Marcasite jewellery

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Marcasite
General
Category Mineral
Identification
ColorSilver/Grey
Marcasite brooch made from pyrite and silver MarcasiteBrooch.jpg
Marcasite brooch made from pyrite and silver

Marcasite jewellery is jewellery made using cut and polished pieces of pyrite (fool's gold) as gemstone, and not, as the name suggests, from marcasite. [1]

Both pyrite and marcasite are chemically iron sulfide, but differ in their crystal structures, giving them different physical properties. Pyrite is more stable and less brittle than marcasite. Marcasite can also react with moisture to form sulfuric acid. These are the reasons why pyrite is used instead of real marcasite in "marcasite" jewellery.

Marcasite jewellery is frequently made by setting small pieces of faceted pyrite into silver. [2] Cheaper costume jewellery is made by gluing pieces of pyrite rather than setting. [3] A similar-looking type of jewellery can be made from small pieces of cut steel. [3] [1] The cut and polished marcasite pieces reflect light at different angles from its different facets giving it a sparkle. [4]

Thailand is one of the large producers of modern marcasite jewellery in silver.[ citation needed ]

History

Marcasite jewellery has been made since the time of the ancient Greeks. [3] It was particularly popular in the eighteenth century, the Victorian era and with Art Nouveau jewellery designers. [3] [2] When diamonds were banned from public display in Switzerland in the 18th century, marcasite, along with cut steel, was turned to as a replacement. [4]

When Prince Albert died in 1861, Queen Victoria entered a period of mourning, requiring her entire court to wear black and avoid opulent jewellery. Marcasite became popular as an understated alternative for the nobility.[ citation needed ]

Related Research Articles

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A gemstone is a piece of mineral crystal which, when cut or polished, is used to make jewelry or other adornments. Certain rocks and occasionally organic materials that are not minerals may also be used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some softer minerals such as brazilianite may be used in jewelry because of their color or luster or other physical properties that have aesthetic value. However, generally speaking, soft minerals are not typically used as gemstones by virtue of their brittleness and lack of durability.

<span class="mw-page-title-main">Jewellery</span> Form of personal adornment

Jewellery consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries metal such as gold often combined with gemstones, has been the normal material for jewellery, but other materials such as glass, shells and other plant materials may be used.

<span class="mw-page-title-main">Engagement ring</span> Ring indicating that the person wearing it is engaged to be married

An engagement ring, also known as a betrothal ring, is a ring indicating that the person wearing it is engaged to be married, especially in Western cultures. A ring is presented as an engagement gift by a partner to their prospective spouse when they propose marriage or directly after a marriage proposal is accepted. It represents a formal agreement to future marriage. In most Western countries, engagement rings are worn mostly by women, and rings can feature diamonds or other gemstones. The neologism "mangagement ring" is sometimes used for an engagement ring worn by men. In some cultures, including Northern Europe, both partners wear matching rings, and engagement rings may also be used as wedding rings. In the Anglosphere, the ring is customarily worn on the left hand ring finger, but customs vary considerably elsewhere across the world.

<span class="mw-page-title-main">Pyrite</span> Iron (II) disulfide mineral

The mineral pyrite ( PY-ryte), or iron pyrite, also known as fool's gold, is an iron sulfide with the chemical formula FeS2 (iron (II) disulfide). Pyrite is the most abundant sulfide mineral.

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Lapidary is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems, and faceted designs. A person who practices lapidary is known as a lapidarist. A lapidarist uses the lapidary techniques of cutting, grinding, and polishing. Hardstone carving requires specialized carving techniques.

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<span class="mw-page-title-main">Marcasite</span> Iron disulfide (FeS2) with orthorhombic crystal structure

The mineral marcasite, sometimes called "white iron pyrite", is iron sulfide (FeS2) with orthorhombic crystal structure. It is physically and crystallographically distinct from pyrite, which is iron sulfide with cubic crystal structure. Both structures contain the disulfide S22− ion, having a short bonding distance between the sulfur atoms. The structures differ in how these di-anions are arranged around the Fe2+ cations. Marcasite is lighter and more brittle than pyrite. Specimens of marcasite often crumble and break up due to the unstable crystal structure.

<span class="mw-page-title-main">Diamond cut</span> Type of cut used when shaping a diamond

A diamond cut is a style or design guide used when shaping a diamond for polishing such as the brilliant cut. Cut refers to shape, and also the symmetry, proportioning and polish of a diamond. The cut of a diamond greatly affects a diamond's brilliance—a poorly-cut diamond is less luminous.

<span class="mw-page-title-main">Filigree</span> Form of intricate metalwork used in jewellery

Filigree is a form of intricate metalwork used in jewellery and other small forms of metalwork.

<span class="mw-page-title-main">Tinsmith</span> Person who makes and repairs things made of tin or other light metals

A tinsmith is a person who makes and repairs things made of tin or other light metals. The profession may sometimes also be known as a tinner, tinker, tinman, or tinplate worker; whitesmith may also refer to this profession, though the same word may also refer to an unrelated specialty of iron-smithing. By extension it can also refer to the person who deals in tinware, or tin plate. Tinsmith was a common occupation in pre-industrial times.

<span class="mw-page-title-main">History of jewellery in Ukraine</span>

Jewellery as an art form originated as an expression of human culture. Body ornamentation, one purpose of jewellery, has been known since at least the Stone Age. The history of jewellery in Ukraine reflects the influence of many cultures and peoples who have occupied the territory in the past and present.

<span class="mw-page-title-main">Stonesetting</span>

Stonesetting is the art of securely setting or attaching gemstones into jewelry.

<span class="mw-page-title-main">Diamond (gemstone)</span> Gemstone

Diamond is one of the best-known and most sought-after gemstones. They have been used as decorative items since ancient times.

<span class="mw-page-title-main">Berlin iron jewellery</span>

Berlin iron jewellery refers to articles of cast-iron jewellery that were made during the early 19th century in Germany.

<span class="mw-page-title-main">Colored gold</span> Various colors of gold obtained by alloying gold with other elements

Colored gold is the name given to any gold that has been treated using techniques to change its natural color. Pure gold is slightly reddish yellow in color, but colored gold can come in a variety of different colors by alloying it with different elements.

<span class="mw-page-title-main">Cut steel jewellery</span>

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References

  1. 1 2 Thomas, Arthur (2008). Gemstones: Properties, Identification and Use. New Holland Publishers. p. 121. ISBN   1-84537-602-1.
  2. 1 2 Hesse, Rayner W. (2007). Jewelrymaking Through History: An Encyclopedia. Greenwood Publishing Group. p. 15. ISBN   0-313-33507-9.
  3. 1 2 3 4 Goldemberg, Rose Leiman (2000). Antique Jewelry: A Practical & Passionate Guide. iUniverse. p. 116. ISBN   0-595-08898-8.
  4. 1 2 Clifford, Anne (1971). Cut-Steel and Berlin Iron Jewellery. Adams & Dart. p. 24. ISBN   9780239000699.