Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term croc, which means 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or even plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.
Tatting is a technique for handcrafting a particularly durable lace from a series of knots and loops. Tatting can be used to make lace edging as well as doilies, collars, accessories such as earrings, necklaces, waist beads, and other decorative pieces. The lace is formed by a pattern of rings and chains formed from a series of cow hitch or half-hitch knots, called double stitches, over a core thread. Gaps can be left between the stitches to form picots, which are used for practical construction as well as decorative effect.
Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is split into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.
Sewing is the craft of fastening or attaching objects using stitches made with a sewing needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic era. Before the invention of spinning yarn or weaving fabric, archaeologists believe Stone Age people across Europe and Asia sewed fur and leather clothing using bone, antler or ivory sewing-needles and "thread" made of various animal body parts including sinew, catgut, and veins.
Needlepoint is a type of canvas work, a form of embroidery in which yarn is stitched through a stiff open weave canvas. Traditionally needlepoint designs completely cover the canvas. Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work.
Chain stitch is a sewing and embroidery technique in which a series of looped stitches form a chain-like pattern. Chain stitch is an ancient craft – examples of surviving Chinese chain stitch embroidery worked in silk thread have been dated to the Warring States period. Handmade chain stitch embroidery does not require that the needle pass through more than one layer of fabric. For this reason the stitch is an effective surface embellishment near seams on finished fabric. Because chain stitches can form flowing, curved lines, they are used in many surface embroidery styles that mimic "drawing" in thread.
Macramé is a form of textile produced using knotting techniques.
Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but using a sewing machine is also possible. Hand darning employs the darning stitch, a simple running stitch in which the thread is "woven" in rows along the grain of the fabric, with the stitcher reversing direction at the end of each row, and then filling in the framework thus created, as if weaving. Darning is a traditional method for repairing fabric damage or holes that do not run along a seam, and where patching is impractical or would create discomfort for the wearer, such as on the heel of a sock.
The following outline is provided as an overview of and topical guide to crafts:
A picot is a loop of thread created for functional or ornamental purposes along the edge of lace or ribbon, or crocheted, knitted or tatted fabric. The loops vary in size according to their function and artistic intention.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Walter Weldon FRS FRSE was a 19th-century English industrial chemist and journalist. He was President of the Society of Chemical Industry from 1883-84.
Emily Flora Klickmann was an English journalist, author and editor. She was the second editor of the Girl's Own Paper, but became best known for her Flower-Patch series of books of anecdotes, autobiography and nature description.
In the textile arts, a stitch is a single turn or loop of thread, or yarn. Stitches are the fundamental elements of sewing, knitting, embroidery, crochet, and needle lace-making, whether by hand or machine. A variety of stitches, each with one or more names, are used for specific purposes.
Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.
Thérèse de Dillmont was an Austrian needleworker and writer. Dillmont's Encyclopedia of Needlework (1886) has been translated into 17 languages. She owned a string of shops in European capitals and she was "one of the most important pioneers in the international and multicultural enterprise of hobby needlework in the late nineteenth century".
Sophie Tatum LaCroix was an American handcrafts designer, editor and author of 18 books on crochet, tatting, beadwork, quilting, needlework and embroidery in the early 1900s.
Eliza Warren née Jervis (1810–1900) was an English writer on needlework and household management, and editor of the Ladies' Treasury magazine. She was best-known professionally by the pen-name Mrs. Warren, but after a second marriage was also known as Eliza Francis and Eliza Warren Francis.
Matilda Marian Pullan —also writing under the pen names Mrs. Pullan and Aiguillette— was a prolific and influential 19th century British writer on needlework who contributed columns to a wide selection of periodicals in the 1840s and 1850s. She was the author of numerous books on needlework, especially the decorative forms known as fancywork, and she wrote a comprehensive encyclopedia on the subject. She was also an extremely successful businesswoman who ran a needlework supply shop that expanded to become a mail order business. Towards the end of her life, she moved to America, where she opened a consulting business whose clients included the actor Laura Keene.
Cornelia Mee, born Cornelia Austin, was a British knitting and crochet pattern designer and writer.
