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A silversmith is a metalworker who crafts objects from silver. The terms silversmith and goldsmith are not exact synonyms, as the techniques, training, history, and guilds are (or were, at least) largely the same but differed in that the end product may vary greatly (as may the scale of objects created).
In the ancient Near East (as holds true today), the value of silver was lower than the value of gold, allowing a silversmith to produce objects and store them as stock. Historian Jack Ogden states that, according to an edict written by Diocletian in 301 A.D., a silversmith was able to charge 75, 100, 150, 200, 250, or 300 denarii per Roman pound for material produce. At that time, guilds of silversmiths formed to arbitrate disputes, protect its members' welfare, and educate the public of the trade. [2]
Silversmiths in medieval Europe and England formed guilds and transmitted their tools and techniques to new generations via the apprentice tradition. Silverworking guilds often maintained consistency and upheld standards at the expense of innovation. Beginning in the 17th century, artisans emigrated to America and experienced fewer restrictions. As a result, silverworking was one of the trades that helped to inaugurate the technological and industrial history of the United States silverworking shift to industrialization.
Very exquisite and distinctly designed silverware, especially the artisanal craft that goes by the name of Swami silver, emerged from the stable of watchmaker-turned-silversmith P.Orr and Sons in the South Indian city of Madras (now Chennai) during the British rule in 1875.
Silversmiths saw or cut specific shapes from sterling and fine silver sheet metal and bar stock; they then use hammers to form the metal over anvils and stakes. Silver is hammered cold (at room temperature). As the metal is hammered, bent, and worked, it 'work-hardens'. Annealing is the heat-treatment used to make the metal soft again. If metal is work-hardened, and not annealed occasionally, the metal will crack and weaken the work.
Silversmiths can use casting techniques to create knobs, handles and feet for the hollowware they are making.
After forming and casting, the various pieces may be assembled by soldering and riveting.
During most of their history, silversmiths used charcoal or coke fired forges, and lung-powered blow-pipes for soldering and annealing. Modern silversmiths commonly use gas burning torches as heat sources. A newer method is laser beam welding.
Silversmiths may also work with copper and brass, especially when making practice pieces, due to those materials having similar working properties and being more affordable than silver.
A blacksmith is a metalsmith who creates objects primarily from wrought iron or steel, but sometimes from other metals, by forging the metal, using tools to hammer, bend, and cut. Blacksmiths produce objects such as gates, grilles, railings, light fixtures, furniture, sculpture, tools, agricultural implements, decorative and religious items, cooking utensils, and weapons. There was a historical distinction between the heavy work of the blacksmith and the more delicate operations of a whitesmith, who usually worked in gold, silver, pewter, or the finishing steps of fine steel. The place where a blacksmith works is variously called a smithy, a forge, or a blacksmith's shop.
Sterling silver is an alloy composed by weight of 92.5% silver and 7.5% other metals, usually copper. The sterling silver standard has a minimum millesimal fineness of 925.
Metalworking is the process of shaping and reshaping metals in order to create useful objects, parts, assemblies, and large scale structures. As a term, it covers a wide and diverse range of processes, skills, and tools for producing objects on every scale: from huge ships, buildings, and bridges, down to precise engine parts and delicate jewelry.
A goldsmith is a metalworker who specializes in working with gold and other precious metals. Nowadays they mainly specialize in jewelry-making but historically, goldsmiths have also made silverware, platters, goblets, decorative and serviceable utensils, and ceremonial or religious items.
Repoussé or repoussage ( ) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction.
Cloisonné is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the shape of each cloison.
Tumbaga is the name given by Spanish Conquistadors for a non-specific alloy of gold and copper, and metals composed of these elements. Pieces made of tumbaga were widely found in pre-Columbian Mesoamerica in North America and South America.
A metalsmith or simply smith is a craftsperson fashioning useful items out of various metals. Smithing is one of the oldest metalworking occupations. Shaping metal with a hammer (forging) is the archetypical component of smithing. Often the hammering is done while the metal is hot, having been heated in a forge. Smithing can also involve the other aspects of metalworking, such as refining metals from their ores, casting it into shapes (founding), and filing to shape and size.
Tinning is the process of thinly coating sheets of wrought iron or steel with tin, and the resulting product is known as tinplate. The term is also widely used for the different process of coating a metal with solder before soldering.
Pickling is a metal surface treatment used to remove impurities, such as stains, inorganic contaminants, and rust or scale from ferrous metals, copper, precious metals and aluminum alloys. A solution called pickle liquor, which usually contains acid, is used to remove the surface impurities. It is commonly used to descale or clean steel in various steelmaking processes.
This article is a list of terms commonly used in the practice of metalworking – the science, art, industry, and craft of shaping metal.
Firestain is a layer of oxides that is visible on the surface of objects made of metal alloys containing copper when the object is heated, as by a jeweler heating a ring to apply solder during a repair. On copper-containing alloys of gold or of silver, it presents as a red or purple stain. This is because at high temperatures, oxygen mixes with the copper to form cuprous oxide and then cupric oxide, both of which disrupt the bright polished surface of the finished piece. There are various methods used to either prevent or repair firestain.
Foldforming is a technique of metalworking whereby metal is folded, repeatedly forged and annealed, and unfolded; at which stage it generally has a dramatic new three-dimensional form. While alternate spellings abound (e.g., fold-forming, fold forming, Foldforming, and even form-folding, the definitive book "Foldforming" by Charles Lewton-Brain consistently uses the spelling of foldforming as one lowercase word.
Jewelry wire is wire, usually copper, brass, nickel, aluminium, silver, or gold, used in jewelry making.
Planishing is a metalworking technique that involves finishing the surface of sheet metal by finely shaping and smoothing it.
A bench jeweler is an artisan who uses a combination of skills to make and repair jewelry. Some of the more common skills that a bench jeweler might employ include antique restoration, silversmithing, goldsmithing, stone setting, engraving, fabrication, wax carving, lost-wax casting, electroplating, forging, & polishing.
Fred Fenster is a metalsmith and professor emeritus of the University of Wisconsin at Madison where he taught art and education. He is particularly known for his work in pewter, influencing generations of metalsmiths. Fenster was named a Fellow of the American Craft Council in 1995.
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity and history of its makers, but tribal groups have often borrowed and copied designs and methods from other, neighboring tribes or nations with which they had trade, and this practice continues today. Native American tribes continue to develop distinct aesthetics rooted in their personal artistic visions and cultural traditions. Artists may create jewelry for adornment, ceremonies, and display, or for sale or trade. Lois Sherr Dubin writes, "[i]n the absence of written languages, adornment became an important element of Indian communication, conveying many levels of information." Later, jewelry and personal adornment "...signaled resistance to assimilation. It remains a major statement of tribal and individual identity."
Yemenite silversmithing refers to the work of Jewish silversmiths from Yemen. They were highly acclaimed craftsmen who dominated craft production in precious metals in the southern Arabian peninsula from at least the 18th through the mid-20th century, a period and region during which Muslims did not engage in this work. These Yemenite silversmiths were noted for their skilled use of fine granulation and filigree, producing ornaments such as women's bracelets, necklaces, finials, as well as elaborate scabbard sheaths for men's daggers.
Zahroun Mulla Khidr bin Badran bin Qarjar Al-Zahroun Amara, known simply as Zahroun Amara, was an Iraqi niello silversmith and jeweler who was born in Amarah, Iraq in the late 19th century. Zahroun Amara was a member of the Mandaean community who were famed for their silverwork.
