Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops.[1] Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings, necklaces, waist beads, and other decorative pieces. The lace is formed by a pattern of rings and chains formed from a series of cow hitch or half-hitch knots, called double stitches, over a core thread. Gaps can be left between the stitches to form picots, which are used for practical construction as well as decorative effect.
In German, tatting is usually known by the Italian-derived word Occhi or as Schiffchenarbeit, which means "work of the little boat", referring to the boat-shaped shuttle; in Italian, tatting is called chiacchierino, which means "chatty".[2]
Technique and materials
Shuttle tatting
Vintage tatting shuttles from the early twentieth centuryNewer type of shuttle with hook
Tatting with a shuttle is the earliest method of creating tatted lace. A tatting shuttle facilitates tatting by holding a length of wound thread and guiding it through loops to make the requisite knots. Historically, it was a metal or ivory pointed-oval shape less than 3 inches (76mm) long, but shuttles come in a variety of shapes and materials. Shuttles often have a point or hook on one end to aid in the construction of the lace. Antique shuttles and unique shuttles have become sought after by collectors — even those who do not tat.
To make the lace, the tatter wraps the thread around one hand and manipulates the shuttle with the other hand. No tools other than the thread, the hands and the shuttle are used, though a crochet hook may be necessary if the shuttle does not have a point or hook.
Needle tatting
Needle tatting in progress. A completed closed ring of 5ds segments with a picot loop between each is shown. Another uncompleted loop is still on the needle.Tatting pin
Traditional shuttle tatting may be simulated using a tatting needle or doll needle instead of a shuttle. There are two basic techniques for needle tatting. With the more widely disseminated technique, a double thread passes through the stitches.[citation needed] The result is similar to shuttle tatting but is slightly thicker and looser.[citation needed] The second technique more closely approximates shuttle tatting because a single thread passes through the stitches.
The earliest evidence for needle tatting dates from April 1917, in an article by M.E. Rozella, published in The Modern Priscilla.[3] A tatting needle is a long, blunt needle that does not change thickness at the eye of the needle. The needle used must match the thickness of the thread chosen for the project. Rather than winding the shuttle, the needle is threaded with a length of thread. To work with a second color, a second needle is used. Although needle tatting looks similar to shuttle tatting, it differs in structure and is slightly thicker and looser because both the needle and the thread must pass through the stitches. However, it may be seen that the Victorian tatting pin would function as a tatting needle. As well, Florence Hartley refers in The Ladies' Hand Book of Fancy and Ornamental Work (1859) to the use of the tatting needle, so it must have originated prior to the mid-1800s.
In the late 20th century, tatting needles became commercially available in a variety of sizes, from fingering yarn down to size 80 tatting thread. Few patterns are written specifically for needle tatting; some shuttle tatting patterns may be used without modification.
Cro-tatting
Cro-tatting combines needle tatting with crochet. The cro-tatting tool is a tatting needle with a crochet hook at the end. One can also cro-tat with a bullion crochet hook or a very straight crochet hook. In the 19th century, "crochet tatting" patterns were published which simply called for a crochet hook. One of the earliest patterns is for a crocheted afghan with tatted rings forming a raised design.[4] Patterns are available in English and are equally divided between yarn and thread. In its most basic form, the rings are tatted with a length of plain thread between them, as in single-shuttle tatting. In modern patterns, beginning in the early 20th century, the rings are tatted and the arches or chains are crocheted. Many people consider cro-tatting more difficult than crochet or needle tatting. Some tatting instructors recommend using a tatting needle and a crochet hook to work cro-tatting patterns. Stitches of cro-tatting (and needle tatting before a ring is closed) unravel easily, unlike tatting made with a shuttle.
A form of tatting called Takashima Tatting, invented by Toshiko Takashima, exists in Japan. Takashima Tatting uses a custom needle with a hook on one end.[5] It is not that widespread however (in Japan the primary form of tatting is shuttle tatting, and needle tatting is virtually unknown.).
Materials
Older designs, especially through the early 1900s, tend to use fine white or ivory thread (50 to 100 widths to the inch) and intricate designs. Often they were constructed of small pieces 10cm or less in diameter, which were then tied to each other to form a larger piece — a shawl, veil or umbrella, for example. This thread was either made of silk or a silk blend, to allow for improper stitches to be easily removed.[citation needed] The mercerization process strengthened cotton threads and spread their use in tatting. Newer designs from the 1920s and onward often use thicker thread in one or more colors, as well as newer joining methods, to reduce the number of thread ends to be hidden. The best thread for tatting is a "hard" thread that does not untwist readily. Cordonnet thread is a common tatting thread; Perl cotton is an example of a beautiful cord that is nonetheless a bit loose for tatting purposes. Some tatting designs incorporate ribbons and beads.
Patterns
The Modern Priscilla September 1912 04
Older patterns use a longhand notation to describe the stitches needed, while newer patterns tend to make extensive use of abbreviations such as "ds" to mean "double stitch," and an almost mathematical-looking notation. The following examples describe the same small piece of tatting (the first ring in the Hen and Chicks pattern)
Ring five ds, three picots separated by five ds, five ds, close, turn, space
R 5ds, 3 p sep by 5ds, 5ds, cl, turn, sp
R 5-5-5-5 cl rw sp
Some tatters prefer a visual pattern where the design is drawn schematically with annotations indicating the number of double stitches and order of construction. This can either be used on its own or alongside a written pattern.
Books with tatting patterns are widely available. Anne Orr, a notable needlework editor, quilt designer, and textile artist,[6] was recognized for the quality of her work and her work has been reprinted for contemporary tatters.[7]
Modern tatting pattern books sometimes include jewelry items that can be adorned with beads.[8][9]
History
Old catalog of samples on command. Top left sample is tatted lace.
Tatting may have developed from netting and decorative ropework as sailors and fishermen would put together motifs for girlfriends and wives at home. Decorative ropework employed on ships includes techniques (esp. coxcombing) that show striking similarity with tatting. A good description of this can be found in Knots, Splices and Fancywork.[10]
Some believe tatting originated over 200 years ago, often citing shuttles seen in 18th-century paintings of women such as Charlotte of Mecklenburg-Strelitz, Princess Marie Adélaïde of France, and Anne, Countess of Albemarle. A close inspection of those paintings, however, shows that the shuttles in question are too large to be tatting shuttles, and that they are actually knotting shuttles. There is no documentation of or examples of tatted lace that dates prior to 1800. All available evidence shows that tatting originated in the early 19th century.[11] However, recent research by Cary Karp demonstrates some potential connections between the two fiber arts. According to Karp, "Knotting and tatting did appear sequentially in the historical record and can reasonably be regarded separately...the demarcation between the structures that characterise knotting, and the central elements of tatting, was not as clear cut as is often maintained."[12]
As most fashion magazines and home economics magazines from the first half of the 20th century attest, tatting had a substantial following. When fashion included feminine touches such as lace collars and cuffs, and inexpensive yet nice baby shower gifts were needed, this creative art flourished. As the fashion moved to a more modern look and technology made lace an easy and inexpensive commodity to purchase, hand-made lace began to decline.[citation needed]
Tatting has been used in occupational therapy to keep convalescent patients' hands and minds active during recovery, as documented, for example, in Betty MacDonald's The Plague & I.[citation needed]
Workshops and competitions in tatting continue to be available from lace guilds and organizations.[13]
Gallery
Butterfly-shaped handiwork in tatting technique
Anillos y arcos. Frivolité
Bizuteria frywolitkowa
Border (ST397) MoMu Antwerp
Border (ST561) MoMu Antwerp
Frywolitki koroneczka
Naszyjnik frywolitkowy
Occhi by Iota
Swiss Frivolité a
Jabot-Priscilla Tatting Book No2, 1915
Notes
↑ "Tatting". The Free Dictionary By Farlex. Retrieved 2012-05-23.
↑ Karp, Cary. "Knotting and Tatting: The Dual Role of the Shuttle as a Fashion Accessory and Instrument of Decoration". Journal of Dress History. 5: 8–47.
Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term crochet, which means 'hook'. Hooks can be made from different materials ,sizes, and types(in-line,tapered,ergonomic,etc.)The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keep many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and Broomstick lace, do keep multiple crochet stitches open at a time.
Needlework is decorative sewing and textile arts handicrafts. Anything that uses a needle for construction can be called needlework. Needlework may include related textile crafts such as crochet, worked with a hook, or tatting, worked with a shuttle.
Drawn thread work is one of the earliest forms of open work embroidery, and has been worked throughout Europe. Originally it was often used for ecclesiastical items and to ornament shrouds. It is a form of counted-thread embroidery based on removing threads from the warp and/or the weft of a piece of even-weave fabric. The remaining threads are grouped or bundled together into a variety of patterns. The more elaborate styles of drawn thread work use a variety of other stitches and techniques, but the drawn thread parts are their most distinctive element. It is also grouped with whitework embroidery because it was traditionally done in white thread on white fabric and is often combined with other whitework techniques.
Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is split into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.
Chain stitch is a sewing and embroidery technique in which a series of looped stitches form a chain-like pattern. Chain stitch is an ancient craft – examples of surviving Chinese chain stitch embroidery worked in silk thread have been dated to the Warring States period. Handmade chain stitch embroidery does not require that the needle pass through more than one layer of fabric. For this reason the stitch is an effective surface embellishment near seams on finished fabric. Because chain stitches can form flowing, curved lines, they are used in many surface embroidery styles that mimic "drawing" in thread.
A crochet hook is an implement used to make loops in thread or yarn and to interlock them into crochet stitches. It is a round shaft pointed on one end, with a lateral groove behind it. The point eases the insertion of the hook through the material being crocheted and the groove makes it possible to pull a loop back through the material. The shaft is then divided into a working area that determines the hook's nominal diameter and ensures the uniform sizing of the loops formed on it, and a handle.
In everyday language, a stitch in the context of embroidery or hand-sewing is defined as the movement of the embroidery needle from the back of the fibre to the front side and back to the back side. The thread stroke on the front side produced by this is also called stitch. In the context of embroidery, an embroidery stitch means one or more stitches that are always executed in the same way, forming a figure. Embroidery stitches are also called stitches for short.
Broomstick lace, also known as jiffy lace and peacock eye crochet, is a historic crochet technique from the 19th century made using a crochet hook and another long slender item such as a knitting needle. Traditionally a broomstick was used, hence the name, but the modern variant is a lightweight plastic knitting needle or smooth wooden craft dowel. A larger knitting needle or dowel will result in a lacier effect, while a smaller will provide a more closely woven effect. The technique is used to make clothing, blankets, and other crocheted items. In most crochet techniques, each stitch is finished before beginning the next. Broomstick lace is different; like in knitting and Tunisian crochet, many stitches are left open for broomstick lace.
Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but using a sewing machine is also possible. Hand darning employs the darning stitch, a simple running stitch in which the thread is "woven" in rows along the grain of the fabric, with the stitcher reversing direction at the end of each row, and then filling in the framework thus created, as if weaving. Darning is a traditional method for repairing fabric damage or holes that do not run along a seam, and where patching is impractical or would create discomfort for the wearer, such as on the heel of a sock.
Armenian needlelace is a pure form of needle lace made using only a needle, thread and pair of scissors.
Filet lace is the general word used for all the different techniques of embroidery on knotted net. It is a hand made needlework created by weaving or embroidery using a long blunt needle and a thread on a ground of knotted net lace or filet work made of square or diagonal meshes of the same sizes or of different sizes. Lacis uses the same technique but is made on a ground of leno or small canvas, and the style known as Buratto is similarly on woven and not knotted foundations.
Combined knitting or combination knitting is a knitting method that combines elements of Eastern-style knitting with the Western techniques. The name was suggested by Mary Thomas in her 1938 book "Mary Thomas's Knitting Book", where she described the method as "..the better way to work in Flat Knitting. The resulting fabric is more even and closer in construction." By wrapping the yarn the opposite way while purling, the knitter changes the orientation of the resulting loops; then the next row's knit stitches can be formed by inserting the needle through the back leg, rather than through the front leg, without twisting the stitch. This method is suitable for all knitted fabrics from the basic Stockinette stitch, to any other technique, such as Fair Isle, circular knitting, or lace knitting.
Hairpin lace is a lace-making technique that uses a crochet hook and two parallel metal rods held at the top and the bottom by removable bars. Historically, a metal U-shaped eponymous hairpin was used.
In knitting, casting on is a family of techniques for adding new stitches that do not depend on earlier stitches, i.e., having an independent lower edge. In principle, it is the opposite of binding off, but the techniques involved are generally unrelated.
A picot is a loop of thread created for functional or ornamental purposes along the edge of lace or ribbon, or crocheted, knitted or tatted fabric. The loops vary in size according to their function and artistic intention.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, with color and patterns, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of coloring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Walter Weldon FRS FRSE was a 19th-century English industrial chemist and journalist. He was President of the Society of Chemical Industry from 1883-84.
Bead crochet is a crochet technique that incorporates beads into a crochet fabric. The technique is used to produce decorative effects in women's fashion accessories. The word "crochet" is derived from the French "croche" or "croc" meaning "to hook". Published descriptions of bead crochet date from around 1824 although it was probably common before then. At one time, bead crochet was thought by some people to be appropriate only for rich people.
Irish lace has always been an important part of the Irish needlework tradition. Both needlepoint and bobbin laces were made in Ireland before the middle of the eighteenth century, but never, apparently, on a commercial scale. It was promoted by Irish aristocrats such as Lady Arabella Denny, the famous philanthropist, who used social and political connections to support the new industry and promote the sale of Irish lace abroad. Lady Denny, working in connection with the Dublin Society, introduced lace-making into the Dublin workhouses, especially among the children there. It is thought that it was an early form of Crochet, imitating the appearance of Venetian Gros Point lace.
Cornelia Mee, born Cornelia Austin, was a British knitting and crochet pattern designer and writer.
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