African art describes modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as African-American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa.
The Kongo people are a Bantu ethnic group primarily defined as the speakers of Kikongo. Subgroups include the Beembe, Bwende, Vili, Sundi, Yombe, Dondo, Lari, and others.
The pre-colonial history of the modern-day Democratic Republic of the Congo encompasses the history of the Congo Basin region up to the establishment of European colonial rule in the era of New Imperialism and particularly the creation of the Congo Free State and its expansion into the interior after 1885. As the modern territorial boundaries of the Democratic Republic of the Congo did not exist in this period, it is inseparable from the wider pre-colonial histories of Central Africa, the Great Lakes and Rift Valley as well as the Atlantic World and Swahili coast.
The Yaka are an African ethnic group found in southwestern Democratic Republic of the Congo, with Angola border to their west. They number about 300,000 and are related to the Suku people. They live in the forest and savanna region between the Kwango River and the Wamba River. They speak the Yaka language.
The culture of the Democratic Republic of the Congo is extremely varied, reflecting the great diversity and different customs which exist in the country. Congolese culture combines the influence of tradition to the region, but also combines influences from abroad which arrived during the era of colonization and continue to have a strong influence, without destroying the individuality of many tribal customs.
Velours du Kasaï is a kind of textile fabric made in Kasai, a province in the Democratic Republic of the Congo (Zaïre). Traditionally, the weaving is done by men of the Shoowa from the Kuba ethnic group, while the embroidery is reserved to women. Ideally, the embroiderers should be pregnant. The technique is still practised.
African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
The Luba Empire or Kingdom of Luba was a pre-colonial Central African state that arose in the marshy grasslands of the Upemba Depression in what is now southern Democratic Republic of Congo.
The Zappo Zaps were a group of Songye people from the eastern Kasaï region in what today is the Democratic Republic of the Congo. They acted as allies of the Congo Free State authorities, while trading in ivory, rubber and slaves. In 1899 they were sent out by the colonial administration to collect taxes. They massacred many villagers, causing an international outcry.
The Hemba people are a Bantu ethnic group in the Democratic Republic of the Congo (DRC).
Kuba art comprises a diverse array of media, much of which was created for the courts of chiefs and kings of the Kuba Kingdom. Such work often featured decorations, incorporating cowrie shells and animal skins as symbols of wealth, prestige and power. Masks are also important to the Kuba. They are used both in the rituals of the court and in the initiation of boys into adulthood, as well as at funerals. The Kuba produce embroidered raffia textiles which in the past was made for adornment, woven currency, or as tributary goods for funerals and other seminal occasions. The wealth and power of the court system allowed the Kuba to develop a class of professional artisans who worked primarily for the courts but also produced objects of high quality for other individuals of high status.
Kuba textiles are a type of raffia cloth unique to the Democratic Republic of the Congo, formerly Zaire, and noted for their elaboration and complexity of design and surface decoration. Most textiles are a variation on rectangular or square pieces of woven palm leaf fiber enhanced by geometric designs executed in linear embroidery and other stitches, which are cut to form pile surfaces resembling velvet. Traditionally, men weave the raffia cloth, and women are responsible for transforming it into various forms of textiles, including ceremonial skirts, ‘velvet’ tribute cloths, headdresses and basketry.
The Bushong Kuba are responsible for some of the most beautiful and sophisticated masquerade or dance traditions in Africa.
In the Kongo Kingdom and its vassals, the woven arts were emblematic of kingship and nobility. The coarse filament stripped from the fronds of the raffia palm tree served as the foundation of the Kongo weaving arts. This material imposed constraints that were overcome to produce varied and ingenious textile formats and structures. Raffia cloth was used as currency.
The Lubudi River is a tributary of the Sankuru River in the Democratic Republic of the Congo (DRC). The mouth of the river is in the Kuba Chiefdom of the Mweka Territory in Kasai Province.
An ikul or ikula is a knife or a short sword of the Kuba of the Democratic Republic of Congo.
The history of Central Africa has been divided into its prehistory, its ancient history, the major polities flourishing, the colonial period, and the post-colonial period, in which the current nations were formed. Central Africa is the central region of Africa, bordered by North Africa, West Africa, East Africa, Southern Africa, the Atlantic Ocean, and the Sahara Desert. Colonial boundaries are reflected in the modern boundaries between contemporary Central African states, cutting across ethnic and cultural lines, often dividing single ethnic groups between two or more states.
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