Needlepoint

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Needlepoint is a type of canvas work, a form of embroidery in which yarn is stitched through a stiff open weave canvas. Traditionally needlepoint designs completely cover the canvas. [1] Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work. [2]

Contents

The degree of detail in needlepoint depends on the thread count of the underlying mesh fabric. Due to the inherent lack of suppleness of needlepoint, common uses include eyeglass cases, holiday ornaments, pillows, purses, upholstery, and wall hangings. [3]

History

The roots of needlepoint go back thousands of years to the ancient Egyptians, who used small slanted stitches to sew up their canvas tents. Howard Carter, of Tutankhamen fame, found some needlepoint in the cave of a Pharaoh who had lived around 1500 BC. [2]

Modern needlepoint descends from the canvas work in tent stitch, done on an evenly woven open ground fabric that was a popular domestic craft in the 16th century. [4]

Further development of needlepoint was influenced in the 17th century by Bargello [5] and in the 19th century by shaded Berlin wool work in brightly colored wool yarn. Upholstered furniture became fashionable in the 17th century, and this prompted the development of a more durable material to serve as a foundation for the embroidered works of art. In 18th century America, needlepoint was used as a preparatory skill to train young women to sew their own clothing. [6]

Terminology

When referring to handcrafted textile arts which a speaker is unable to identify, the appropriate generalized term is "needlework". The first recorded use of the term needlepoint is in 1869, as a synonym for point-lace. [7] Mrs Beeton's Beeton's Book of Needlework (1870) does not use the term "needlework", but rather describes "every kind of stitch which is made upon canvas with wool, silk or beads" as Berlin Work (also spelled Berlinwork). Berlin Work refers to a subset of needlepoint, popular in the mid-19th Century that was stitched in brightly colored wool on needlepoint canvas from hand-colored charts. [8]

"Needlepoint" refers to a particular set of stitching techniques worked upon stiff openwork canvas. [9] [10] [11] However, "needlepoint" is not synonymous with all types of embroidery. Because it is stitched on a fabric that is an open grid, needlepoint is not embellishing a fabric, as is the case with most other types of embroidery, but literally the making of a new fabric. It is for this reason that many needlepoint stitches must be of sturdier construction than other embroidery stitches.

Needlepoint is often referred to as "tapestry" [12] in the United Kingdom and sometimes as "canvas work". However, needlepoint—which is stitched on canvas mesh—differs from true tapestry—which is woven on a vertical loom. When worked on fine weave canvas in tent stitch, it is also known as "petit point". Additionally, "needlepoint lace" is also an older term for needle lace, an historic lace-making technique.

Contemporary techniques

Materials

The thread used for stitching may be wool, silk, cotton or combinations, such as wool-silk blend. Variety fibers may also be used, such as metallic cord, metallic braid, ribbon, or raffia. Stitches may be plain, covering just one thread intersection with a single orientation, or fancy, such as in bargello or other counted-thread stitches. Plain stitches, known as tent stitches, may be worked as basketweave, continental or half cross. Basketweave uses the most wool, but does not distort the rectangular mesh and makes for the best-wearing piece.

Several types of embroidery canvas are available: single thread and double thread embroidery canvas are open even-weave meshes, with large spaces or holes to allow heavy threads to pass through without fraying. Canvas is sized by mesh sizes, or thread count per inch. Sizes vary from 5 threads per inch to 24 threads per inch; popular mesh sizes are 10, 12, 14, 18, and 24. The different types of needlepoint canvas available on the market are interlock, mono, penelope, plastic, and rug. [13]

Frames and hoops

Needlepoint canvas is stretched on a scroll frame or tacked onto a rectangular wooden frame to keep the work taut during stitching. Petit point is sometimes worked in a small embroidery hoop rather than a scroll frame.

Patterns

Commercial designs for needlepoint may be found in different forms: hand-painted canvas, printed canvas, trammed canvas, charted canvas, and free-form.

In hand-painted canvas, the design is painted on the canvas by the designer, or painted to their specifications by an employee or contractor. Canvases may be stitch-painted, meaning each thread intersection is painstakingly painted so that the stitcher has no doubts about what color is meant to be used at that intersection. Alternatively, they may be hand-painted, meaning that the canvas is painted by hand but the stitcher will have to use their judgment about what colors to use if a thread intersection is not clearly painted. Hand-painted canvases allow for more creativity with different threads and unique stitches by not having to pay attention to a separate chart. In North America this is the most popular form of needlepoint canvas.

Printed canvas is when the design is printed by silk screening or computer onto the needlepoint canvas. Printing the canvas in this means allows for faster creation of the canvas and thus has a lower price than Hand-Painted Canvas. However, care must be taken that the canvas is straight before being printed to ensure that the edges of the design are straight. Designs are typically less involved due to the limited color palette of this printing method. The results (and the price) of printed canvas vary extensively. Often printed canvases come as part of kits, which also dramatically vary in quality, based on the printing process and the materials used. This form of canvas is widely available outside North America.

On a trammed canvas the design is professionally stitched onto the canvas by hand using horizontal stitches of varying lengths of wool of the appropriate colours. The canvas is usually sold together with the wool required to stitch the trammed area. The stitcher then uses tent stitch over the horizontal lines with the trame stitches acting as an accurate guide as to the colour and number of stitches required. This technique is particularly suited to designs with a large area of mono-colour background as such areas do not require tramming, reducing the cost of the canvas and allowing the stitcher to choose the background colour themselves. The Portuguese island of Madeira is the historic centre for the manufacture of trammed canvases.

Charted canvas designs are available in book or leaflet form. They are available at book stores and independent needlework stores. Charted Canvas designs are typically printed in two ways: either in grid form with each thread intersection being represented with a symbol that shows what color is meant to be stitched on that intersection, or as a line drawing where the stitcher is to trace the design onto his canvas and then fill in those areas with the colors listed. Books typically include a grouping of designs from a single designer such as Kaffe Fassett or Candace Bahouth, or may be centered on a theme such as Christmas or Victorian Needlepoint. Leaflets usually include one to two designs and are usually printed by the individual designer.

Free-form needlepoint designs are created by the stitcher. They may be based around a favorite photograph, stitch, thread color, etc. The stitcher just starts stitching! Many interesting pieces are created this way. It allows for the addition of found objects, appliqué, computer-printed photographs, goldwork, or specialty stitches.

While traditionally needlepoint has been done to create a solid fabric, more modern needlepoint incorporates colored canvas, a variety of fibers and beadwork. Different stitching techniques also allow some of the unstitched, or lightly stitched, canvas to show through, adding an entirely new dimension to needlepoint work. Some of these techniques include "shadow" or "light" stitching, blackwork on canvas, and pattern darning.

Needlepoint continues to evolve as stitchers use new techniques and threads, and add appliqué or found materials. The line between needlepoint and other forms of embroidery is becoming blurred as new stitchers adapt techniques and materials from other forms of embroidery to needlepoint.

Famous needlepointers

Historical and political figures

Royal needlepointers include: Mary, Queen of Scots, [15] Marie Antoinette, [16] Queen Elizabeth I,[ citation needed ] Princess Grace [ citation needed ]. In fact, the American Needlepoint Guild has established a Princess Grace Award (Needlepoint) for needlepoint completed entirely in tent stitch. [17] (This award is not formally associated with the Princess Grace Foundation which presents the "Princess Grace Awards". [18] )

An American historical figure who was an avid needlepointer is Martha Washington, the wife of George Washington. [19]

Modern celebrities

American football player Roosevelt "Rosey" Grier released a book titled Rosey Grier's Needlepoint for Men (1973) that shows Grier stitching and samples of his work. [20]

Actress Mary Martin's book Mary Martin's Needlepoint (1969) catalogues her works and provides needlework tips. [21] The American actress Sylvia Sidney sold needlepoint kits featuring her designs,[ citation needed ] and she published two popular instruction books: Sylvia Sidney's Needlepoint Book [22] and The Sylvia Sidney Question and Answer Book on Needlepoint. [23]

The MTV documentary 9 Days and 9 Nights with Ed Sheeran (2014) [24] revealed that Taylor Swift made Sheeran a Drake-themed needlepoint as a friendship gesture. [25]

Actress Loretta Swit's book, A Needlepoint Scrapbook (1986), includes a design for Ms. Pac-Man. [26]

Needlepoint stitches

Most commercial needlework kits recommend one of the variants of tent stitch, although Victorian cross stitch and random long stitch are also used. [27] Authors of books of needlepoint designs sometimes use a wider range of stitches. [28] [29] Historically, a very wide range of stitches have been used including:

There are many books that teach readers how to create hundreds, if not thousands, of stitches. Some were written by famous stitchers, such as Mary Martin and Sylvia Sydney. However, the most popular and long-lived is The Needlepoint Book [31] by Jo Ippolito Christensen, Simon & Schuster. First published in 1976 by Prentice-Hall, the widely distributed text has been continuously in print and was revised in 2015. Over 425,000 copies have been sold as of 2023. It contains 436 stitches and 1680 illustrations in 560 pages.

A needlepoint stitched by Cullen Bohannon's murdered wife, Mary, is referred to repeatedly throughout Hell on Wheels season 1. For example, in episode 2, "Immoral Mathematics" (November 13, 2011), Bohannon flashes back to seeing Mary stitching the needlepoint; in episode 3, "A New Birth of Freedom"(November 20, 2011), Bohannon finds a piece of that finished needlework in the personal effects of the now-deceased foreman, Daniel Johnson (who in the previous episode had admitted to being part of the Union outfit that raped and killed Mary); and in episode 4, "Jamais je ne t'oublierai" (November 27, 2011), the inebriated Bohannon realizes he's lost the needlepoint, and he gets into a fight with Bolan, when the latter tauntingly reveals that he has the swatch.

Needlepoint backgrounds were used most famously on the long running game show, Family Feud from its premiere with Richard Dawson in 1976 to the end of the Ray Combs era in 1994.

Examples

See also

Related Research Articles

<span class="mw-page-title-main">Cross-stitch</span> Form of counted-thread embroidery.

Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric in each direction so that the stitches are of uniform size and appearance. This form of cross-stitch is also called counted cross-stitch in order to distinguish it from other forms of cross-stitch. Sometimes cross-stitch is done on designs printed on the fabric ; the stitcher simply stitches over the printed pattern. Cross-stitch is often executed on easily countable fabric called aida cloth, whose weave creates a plainly visible grid of squares with holes for the needle at each corner.

<span class="mw-page-title-main">Embroidery</span> Art or handicraft of decorating fabric or other materials with needle and thread or yarn

Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on hats, clothing, blankets, and handbags. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.

<span class="mw-page-title-main">Sampler (needlework)</span> Textile artwork used to display skills and techniques

A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', demonstration or a test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin exemplum, which means 'example'.

<span class="mw-page-title-main">Blackwork</span> Technique of monochrome embroidery originating in Tudor England

Blackwork, sometimes historically termed Spanish blackwork, is a form of embroidery generally worked in black thread, although other colours are also used on occasion, as in scarletwork, where the embroidery is worked in red thread. Originating in Tudor period England, blackwork typically, though not always, takes the form of a counted-thread embroidery, where the warp and weft yarns of a fabric are counted for the length of each stitch, producing uniform-length stitches and a precise pattern on an even-weave fabric. Blackwork may also take the form of free-stitch embroidery, where the yarns of a fabric are not counted while sewing.

<span class="mw-page-title-main">Berlin wool work</span> Embroidery technique using worsted yarns

Berlin wool work is a style of embroidery similar to today's needlepoint that was particularly popular in Europe and America from 1804 to 1875. It is typically executed with wool yarn on canvas, worked in a single stitch such as cross stitch or tent stitch, although Beeton's book of Needlework (1870) describes 15 different stitches for use in Berlin work. It was traditionally stitched in many colours and hues, producing intricate three-dimensional looks by careful shading. Silk or beads were frequently used as highlights. The design of such embroidery was made possible by the great progress made in dyeing, initially with new mordants and chemical dyes, followed in 1856, especially by the discovery of aniline dyes, which produced bright colors.

<span class="mw-page-title-main">Crewel embroidery</span> Type of embroidery using wool

Crewel embroidery, or crewelwork, is a type of surface embroidery using wool. A wide variety of different embroidery stitches are used to follow a design outline applied to the fabric. The technique is at least a thousand years old.

<span class="mw-page-title-main">Chain stitch</span> Type of embroidery stitch

Chain stitch is a sewing and embroidery technique in which a series of looped stitches form a chain-like pattern. Chain stitch is an ancient craft – examples of surviving Chinese chain stitch embroidery worked in silk thread have been dated to the Warring States period. Handmade chain stitch embroidery does not require that the needle pass through more than one layer of fabric. For this reason the stitch is an effective surface embellishment near seams on finished fabric. Because chain stitches can form flowing, curved lines, they are used in many surface embroidery styles that mimic "drawing" in thread.

<span class="mw-page-title-main">Darning</span> Sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread

Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but using a sewing machine is also possible. Hand darning employs the darning stitch, a simple running stitch in which the thread is "woven" in rows along the grain of the fabric, with the stitcher reversing direction at the end of each row, and then filling in the framework thus created, as if weaving. Darning is a traditional method for repairing fabric damage or holes that do not run along a seam, and where patching is impractical or would create discomfort for the wearer, such as on the heel of a sock.

Filet lace is the general word used for all the different techniques of embroidery on knotted net. It is a hand made needlework created by weaving or embroidery using a long blunt needle and a thread on a ground of knotted net lace or filet work made of square or diagonal meshes of the same sizes or of different sizes. Lacis uses the same technique but is made on a ground of leno or small canvas.

Surface embroidery is any form of embroidery in which the pattern is worked by the use of decorative stitches and laid threads on top of the foundation fabric or canvas rather than through the fabric; it is contrasted with canvas work.

<span class="mw-page-title-main">Balanced fabric</span> A type of fabric

A balanced fabric is one in which the warp and the weft are of the same size. In weaving, these are generally called "balanced plain weaves" or just "balanced weaves", while in embroidery the term "even-weave" is more common.

Erica Wilson was an English-born American embroidery designer based in New York, known particularly for needlepoint. She also designed wallcoverings and greeting cards. Her designs were published by Vogue and the Metropolitan Museum of Art, among others. Wilson earned the nicknames "Julia Child of embroidery" and "America's first lady of stitchery" for her work.

<span class="mw-page-title-main">Parisian stitch</span> Embroidery stitch used in needlepoint and canvas work

Parisian stitch is a longer horizontal/vertical stitch used in needlepoint next to a smaller parallel stitch to create a basketweave pattern. The end points on either end alternate in a staggered pattern.

The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.

<span class="mw-page-title-main">Embroidery thread</span> Any of several types of thread designed for use in embroidery and related crafts

Embroidery thread is yarn that is manufactured or hand-spun specifically for embroidery and other forms of needlework. Embroidery thread often differs widely, coming in many different fiber types, colors and weights.

<span class="mw-page-title-main">Cross stitches</span> X or + shaped embroidery stitch

Cross stitches in embroidery, needlepoint, and other forms of needlework include a number of related stitches in which the thread is sewn in an x or + shape. Cross stitch has been called "probably the most widely used stitch of all" and is part of the needlework traditions of the Balkans, Middle East, Afghanistan, Colonial America and Victorian England.

<span class="mw-page-title-main">Straight stitch</span> Type of simple embroidery and sewing stitch

The straight or running stitch is the basic stitch in hand-sewing and embroidery, on which all other forms of sewing are based. The stitch is worked by passing the needle in and out of the fabric at a regular distance. All other stitches are created by varying the straight stitch in length, spacing, and direction.

<span class="mw-page-title-main">Slip (needlework)</span>

In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem. Most often, slip refers to a plant design stitched in canvaswork (pettipoint), cut out, and applied to a woven background fabric. By extension, slip may also mean any embroidered or canvaswork motif, floral or not, mounted to fabric in this way.

<span class="mw-page-title-main">English embroidery</span> Embroidery worked in England or by English people abroad

English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.

<span class="mw-page-title-main">Colcha embroidery</span> Form of surface embroidery found in the southwest United States

Colcha embroidery from the southwest United States is a form of surface embroidery that uses wool threads on cotton or linen fabric. During the Spanish Colonial period, the word colcha referred to a densely embroidered wool coverlet. In time, the word also came to refer to the embroidery stitch that was used for these coverlets, and then began to be used on other surfaces. The colcha stitch is self-couched, with threads applied at a 45-degree angle to tie down the stitch. Originally, the wool threads were dyed naturally, using plants or insects, such as cochineal. Both materials used and design motifs have varied over time.

References

  1. Nicholas, Kristin (2015). The Amazing Stitching Handbook for Kids. Concord, CA: C&T Publishing. pp.  18–19. ISBN   978-1-60705-973-8.
  2. 1 2 "Canvaswork vs. Needlepoint – Save the Stitches by Nordic Needle" . Retrieved 2020-03-29.[ dead link ]
  3. "high cost of Needlepoint". Nuts about Needlepoint. 2018-01-27. Retrieved 2020-03-29.
  4. "Needlepoint | canvas work embroidery". Encyclopædia Britannica. Retrieved 2020-03-29.
  5. "Bargello work". Encyclopædia Britannica. Retrieved 2020-03-29.
  6. Peck, Amelia (October 2003). "American Needlework in the Eighteenth Century". www.metmuseum.org. Retrieved 2020-03-29.
  7. Shorter Oxford English Dictionary. Oxford University Press. 1973.
  8. "Berlin woolwork | art". Encyclopædia Britannica. Retrieved 2020-03-29.
  9. Fasset, Kaffe (1989). Glorious Needlepoint\date= 1987. London: Century Hutchinson. ISBN   0-7126-3041-4.
  10. Lazarus, Carole; Berman, Jennifer (1996). Glorafilia - The Ultimate Needlepoint Collection. London: Elbury Press. ISBN   0-09-180976-2.
  11. Russell, Beth (1992). Traditional Needlepoint. Devon, David & Charles. ISBN   0-7153-9984-5.
  12. Gordon, Jill (1997). Jill Gordon's Tapestry Collection. London: Merehurst. ISBN   1-85391-636-6.
  13. "A History of Tapestry | Past Impressions". www.past-impressions.co.uk. Retrieved 2020-03-29.
  14. Nicholas, Kristin (2015). The Amazing Stitch Handbook for Kids. Concord, CA: C&T Publishing. pp.  6. ISBN   978-1-60705-973-8.
  15. The Marian Hanging, worked by Mary Queen of Scots between 1570 and 1585, an embroidered silk velvet in silks and silver-gilt thread, applied canvaswork, lined with silk. V&A Museum Accession No T.29-1955, (presented by the Art Fund) On display at National Trust, Oxburgh Hall, Norfolk.
  16. Firescreen Panel embroidered by Marie Antoinette, Queen of France Cotton embroidered with silk ca. 1788 The Metropolitan Museum of Art (Gift of Ann Payne Blumenthal, 1941) Accession No: 41.205.3c
  17. "Princess Grace Award (Needlepoint)". American Needlepoint Guild Incorporated.
  18. "Princess Grace Awards". Prince Grace Foundation.
  19. Wharton, Anne Hollingsworth (1923). Colonial Days & Dames. Philadelphia, J.B. Lippincott Co., where it states "Mrs. Washington was a notable needlewoman".
  20. Grier, Rosey (1973). Rosey Grier's Needlepoint for Men.
  21. Martin, Mary; Mednick, Sol (1969). Mary Martin's Needlepoint . Galahad Books. ISBN   978-0-88365-092-9.
  22. Sidney, Sylvia (1968). Sylvia Sidney Needlepoint Book. New York: Van Norstrand Reinhold Co.
  23. Sidney, Sylvia (1974). Question and Answer Book on Needlepoint. New York: Van Norstrand Reinhold Co.
  24. "'Nine Days and Nights of Ed Sheeran': 9 Things to See in MTV's Docuseries Premiere (Video)". Hollywood Reporter. June 10, 2014.
  25. "Taylor Swift Made Ed Sheeran A Drake Needlepoint, Because Sometimes Famous BFFs Make Each Other Drake Crafts". MTV.
  26. Swit, Loretta (1986). A Needlepoint Scrapbook. Doubleday. ISBN   0-385-19905-8.
  27. "The Tapestry Kit Collection: Recommended Stitches".
  28. e.g. Gordon, Jill Take Up Needlepoint 1994 London, Merehurst ISBN   1-85391-330-8
  29. e.g. Russell, Beth Traditional Needlepoint 1992 Devon, David & Charles ISBN   0-7153-9984-5
  30. 1 2 Thomas, Mary; Eaton, Jan (1998). Mary Thomas's dictionary of embroidery stitches (New ed.). North Pomfret, Vt: Trafalgar Square Pub. ISBN   978-1-57076-118-8.
  31. Christensen, Jo Ippolito, The Needlepoint Book, 2015, New York, Simon & Schuster ISBN   0-684-83230-5

Further reading