Papercutting or paper cutting is the art of paper designs. Art has evolved all over the world to adapt to different cultural styles. One traditional distinction most styles share is that the designs are cut from a single sheet of paper as opposed to multiple adjoining sheets as in collage.
Paper-cut art appeared during the Jin dynasty in 4th century AD after the Chinese official Cai Lun invented paper in 105 AD. [1] The oldest surviving paper cutout is a symmetrical circle from the 6th-century Six Dynasties period, found in Xinjiang, China. [2] [3] Papercutting continued to be practiced during the Song and Tang dynasties as a popular form of decorative art. [3]
By the eighth or ninth century papercutting appeared in West Asia, in Europe it appeared after the 13th century–even as late as the 16th century (with Swiss and German scherenschnitte [see also silhouette])–and it appeared in Turkey in the 16th century as well.
Jianzhi ( Chinese : 剪紙, pinyin: jiǎnzhǐ) is a traditional style of papercutting in China, and it originated from cutting patterns for rich Chinese embroideries and later developed into a folk art in itself. Jianzhi has been practised in China since at least the 6th century AD. Jianzhi has a number of distinct uses in Chinese culture, almost all of which are for health, prosperity or decorative purposes. Red is the most commonly used colour. Jianzhi cuttings often have a heavy emphasis on Chinese characters symbolizing the Chinese zodiac animals. It is included in the UNESCO Intangible Cultural Heritage Lists, which was created in 2009. [4] The Chinese papercutting was recognized and listed because it has a history of more than 1500 years, and it represents cultural values of the people throughout China.
Modern paper cutting has developed into a commercial industry. Papercutting remains popular in contemporary China, especially during special events like the Chinese New Year or weddings. [5]
Japanese paper cutting is called kirie or kirigami (切り絵 or 切り紙, literally meaning cut picture or cut paper respectively). It is said to have developed after 610 AD when tesuki washi paper, invented in China, was brought to Japan by Doncho, a Buddhist monk from Korea. The Japanese commercialised paper making by hand, and by 800 AD their skills were renowned. [6] The abundance of Japanese washi meant paper cutting and offshoots such as kamikiri (performance papercutting in Edo Japan) developed at a very fast pace.
The washi paper used most predominantly across the world today for paper cutting, bookbinding, tapes and multiple other uses is not tesuki washi but actually Japanese Sekishu washi, a paper developed around 800 AD in the Sekishu region (modern-day Iwami in Japan) [1] and designated a UNESCO Intangible Cultural asset in 2009. [7] Paper cutting continues today in Japan in contemporary forms such as framed art, installations and paper cut sculpture.
Indonesian traditional art has been influenced by traditional Chinese artisans. Batik is an Indonesian traditional art and paper cutting. Batik is framed in profile to highlight its intricate detail.[ clarification needed ]
Several Philippine crafts employ paper cutting. During Filipino Christmas, the parol (a traditional star-shaped lantern) is embellished with coloured paper cut into various forms such as floral designs on the faces, pom-pons and "tails" on the points of the star.
There is also the art of pabalát (wrapper), where coloured paper is meticulously cut with small scissors and used to sheathe pastillas de leche (carabao milk candy) and other traditional sweets. Paper cutting is also involved in the creation of banderitas (bunting) that feature prominently in fiesta décor; these may be elaborate or plain-cut paper squares and triangles strung over streets.
Papercutting has been a common Jewish art form since the Middle Ages, connected with various customs and ceremonies, and associated with holidays and family life. Paper cuts often decorated ketubot (marriage contracts), mizrahs , and for ornaments on festive occasions. A story tells of Rabbi Shem-Tov ben Yitzhak ben Ardutiel, finding that his ink had frozen, continued to write the manuscript by cutting the letters into the paper. By about the 17th century, papercutting had become a popular form for small religious artifacts such as mizrachs and Shavuot decorations. In the 20th century, the art of Jewish papercutting was revived in Israel. Today it is most commonly used for mizrachs and ketubot.
Papel picado is the Mexican art of paper cutting. Tissue paper is cut into intricate designs with scissors or small, sharp chisels; this technique is frequently used to produce decorative banners.
The Slavic version of the art form of papercutting, popular in Belarus, Poland, and Ukraine, is called Wycinanki ([vɨt͡ɕiˈnaŋkʲi]) in Poland or Vytynanky (Витина́нки) in Ukraine or Vycinanki (Выцінанкі) in Belarus. Roosters, flowers, and holiday motifs are frequently the subject matter of these bright and multilayered artworks. [8] [ circular reference ]
During Christmas, flowers of cut and manipulated paper, fringed candy holders called crackers, [9] and ljuskrona which are covered with cut paper are often found in Swedish and Swedish-American homes.
There is a Swiss tradition of papercutting, especially in the Pays-d'Enhaut.
Silhouette can refer to the art of cutting outlines or portraits out of black paper. Modern-day papercutters typically follow one or more of the "traditional" styles listed above, while others have begun to expand the art into new styles, motifs, and designs. Contemporary papercutting is also sometimes associated with the art of stenciling, itself being derived from techniques used in graffiti art. The use of hand-cut stencils in graffiti art has received international attention in recent years due in part to the artist Banksy.
Origami is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin. The goal is to transform a flat square sheet of paper into a finished sculpture through folding and sculpting techniques. Modern origami practitioners generally discourage the use of cuts, glue, or markings on the paper. Origami folders often use the Japanese word kirigami to refer to designs which use cuts.
The art of paper cutting in China may date back to the 2nd century CE, when paper was invented by Cai Lun, a court official of the Eastern Han dynasty.
Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layered. Papermaking by hand is also a paper craft.
Origamic architecture is a form of kirigami that involves the three-dimensional reproduction of architecture and monuments, on various scales, using cut-out and folded paper, usually thin paperboard. Visually, these creations are comparable to intricate 'pop-ups', indeed, some works are deliberately engineered to possess 'pop-up'-like properties. However, origamic architecture tends to be cut out of a single sheet of paper, whereas most pop-ups involve two or more. To create the three-dimensional image out of the two-dimensional surface requires skill akin to that of an architect.
Papel picado is a traditional Mexican decorative craft made by cutting elaborate designs into sheets of tissue paper. Papel picado is considered a Mexican folk art. The designs are commonly cut from as many as 40-50 colored tissue papers stacked together and using a guide or template, a small mallet, and chisels, creating as many as fifty banners at a time. Papel picado can also be made by folding tissue paper and using small, sharp scissors. Common themes include birds, floral designs, and skeletons. Papel picados are commonly displayed for both secular and religious occasions, such as Easter, Christmas, the Day of the Dead, as well as during weddings, quinceañeras, baptisms, and christenings. In Mexico, papel picados are often incorporated into the altars (ofrendas) during the Day of the Dead and are hung throughout the streets during holidays. In the streets of Mexico, papel picados are often strung together to create a banner that can either be hung across alleyways or displayed in the home.
Archie Granot is a papercutting artist based in Israel. He works in traditional Jewish art, including ketubahs (ketubot), mizrachs, mezuzahs, haggadah and blessings for the Jewish life cycle, etc. Archie was born in London, England in 1946 and moved to Israel in 1967.
Scherenschnitte, which means "scissor cuts" in German, is the art of paper cutting design. The artwork often has rotational symmetry within the design, and common forms include silhouettes, valentines, and love letters. The art tradition was founded in Switzerland and Germany in the 16th century and was brought to Colonial America in the 18th century by Swiss and German immigrants who settled primarily in Pennsylvania.
Wycinanki in Poland or Vytynanky (Витина́нки) in Ukraine or Vycinanki (Выцінанкі) in Belarus, is a Slavic version of the art form of papercutting, popular in Belarus, Poland, and Ukraine.
Paper clothing is garments and accessories made from paper or paper substitutes.
Ise katagami (伊勢型紙) is the Japanese craft of making paper stencils for dyeing textiles. It is designated one of the Important Intangible Cultural Properties of Japan. The art is traditionally centered on the city of Suzuka in Mie Prefecture. It is different from ise washi, though both are made in Mie Prefecture.
A paper cut is a gap in skin opened by an edge of a piece of paper.
Jewish paper cutting is a traditional form of Jewish folk art made by cutting figures and sentences in paper or parchment. It is connected with various customs and ceremonies, and associated with holidays and family life. Paper cuts often decorated ketubbot, Mizrahs, and ornaments for festive occasions. Paper cutting was practiced by Jewish communities in both Eastern Europe and North Africa and the Middle East for centuries and has seen a revival in modern times in Israel and elsewhere.
Wang Zigan was a modern papercutting artist, master of arts and crafts, and famous Shanghai-style papercutter. His most important representative works are "The crowing of the cock", "Chicken eats centipede", etc. Some of his published works include "Selected papercutting works of Wang Zigan", "History of Shanghai papercutting" and "The creation of papercutting".
Shanghai-style papercutting is a variety of papercutting practiced in south China, and in particular in Shanghai.
Nahoko Kojima is a contemporary Japanese paper cut artist. She started Kirie under private tutelage at the age of five and continued throughout her formative years. In 1999 she moved to Tokyo and in 2004 she graduated from a degree in design at Kuwasawa Institute. An avid follower of fashion and trends, she found much of her inspiration in the city. She briefly pursued a career in graphic design in Tokyo before moving to London in 2005 to learn more of the Western culture of the arts. Her first solo Paper Cut show in London exhibited the five senses collection at the Epicurean Lounge in 2007.
Pabalat is a form of papercutting originating in the province of Bulacan in the Philippines. It involves making intricate papercut designs from wrappers used in pastillas and laminated as bookmarks, and usually made from papel de japon. Among the well-known practitioners of the craft are San Miguel residents Nene Luz Ocampo and her daughter, Naty Ocampo-Castro.
Kamikiri (紙切り) is the traditional Japanese art of papercutting, performed on stage to a live audience. Kamikiri as a style of performing art dates back to Edo period-Japan (1603-1867).
Paper cut sculpture, a form of papercutting, is a contemporary development of a traditional art form. Instead of flat, two-dimensional pieces, the art is given a three-dimensional form. Different artists have used a variety of different methods. A notable example is Nahoko Kojima, a Japanese artist who utilised nylon threads to suspend individual large sheets of washi paper to form the bodies of animals and other natural figures.
Christiane Luise Duttenhofer was a German papercutting artist. She was raised in a middle class Protestant family, who gave her some art education but did not permit her to become a professional artist. At the age of 28, she married her cousin, the engraver Christian Duttenhofer. Three of their seven children reached adulthood. After a voyage to Rome around 1805, where they met several German artists and experienced classical antiquity, the couple moved to Stuttgart. There, Duttenhofer was in contact with the educated bourgeoisie and also met famous authors like Jean Paul and Johann Wolfgang von Goethe.
Karen Bit Vejle is a Danish papercut artist. She lived in Trondheim, Norway from 1984 to 2014, and currently lives in Denmark.
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