Drawn thread work is one of the earliest forms of open work embroidery, and has been worked throughout Europe. Originally it was often used for ecclesiastical items and to ornament shrouds. [1] It is a form of counted-thread embroidery based on removing threads from the warp and/or the weft of a piece of even-weave fabric. The remaining threads are grouped or bundled together into a variety of patterns. The more elaborate styles of drawn thread work use a variety of other stitches and techniques, but the drawn thread parts are their most distinctive element. It is also grouped with whitework embroidery because it was traditionally done in white thread on white fabric and is often combined with other whitework techniques.
Drawn thread embroidery is a very early form of open work embroidery, and is the basis of lace. Drawn thread work from the 12th century was known as Opus Tiratum and Punto Tirato [1] from the Arab Tiraz workshops in Palermo. [2] : 109 Forms of drawn thread work were known and created throughout Europe, often for ecclesiastical purposes or to decorate shrouds. Early examples have been found in which the work is done on linen so fine that magnification is needed to see the work. [1]
The simplest kind of drawn thread work is hemstitching, which is often used to decorate the trimmings of clothes or household linens. The transition from elaborate hemstitching to more advanced styles of drawn thread work is not clearly defined.
This relatively easy type of drawn thread work is created by weaving (or darning) the embroidering thread into the laid warp or weft threads to create patterns of light-colored threads and dark openings in the drawn-thread cloth. Needleweaving is most often used for decorative borders. It is nearly always used in combination with other types of embroidery stitches. Together they create a complete design and, historically, in ethnic embroidery, distinctive embroidery styles, also known as "needle-darning."
In Ukrainian and some other Slavic languages, merezhka (мережка, pronounced [meˈrɛʒkɐ] ) is the general term for "drawn-thread" work. It includes all types of drawn-thread work including those mentioned in the paragraphs above. [3]
The term myreschka, a variant of merezhka, began to be used in some circles for a specific Ukrainian drawn-thread technique that is traditionally used in the central lands of Ukraine, especially in the regions of Poltava and Kyiv, and areas along the Dniepro (Dnieper) River, and some have come to call it "Poltava-style" merezhka.[ citation needed ] The technique has its own descriptive name in the Ukrainian language, which might be translated into English as "layerings".[ citation needed ]
The technique for doing Poltava-style "layerings"-merezhka basically involves withdrawing sets of parallel threads of weft while leaving others in place, then using the antique hem-stitch (called prutyk) and this special "layerings" technique to create both the openwork "net" and the design of embroidering threads upon the "withdrawn" part of cloth. The designs which can be created in this way can be simple and narrow, or as complex and wide (high) as any one-colored embroidery design.[ citation needed ]
Prutyk (may also be spelled prutik) is the "bunch" (switch or stick) that is created when you pull together each bunch of three threads together using hem-stitch. In Ukrainian, prutyk is simply another name for "simple hemstitch" (i.e.: merezhka-prutyk), or it can mean each tiny "bunch" in the hemstitching.
A form of double-drawnwork, where both warp and weft are removed at regular intervals, consists of wrapping the remaining threads into "bundles", using embroidery thread to secure them, thus creating something similar to a net. Then embroidery threads are woven in patterns into that net using needle weaving or needle darning. The result is a pattern of the design in white (or colored, depending on ethnic region) embroidery on the "openwork" background of netted cloth.
Hardanger embroidery is a style of drawn thread work that is most popular today. It originally comes from Norway, from the traditional district of Hardanger. The backbone of Hardanger designs consists of satin stitches. In geometrical areas both warp and weft threads are removed and the remaining mesh is secured with simple weaving or warping or with a limited number of simple filling patterns. The designs tend to be geometric, if they include flowers or such they are very stylized due to the nature of the technique. Hardanger never includes Buttonhole stitches, except for securing the edges of a piece of fabric. It is usually executed using rather coarse fabric and thread.
Much like Hardanger, Ukrainian cutwork belongs to the category of 'cut-and-drawn' work, since, unlike merezhka (drawn-work), threads of the ground cloth are cut both vertically and horizontally and thus create specifically larger cut-work openings in the body of the fabric, when compared with drawn-work. The Ukrainian word for cutwork embroidery is vyrizuvannya (pronounced veree-zoo-van-nya - translates into "cutwork"). There are several styles of Ukrainian cutwork, one of which closely resembles Hardanger cutwork.
Reticella lace is a form of embroidery in which typical techniques of needlelace are used to embellish drawn thread work. It was first used in 16th century Italy. Needlelace evolved from this when the lacemakers realized that they can do the same things without any supporting fabric. High quality reticella is done with thread almost as thin as sewing silk. Ruskin lace is in fact a near-modern form of it. Warp and weft threads are removed, and the remaining threads are overcast with buttonhole stitches, as in needlelace.
Another embroidery style that combines drawn thread work with needlelace techniques is Hedebo from Denmark, which originates from the area around Copenhagen and Roskilde. It uses techniques that are clearly distinct from reticella and traditional Italian needlelace on the one hand and Hardanger on the other. It does make extensive use of buttonhole stitches, but they are done slightly differently than in Italian embroidery.
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour.
A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', demonstration or a test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin exemplum, which means 'example'.
Hardanger embroidery or "Hardangersøm" is a form of embroidery traditionally worked with white thread on white even-weave linen or cloth, using counted thread and drawn thread work techniques. It is sometimes called whitework embroidery.
Counted-thread embroidery is any embroidery in which the number of warp and weft yarns in a fabric are methodically counted out for each stitch, resulting in uniform-length stitches and a precise, uniform embroidery pattern. Even-weave fabric is usually used, producing a symmetrical image, as both warp and weft yarns are evenly spaced.
Needle lace is a type of lace created using a needle and thread to stitch up hundreds of small stitches to form the lace itself.
Needlepoint is a type of canvas work, a form of embroidery in which yarn is stitched through a stiff open weave canvas. Traditionally needlepoint designs completely cover the canvas. Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work.
In everyday language, a stitch in the context of embroidery or hand-sewing is defined as the movement of the embroidery needle from the back of the fibre to the front side and back to the back side. The thread stroke on the front side produced by this is also called stitch. In the context of embroidery, an embroidery stitch means one or more stitches that are always executed in the same way, forming a figure. Embroidery stitches are also called stitches for short.
Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but it is also possible to darn with a sewing machine. Hand darning employs the darning stitch, a simple running stitch in which the thread is "woven" in rows along the grain of the fabric, with the stitcher reversing direction at the end of each row, and then filling in the framework thus created, as if weaving. Darning is a traditional method for repairing fabric damage or holes that do not run along a seam, and where patching is impractical or would create discomfort for the wearer, such as on the heel of a sock.
Broderie anglaise is a whitework needlework technique incorporating features of embroidery, cutwork and needle lace that became associated with England, due to its popularity there in the 19th century.
Chikan is a traditional embroidery style from Lucknow, India. Translated, the word means embroidery, and it is one of Lucknow's best known textile decoration styles. The market for local chikan is mainly in Chowk, Lucknow.
A balanced fabric is one in which the warp and the weft are of the same size. In weaving, these are generally called "balanced plain weaves" or just "balanced weaves", while in embroidery the term "even-weave" is more common.
Whitework embroidery is any embroidery technique in which the stitching is the same color as the foundation fabric. Styles of whitework embroidery include most drawn thread work, broderie anglaise, Hardanger embroidery, Hedebo embroidery, Mountmellick embroidery, reticella and Schwalm. Whitework embroidery is one of the techniques employed in heirloom sewing for blouses, christening gowns, baby bonnets, and other small articles.
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
Knitted fabric is a textile that results from knitting, the process of inter-looping of yarns or inter-meshing of loops. Its properties are distinct from woven fabric in that it is more flexible and can be more readily constructed into smaller pieces, making it ideal for socks and hats.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Cutwork or cut work, also known as punto tagliato in Italian, is a needlework technique in which portions of a textile, typically cotton or linen, are cut away and the resulting "hole" is reinforced and filled with embroidery or needle lace.
Buttonhole stitch and the related blanket stitch are hand-sewing stitches used in tailoring, embroidery, and needle lace-making.
The straight or running stitch is the basic stitch in hand-sewing and embroidery, on which all other forms of sewing are based. The stitch is worked by passing the needle in and out of the fabric at a regular distance. All other stitches are created by varying the straight stitch in length, spacing, and direction.
Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.
The term Hedebo embroidery covers several forms of white embroidery which originated in the Hedebo (heathland) region of Zealand, Denmark, in the 1760s. The varied techniques which evolved over the next hundred years in the farming community were subsequently developed by the middle classes until around 1820. They were applied to articles of clothing such as collars and cuffs but were also used to decorate bed linen.
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