milk (ewa gakhir) and bananas. Then, at the front of the women, a sieve (Saloni/Dala) is placed on top of which the offerings are arranged on a banana leaf (agoli kolpat) and a white cloth. Next, earthen lamps (saki) are lit and the area is decorated with flowers and betel nuts. The Gopinis then recite prayers (Apeshwari naam) to the goddess so as to bless the household especially the child. The family is asked to come and pray to the goddess and the Gopinis bless the child/infant. After this is over, a set of offering is separated for the goddess and offered to her at the backyard of the house or in an open field. The rest is given to the Gopinis as offerings for their service. [89] This ritual is also found among the Deoris and call the deity as Apeswari or Yoi Midi.
The Suvasani ritual is mostly carried out at night in the months of April/May for the well-being of family/village members. Suvasani Aai is a household deity (a form of the goddess Kechai-khati). In the ritual, first, the priest prays to the goddess Suvasani for the welfare of the family/village and then distributes prasad along with holy water to the people for purifying their souls. Then, ducks are sacrificed by the priest with the help of other people. After the sacrifice is over, the male members of the family/village get together and organise a feast. This ritual is also found among the Tengaponia clan of the Deoris and call the deity as Suvasani or Yanyo Midi. Due to the influence of Neo-Vaishnava faith, a large number of Chutias have either left performing the ritual or have replaced the duck with an ash gourd. [70]
Bihu is of three types and it is an important cultural festival unique to the Indian state of Assam – 'Rongali' or 'Bohag Bihu' observed in April, 'Kongali' or 'Kati Bihu' observed in October or November, and 'Bhogali' or 'Magh Bihu' observed in January. The festivals present an admixture of Tibeto-Barman, Austroasiatic and Indo-Aryan traditions entwined so intricately that it is impossible to separate them—festivals which are uniquely Assamese to which all communities of Assam had contributed elements. The Rongali Bihu is the most important of the three, celebrating spring festival. The Bhogali Bihu or the Magh Bihu is a harvest festival, with community feasts. The Kongali Bihu or the Kati Bihu is the sombre, thrifty one reflecting a season of short supplies and is an animistic festival.
Sadiya is a town in Tinsukia district, Assam, in India. It was the capital of the Chutia Kingdom but after the downfall of the kingdom, Prasengmung Borgohain was appointed as the Sadiya-khowa-Gohain of the Ahom kingdom. Extensive remains of buildings and fortifications built during the Chutia rule near Sadiya point to the importance of the region in the past. Historically Sadiya referred to the Chutiya kingdom which included at times the districts of Lakhimpur, Dhemaji and Tinsukia. It is claimed to be the center of development of the eastern Assamese dialects, the inscription here are written in a Tai script. Its stands on a grassy plain, almost surrounded by forested Himalayan mountains, on the right bank of Lohit River which is locally considered the main stream of the Brahmaputra River. The deepest point of the Brahmaputra River is located near this village. It is famous for a flower named satphul, which is much like Jasmine.
The Dimasa Kingdom also known as Kachari kingdom was a late medieval/early modern kingdom in Assam, Northeast India ruled by Dimasa kings. The Dimasa kingdom and others that developed in the wake of the Kamarupa kingdom were examples of new states that emerged from indigenous communities in medieval Assam as a result of socio-political transformations in these communities. The British finally annexed the kingdom: the plains in 1832 and the hills in 1834. This kingdom gave its name to undivided Cachar district of colonial Assam. And after independence the undivided Cachar district was split into three districts in Assam: Dima Hasao district, Cachar district, Hailakandi district. The Ahom Buranjis called this kingdom Timisa.
The Ahom kingdom, or the Kingdom of Assam was a late medieval kingdom in the Brahmaputra Valley that retained its independence for nearly 600 years despite encountering Mughal expansion in Northeast India. Established by Sukaphaa, a Tai prince from Mong Mao, it began as a mong in the upper reaches of the Brahmaputra based on wet rice agriculture. It expanded suddenly under Suhungmung in the 16th century and became multi-ethnic in character, casting a profound effect on the political and social life of the entire Brahmaputra valley. The kingdom became weaker with the rise of the Moamoria rebellion, and subsequently fell to repeated Burmese invasions of Assam. With the defeat of the Burmese after the First Anglo-Burmese War and the Treaty of Yandabo in 1826, control of the kingdom passed into East India Company hands.
Bodo–Kacharis is a name used by anthropologists and linguists to define a collection of ethnic groups living predominantly in the Northeast Indian states of Assam, Tripura, Meghalaya and West Bengal. These peoples are speakers of either Bodo–Garo languages or Assamese. Some Tibeto-Burman speakers who live closely in and around the Brahmaputra valley, such as the Mising people and Karbi people, are not considered Bodo–Kachari. Many of these peoples have formed early states in the late Medieval era of Indian history and came under varying degrees of Sanskritisation.
The pepa is a hornpipe musical instrument that is used in traditional music in Assam, India. In Boro language, it is known as Phenpha. It is usually made with the horn of a buffalo.
Mekhela Sador is a traditional attire worn by women from Assam. Mekhela Sador is two-piece attire, the Mekhela and the Sador, and is generally made from silk such as Muga silk, Eri or Pat silk.
Jaapi or Japi is an Asian conical hat. It is made from tightly woven bamboo and/or cane and tokou paat a large, palm leaf. The word jaapi derives from jaap meaning a bundle of tokou leaves. In the past, plain jaapis were used by ordinary people in Assam and by farmers for protection from the sun, while ornate decorative jaapis were worn as a status symbol by the royalty and nobility. Decorative sorudoi jaapi are made with intricate cloth designs that are integrated into the weaving.
Upper Assam is an administrative division of the state of Assam comprising the undivided Lakhimpur and Sivasagar districts, of the upper reaches of the Brahmaputra valley. The other divisions are: Lower Assam, North Assam and Hills and Barak Valley. The division is under the jurisdiction of a Commissioner, stationed at Jorhat.
The Chutia kingdom was a late medieval state that developed around Sadiya in present Assam and adjoining areas in Arunachal Pradesh. It extended over almost the entire region of present districts of Lakhimpur, Dhemaji, Tinsukia, and some parts of Dibrugarh in Assam, as well as the plains and foothills of Arunachal Pradesh. The kingdom fell around the year 1524 to the Ahom Kingdom after a series of conflicts and the capital area ruled by the Chutia rulers became the administrative domain of the office of Sadia Khowa Gohain of the Ahom kingdom.
The Tiwa people is a Tibeto-Burmese ethnic group primarily inhabiting the Northeast Indian states of Assam, Meghalaya, Arunachal Pradesh, Manipur and Nagaland, and some parts of neighbouring Bangladesh and Myanmar.
Deori is a Tibeto-Burman language in the Tibeto-Burman languages family spoken by the Deori people of Assam and Arunachal Pradesh. Deori are also a part of Bodo–Kachari people. Among the four territorial groups only the Dibongiya have retained the language. The others—Patorgoyan, Tengaponiya, and Borgoyan—have shifted to Assamese. It is spoken in Lohit district of Arunachal Pradesh, and in Lakhimpur, Dhemaji, Tinsukia, Sivasagar and Jorhat districts of Assam. The primary literary body of Deori is known as "deori chucheba chengcha".
Moran (Morān) is an extinct Boro-Garo language which was spoken in Assam in Northeast India and related to Dimasa language. The census returned 78 speakers in 1901, 24 in 1911 and none in 1931, and the only source of this language exists in a 1904 article by P R Gurdon. The speakers of this language have shifted to the Assamese language. The name "Moran" reportedly means 'forest dweller'.
Tamreswari temple is a temple for the tribal goddess called Kecaikhati is situated about 18 km away from Sadiya in Tinsukia district, Assam, India. The temple was in the custody of non-Brahmin tribal priests called Deoris. Some remains suggest that a Chutiya king built a wall or the temple itself in the year 1442. There were four different kinds of Deori priest who looked after the temple. The Bar Bharali and the Saru Bharali collected dues of the temple and provides animals for sacrifice. The Bar Deori and the Saru Deori performs the sacrifice and sung hymns. The temple was dedicated to Kechaikhati/Pishasi, a powerful tribal deity or the Buddhist deity Tara, commonly found among different Bodo-Kachari groups. The worship of the goddess even after coming under Hindu influence was performed according to her old tribal customs.
Muga silk is a variety of wild silk geographically tagged to the state of Assam in India. The silk is known for its extreme durability and has a natural yellowish-golden tint with a shimmering, glossy texture. It was previously reserved for the use of royalty. Muga is one of the three major types of indigenous wild silks produced in Assam, and is a key variety of Assam silk renowned for its natural golden color and durability.
Malinithan is an archaeological site containing the ruins of an early medieval period temple on the northern bank of the Brahmaputra River in the Indian state of Arunachal Pradesh. It is assumed to be built by the Chutia kings in the 13th-14th century. Kechai-Khaiti, a tribal goddess found among the Bodo-kachari groups or the Buddhist goddess Tara is considered to be the chief deity worshipped in the ruined temple. The worship of the goddess Kechaikheiti even after coming under Hindu influence was performed according to her old tribal customs.
Bhismaknagar is an archeological site in Indian state of Arunachal Pradesh. It is located near Roing in Lower Dibang Valley district. The remains are generally ascribed to the rule of the Sutiyas a Tibeto-Burmese ethnic group who ruled over the region of Sadiya from 11th to 16th Century CE.
The Moamoria were the adherents of the egalitarian, proselytizing Mayamara Satra of 18th-century Assam, who initiated the Moamoria rebellion against the Ahom kingdom in the 18th century. The rebellion weakened the Ahom kingdom to such an extent that the kingdom became vulnerable to repeated Burmese invasions of Assam and the subsequent colonization by the British. The Moamorias were also called Mataks. Over time, the main groups that had supported the Ahom kingdom came to owe allegiance to the Moamara sattra: Morans, the Sonowal Kacharis (gold-washers), Chutias, professional castes such as Hiras (potters), Tantis (weavers), Kaibartas, and Ahom nobles and officers. The largest group among the Mataks were the Morans, followed by the Chutias.
Ahomisation was an assimilation process in the former Ahom kingdom of Assam by which the people from different ethnic groups in the region became a part of what is now considered as the Ahom population.
Kecaikhati is a prominent goddess from Northeast India. Her shrine is considered to be the Tamreswari Temple, near Paya in Arunachal Pradesh; and she is referred to as Dikkaravasini in the 9th century Kalika Purana whose temple formed the eastern limit of Kamarupa. But unlike Kamakhya and Kamakhya Temple, which acquired Brahmin priests and became associated with the legendary Narakasura and the historical Kamarupa kings, Kecaikhati continued to remain outside the ambit of Brahminical influence and remained under the control of Deori priests during the time of the Chutia kingdom and after up to the present time.
Ahom [aho]
Census Data Finder/C Series/Population by Religious Communities
2011census/C-01/DDW00C-01 MDDS.XLS