Soapstone is a talc-schist, which is a type of metamorphic rock. It is composed largely of the magnesium rich mineral talc. It is produced by dynamothermal metamorphism and metasomatism, which occur in the zones where tectonic plates are subducted, changing rocks by heat and pressure, with influx of fluids, but without melting. It has been a medium for carving for thousands of years.
A chisel is a tool with a characteristically shaped cutting edge of blade on its end, for carving or cutting a hard material such as wood, stone, or metal by hand, struck with a mallet, or mechanical power. The handle and blade of some types of chisel are made of metal or of wood with a sharp edge in it.
In archaeology, a hammerstone is a hard cobble used to strike off lithic flakes from a lump of tool stone during the process of lithic reduction. The hammerstone is a rather universal stone tool which appeared early in most regions of the world including Europe, India and North America. This technology was of major importance to prehistoric cultures before the age of metalworking.
Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before refracting it in subsurface scattering. This gives an attractive soft appearance that is especially good for representing human skin, which can also be polished.
Stonemasonry or stonecraft is the creation of buildings, structures, and sculpture using stone as the primary material. It is one of the oldest activities and professions in human history. Many of the long-lasting, ancient shelters, temples, monuments, artifacts, fortifications, roads, bridges, and entire cities were built of stone. Famous works of stonemasonry include the Egyptian pyramids, the Taj Mahal, Cusco's Incan Wall, Easter Island's statues, Angkor Wat, Borobudur, Tihuanaco, Tenochtitlan, Persepolis, the Parthenon, Stonehenge, the Great Wall of China, and Chartres Cathedral.
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term relief is from the Latin verb relevo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone or wood, the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are made by casting.
Stone carving is an activity where pieces of rough natural stone are shaped by the controlled removal of stone. Owing to the permanence of the material, stone work has survived which was created during our prehistory or past time.
Japanese carpentry was developed more than a millennium ago through Chinese architectural influences from the 12th century. It is a form of ancient Chinese wooden architecture and woodworking joints that involves building wooden furniture without the use of nails, screws, glue, or electric tools.
Sharpening is the process of creating or refining the edge joining two non-coplanar faces into a converging apex, thereby creating an edge of appropriate shape on a tool or implement designed for cutting. Sharpening is done by removing material on an implement with an abrasive substance harder than the material of the implement, followed sometimes by processes to polish/hone the sharp surface to increase smoothness.
Jerusalem stone is a name applied to various types of pale limestone, dolomite and dolomitic limestone, common in and around Jerusalem that have been used in building since ancient times. One of these limestones, meleke, has been used in many of the region's most celebrated structures, including the Western Wall.
India possesses a wide spectrum of dimensional stones that include granite, marble, sandstone, limestone, slate, and quartzite, in various parts of the country.
A stone sculpture is an object made of stone which has been shaped, usually by carving, or assembled to form a visually interesting three-dimensional shape. Stone is more durable than most alternative materials, making it especially important in architectural sculpture on the outside of buildings.
Konark Sun Temple is a 13th-century CE Sun temple at Konark about 35 kilometres (22 mi) northeast from Puri city on the coastline in Puri district, Odisha, India. The temple is attributed to king Narasimhadeva I of the Eastern Ganga dynasty about 1250 CE.
Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.
The Indian state of Odisha has a rich cultural and artistic heritage. Due to the reign of many different rulers in the past, arts and crafts in Odisha underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, painting and carving, dance and music, clothing, etc.
Hardstone is a non-scientific term, mostly encountered in the decorative arts or archaeology, that has a similar meaning to semi-precious stones, or gemstones. Very hard building stones, such as granite, are not included in the term in this sense, but only stones which are fairly hard and regarded as attractive – ones which could be used in jewellery. Hardstone carving is the three-dimensional carving for artistic purposes of semi-precious stones such as jade, agate, onyx, rock crystal, sard or carnelian, and a general term for an object made in this way. Two-dimensional inlay techniques for floors, furniture and walls include pietre dure, opus sectile, and medieval Cosmatesque work – these typically inlay hardstone pieces into a background of marble or some other building stone.
Raghunath Mohapatra was an Indian architect, sculptor, and a Nominated Member of Rajya Sabha. He was awarded Padma Shri in 1975 and Padma Bhushan in 2001. He was awarded Padma Vibhushan in 2013 on occasion of 64th Republic Day of India.
The Kaḷinga architectural style is a style of Hindu architecture which flourished in the ancient Kalinga previously known as Utkal and in present eastern Indian state of Odisha. The style consists of three distinct types of temples: Rekha Deula, Pidha Deula and Khakhara Deula. The former two are associated with Vishnu, Surya and Shiva temples while the third is mainly with Chamunda and Durga temples. The Rekha Deula and Khakhara Deula houses are the sanctum sanctorum while the Pidha Deula constitutes outer dancing and offering halls.
