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Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on hats, clothing, blankets, and handbags. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.
A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', demonstration or a test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin exemplum, which means 'example'.
The Royal School of Needlework (RSN) is a hand embroidery school in the United Kingdom, founded in 1872 and based at Hampton Court Palace since 1987.
Margaret Macdonald Mackintosh was an English-born artist who worked in Scotland, and whose design work became one of the defining features of the Glasgow Style during the 1890s to 1900s.
Ann Macbeth was a British embroiderer, designer, teacher and author. She was a member of the Glasgow Movement where she was an associate of Margaret MacDonald and Charles Rennie Mackintosh, and many other 'Glasgow Girls'. She was also an active suffragette and designed banners for suffragists and suffragettes movements.
Mary "May" Morris was an English artisan, embroidery designer, jeweller, socialist, and editor. She was the younger daughter of the Pre-Raphaelite artist and designer William Morris and his wife and artists' model, Jane Morris.
Leon Conrad is a British polymath: writer, story structure consultant, educator, and specialist in historic needlework techniques known particularly for historically-styled blackwork embroidery designs.
Persian embroidery is a type of Persian art and handicraft.
In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem. Most often, slip refers to a plant design stitched in canvaswork (pettipoint), cut out, and applied to a woven background fabric. By extension, slip may also mean any embroidered or canvaswork motif, floral or not, mounted to fabric in this way.
Young Yang Chung is a textile historian and embroiderer. She earned a Ph.D. at New York University in 1976, with a doctoral dissertation on the origins of embroidery and its historical development of China, Japan, and Korea, and has lectured worldwide on the topic of East Asian embroidery. Through lectures, demonstrations, writings, teaching, workshops, and exhibitions of her work, she has endeavored to foster appreciation of an art form often stigmatized as "women's work" and to challenge the notion of textiles as "minor arts".
English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.
Helen Kathleen Ramsay Whyte MBE (1909–1996) was a Scottish embroiderer and teacher of textile arts.
Jessie Newbery was a Scottish artist and embroiderer. She was one of the artists known as the Glasgow Girls. Newbery also created the Department of Embroidery at the Glasgow School of Art where she was able to establish needlework as a form of unique artistic design. She married the director of the Glasgow School of Art, Francis Newbery, in 1889.
Mary Merlin Kessell was a British figurative painter, illustrator, designer and war artist. Born in London, she studied at the Clapham School of Art, then later at the Central School of Arts and Crafts. At the end of the Second World War, she was commissioned to work in Germany as an official British war artist; one of only three women selected. She spent six weeks in Germany, travelling to the recently liberated Bergen-Belsen concentration camp as well as other major cities including Berlin. She produced charcoal drawings of refugees, primarily of women and children which she subsequently sold to the War Artists Advisory Committee. After the war Kessell collaborated with the Needlework Development Scheme, NDS, to produce experimental designs for machine and hand embroidery as well as working for Shell as a designer. She later returned to the Central School to teach at the School of Silversmithing and Jewellery alongside the painter Richard Hamilton.
Constance Mildred Howard, later Constance Parker, was an English textile artist and embroiderer who had a profound impact on the development and teaching of those subjects in Britain. The Constance Howard Gallery, part of Goldsmiths, University of London, is named in her honour.
Beryl Dean MBE was a British embroiderer. She was known for rejecting the traditional Victorian designs and for creating her own contemporary embroidery designs.
Louisa Pesel (1870–1947) was an English embroiderer, educator and textile collector. She was born in Bradford, and studied textile design at the National Art Training School, causing her to become interested in decorative stitchery. She served as the director of the Royal Hellenic School of Needlework and Lace in Athens, Greece, from 1903 to 1907. Pesel served as the first president of the Embroiderers' Guild. She produced samplers for the Victoria and Albert (V&A) Museum and cushions, kneelers, alms bags and a lectern carpet for Winchester Cathedral. She collected textiles extensively, and following her death in Winchester in 1947, her collection went to the University of Leeds.
Lilian Margery Dring was a British artist known for her paintings, poster designs and textile designs. needlework and embroidery work.
Margaret Helen Swain was an English embroidery and textile historian. Trained as a nurse in London, she began a career as a historian after noticing no history about Ayrshire whitework embroidery in books following an exhibition at the Signet Library which she visited. Swain's research on the subject resulted in the publication of several books, she held two exhibitions, and wrote about embroidery, household textiles and tapestries in museum journals, magazines and newspapers. She was awarded an honorary Master of Arts degree from the University of Edinburgh in 1981. A pencil portrait of Swain was made by Elizabeth Blackadder and a collection of papers and objects related to her career are stored at National Museums Scotland.
Winsome Douglas (1919-2016) was a British embroiderer and teacher active in the United Kingdom in the 1950s and 1960s. She was born in Hartlepool in County Durham in 1919, and died at the age of 97 on 28 December 2016 in Hartlepool.
References
- 1 2 3 4 "The Needlework Development Scheme". The Glasgow School of Art. Retrieved 26 October 2024.
- ↑ Heffernan, Sandra (22 March 2007). "Politics and trade in design: Emmy Zweybruck-Prochaska's influential textile designs in needlework development scheme collections". Textile. Oxford International Publishers Ltd. Archived from the original on 13 April 2016. Retrieved 8 May 2012.
- ↑ Heffernan, Sandra (2012). "Stitch Kings: the Influence of J & P Coats on Textile Design Education". Journal of Scottish Historical Studies. 37: 97–120 – via ResearchGate.
- ↑ "Folder (1960)". V&A. 1960. Retrieved 26 October 2024.
- 1 2 3 4 "Scottish Textiles Heritage Online". Scottish Textiles Heritage Online. 15 July 2003. Archived from the original on 16 June 2008. Retrieved 2 May 2012.
- ↑ "Needlework Development Scheme (1934-1961)". The University of Edinburgh Archives Online. The University of Edinburgh. Retrieved 26 October 2024.
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