An andiron, firedog, fire-dog, fire dog or iron-dog is a bracket support, normally one of a pair, on which logs are laid for burning in an open fireplace, so that air may circulate under the firewood, allowing better burning and less smoke. They generally consist of a tall vertical element at the front, with at least two legs. This stops the logs from rolling out into the room, and may be highly decorative. The other element is one or more low horizontal pieces stretching back into the fireplace and serving to hold the logs off the bottom of the fireplace. [1] An andiron is sometimes called a dog or dog-iron.
Before the Renaissance, European andirons, almost invariably made entirely of iron, were of comparatively plain design. Indeed, andirons and firebacks were one of the first types of object commonly made in cast iron (introduced to the West in the 15th century), a trend which in England began in the 1540s: until the nineteenth century cast iron was too brittle for many uses, but andirons carried light loads and this was not a problem. [2] However, from the Renaissance onwards the front vertical element of andirons was increasingly given decorative treatment, and was in a different metal, such as brass, bronze or silver, which allowed casting, hugely increasing the range of decorative possibilities. When metals that could be cast began to be used for the fronts, these ordinary objects of the household received the attention of the artist, and had skill and taste lavished upon them. Thus English late 17th-century andirons often have elaborate flat brass front-pieces, often in openwork and sometimes using enamel for further decoration.
By the eighteenth century classical forms with several mouldings, similar to those used for candlesticks and the like, predominate in pieces for the middle classes, and were imitated in the American colonies, often just in iron and rather more simply. Small figures at the front also became popular; in America cast flat "Hessian" soldiers were a long-lasting favourite. [3] In Continental Europe, men such as Jean Berain (1640-1711), whose artistry was most especially applied to the ornamentation of Boulle furniture, sometimes designed them. The Algardi Firedogs commissioned from the Roman sculptor Alessandro Algardi for Philip IV of Spain by Velázquez in 1650 were copied in several foundries.
The andiron reached its greatest artistic development under Louis XIV of France (r. 1643–1715). From the eighteenth century, fireplaces increasingly had built-in metal grates to hold the firewood, or, increasingly, the coal, up off the floor and in place, thus largely removing the need for andirons. [2] However, andirons were often still kept for decorative reasons, and sometimes as a place to rest pokers, tongs and other fire implements. In older periods people used andirons as a rest for a roasting spit; they sometimes included a cup-shaped top to hold porridge. Sometimes, smaller pairs were placed between the main andirons for smaller fires. These are called "creepers". [2]
Andirons and fire dogs are devices made of metal and (rarely) ceramic which support the firewood. They normally stand upon short legs and are usually connected with an upright guard. The guard keeps the logs in the fireplace as they burn and settle. This guard, which may be of iron, steel, copper, bronze, or silver, may be simple, or elaborately ornamented (often with patterns or heraldic ornaments, such as the fleur-de-lis, with sphinxes, grotesque animals, mythological statuettes, or caryatides supporting heroic figures or emblems). [4] A common decoration in the form of a canine plays on the dual meanings of the word dog (canine and inanimate holder or blocker).
The word andiron was borrowed into Middle English from the Old French word andier (also found in medieval Latin in forms such as andena, anderia, anderius). The origin of the French word is uncertain. But in English the word soon became associated with the word iron through folk-etymology, producing the form andiron. Sometimes this was further folk-etymologised as hand-iron. Due to the reanalysis of the French form l'andier ('the andiron') as one word, the French term later became landier, giving rise to English forms such as landiron. [5]
The term firedog seems to arise from the perceived similarity of an andiron to a dog lying by the fire. In English, however, this form may also have been influenced by French: another French term for an andiron is chenet, which originally meant 'little dog'. [6]
Andirons, or fire dogs, had been in use by the Ancient Greeks, and were called krateutai (Greek: κρατευταί). [7] Excavations made on the Greek island of Santorini unearthed stone sets of firedogs used before the seventeenth century BC. In each pair of the supports, the receptacles to hold skewers or spits were found in equivalence, while the line of small openings in the base formed a mechanism to supply the coals with oxygen so that they remained alight during its use. [8]
Fire dogs were also referred to as moon idols (or moon horns)[ citation needed ] [9] in antiquity. They may also refer to an artifact-type of late Bronze Age Europe (c. 1300 to 800 BC). Typically made of clay, they have been found in areas of modern France, Switzerland [10] and Germany; often associated with the Urnfield culture. This naming suggests that moon idols could have been used as andirons to build up fire dogs.
In some cases, moon idols are a cult item of Early European Religions, resembling a pair of horns or crescent moons on a pedestal, and were variously interpreted as testifying to bull worship, Moon worship, or as a holder for wooden logs to be used in a fire altar.
Medieval andirons tended to be high, often with slots at the front for placing spits for roasting; in later periods similar styles remained in use in large kitchens. When the Italian Renaissance began to produce very elaborate decorated fronts for reception rooms, these remained higher than later, gradually tending to reduce in height until the 18th century. [2]
Firedogs with little or no ornamentation and made of metal or ceramics were used in kitchens, with ratcheted uprights for the spits. Very often these uprights branched out into arms, or hobs, for stewing or keeping food hot. [4] [11]
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals and sometimes non-metals, such as phosphorus, or metalloids, such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability.
A skewer is a thin metal or wood stick used to hold pieces of food together. The word may sometimes be used as a metonym, to refer to the entire food item served on a skewer, as in "chicken skewers". Skewers are used while grilling or roasting meats and fish, and in other culinary applications.
A figurine or statuette is a small, three-dimensional sculpture that represents a human, deity or animal, or, in practice, a pair or small group of them. Figurines have been made in many media, with clay, metal, wood, glass, and today plastic or resin the most significant. Ceramic figurines not made of porcelain are called terracottas in historical contexts.
Rotisserie, also known as spit-roasting, is a style of roasting where meat is skewered on a spit – a long, solid rod used to hold food while it is being cooked over a fire in a fireplace or over a campfire, or roasted in an oven. This method is generally used for cooking large joints of meat or entire animals, such as pigs or turkeys. The rotation cooks the meat evenly in its own juices and allows easy access for continuous basting.
A trivet is an object placed between a serving dish or bowl, and a dining table, usually to protect the table from heat damage. Whilst tri- means three, and -vet comes from -ped, meaning 'foot' / 'feet', trivets often have four 'feet', and some trivets, including many wooden trivets, have no 'feet' at all.
A fireplace or hearth is a structure made of brick, stone or metal designed to contain a fire. Fireplaces are used for the relaxing ambiance they create and for heating a room. Modern fireplaces vary in heat efficiency, depending on the design.
Ormolu is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way. The mercury is driven off in a kiln, leaving behind a gold coating. The French refer to this technique as "bronze doré"; in English, it is known as "gilt bronze". Around 1830, legislation in France outlawed the use of mercury for health reasons, though use continued to the 1900s.
A belt buckle is a buckle, a clasp for fastening two ends, such as of straps or a belt, in which a device attached to one of the ends is fitted or coupled to the other. The word enters Middle English via Old French and the Latin buccula or "cheek-strap," as for a helmet. Belt buckles and other fixtures are used on a variety of belts, including cingula, baltea, baldrics and later waist-belts.
A masonry heater is a device for warming an interior space through radiant heating, by capturing the heat from periodic burning of fuel, and then radiating the heat at a fairly constant temperature for a long period. Masonry heaters covered in tile are called Kachelofen. The technology has existed in different forms, from back into the Neoglacial and Neolithic periods. Archaeological digs have revealed excavations of ancient inhabitants utilizing hot smoke from fires in their subterranean dwellings, to radiate into the living spaces. These early forms eventually evolved into modern systems.
The turnspit dog is an extinct short-legged, long-bodied dog bred to run on a wheel, called a turnspit or dog wheel, to turn meat. It is mentioned in Of English Dogs in 1576 under the name "Turnespete". William Bingley's Memoirs of British Quadrupeds (1809) also talks of a dog employed to help chefs and cooks. It is also known as the Kitchen Dog, the Cooking Dog, the Wheeling Dog, the Underdog and the Vernepator. In Linnaeus's 18th-century classification of dogs it is listed as Canis vertigus. The breed was lost, since it was considered to be such a lowly and common dog that no record was effectively kept of it. Some sources consider the turnspit dog a kind of Glen of Imaal Terrier, while others make it a relative of the Welsh Corgi.
A fire screen or fireguard began as a form of furniture that acted as a shield between the occupants of a room and the fireplace, and its primary function was to reduce the discomfort of excessive heat from a log fire. Early firescreens were generally shaped as flat panels standing on attached feet, or as adjustable shield-shaped panels mounted on tripod table legs.
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling. Mantelpiece is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. For many centuries, the chimneypiece was the most ornamental and most artistic feature of a room, but as fireplaces have become smaller, and modern methods of heating have been introduced, its artistic as well as its practical significance has lessened.
In engineering, a dog is a tool or part of a tool, such as a pawl, that prevents or imparts movement through physical engagement. It may hold another object in place by blocking it, clamping it, or otherwise obstructing its movement. Or it may couple various parts together so that they move in unison – the primary example of this being a flexible drive to mate two shafts in order to transmit torque. Some devices use dog clutches to lock together two spinning components. In a manual transmission, the dog clutches, or "dogs" lock the selected gear to the shaft it rotates on. Unless the dog is engaged, the gear will simply freewheel on the shaft.
A bolection is a decorative moulding which projects beyond the face of a panel or frame in raised panel walls, doors, and fireplaces. It is commonly used when the meeting surfaces are at different levels, especially to hold floating panels in place while allowing them to expand and contract with changes in temperature and humidity.
A roasting jack is a machine which rotates meat roasting on a spit. It can also be called a spit jack, a spit engine or a turnspit, although this name can also refer to a human turning the spit, or a turnspit dog. Cooking meat on a spit dates back at least to the 1st century BC, but at first spits were turned by human power. In Britain, starting in the Tudor period, dog-powered turnspits were used; the dog ran in a treadmill linked to the spit by belts and pulleys. Other forms of roasting jacks included the steam jack, driven by steam, the smoke jack, driven by hot gas rising from the fire, and the bottle jack or clock jack, driven by weights or springs.
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures.
The hall house is a type of vernacular house traditional in many parts of England, Wales, Ireland and lowland Scotland, as well as northern Europe, during the Middle Ages, centring on a hall. Usually timber-framed, some high status examples were built in stone.
A grille or grill is an opening of several slits side-by-side in a wall, metal sheet or another barrier, usually to allow air or water to enter and/or leave and prevent larger objects from going in or out.
The Algardi Firedogs are two small bronze sculptural groups, individually entitled Jupiter holding his thunderbolt, seated on a terrestrial globe supported by three Titans and Juno, Jupiter's wife carried by the winds.
The Capel Garmon Firedog is likely to be a late Iron Age Andiron found in Capel Garmon, Wales.