Barkcloth

Last updated
Barkcloth jacket from Kalimantan, Indonesia COLLECTIE TROPENMUSEUM Jak van geklopte boombast beschilderd met mensfiguren TMnr 1772-1131.jpg
Barkcloth jacket from Kalimantan, Indonesia
Fijian masi Masi (barkcloth) from Fiji, Honolulu Museum of Art.JPG
Fijian masi
Hawaiian kapa from the 18th century. Hawaiian kapa, 18th century, Cook-Foster Collection at Georg-August University in Gottingen, Germany.jpg
Hawaiian kapa from the 18th century.

Barkcloth or bark cloth is a versatile material that was once common in Asia, Africa, and the Pacific. Barkcloth comes primarily from trees of the family Moraceae, including Broussonetia papyrifera , Artocarpus altilis , Artocarpus tamaran , and Ficus natalensis . It is made by beating sodden strips of the fibrous inner bark of these trees into sheets, which are then finished into a variety of items. Many texts that mention "paper clothing" are actually referring to barkcloth.

Contents

Some modern cotton-based fabrics are also named "barkcloth" for their resemblance to these traditional fabrics.

Traditional

Austronesia

Before the development of woven textiles, barkcloth made from trees belonging to the mulberry family (Moraceae) were an important aspect of the pre-Austronesian and Austronesian material culture during the Neolithic period. Stone barkcloth beaters, in particular, are considered part of the "Austronesian toolkit." They have been found in abundance in the Pearl River basin in Southern China, which is considered to be part of the homelands of the Austronesian peoples before they started migrating into islands during the Austronesian expansion (c.3000 to 1500 BC). The oldest example, found in the Dingmo Site in Guangxi, has been dated back to ~5900 BC. They were spread along with Austronesian voyagers into Island Southeast Asia, Oceania (with the notable exception of Micronesia), and Madagascar. Genetic studies on the paper mulberry populations in the Pacific have all confirmed close genealogical ties to populations in Taiwan and Southern China. [1] [2] [3] [4] [5]

Though they exist in abundance in archaeological sites in Island Southeast Asia, barkcloth have largely disappeared in the region as they were replaced by woven textiles. But they survived until around the 19th century in the outlying regions of the Austronesian expansion, particularly in Island Melanesia and Polynesia, as well as the interior highlands of Borneo. [5] Some communities in Southeast Asia are reviving this practice. At Monbang traditional village on Alor Island, Indonesia, tourists can see members of the Kabola ethnic group wear barkcloth and dance traditional dances. [6]

Uganda

Women's ceremonial overskirt made from barkcloth from the Bushong people of the Democratic Republic of Congo Woman's ceremonial overskirt, Bushong people, 20th century, raffia palm fiber & bark cloth, HMA.JPG
Women's ceremonial overskirt made from barkcloth from the Bushong people of the Democratic Republic of Congo

Barkcloth has been manufactured in Buganda, Uganda, for centuries [7] and is Uganda's sole representative on the UNESCO Intangible Cultural Heritage Lists. [8]

Vietnam

The production of barkcloth may have originated in Southeastern China, in a region adjacent to Vietnam. [9] South East China was the origins to the ancestors of many people, including those who migrated to Vietnam. [10] Throughout ancient Vietnam, the bark-cloth was widely made; this practice of producing barkcloth has survived in modern times in a few rural areas in Vietnam. [9]

Modern cotton "barkcloth"

Today, what is commonly called barkcloth is a soft, thick, slightly textured fabric, so named because it has a rough surface like that of tree bark. This barkcloth is usually made of densely woven cotton fibers. Historically, the fabric has been used in home furnishings, such as curtains, drapery, upholstery, and slipcovers. It is often associated with 1940s through 1960s home fashions, particularly in tropical, abstract, "atomic" and "boomerang" prints, the last two themes being expressed by images of atoms with electrons whirling, and by the boomerang shape which was very popular in mid-century cocktail tables and fabrics and influenced by the Las Vegas "Atomic City" era. Waverly, a famed design house for textiles and wall coverings between 1923 and 2007, called their version of this fabric rhino cloth, possibly for the rough, nubbly surface. [11] American barkcloth shot through with gold Lurex threads was called Las Vegas cloth, and contained as much as 65% rayon as well, making it a softer, more flowing fabric than the stiffer all-cotton rhino cloth or standard cotton barkcloth. [12]

See also

Related Research Articles

<span class="mw-page-title-main">Textile</span> Various fiber-based materials

Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, different fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns.

<i>Artocarpus</i> Genus of flowering plants

Artocarpus is a genus of approximately 60 trees and shrubs of Southeast Asian and Pacific origin, belonging to the mulberry family, Moraceae. Most species of Artocarpus are restricted to Southeast Asia; a few cultivated species are more widely distributed, especially A. altilis (breadfruit) and A. heterophyllus (jackfruit), which are cultivated throughout the tropics.

Ikat is a dyeing technique from Southeast Asia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general groups of related traditions. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion to as far as Madagascar. It is most prominently associated with the textile traditions of Indonesia in modern times, from where the term ikat originates. Similar unrelated dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.

<span class="mw-page-title-main">Malong</span> Traditional Filipino skirt

The malong is a traditional Filipino-Bangsamoro rectangular or tube-like wraparound skirt bearing a variety of geometric or okir designs. The malong is traditionally used as a garment by both men and women of the numerous ethnic groups in the mainland Mindanao and parts of the Sulu Archipelago. They are wrapped around at waist or chest-height and secured by tucked ends, with belts of braided material or other pieces of cloth, or are knotted over one shoulder. They were traditionally hand-woven, with the patterns usually distinctive to a particular ethnic group. However, modern malong are usually machine-made or even imported, with patterns that mimic the traditional local designs.

<span class="mw-page-title-main">Lavalava</span> Rectangular clothing traditionally worn by Oceanic peoples

A lavalava, sometime written as lava-lava, also known as an 'ie, short for 'ie lavalava, is an article of daily clothing traditionally worn by Polynesians and other Oceanic peoples. It consists of a single rectangular cloth worn similarly to a wraparound skirt or kilt. The term lavalava is both singular and plural in the Samoan language.

<span class="mw-page-title-main">Crêpe (textile)</span> Any of various fabrics with twisted threads, often crinkled surface

Crêpe, also spelled crepe or crape, is a silk, wool, or synthetic fiber fabric with a distinctively crisp and crimped appearance. The term "crape" typically refers to a form of the fabric associated specifically with mourning. Crêpe was also historically called "crespe" or "crisp".

<span class="mw-page-title-main">Tapa cloth</span> Barkcloth made in the island cultures of the Pacific Ocean

Tapa cloth is a barkcloth made in the islands of the Pacific Ocean, primarily in Tonga, Samoa and Fiji, but as far afield as Niue, Cook Islands, Futuna, Solomon Islands, Java, New Zealand, Vanuatu, Papua New Guinea and Hawaii. In French Polynesia it has nearly disappeared, except for some villages in the Marquesas.

<span class="mw-page-title-main">Paper mulberry</span> Species of plant

The paper mulberry is a species of flowering plant in the family Moraceae. It is native to Asia, where its range includes mainland China, Taiwan, Japan, Korea, Southeast Asia, Myanmar, and India. It is widely cultivated elsewhere and it grows as an introduced species in New Zealand, parts of Europe, the United States, and Africa. Other common names include tapa cloth tree.

<span class="mw-page-title-main">African textiles</span> Textiles originating in and around continental Africa or through the African Diaspora

African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.

Bark cloth may refer to:

Assam silk denotes the three major types of indigenous wild silks produced in Assam—golden muga, white pat and warm eri silk. The Assam silk industry, now centered in Sualkuchi, is a labor-intensive industry.

<span class="mw-page-title-main">Textiles of Mexico</span>

The textiles of Mexico have a long history. The making of fibers, cloth and other textile goods has existed in the country since at least 1400 BCE. Fibers used during the pre-Hispanic period included those from the yucca, palm and maguey plants as well as the use of cotton in the hot lowlands of the south. After the Spanish conquest of the Aztec Empire, the Spanish introduced new fibers such as silk and wool as well as the European foot treadle loom. Clothing styles also changed radically. Fabric was produced exclusively in workshops or in the home until the era of Porfirio Díaz, when the mechanization of weaving was introduced, mostly by the French. Today, fabric, clothes and other textiles are both made by craftsmen and in factories. Handcrafted goods include pre-Hispanic clothing such as huipils and sarapes, which are often embroidered. Clothing, rugs and more are made with natural and naturally dyed fibers. Most handcrafts are produced by indigenous people, whose communities are concentrated in the center and south of the country in states such as Mexico State, Oaxaca and Chiapas. The textile industry remains important to the economy of Mexico although it has suffered a setback due to competition by cheaper goods produced in countries such as China, India and Vietnam.

In many traditional cultures, bark beaters were tools used to pound tree bark, to make the bark softer for the processing of barkcloth, which is used for making paper, and clothing. This tool has many different variations that are seen in indigenous cultures worldwide, yet all for a similar purpose.

<span class="mw-page-title-main">Muga silk</span> Variety of Indian wild silk

Muga silk is a variety of wild silk geographically tagged to the state of Assam in India. The silk is known for its extreme durability and has a natural yellowish-golden tint with a shimmering, glossy texture. It was previously reserved for the use of royalty. Muga is one of the three major types of indigenous wild silks produced in Assam, and is a key variety of Assam silk renowned for its natural golden color and durability.

<span class="mw-page-title-main">Domesticated plants and animals of Austronesia</span> Ancient expansion of agriculture

One of the major human migration events was the maritime settlement of the islands of the Indo-Pacific by the Austronesian peoples, believed to have started from at least 5,500 to 4,000 BP. These migrations were accompanied by a set of domesticated, semi-domesticated, and commensal plants and animals transported via outrigger ships and catamarans that enabled early Austronesians to thrive in the islands of Maritime Southeast Asia, Near Oceania (Melanesia), Remote Oceania, Madagascar, and the Comoros Islands.

<span class="mw-page-title-main">Lashed-lug boat</span> Boat construction method from Maritime Southeast Asia

Lashed-lug boats are ancient boat-building techniques of the Austronesian peoples. It is characterized by the use of raised lugs on the inner face of hull planks. These lugs have holes drilled in them so that other hull components such as ribs, thwarts or other structural components can be tied to them with natural fiber ropes. This allows a structure to be put together without any metal fastenings. The planks are further stitched together edge-to-edge by sewing or using dowels ("treenails") unto a dugout keel and the solid carved wood pieces that form the caps for the prow and stern. Characteristically, the shell of the boat is created first, prior to being lashed unto ribs. The seams between planks are also sealed with absorbent tapa bark and fiber that expands when wet or caulked with resin-based preparations.

Dalani Tanahy is an American artist specializing in the Hawaiian art of creating kapa, fabric made by beating bark. Tanahy creates kapa for artistic and ceremonial purposes and teaches courses and workshops. She is the founder of Kapa Hawaii, an organization dedicated to reviving and preserving the art of kapa creation.

<i>Tanmono</i> Traditional bolt of narrow-loom Japanese cloth

A tanmono is a bolt of traditional Japanese narrow-loomed cloth. It is used to make traditional Japanese clothes, textile room dividers, sails, and other traditional cloth items.

Tunakaimanu Fielakepa is the foremost authority on koloa, the unique hand-made textiles produced by women in Tonga. She promotes the revitalisation of traditional techniques and practices both in Tonga and in other Pacific Island communities.

<i>Tenun</i> Traditional Indonesian weaving technique

Tenun is an artful Indonesian technique of making a fabric by weaving different colours of threads. Tenun belongs to one of the typical Indonesian cultural arts produced by hand skills using traditional looms. The word Tenun itself has a high meaning, historical value, and technique in terms of colors, motifs, and types of materials and threads used and each region has its own characteristics. In addition, Tenun is also one of Indonesia's original cultural heritages that is still maintained and preserved to this day.

References

  1. Veys, Fanny Wonu (2017). Unwrapping Tongan Barkcloth: Encounters, Creativity and Female Agency. Bloomsbury Publishing. pp. 27–28. ISBN   9781474283311.
  2. Li, Dawei; Wang, Wei; Tian, Feng; Liao, Wei; Bae, Christopher J. (2014). "The oldest bark cloth beater in southern China (Dingmo, Bubing basin, Guangxi)". Quaternary International. 30 (2014): 184–189. Bibcode:2014QuInt.354..184L. doi:10.1016/j.quaint.2014.06.062.
  3. Kuo, Su-Chiu (2019). "Tapa Cloth Beaters from 5000 to 42000 BP in Taiwan". In Wu, Chunming; Rolett, Barry Vladimir (eds.). Prehistoric Maritime Cultures and Seafaring in East Asia. Springer. pp. 251–268. ISBN   9789813292567.
  4. Tang, Maya Hayashi; Nguyen, Kim Dung; Tang, Chung (2019). "Double-Shouldered Barkcloth Beaters and Prehistoric Seafaring in South China and Southeast Asia". In Wu, Chunming; Rolett, Barry Vladimir (eds.). Prehistoric Maritime Cultures and Seafaring in East Asia. Springer. pp. 269–292. ISBN   9789813292567.
  5. 1 2 Chang, Chi-Shan; Liu, Hsiao-Lei; Moncada, Ximena; Seelenfreund, Andrea; Seelenfreund, Daniela; Chung, Kuo-Fang (2015). "A holistic picture of Austronesian migrations revealed by phylogeography of Pacific paper mulberry". Proceedings of the National Academy of Sciences of the United States of America. 112 (44): 13537–13542. Bibcode:2015PNAS..11213537C. doi: 10.1073/pnas.1503205112 . PMC   4640734 . PMID   26438853.
  6. Sancaya, Rengga. "Kabola, Suku di Alor yang Pakaiannya Kulit Kayu". DetikTravel. Retrieved 3 September 2018.
  7. Adams, Kimberly (2016-01-27), Modern Bark cloth in Uganda, World in Progress, Deutsche Welle , retrieved 2016-01-28
  8. "Bark Cloth Making in Uganda". unesco.org. 15 May 2010.
  9. 1 2 Howard, Michael C. (2016). Textiles and clothing of Viet Nam : a history. Jefferson, North Carolina: McFarland, Incorporated, Publishers. p. 2. ISBN   978-1-4766-6332-6. OCLC   933520702.
  10. Howard, Michael C. (2016). Textiles and clothing of Viet Nam : a history. Jefferson, North Carolina. pp. 21–22. ISBN   978-1-4766-6332-6. OCLC   933520702.{{cite book}}: CS1 maint: location missing publisher (link)
  11. Vintage Barkcloth, December 21, 2009 at RetroRenovation.Com. Accessed June 17, 2010.
  12. Vintage Las Vegas Caprice Drapery Fabric from Waverly Accessed June 17, 2010.