The pectorals of ancient Egypt were a form of jewelry, often in the form of a brooch. They are often also amulets, and may be so described. They were mostly worn by richer people and the pharaoh.
One type is attached with a nah necklace, suspended from the neck and lying on the breast. Statuary from the Old Kingdom onwards shows this form.
A later form was attached as a brooch, with the thematic, iconographic function and statement outweighing its actual use as a piece of jewellery for adornment. The thematic statements were typically about the pharaoh or statements of ancient Egyptian mythology and culture. They are usually of gold with cloisonné inlays of gemstones.
The basic definition of a brooch is as a wide piece of jewellery. Therefore, one form of the 'pectoral' word listings uses the word for "breadth, broad", "to be wide or spacious", the Egyptian word usekh. (Cf. Usekh collar.)
Though Gardiner lists only the "broad collar", S11, the following listing of words for "pectoral" shows the other types of pectoral jewellery forms that have a Gardiner-unlisted type of pectoral hieroglyph sign: [2]
The list of Gardiner-unlisted determinatives for pectoral: [3]
'None' may have an alternate determinative used to define the word. From the above definitions, it can be seen that the collar, neckband, pectoral, beads, etc., can also include amulets inclusive into the pectoral's iconography. The above listed words are refenced in E. A. Wallis Budge's "dictionary" to 200 works: steles, papyri, Egyptian literature, personal literature, etc., [4] or the approximate 120 authors referenced. [5]
Standing statues, or others were sometimes represented with various forms of jewellery, including pectorals; some are enigmatic in what is being portrayed, whether to gods, or what the symbolism represents.
Statements in Egyptian language hieroglyphs were often the theme of famous pectorals, regardless of their actual use for adornment.
One famous complex pectoral for Amenemhat III has a statement of his rulership. The Pectoral of Amenemhat III states the following: [6]
Kamrin's modern hieroglyph primer for Egyptian artifacts uses Amenemhat III's pectoral for Exercise 22, Object 3. The discussion explains that the extended wings of the Vulture Goddess relate to "Lord of the Sky"-(pt), the Vulture Goddess, (but also implying the pharaoh is Lord of the Sky). Her translation: "Lord (Lady) of the sky Nimaatre (Amenemhat III), the good god, lord of the Two Lands and of all foreign Lands." (nb pt n-m3't-r' nthr nfr nb t3wy h3swt nb(w)t) [8]
A necklace is an article of jewellery that is worn around the neck. Necklaces may have been one of the earliest types of adornment worn by humans. They often serve ceremonial, religious, magical, or funerary purposes and are also used as symbols of wealth and status, given that they are commonly made of precious metals and stones.
The Eye of Horus, also known as left wedjat eye or udjat eye, specular to the Eye of Ra, is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set, in which Set tore out or destroyed one or both of Horus's eyes and the eye was subsequently healed or returned to Horus with the assistance of another deity, such as Thoth. Horus subsequently offered the eye to his deceased father Osiris, and its revitalizing power sustained Osiris in the afterlife. The Eye of Horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. It could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye.
In ancient Egypt a shen ring was a circle with a line tangent to it, represented in hieroglyphs as a stylised loop of a rope. The word shen itself means, in ancient Egyptian, encircle, while the shen ring represented eternal protection.
Deshret was the Red Crown of Lower Egypt. When combined with the Hedjet of Upper Egypt, it forms the Pschent, in ancient Egyptian called the sekhemti.
The ancient Egyptian Mast hieroglyph is one of the oldest language hieroglyphs from Ancient Egypt. It is used on a famous label of Pharaoh Den of the First dynasty, but forms part of the location hieroglyph: Emblem of the East.
The ancient Egyptian Papyrus stem hieroglyph is one of the oldest language hieroglyphs from Ancient Egypt. The papyrus stalk, was incorporated into designs of columns on buildings, also facades, and is also in the iconographic art portrayed in ancient Egyptian decorated scenes.
The ancient Egyptian Shuti, a two-feather adornment for crowns, is part of a series of hieroglyphs for "crowns"; usage as a hieroglyph is not as common as the actual crown represented in Egyptian art, and artworks.
Scarabs are beetle-shaped amulets and impression seals which were widely popular throughout ancient Egypt. They still survive in large numbers today. Through their inscriptions and typology, they prove to be an important source of information for archaeologists and historians of the ancient world, and represent a significant body of ancient Egyptian art.
The Egyptian hieroglyph Emblem of the West represents the goddess Imentet, personification of the afterlife. It is composed of a hawk or ostrich feather. The alternate version of the symbol contains the complete figure of the hawk, for Horus, with the feather extending sideways, making it similar to the iat standard, surmounted by individual gods. The feather is associated with the headdress worn by the Libyans.
The Egyptian hieroglyph representing gold, phonetic value nb, is important due to its use in the Horus-of-Gold name, one of the Fivefold Titulary names of the Egyptian pharaoh.
The Stela of Tetisheri is a limestone donation stele erected by Pharaoh Ahmose I, founder of the Eighteenth Dynasty of Egypt. It sits in the construction of his mortuary complex that included a cenotaph to his grandmother Queen Tetisheri, Senakhtenre's Great Royal Wife and grandmother of both Ahmose and his Principal Wife, Ahmose-Nefertari.
The ancient Egyptian Branch hieroglyph, also called a Stick, is a member of the trees and plants hieroglyphs.
The ancient Egyptian Sky hieroglyph,, is Gardiner sign listed no. N1, within the Gardiner signs for sky, earth, and water.
The use of the Spine with fluid hieroglyph is for words showing "length", as opposed to 'breadth',. Some example words for 'length' are: to be long, length, to extend, extended; and for to expand, to dilate, words like: joy, gladness, pleasure, delight.
In ancient Egyptian art, the Set animal, or sha, is the totemic animal of the god Set. Because Set was identified with the Greek monster Typhon, the animal is also commonly known as the Typhonian animal or Typhonic beast.
The ancient Egyptian Pick hieroglyph, Gardiner sign listed nos. U17, U18 is a portrayal of a 'pick upon the side view of a block'; it is in the Gardiner subset for agriculture, crafts, and professions.
In the Egyptian language, the single stair hieroglyph is used as a determinative.
This page list topics related to ancient Egypt.
The ancient Egyptian knot hieroglyph, or girdle knot, Gardiner sign listed no. S24, portrays a reef knot. Besides its use as a hieroglyph, it has usage in statuary and reliefs. The knot hieroglyph is also an amulet, typically made of worked stone, or as jewellery elements.
The heart scarab is an oval scarab artifact dating from ancient Egypt. Mostly an amulet, it was also used as jewelry, a memorializing artifact, or a grave good. The heart scarab was used by referring to Chapter 30 from the Book of the Dead and the weighing of the heart, being balanced by Maat, goddess of truth, justice, order, wisdom, and cosmic balance. The function of the heart scarab was to bind the heart to silence while it was being weighed in the underworld to ensure that the heart did not bear false witness against the deceased. As in many current religions, the individual had to show 'worthiness' to achieve the afterlife. The heart was extremely important to ancient Egyptians as the seat of intelligence and the storehouse of memory. It was the only organ left in place during mummification. Heart scarab amulets were meant as substitutes for the heart should the deceased be deprived of the organ in the afterlife. For example, when a person died, a heart scarab was often placed on their heart and bound underneath the bandages of the mummy. This was to ensure that it could not be physically removed from their person.