Jack Ogden (jewellery historian)

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ISBN 0520080300ISBN 978-0520080300 OCLC No: 716103810 Google books, Jack Ogden – Ancient Jewellery

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<span class="mw-page-title-main">Gemstone</span> Piece of mineral crystal used to make jewelry

A gemstone is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments. However, certain rocks and occasionally organic materials that are not minerals are also used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity and notoriety are other characteristics that lend value to gemstones.

<span class="mw-page-title-main">Jewellery</span> Form of personal adornment

Jewellery consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries metal such as gold often combined with gemstones, has been the normal material for jewellery, but other materials such as glass, shells and other plant materials may be used.

<span class="mw-page-title-main">Gemology</span> Science dealing with natural and artificial gemstone materials

Gemology or gemmology is the science dealing with natural and artificial gemstone materials. It is a geoscience and a branch of mineralogy. Some jewelers are academically trained gemologists and are qualified to identify and evaluate gems.

<span class="mw-page-title-main">Jade</span> Ornamental stone, commonly green

Jade is a mineral used as jewellery or for ornaments. It is typically green, although may be yellow or white. Jade can refer to either of two different silicate minerals: nephrite, or jadeite.

<span class="mw-page-title-main">Necklace</span> Jewellery worn around the neck

A necklace is an article of jewellery that is worn around the neck. Necklaces may have been one of the earliest types of adornment worn by humans. They often serve ceremonial, religious, magical, or funerary purposes and are also used as symbols of wealth and status, given that they are commonly made of precious metals and stones.

<span class="mw-page-title-main">Vitreous enamel</span> Material made by fusing powdered glass to a substrate by firing

Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C. The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word vitreous comes from the Latin vitreus, meaning "glassy".

<span class="mw-page-title-main">Silversmith</span> Craftsperson who makes objects from silver or gold

A silversmith is a metalworker who crafts objects from silver. The terms silversmith and goldsmith are not exact synonyms, as the techniques, training, history, and guilds are largely the same but differed in that the end product may vary greatly.

<span class="mw-page-title-main">Brooch</span> Large ornament with a pin fastening

A brooch is a decorative jewelry item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material. Brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or serve a practical function as a clothes fastener. The earliest known brooches are from the Bronze Age. As fashions in brooches changed rather quickly, they are important chronological indicators. In archaeology, ancient European brooches are usually referred to by the Latin term fibula.

<span class="mw-page-title-main">Cloisonné</span> Enamelling technique used on metal

Cloisonné is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the shape of each cloison.

<span class="mw-page-title-main">Ring (jewellery)</span> Round band worn as ornamental jewellery

A ring is a round band, usually made of metal, worn as ornamental jewelry. The term "ring" by itself always denotes jewellery worn on the finger; when worn as an ornament elsewhere, the body part is specified within the term, e.g., earrings, neck rings, arm rings, and toe rings. Rings always fit snugly around or in the part of the body they ornament, so bands worn loosely, like a bracelet, are not rings. Rings may be made of almost any hard material: wood, bone, stone, metal, glass, gemstone or plastic. They may be set with gemstones or with other types of stone or glass.

<span class="mw-page-title-main">Jewellery design</span> Art of designing and creating jewellery

Jewellery design is the art or profession of designing and creating jewellery. It is one of civilization's earliest forms of decoration, dating back at least 7,000 years to the oldest-known human societies in Indus Valley Civilization, Mesopotamia and Egypt. The art has taken many forms throughout the centuries, from the simple beadwork of ancient times to the sophisticated metalworking and gem-cutting known in the modern day.

Wartski is a British family firm of antique dealers specialising in Russian works of art; particularly those by Carl Fabergé, fine jewellery and silver. Founded in North Wales in 1865, the business is located at 60 St James's Street, London, SW1. The company holds royal appointments as jewellers to Charles III and before her death, Elizabeth II.

The Swiss Gemmological Institute (SSEF) is a gemmology laboratory located in Basel, Switzerland. It is a part of the Schweizerische Stiftung für Edelstein Forschung. It was founded on an independent basis, by trade organisations, on August 22, 1972. George Bosshart, mineralogist and GG was the first director after the laboratory's opening in Zürich. Diamond grading was the major task and colour stones were tested rather exceptionally. In 1980 Bosshart hired Dr. Henry A. Hänni, Mineralogist and FGA. In 1994 Hänni moved the laboratory to Basel. He has been teaching gemmology at Basel university, and the close link to the university proved to be very enriching for both parts, academic and laboratory work. Hänni became professor of gemmology at Basel University, also a reward for his years of steady research and supply of publications. Prof. H.A. Hänni retired in 2009 and Dr. Michael Krzemnicki took over his position as a director. Dr. Krzemnicki has been working for SSEF since 1999.

<span class="mw-page-title-main">Hardstone carving</span> Artistic carving of semi-precious stones or gems

Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones, such as jade, rock crystal, agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way. Normally the objects are small, and the category overlaps with both jewellery and sculpture. Hardstone carving is sometimes referred to by the Italian term pietre dure; however, pietra dura is the common term used for stone inlay work, which causes some confusion.

The Treasure Valuation Committee (TVC) is an advisory non-departmental public body of the Department for Culture, Media and Sport (DCMS) based in London, which offers expert advice to the government on items of declared treasure in England, Wales, and Northern Ireland that museums there may wish to acquire from the Crown.

The Gemmological Association of Great Britain (Gem-A) is an international gemmology education and qualifications body based in the United Kingdom.

<span class="mw-page-title-main">Medieval jewelry</span>

The Middle Ages was a period that spanned approximately 1000 years and is normally restricted to Europe and the Byzantine Empire. The material remains we have from that time, including jewelry, can vary greatly depending on the place and time of their creation, especially as Christianity discouraged the burial of jewellery as grave goods, except for royalty and important clerics, who were often buried in their best clothes and wearing jewels. The main material used for jewellery design in antiquity and leading into the Middle Ages was gold. Many different techniques were used to create working surfaces and add decoration to those surfaces to produce the jewellery, including soldering, plating and gilding, repoussé, chasing, inlay, enamelling, filigree and granulation, stamping, striking and casting. Major stylistic phases include barbarian, Byzantine, Carolingian and Ottonian, Viking, and the Late Middle Ages, when Western European styles became relatively similar.

Hemmerle is a Munich-based jeweller founded in 1893 by brothers Joseph and Anton Hemmerle.

<span class="mw-page-title-main">Indian Diamond Institute</span>

The Indian Diamond Institute (IDI) is a Government of India sponsored autonomous higher school of learning in the fields of diamonds, gems and jewellery in India. The Institute is located in Surat, Gujarat, India and is 263 km away from Mumbai. Indian Diamond Institute is an Authorised Assayer of Department of Customs, Government of India.

<span class="mw-page-title-main">Joanna Angelett</span>

Joanna Angelett is the artist name of Joanna Trummer, a British-Australian jewellery designer, author, founder of the worldwide anti-racism Tree of Life art project. As a designer she is best known for her sculpture-like jewellery, and as creator of desktop items of precious metals, decorated with gems and cloisonné enamels.

References

  1. "CULTURE, MEDIA AND SPORT Public Appointments-Treasure Valuation Committee|Trustee|Dr. Jack Ogden", Bound Volume Hansard, UK Parliament, House of Commons of the United Kingdom
  2. "VETTING COMMITTEE MEMBERSHIP, Antiquities, Dr Jack Ogden", Masterpiece London – "Every exhibit at Masterpiece is vetted by a team of over 150 leading international specialists drawn from the diaspora of academia, museums, conservators, auction houses, dealers and galleries."
  3. in Acknowledgements "I’m grateful"… "for the unique scientific skills of Dr Jack Ogden", Every Object Tells a Story by Oliver Hoare
  4. Beyond Extravagance (2013), A Royal Collection of Gems and Jewels – "… this publication benefits from the scholarship of a celebrated team of contributors… Dr Jack Ogden, a renowned gemmologist and gem historian has written on the use of precious stones in Indian jewellery", Dubai PR Network – ‘’Gems and the Gem Trade in India’’ pp. 348 – 383, ed. Amin Jaffer, Assouline, New York
  5. "Jack Ogden Society of Jewellery Historians 40th anniversary speech" held at the Goldsmiths' Hall, London by Cordeliad on You Tube
  6. "Dr Jack M Ogden FSA, Degrees, distinctions and post nominals: PhD, FSA, Date of election: 10 January 1980” – Fellows Directory of the Society of Antiquaries of London, "Members of the Society are called Fellows and are known as Fellows of the Society of Antiquaries (FSA). To be elected persons shall be 'excelling in the knowledge of the antiquities and history of this and other nations' and be 'desirous to promote the honour, business and emoluments of the Society'."
  7. "HONORARY LIFE MEMBERS, J. Ogden", List of Gemmological Association of Great Britain Fellows (FGA)
  8. "Ogden's combination of technological and art-historical information in jewelry studies has not been seen previously. He has broken new ground and established the path for others to follow." – Neil Letson, jewelry historian, in GIA Gems and Gemology, Winter 1983 p. 249.
  9. The former curator of the J. Paul Getty Museum, Marion True, described Ogden as "a great English expert on ancient jewelry" in Michael Pfrommer, 2002, Greek Gold from Hellenistic Egypt’, J. Paul Getty Museum, Los Angeles p. ix
  10. "Ogden provides a demonstration of the giant strides that have taken place in this area of Egyptology." – Oxford University Egyptologist Jaromir Malek Archived 24 April 2012 at the Wayback Machine in a review of 'Ancient Egyptian Materials and Technology’ in the American Journal of Archaeology (AJA) 105, 2, 2001 pp. 338–340) on his chapter on "Metals"
  11. The show was opened by Head of School Professor Stephen Bottomley, with guest speaker and newly-appointed Visiting Professor of Ancient Jewellery, Material and Technology, Dr Jack Ogden. Professor Bottomley and Dr Ogden awarded more than 40 industry sponsored prizes to students, including cash, pens and watches. Sponsors included luxury brands Cartier and LVMH The School of Jewellery recently joined with key members of the jewellery industry to celebrate the work of graduating students as part of the Inspired Festival
  12. "Ogden's… one of Britain's most famous and prestigious jewellers." – Secret Harrogate (2015) by Paul Chrystal
  13. "36. Ogden's and the tomb of Tutankhamun" – Harrogate History Tour’’ (2016) by Paul Chrystal
  14. "ROMAN IMITATION DIAMONDS By JACK M. OGDEN, F.G.A." – Gem-A THE JOURNAL OF GEMMOLOGY, Jan 1973, vo.13 no.5, p.179
  15. "Platinum group metal inclusions in ancient gold artefacts… January 1977… J.M. Ogden" – Journal of the Historical Metallurgy Society, 11, p. 53-72
  16. "Distinguished jewellery historian Jack Ogden opened the first session with an erudite overview of the long history of the study of jewellery, stressing the necessity of a holistic approach which considers technology and technique as well as style and aesthetic." – “SJH… reviews 40:20… An Anniversary Celebration”
  17. "Most widely held works about Jack Ogden" “Most widely held works by Jack Ogden" – WorldCat, Network of library content and services
  18. "Jack Ogden… TOOLS AND TECHNOLOGY: GOLD WORKING IN A HISTORICAL CONTEXT” – Society of North American Goldsmiths' (SNAG) Conference 2013
  19. "Jack Ogden – Sunlight and Icicles—the History of Diamond Cutting and Assessment" World of Gems Conference III in Chicago organized by Gemworld International
  20. "we look forward to welcoming Dr. Jack Ogden, a world-leading expert in ancient jewellery, for a lecture… From the Meticulous to the Sublime" – Amaranthine Exhibition Launch, Kallos Gallery
  21. In the foreword to the catalogue of his ring collection, Slava Yevdayev noted Ogden's "unmatched knowledge and expertise", Jeffrey Spier and Jack Ogden – Rings of the Ancient World, Wiesbaden, Reichert. p. 8.
  22. Author: "Jack Ogden, Publisher: London : Trefoil Books, 1982" WorldCat OCLC Number: 929802319 – Jewellery of the ancient world
  23. In a review of Ogden's book, Jewellery of the Ancient World, Dr Reynold Higgins, former Keeper of Greek and Roman antiquities at the British Museum said "Here is the book which we have long been waiting for: the first comprehensive account of the materials and technology of ancient jewellery” and “This book is nothing short of a masterpiece” – the journal of Society of Jewellery Historians, Jewellery Studies 1, 1983–4, pp. 83–4.
  24. Cambridge University Press Catalogue – Ancient Egyptian Materials and Technology Edited by Paul T. Nicholson Cardiff University Ian Shaw University of Liverpool
  25. "The enduring appeal of this ancient resin, Claudia Hammond talks about amber to Victoria Finlay, the author of Jewels: A Secret History at the Gemological Association of Great Britain along with their Chief Executive Jack Ogden.” – BBC Radio 4, Woman's Hour, 02 Aug 2007
  26. "Jack Ogden, chief executive of the Gemmological Association of Great Britain, thinks the curse is just sour grapes. "Like most big diamonds the Koh-i-Noor is associated with bad luck, but that tends to be mentioned by people who no longer own it," he says. "Diamond was originally valued for its hardness, its imperviousness to man – the word has its root in the Latin word for invincible. As such, it became a symbol of enduring power. Man only mastered diamond when he started cutting it in the 15th century." – The Telegraph, The Koh-i-Noor: diamond robbery? by Neil Tweedie, 29 July 2010
  27. Dr Jack Ogden explains the history of Sapphire ("蓝 简介: 从铁腕教皇英诺森三世到太阳王路易十四,蓝宝石见证了欧洲历史上神权到王权的更迭,映射着欧洲大陆波澜壮阔的历史。英国王室对蓝宝石情有独钟。从圣爱德华蓝宝石到帝国王冠,从猎豹胸针到戴妃蓝宝石戒指,直到今天,在英国,蓝宝石仍然延续着帝国悠久的传统,荣耀着自己的国民。肉体腐朽,宝石长存。这小小的石头让我们照见了生命的可贵,这或许是蓝宝石令人如此神往的真正原因。") – BLUE by Tencent for China Central Television (CCTV)
  28. "J R Ogden… Born in Leeds. Lived in Harrogate throughout his life and ran a jewellery business from local premises in James Street; also ran a shop at 41 Duke Street, London, which remained in the family business until his great grandson Jack Ogden (q.v.) changed careers." – Research, Biographical details, the British Museum
  29. "Visiting Jack Ogden, a fifth-generation English jeweler who was really more scholar than dealer, was always a special treat. With him pricing was a problem. Jack's prices were always too low. I would generally refuse to buy from him unless he raised the price somewhat." – Benjamin Zucker, author and gem merchant in his introductory essay to the catalogue produced when part of his ring collection as sold, Cycles of Life: Rings from the Benjamin Zucker Family Collection, ed Sandra Hindman, Chicago. New York and Paris: les Enluminures 2014. P. 17
  30. “2016 Gemologist Jack Ogden closely examines the gems and notes that what appear to be single bore drill holes – thus more fitting to a later time period…”, Timeline since 1898, THE PIPRAHWA PROJECT – One of the world's pre-eminent discoveries of relics of Gautama Buddha
  31. Jack Ogden has "won the respect of scholars and museum curators all over the world." – Diana Scarisbrick, jewellery historian and author in International Gold Corporation journal, Aurum, 16, 1983 p. 57
  32. "Indian Diamonds: Cutters, Courts, and Commerce, Jack Ogden, Independent Jewelry Historian” – Past and Future: Art and Preservation in the Deccan, Metropolitan Museum of Art (colloquially ‘the Met’), New York City
  33. "Dr. Jack Ogden is a world-renowned jewellery industry analyst and a leading expert on jewellery history, with a special focus on the development of materials and technology, its dating and authenticity." – Timeline Auctions SPECIALISTS
  34. National Association of Jewellers
  35. Taking over from Michael as Chief Executive of the NAG on I July will be Dr Jack Ogden. He will also be nominated as the next Secretary General of CIBJO. – Gem & Jewellery News – VOLUME 4 NUMBER, 3 June 1995, pp. 1,39
  36. "Ogden to Head Gem-A, Renowned gemologist and jewelry historian Jack Ogden, FGA, was appointed chief executive of Gem-A, the Gemmological Association and Gem Testing Laboratory of Great Britain, on Nov. 1, 2004." – JCK (jewelry the Industry Authority), 1 April 2005 by Gary Roskin
  37. "In July 1996, the Treasure Act was passed. The Treasure Act replaced the medieval law of Treasure Trove in England and Wales. This Act gave some protection to certain archaeological finds, acting to encourage their reporting. However, a great many objects were being found by members of the public which were not 'treasure', but which were nonetheless important in building up knowledge of the archaeology and history of England and Wales. The Treasure Act code of practice" – Portable Antiquities Scheme
  38. "History and former members With the commencement of the Treasure Act on 24 September 1997, the Treasure Valuation Committee replaced the earlier Treasure Trove Reviewing Committee. Those who have served on the Treasure Valuation Committee include:… Jack Ogden – An archaeologist and historian focusing on the development of jewellery materials and techniques” – Treasure Valuation Committee (Jack Ogden is the second from left in the photo, Treasure Valuation Committee at work)
  39. "Treasure Valuation Committee agree £3.285 million valuation for the Staffordshire Anglo-Saxon Hoard... The members of the Committee are: Professor Norman Palmer, CBE (Chairman), …Dr Jack Ogden” – British Museum Press releases, Staffordshire hoard valuation
  40. "Committee members… Individual Capacity – Gemmology & Precious Metals Expert" – STI/53 – Specifications and test methods for jewellery and horology, Bsi Standards Development
  41. "Officers & Council Members… MEMBERS OF THE BOARD… J. Ogden" – Council Members of the Gemmological Association of Great Britain
  42. Durham E-Theses – Gold jewellery in Ptolemaic, Roman and Byzantine Egypt. Ogden, Jack M in two volumes
  43. Gemmology Diploma FGA, "the most prestigious international gemmological qualification in the gem and jewellery trade."
  44. The Institute of Art & Law – Internationally recognised source of knowledge on art and cultural heritage law
  45. "HONORARY LIFE MEMBERS… J. Ogden" – the Gemmological Association of Great Britain
  46. "awards were presented to Dr Jack Ogden FGA… an Honorary Lifetime Membership of the Association for their outstanding contributions to Gem-A" – "Gem-A reveals graduation ceremony award winners", Professional Jeweller, 7 November 2014
  47. Jack Ogden published on YouTube, Nov 5, 2014, "First attempt at creating and playing my banjo along with a backing track using Band in a Box. The track is fairly simple, key of G and usual banjo tuning."
  48. BIBLIOGRAPHY – Jack Ogden, Academia.edu, a platform for academics to share research papers – Mission: “to accelerate the world's research.”
Jack Ogden

FSA, FGA
Jack Ogden in 2018.jpg
Ogden in 2018
Nationality British
OccupationJewellery historian
Known for Authentication of historic precious metal objects... [1] [2] [3] [4]
Academic background
Alma mater University of Durham
Thesis Gold jewellery in Ptolemaic, Roman and Byzantine Egypt  (1990)