Bobbinet tulle or genuine tulle is a specific type of tulle which has been made in the United Kingdom since the invention of the bobbinet machine. John Heathcoat coined the term "bobbin net", or bobbinet as it is spelled today, to distinguish this machine-made tulle from the handmade "pillow lace", produced using a lace pillow to create bobbin lace. Machines based on his original designs are still in operation today producing fabrics in Perry Street, Chard, Somerset, UK.
When bobbinet is woven with spots, it is called point d'esprit. [1]
The forerunner of bobbinet tulle was bobbin lace. Lace has been produced for a long time, made in tedious hand labour with thin thread and needles or bobbins. Bobbin lace is made by weaving the threads by moving the bobbins over or under each other. Much bobbin lace is based on a net ground. By the end of the 18th century, people tried to produce the net ground mechanically. In 1765, they managed to create a tulle-like fabric on a so-called stocking framework. It took, however, some more years until the first real tulle could be produced mechanically.
The forerunner of the bobbinet machine was the 1589 stocking frame, a weaving frame fitted with a bar of bearded needles that passed back and forth, to and from the operator. There was no warp. The beards were simultaneously depressed by a presser bar catching the weft and holding it back a course making a row of loops. After Strutt had modified the machine in 1759 to do ribbing, Hammond in 1764 used a tickler stick to transfer the loops 2 or 3 gaits sideways, and mechanic lace making was born. [3] There was no carriage, no comb and the operations continued to be done in sequence by the operator.
Bobbinet lace machines were invented in 1808 by John Heathcoat. He studied the hand movements of a Northamptonshire manual lace maker and reproduced them in the roller-locker machine. Heathcoat's machine was patented in 1808 (patent no. 3151), and with a slight modification it was patented again in 1809 (patent no. 3216), with the 1809 version becoming known as the 'Old Loughborough'. The improved machine was 18 inches (46 cm) wide, and designed for use with cotton. [4]
Heathcoat continued to improve his machine over the years, but a number of breaches of his patent also came into production. The 'Circular' was an improvement on the machine designed in 1824 by William Morley (patent no.4921). As it gained ascendency, its distinctive name was dropped; it became the bobbinet machine, and Heathcoat's machine the Old Loughborough.
The 'Old Loughborough' became the standard lacemaking machine, particularly the 1824 form known as the 'Circular', producing two-twist plain net. The smooth, unpatterned tulle produced on these machines was on a par with real, handmade lace net. Heathcoat's bobbinet machine was so effective that modern bobbinet machines have altered little from his original design. [5] During the next 30 years, inventors were patenting improvements to their machines. The ones that stand out are the Pusher machine, the Levers machine (now spelled Leavers) and the Nottingham lace curtain machine. Each of these developed into separate machines. Others were the Traverse Warp machine and the Straight Bolt machine. [5]
Bobbinet tulle is constructed by warp and weft yarns in which the weft yarn is looped diagonally around the vertical warp yarn to form a hexagonal mesh which is regular and clearly defined. Bobbinet netting has a characteristic diagonal fabric appearance, is diagonally stable and slideproof, durable, sheer, the lightest bobbinet weighing no more than 6 g/m2 (0.0012 lb/sq ft), with a high strength to weight ratio.
Bobbinet tulle fabrics have long been used for high-quality exclusive curtains, bridalwear, haute couture fashion, lingerie, embroidery, where it is used as base cloth for the actual embroidery, and as base nets for high-quality wigs.
Use has also extended into technical applications where the material's properties are more important than its appearance. These technical applications include sunblinds for cars and railway coaches, safety nets, parachute skirting, radar reflective fabrics for military decoys, flexible textile switches and sensor, as well as light control fabrics for the film and theatre industries. Depending on the yarns bobbinet tulle is produced with, it can, for example, be made to be almost invisible against the skin or even conductive.
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.
This timeline of clothing and textiles technology covers events relating to fiber and flexible woven material worn on the body. This includes the making, modification, usage, and knowledge of tools, machines, techniques, crafts, and manufacturing systems (technology).
Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is split into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.
A power loom is a mechanized loom, and was one of the key developments in the industrialization of weaving during the early Industrial Revolution. The first power loom was designed and patented in 1785 by Edmund Cartwright. It was refined over the next 47 years until a design by the Howard and Bullough company made the operation completely automatic. This device was designed in 1834 by James Bullough and William Kenworthy, and was named the Lancashire loom.
Twill is a type of textile weave with a pattern of parallel, diagonal ribs. It is one of three fundamental types of weave, along with plain weave and satin. It is made by passing the weft thread over one or more warp threads then under two or more warp threads and so on, with a "step", or offset, between rows to create the characteristic diagonal pattern. Because of this structure, twill generally drapes well.
Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but using a sewing machine is also possible. Hand darning employs the darning stitch, a simple running stitch in which the thread is "woven" in rows along the grain of the fabric, with the stitcher reversing direction at the end of each row, and then filling in the framework thus created, as if weaving. Darning is a traditional method for repairing fabric damage or holes that do not run along a seam, and where patching is impractical or would create discomfort for the wearer, such as on the heel of a sock.
John Heathcoat was an English inventor from Duffield, Derbyshire. During his apprenticeship he made an improvement to the warp-loom, so as to produce mitts of a lace-like appearance. He set up his own business in Nottingham but was forced to move away to Hathern in Leicestershire, and after this new factory was attacked by former Luddites in 1816 he moved the business to Tiverton in Devon where it became most successful and established the Tiverton lace-making industry.
Textile manufacturing or textile engineering is a major industry. It is largely based on the conversion of fibre into yarn, then yarn into fabric. These are then dyed or printed, fabricated into cloth which is then converted into useful goods such as clothing, household items, upholstery and various industrial products.
A stocking frame was a mechanical knitting machine used in the textiles industry. It was invented by William Lee of Calverton near Nottingham in 1589. Its use, known traditionally as framework knitting, was the first major stage in the mechanisation of the textile industry, and played an important part in the early history of the Industrial Revolution. It was adapted to knit cotton and to do ribbing, and by 1800 had been adapted as a lace making machine.
A knitting machine is a device used to create knitted fabrics in a semi or fully automated fashion. There are numerous types of knitting machines, ranging from simple spool or board templates with no moving parts to highly complex mechanisms controlled by electronics. All, however, produce various types of knitted fabrics, usually either flat or tubular, and of varying degrees of complexity. Pattern stitches can be selected by hand manipulation of the needles, push-buttons and dials, mechanical punch cards, or electronic pattern reading devices and computers.
Warp knitting is defined as a loop-forming process in which the yarn is fed into the knitting zone, parallel to the fabric selvage. It forms vertical loops in one course and then moves diagonally to knit the next course. Thus the yarns zigzag from side to side along the length of the fabric. Each stitch in a course is made by many different yarns. Each stitch in one wale is made by several different yarns.
Knitted fabric is a textile that results from knitting, the process of inter-looping of yarns or inter-meshing of loops. Its properties are distinct from woven fabric in that it is more flexible and can be more readily constructed into smaller pieces, making it ideal for socks and hats.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, with color and patterns, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of coloring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Net or netting is any textile in which the yarns are fused, looped or knotted at their intersections, resulting in a fabric with open spaces between the yarns. Net has many uses, and comes in different varieties. Depending on the type of yarn or filament that is used to make up the textile, its characteristics can vary from durable to not durable.
Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.
Lace machines took over the commercial manufacture of lace during the nineteenth century.
The Leavers machine is a lacemaking machine that John Levers adapted from Heathcoat's Old Loughborough machine. It was made in Nottingham in 1813. The name of the machine was the Leavers machine. The original machine made net but it was discovered that the Jacquard apparatus could be adapted to it. From 1841 lace complete with pattern, net and outline could be made on the Leavers machine.
The lace curtain machine is a lace machine invented by John Livesey in Nottingham in 1846. It was an adaptation of John Heathcoat's bobbinet machine. It made the miles of curtaining which screened Victorian and later windows.
The Pusher machine was a lace making machine, based on the bobbinet, that was invented in 1812 Samuel Clark and James Mart.
Manus x Machina: Fashion in an Age of Technology was an exhibition at the Metropolitan Museum of Art that showcased the dichotomy between Manus, also known as haute couture, and Machina, also known as prêt-à-porter. The Metropolitan Museum of Art debuted this exhibition during the 2016 Met Gala and ran it from May 5, 2016 to September 5, 2016. It included over 120 pieces from designers like Chanel and Christian Dior, varying from the 20th Century to present day.