Fugdi

Last updated

Fugdi is a folk dance performed by the womenfolk of some communities of Konkanies in the Konkan coastal region of Goa and Maharashtra states during the Hindu religious festivals like Ganesh Chaturthi and Vrata or towards the end of other dances like Dhalo. According to certain historical facts, this dance style is said to have been created from few ancient Goan traditions. In addition, this dance is mainly performed during the Hindu month of Bhadrapada, when women usually take a break to escape boredom arising from their daily routines. Furthermore, it is also performed during religious and social events.

Contents

Fugdi Dancers from South Goa Fugdi Dancers from South Goa.jpg
Fugdi Dancers from South Goa

Traditional roots

Fugdi is an art form that can be traced to the primeval cultural traditions of Maharashtra and Goa. It is performed during various religious and social occasions. Fugdi is generally performed during the month of Bhaadrapada, an occasion for the women to take a temporary break from their normal, monotonous schedule. A distinctive style of fugdi is found among the dhangar (shepherd community) women. The kalashi fugdi is performed before goddess Mahalaxkshmi during the vrata offered to that goddess.

Technique

The women sing and dance while enacting varied formations - in a circle or in rows. Usually women in the villages dance Fugdi in circles and women in forest settlements formulate rows. [1] The dance starts with invocation to Hindu Gods. The pace is slow in the beginning, but soon attains a fast pace, reaching climax. No percussion support is provided. At the maximum pace, the dancers match the rhythm by blowing air through the mouth that sounds like "FOO". Hence the name Foogdi or Fugdi. A few fixed steps and hand gestures and hand laps are the major elements. No instrument or musical accompaniment is found with the dance, but special fugdi songs are innumerable.

Sub-forms

Girki, Cycle, Rahat, Zimma, Karvar, Bus Fugdi, Kombda, Ghuma, and Pakhwa are among the popular sub-forms. Kalashi Fugdi began as a means to break the monotony of the routine of fetching water from long distances. The women would dance their way out to the water-holes while blowing into the empty pitchers. Katti Fugdi is another popular form, performed with coconut shells in their hands.

See also

Related Research Articles

<span class="mw-page-title-main">Circle dance</span> Style of dance done in a circle with rhythm instruments and singing

Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation.

<span class="mw-page-title-main">Music of Jammu and Kashmir</span> Music of Jammu and Kashmir

Music of Jammu and Kashmir reflects a rich musical heritage and cultural legacy of the Indian-administered union territory of Jammu and Kashmir. Two different regions of Jammu and Kashmir, consists upper Jammu Division and Kashmir Valley. Music of Kashmir Valley is closer to Central Asian music while music from Jammu region is similar to that of other regions of North India.

<span class="mw-page-title-main">Music of Goa</span> Music

Music of Goa refers to music from the state of Goa, on the west coast of India. A wide variety of music genres are used in Goa ranging from Western art music to Indian classical music. Konkani music is also popular across this tiny state. Being a former territory of Portugal, Goa has a dominant western musical scene with the use of instrument such as the violin, drums, guitar, trumpet and piano. It has also produced a number of prominent musicians and singers for the world of Indian music. Portuguese Fado also has significance in Goa.

<span class="mw-page-title-main">Sharad Purnima</span> Hindu lunar harvest festival

Sharad Purnima is a religious festival celebrated on the full moon day of the Hindu lunar month of Ashvin, marking the end of the monsoon season. The full moon night is celebrated in different ways in various cultural regions across South Asia.

The dance forms of Andhra Pradesh take on a wide variety of colors, costumes, and types; and involve different settings and musical instruments.

<span class="mw-page-title-main">Attan</span> Dance native to the Pashtun ethnic group

Attan is the national dance of Afghanistan. It is a traditional dance originating from the tribal Pashtun regions of Afghanistan and North Western Pakistan. Some believe it has spiritual roots connecting it to Zoroastrianism. Others link the dance to the British occupation and the Pashtun resistance movement, when Pashtuns used the dance to instil confidence and energy among warriors readying to battle the colonisers. The Attan was also conducted by Pashtuns in times of war or during weddings or other celebrations. It is now considered the national dance of Afghanistan, popularly carried by other ethnic groups in Afghanistan as well as by the Pashtun ethnic group in Pakistan.

Punjabi dances are an array of folk and religious dances of the Punjabi people indigenous to the Punjab region, straddling the border of India and Pakistan. The style of Punjabi dances ranges from very high energy to slow and reserved, and there are specific styles for men and women.

<span class="mw-page-title-main">Daivadnya</span> Hindu caste

The Daivadnyas,, are a Konkani Gold-smith community, who claim to have descended from Vishwakarma, Hindu architect god and part of larger Vishwakarma community. They are native to the Konkan and are mainly found in the states of Goa and Damaon, Canara, coastal Maharashtra, and Kerala.

<span class="mw-page-title-main">Folk arts of Karnataka</span>

Karnataka has a variety of traditional arts, including folk dance and puppetry.

Tamil Nadu has a rich history of art and entertainment. The three modes of entertainment classified as Iyel (Literature), Isai (Music) and Nadagam (Drama) had their roots in the rural folk theatre like Theru Koothu. Many forms of group and individual dances with the classical forms for popularity and sheer entertainment value. Some of the dance forms are performed by Tribal people. The majority of these dances are still thriving in Tamil Nadu today.

<span class="mw-page-title-main">Culture of Maharashtra</span> Overview of the culture of Maharashtra (India)

Maharashtra is the third largest state of India in terms of land area and second largest in terms of population in India. It has a long history of Marathi saints of Varakari religious movement, such as Dnyaneshwar, Namdev, Chokhamela, Eknath and Tukaram which forms the one of bases of the culture of Maharashtra or Marathi culture. Maharashtra had huge influence over India under the 17th-century king Chatrapati Shivaji Maharaj of the Maratha Empire and his concept of Hindavi Swarajya which translates to self-rule of people.

Lezim (लेझिम) or lazium is a folk dance form, from the state of Maharashtra in India.

<span class="mw-page-title-main">Varalakshmi Vratam</span> Hindu observance

Varalakshmi Vratam, also called Varalakshmi Puja, is a Hindu observance to propitiate the goddess of prosperity, Lakshmi. Varalakshmi is the manifestation of Lakshmi who grants boons (varam). It is a puja primarily performed by married Hindu women in the states of South India. This occasion is observed on the Friday before the day of the full moon - Purnima - in the Hindu month of Shravana, which corresponds to the Gregorian months of July – August.

<span class="mw-page-title-main">Shashthi</span> Hindu folk goddess of children

Shashthi or Shashti is a Hindu goddess, venerated in Nepal and India as the benefactor and protector of children. She is also the deity of vegetation and reproduction and is believed to bestow children and assist during childbirth. She is often pictured as a motherly figure, riding a cat and nursing one or more infants. She is symbolically represented in a variety of forms, including an earthenware pitcher, a banyan tree or part of it or a red stone beneath such a tree; outdoor spaces termed shashthitala are also consecrated for her worship. The worship of Shashthi is prescribed to occur on the sixth day of each lunar month of the Hindu calendar as well as on the sixth day after a child's birth. Barren women desiring to conceive and mothers seeking to ensure the protection of their children will worship Shashthi and request her blessings and aid. She is especially venerated in eastern India.

<span class="mw-page-title-main">Dhalo</span>

Dhalo is a popular ritual folk dance form Goa, India. The dance is performed by women and serves as a prayer of protection for their households. The songs to which the dance is performed are usually sung in Konkani language or Marathi.The themes of such songs are commonly religious or social in nature. It is conducted over a period of 1 week in the month of Pousha at the onset of winter. On the final day women dress up elaborately and draw caricatures of men.

<span class="mw-page-title-main">Parichamuttukali</span> Martial art dance form from the Indian state of Kerala

Parichamuttu Kali is an Indian martial-arts dance form of Kerala practiced by the Saint Thomas Syrian Christians who trace their origins to the evangelistic activity of Thomas the Apostle in the 1st century. It is performed by men bearing swords and shields and follows the movements and steps of Kalarippayattu. This dance is closely related to Margam Kali. Parichamuttu Kali was also performed by Harijans.

The Sourashtra people, an ethno-linguistic Hindu community of South India, have a number of folk dances which are performed on various occasions. These include the Gebbi or Gebbel, the Konangi, and the Dandi natana (kolane).

<span class="mw-page-title-main">Dance in Nepal</span> Aspect of Nepalese culture

Dance is a performing art form consisting of purposefully selected sequences of human movement. Dance (Nepali: नृत्य/ नाच) in Nepal comprises numerous styles of dances, including folk, ethnic, classical to modern dances. Lakhey is the dance of a demon in the carnival of God. Durbar Square, a historic plaza in Kathmandu, Nepal, facing ancient palaces and adorned by Hindu temples, is always full of eager crowds on the last day of Indra Jatra, the festival celebrating Indra, the Hindu king of heaven. In this divine stage, Lakhe the demon dances among gods and deities relentlessly and carelessly.

The National List of Intangible Cultural Heritage (ICH) of India is an attempt to recognize the diversity of Indian culture embedded in its intangible heritage. It aims to raise awareness about the various intangible cultural heritage elements from different states of India at national and international level and ensure their protection.

References

  1. "Goan Folk Arts" . Retrieved 23 November 2011.