Chhau, also spelled Chhou, is a semi classical Indian dance with martial and folk traditions. [1] It is found in three styles named after the location where they are performed, i.e. the Purulia Chhau of West Bengal, the Seraikella Chhau of Jharkhand and the Mayurbhanj Chhau of Odisha.
The dance ranges from celebrating martial arts, acrobatics and athletics performed in festive themes of a folk dance, to a structured dance with religious themes found in Shaivism, Shaktism and Vaishnavism. The costumes vary between the styles, with Purulia and Serakeilla using masks to identify the character. [2] The stories enacted by Chhau dancers include those from the Hindu epics the Ramayana and the Mahabharata , the Puranas and other Indian literature. [2] [3]
The dance is traditionally an all males troupe, regionally celebrated particularly during spring every year, and may be a syncretic dance form that emerged from a fusion of classical Hindu dances and the traditions of ancient regional tribes. [3] The dance brings together people from diverse socio-economic backgrounds in a festive and religious spirit. [2] [3]
Chhau is a dance style originating from the regions of East India. [4] It may have been derived from Sanskrit Chāya (shadow, image or mask). [3] [5] Others link it to the Sanskrit root Chadma (disguise), yet others such as Sitakant Mahapatra suggest it is derived from Chhauni (military camp, armour, stealth) in Odia language. [6] [7]
The Chhau dance is mainly performed during festivals in the region of Jharkhand, West Bengal and Odisha, especially the spring festival of Chaitra Parva and in which the whole community participates. [5] The Purulia Chhau dance is celebrated during the Sun festival. [8]
Masks form an integral part of Chhau dance in Purulia and Seraikella styles. [2] The knowledge of dance, music and mask-making is transmitted orally. [9] The Chhau dance found in northern Odisha does not use masks during the dance, but they do when the artists first appear on the stage for introduction to the audience. [10]
The two styles of Chhau dance that use masks, blend within it forms of both dance and martial practices employing mock combat techniques (called khel), stylised gaits of birds and animals (called chalis and topkas) and movements based on the chores of village housewives (called uflis). [8] This form of the Chhau dance, states Mohan Khokar, has no ritual or ceremonial meaning, it is a form of community celebration and entertainment. [5]
The dance is performed by male dancers, at night in an open space, called akhada or asar. The dance is rhythmic and set to traditional folk music, played on the reed pipes mohuri and shehnai. [2] A variety of drums accompany the music ensemble including the dhol (a cylindrical drum), dhumsa (a large kettle drum) and kharka or chad-chadi. The themes for these dances include local legends, folklore and episodes from the Ramayana and Mahabharata and other abstract themes. [2]
The precursors of Chhau dance (especially Purulia style) were not only Paika and Natua, but Nachni dance also played an important role in giving Chhau its present identity. Chhau dance borrows the female gaits and movements from the Nachni dance almost exclusively (Bhattacharya, 1983, Chakravarti, 2001, Kishore, 1985). The female dance elements in Chhau introduced the aspects of Lasya Bhava from the Natya Shastra that brought elegance, sensuality, and beauty in the dance form, whereas, the virile male dance movement is attributed to the Shiva's tandava style of dance (Bose 1991). [11] There are different interpretations to tandava and lasya. I have above-mentioned the most commonly accepted definition of tandava and lasya above. Bose foregrounds the debate between the relation of lasya and tandava critically in his analysis of dance in Sanskrit texts. See Bose, Mandakranta. [12]
The Seraikella Chhau developed in Seraikela, when it was under the rule of Kalinga's Gajapati Rule the present day administrative headquarters of the Seraikela Kharsawan district of Jharkhand, the Purulia Chhau in Purulia district of West Bengal and the Mayurbhanj Chhau [13] in Mayurbhanj district of Odisha. The most prominent difference among the three subgenres is regarding the use of masks. While, the Seraikela and Purulia subgenres of Chhau use masks during the dance, the Mayurbhanj Chhau uses none. [8] [14]
The Seraikella Chhau's technique and repertoire were developed by the erstwhile nobility of this region who were both its performers and choreographers, and in the modern era people from all backgrounds dance it. [8] The Seraikella Chhau is performed with symbolic masks, and the acting establishes the role the actor is playing. [8] [15] The Purulia Chhau uses extensive masks shaped in the form of the character being played; for example, a lion character has a face mask of lion and body costumes too with the actor walking on all fours. [8] These masks are crafted by potters who make clay images of Hindu gods and goddesses and is primarily sourced from the Purulia district of West Bengal. [16] In the Mayurbhanj Chhau is performed without masks and is technically similar to the Seraikella Chhau. [8] [15]
In 2010, the Chhau dance was inscribed in the UNESCO's Representative List of the Intangible Cultural Heritage of Humanity. [17]
The Government of Odisha established the Government Chhau Dance Centre in 1960 in Seraikella and the Mayurbhanj Chhau Nritya Pratisthan at Baripada in 1962. These institutions engage in training involving local gurus, artists, patrons and representatives of Chhau institutions and sponsor performances. The Chaitra Parva festival, significant to the Chhau Dance, is also sponsored by the state government. The Sangeet Natak Akademi has established a National Centre for Chhau Dance at Baripada, Odisha. [18] [19]
The Hindi film Barfi! has several scenes that features the Purulia Chhau in it. [20]
Purulia Chhau Dance is listed on UNESCO's world heritage list of dances. [21] The main difference between the Purulia Chhau and Mayurbhanj Chhau is in the use of the mask. Purulia Chhau uses masks in dance, but Mayurbhanj Chhau does not have masks thereby adding facial expression with body movements and gestures. [22] Traditionally, the chhau dance is held during mid-march when one agricultural circle ends and a new circle begins. [23] Purulia Chhau dancers wear the earthy and theatrical mask which represent the mythological characters. After making the shape of mask with clay, it is coloured and decorated with Shola and other things.
The Chhau mask of Purulia is registered under Geographical Indications. [24] As the basic difference of Purulia Chhau the mask is unique and traditional.
These chhau masks are made by the artists by the Sutradhar community. The making of a mask goes through various stages. 8-10 layers of soft paper, immersed in diluted glue, are pasted one after another on the mould before the mud mould is dusted with fine ash powder. The facial features are made of clay. A special layer of mud and cloth is applied and the mask is then sun-dried. After this, the mould is polished and the second round of sun drying is done before separating the layers of cloth and paper from the mould. After finishing and drilling of holes for the nose and eyes, the mask is coloured and decorated. [25] [26]
Mayurbhanj district is one of the 30 districts in the Odisha state of eastern India. It holds the distinction of being the largest district in Odisha by area. The district's headquarters is located in Baripada, with other major towns including Rairangpur, Karanjia, and Bahalda. As of 2011, Mayurbhanj ranks as the third-most populous district in Odisha, following Ganjam and Cuttack.
Seraikela Kharsawan district is one of the twenty-four districts of Jharkhand state in eastern India. Seraikela town is the district headquarters of Saraikela Kharsawan district. The district is well known for Seraikela Chhau, one of the three distinctive styles of the chhau dance. This district was carved out from West Singhbhum district in 2001. The district was formed from the princely states of Seraikela and Kharaswan, after the independence of India.
Sharon Lowen is an American Odissi dancer, trained since 1975 by Guru Kelucharan Mohapatra. She has performed and choreographed for film and television and presented hundreds of concerts throughout India, North America, Asia, Africa, the United Kingdom. and the Middle East. Sharon came to India in 1973 after earning degrees in Humanities, Fine Arts, Asian Studies and Dance from the University of Michigan as a Fulbright Scholar to study Manipuri and later Chhau and Odissi.
Saraikela is the district headquarters and a nagar panchayat in the Seraikela Sadar subdivision of the Seraikela Kharsawan district in the Indian state of Jharkhand. It was formerly the capital of Saraikela State, a princely state. The town is a road junction, an agricultural trade centre and upcoming industrial centre. It is situated between Jamshedpur and Chaibasa.
Bhumij is an Austroasiatic language belonging to the Munda subfamily, related to Ho, Mundari, and Santali, primarily spoken by Bhumij peoples in the Indian states Jharkhand, Odisha and West Bengal. As per the 2011 census, only 27,506 people out of 911,349 Bhumij people spoke Bhumij as their mother tongue, as most Bhumijas have shifted to one of the regional dominant languages. Thus the language is considered an extremely endangered language.
Saraikela State also spelt Seraikela, Saraikella or Seraikella, was a small princely state in India during the British Raj, in the region that is now the Jharkhand state. Its capital was at Saraikela.
Manbhumi or Manbhumi Bengali is the local Bengali dialect spoken in the district of Purulia, and adjacent area of other districts of West Bengal and Jharkhand, previously Manbhum, in Eastern India. It is one of the Bengali dialects, having some influences of neighbouring dialects of Hindi and Odia in it.
Kedar Nath Sahoo was an Indian classical dancer, known as one of the leading exponents of the Seraikella tradition of Chhau dance. He served as the founder director of the Government Chhau Dance Centre of the Government of Jharkhand where he served from 1974 to 1988. During the early stages of his career, he performed with the troupe led by Kumar Bijay Pratap Singh Deo, but later led his own group of dancers for performance in many places in India and abroad including Eastern Europe, South America and Southeast Asia. His students included many notable dancers like Sharon Lowen, Gopal Prasad Dubey and Shashadhar Acharya. He was a recipient of the 1981 Sangeet Natak Akademi Award and the Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2005, for his contributions to arts. Towards the latter part of his life, his health failed and he died on 8 October 2008 at his home in Kansari tola, aged 88. He was married, and had five sons and four daughters.
Mask or Mukhosh of West Bengal, as it is known for has a mysterious history. Mostly it uses for the Mask Dance, the folk dance of West Bengal. The wearing of these masks is connected with early types of folklore and religion. There are various type of masks made up of clay, wood, sponge wood or shola, pith, paper, metal etc. Generally, half of these masks are made up of clay, pith and paper and wooden masks are very rare. Some of these masks come from the Tribal of West Bengal. Geographically, West Bengal comes well within this mask using culture zone. Masks in West Bengal is mostly used in folk dance. UNESCO selected The Rural Craft Hub of Bengal to showcase their artwork in Paris in 2015.
The Indian state, West Bengal has a rich cultural heritage. Due to the reign of many different rulers in the past, arts and crafts in West Bengal underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, terracotta, painting and carving, dances and music.
The Chhau mask is a traditional cultural heritage of Purulia in the Indian state of West Bengal. The Chhau mask of Purulia is registered on the List of Geographical Indications. As the basic difference of Purulia Chhau the mask is unique and traditional.
Chandil Dam was built across the Subarnarekha, in Bihar, as a part of the Subarnarekha Multipurpose Project.
Kuchai block is a CD block that forms an administrative division in the Seraikela Sadar subdivision of Seraikela Kharsawan district, in the Indian state of Jharkhand.
Kharsawan block is a CD block that forms an administrative division in the Seraikela Sadar subdivision of Seraikela Kharsawan district, in the Indian state of Jharkhand.
Ichagarh block is a CD block that forms an administrative division in the Chandil subdivision of Seraikela Kharsawan district, in the Indian state of Jharkhand.
Kukru block is a CD block that forms an administrative division in the Chandil subdivision of Seraikela Kharsawan district, in the Indian state of Jharkhand.
Nimdih block is a CD block that forms an administrative division in the Chandil subdivision of Seraikela Kharsawan district, in the Indian state of Jharkhand.
Seraikela block is a CD block that forms an administrative division in the Seraikela Sadar subdivision of Seraikela Kharsawan district, in the Indian state of Jharkhand.
Gobindpur block is a CD block that forms an administrative division in the Seraikela Sadar subdivision of Seraikela Kharsawan district, in the Indian state of Jharkhand.