Dornix, also known as dornicks and darnacle, is name used for woollen and linen fabrics, first used in the 16th century. [1]
Dornix originated in the Belgian town of Tournai (Doornik in Flemish) in the 15th century and was made from a combination of wool and linen. [2] It was a coarse cloth, similar to kersey, and used on beds, hangings, curtains and similar purposes. [3] It was popular in middle-class English homes in the 15th century. [4] Manufacture spread to the Flemish town of Lille, and to Norwich in England, where substantial manufacture continued until the 18th century. [5]
Dornick (also spelled dornock [6] Dornec or Darnec [7] ) was a strong linen damask used for table cloth, wall hangings, etc. Dornick also originated at Tournai. [8] [9] [10] A similar fabric was Dorrock; [11] the names Dornock and Dorrock are associated with Scotland. [8] [10] Dornix or Dornick table linens were made in a number of Scottish centres, especially at Dunfermline, but the association of the word with the name of the town Dornoch is erroneous. [12]
Linen is a textile made from the fibers of the flax plant.
Buckram is a stiff cotton cloth with a plain, usually loose, weave, produced in various weights similar to muslin and other plain weave fabrics. For buckram, the fabric is soaked in a sizing agent such as wheat-starch paste, glue, or pyroxylin, then dried. When rewetted or warmed, it can be shaped to create durable firm fabric for book covers, hats, and elements of clothing.
A baldachin, or baldaquin, is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall.
Fustian is a variety of heavy cloth woven from cotton, chiefly prepared for menswear.
Dowlas was a strong coarse linen cloth of the 16th and 17th centuries, and initially, it was manufactured in Brittany. In the 18th century the fabric was also produced in England and Scotland. Dowlas was identical to sailcloth. The cloth was also imitated in cotton for the same use.
Linsey-woolsey is a coarse twill or plain-woven fabric woven with a linen warp and a woollen weft. Similar fabrics woven with a cotton warp and woollen weft in Colonial America were also called linsey-woolsey or wincey. The name derives from a combination of lin and wool. This textile has been known since ancient times. Known as shatnez (שַׁעַטְנֵז) in Hebrew, the wearing of this fabric was forbidden in the Torah and hence Jewish law.
Broadcloth is a dense, plain woven cloth, historically made of wool. The defining characteristic of broadcloth is not its finished width but the fact that it was woven much wider and then heavily milled in order to shrink it to the required width. The effect of the milling process is to draw the yarns much closer together than could be achieved in the loom and allow the individual fibres of the wool to bind together in a felting process, which results in a dense, blind face cloth with a stiff drape which is highly weather-resistant, hard wearing and capable of taking a cut edge without the need for being hemmed.
In the context of materials, stuff can refer to any manufactured material. This is illustrated from a quote by Sir Francis Bacon in his 1658 publication New Atlantis: "Wee have also diverse Mechanicall Arts, which you have not; And Stuffes made by them; As Papers, Linnen, Silks, Tissues; dainty Works of Feathers of wonderfull Lustre; excellent Dies, and many others." In Coventry, those completing seven-year apprenticeships with stuff merchants were entitled to become freemen of the city.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of coloring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Passementerie or passementarie is the art of making elaborate trimmings or edgings of applied braid, gold or silver cord, embroidery, colored silk, or beads for clothing or furnishings.
In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem. Most often, slip refers to a plant design stitched in canvaswork (pettipoint), cut out, and applied to a woven background fabric. By extension, slip may also mean any embroidered or canvaswork motif, floral or not, mounted to fabric in this way.
Primarily, nap is the raised (fuzzy) surface on certain kinds of cloth, such as velvet or moleskin. Nap can refer additionally to other surfaces that look like the surface of a napped cloth, such as the surface of a felt or beaver hat.
Mary Scudamore was a courtier to Elizabeth I.
Turkeywork is a knotted-and-cut pile furnishing textile produced in England from the sixteenth to the mid-eighteenth centuries. Turkeywork was used for table carpets, cupboard carpets, cushions, and especially for matched upholstery sets for chair seats and backs.
Ailesham cloth was a fine linen cloth made in England during Middle Ages.
Seerhand muslin (Seerhand) was a plain weave thin cotton fabric produced in the Indian subcontinent.
Silesia was a thin twilled woven cloth made of linen or cotton. The term denoted a wide range of fabric grades from greige goods to dyed and finished cloth. Silesia was used for various linens, for lining clothes, and in window blinds. Cotton Silesia was calendered to obtain a gloss finish.
Harateen or harrateen was a woolen material of the 18th and early 19th-century produced in England. It was a furnishing material with a pattern used in upholstery.
Dornick may refer to:
Perpetuana was a woollen fabric made and used in early modern England and elsewhere for clothing and furnishings including bed hangings. It was lighter than broadcloth and resembled serge, some varieties had a glossy finish. The name seems to advertise its long-lasting qualities. A fabric called "sempiternum" or "sempiterna" for the same reason was perhaps a similar weave. Like another English-made fabric "Penniston", perpetuana was used for the clothing of slaves in Jamaica and the Caribbean.